![[Best, Daniel]のThe World vs Todd McFarlane (English Edition)](https://images-fe.ssl-images-amazon.com/images/I/51Xo6wjQc6L._SY346_.jpg)
内容紹介
It’d be hard to find anyone interested in comic books and their history who hasn’t heard of Todd McFarlane’s legal woes, but very few outside of McFarlane’s immediate circle know just how many legal fights he was facing as the 1990s closed. Virtually all of McFarlane’s court cases came down to three decisions, made by him alone. The first was to name a mobster in his Spawn comic after a hockey player, Tony Twist. The second was to hire Neil Gaiman to write a single issue of Spawn and the third came when he decided to buy all the remaining assets from Eclipse Comics at their bankruptcy sale. The first decision led to the Tony Twist trial, last two choices lead to Neil Gaiman filing suit and, ultimately, winning a portion of the Spawn universe and the hotly sought after, by some, character Miracleman.The Tony Twist trial was the beginning of a long, long period of uncertainty for Todd McFarlane and very nearly brought down the empire that he’d worked so hard to build. At its worst point, McFarlane was fighting to save his companies, to keep his characters and simply to survive. He was facing battles from several fronts, from people he did not previously personally know in the form of Tony Twist, to those whom he’d collaborated with, in the form of Neil Gaiman and also in bankruptcy courts. Clearly the fight that cost him the most, in pure financial terms, was that brought against him by Tony Twist. It would take years, and millions of dollars, to finally resolve. But the fight that potentially hurt him the most, both personally and professionally, was the one brought by Gaiman, as it gave the impression that McFarlane had appropriated characters created by Gaiman (albeit within the confines of the Spawn universe, along with Miracleman – but that’s a book in itself) without proper accounting, permission or payments. This, to the comic book industry at large, showed McFarlane to be no better than the corporations that he’d spent years rallying against – Marvel and DC Comics. It would take the better part of two decades before McFarlane would emerge free and clear from these fights. He came out of it battered, bruised, facing charges of hypocrisy and with a serious hit to his reputation, but he wasn’t totally beaten. Despite those who wished to see McFarlane fall completely from grace, he emerged relatively intact.
