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Venus & Mars

ポール・マッカートニーウイングスポール・マッカートニーズ・ウィングス形式: CD

4.7 1,319個の評価

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CD, オリジナルレコーディングのリマスター, インポート, 1993/6/14

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商品の説明

内容紹介

Digitally Remastered Version of the Hit Album with Listen to What the Man Said / Medicine Jar / Magneto and Titanium Man, plus Three Bonus Tracks Added: Zoo Gang / Lunch Box-Odd Sox / My Carnival.

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ウイングス最大のヒット作にして最高傑作となったアルバム『Band On The Run』（邦題『バンド・オン・ザ・ラン』）の興奮冷めやらぬ時期にリリースされたとあって、本作『Venus & Mars』にはすっかり調子を取り戻したポール・マッカートニーの姿がある。再び黄色い悲鳴を浴びる現役ロック・スターとなったポールは、青春の最後の輝きを楽しんでいるようだ。ファンの歓声は常にポールから最良のものを引き出す。そして本作は、より大きな賞賛を勝ち取っている前作と比べても、ほとんどひけを取らない出来ばえとなった。

ポールは自らのお気に入りのテーマである“セックス、ドラッグ、ロックン・ロール、そして結婚”から決して離れないが、「Listen To What The Man Said（あの娘におせっかい）」や「Letting Go（ワイン・カラーの少女）」のような華麗で軽快なナンバーに陽気な卑わいさを加味させる手法からは、彼の自信がはっきりと伝わってくる。「Rock Show」は、ザ・フーの「Long Live Rock（不死身のハードロック）」と並ぶ抱腹絶倒の自画自賛ソングとして70年代を代表するものだ。

本作の楽曲のうちでやや出来の落ちるものは、メロディーとアレンジを事もなげに操るポールの手腕によって救われている。出来のいいものは、ポールが本来の活力を取り戻したことを随所に感じさせる。軽薄で勝手気ままなのに、まったく嫌味がないのだ。ただし、「Crossroads（クロスロードのテーマ）」だけは邪悪な味つけがなされている。（Taylor Parkes, Amazon.co.uk）

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メーカーにより製造中止になりました ‏ : ‎ いいえ
製品サイズ ‏ : ‎ 12.7 x 14.61 x 1.27 cm; 90.72 g
メーカー ‏ : ‎ EMI Europe Generic
EAN ‏ : ‎ 0077778924128, 0766484408724
SPARSコード ‏ : ‎ AAD
レーベル ‏ : ‎ EMI Europe Generic
ASIN ‏ : ‎ B00000721O
ディスク枚数 ‏ : ‎ 1

Amazon 売れ筋ランキング: - 276,403位ミュージック (ミュージックの売れ筋ランキングを見る)
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カスタマーレビュー:
4.7 1,319個の評価

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1,319グローバルレーティング

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レビューのソート基準

上位レビュー、対象国：日本

レビューのフィルタリング中に問題が発生しました。後でもう一度試してください。

浦

君は、夜空に金星と火星を見たか？

2023年9月24日に日本でレビュー済み

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高校時代、リアルタイムで購入。部活で遅くなった時の帰り道でよく夜空の星を見て歩きながらレコードの曲を口ずさんでいた頃。バンドのウイングスとして力強く世界的ツアーも始まって。テレビでオーストリア公演も、親に隠れて屋根裏で電波受信ギリギリの室内アンテナで見ました。ウイングスとして最高のアルバムと思いますよ。次作と共に。私にとっては。

2022年11月2日に日本でレビュー済み

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若い頃レコードで聴いていたアルバム、CDで聴けて満足！

2人のお客様がこれが役に立ったと考えています

役に立った

すいきんくつ

ヘヴィでポップ、ワインカラーの少女

2022年7月3日に日本でレビュー済み

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タイトでストイック、かつシンプルなアイデアの宝箱だった、前作『バンド・オン・ザ・ラン』。ビルボートのトップに何度も返り咲く空前のヒットが、ポールにビートルズ以来の自信と余裕与えたことは容易に想像できます。このアルバムはそのふたつが、ジャケットのビジュアルからすでに滲みでている、新たなコンセプトとしてのグループ、ウイングスの華々しい出帆を飾った名盤です。
アメリカの市場とライヴ演奏を意識した構成は、ステージの熱気やライティングまで想像させ、こんな楽しそうなライヴならぜひ見たい、と思わせるポールの戦略の起承転結が余裕で楽しめます。音の使い手としても千手観音状態であり、「ロック・ショウ」のエンディングのピアノのリフや「レッティング・ゴー」のヘヴィなオフビートは、重たいのが好きなのかい？　こんなのだったらいくらでもできるよ、とポップに煽られているようです。

でもここには、前作や『ロンドンタウン』を束ねた、天才が追い詰められたときに見せる表現者としての凄みはありません。そのかわり、とにかく今を楽しもうというロックの資本主義的な意思に終始貫かれていて、その底に流れる自虐的できれいな空虚に、今は奇妙な懐かしさと愛おしさを感じます。

2人のお客様がこれが役に立ったと考えています

役に立った

似勢症状

異音が聞こえる

2022年1月28日に日本でレビュー済み

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’99年版紙ジャケ仕様購入
商品の状態及び収録曲はとても良かった。
ただし2曲目(ROCK SHOW）の00:52にて「ガッ」という異音が聞こえる。
ディスクには再生に支障を来すような傷は無いのだが・・・？？
あと他の人が指摘されていた音飛びについては確認できませんでした。

2021年5月19日に日本でレビュー済み

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特になし

2021年1月22日に日本でレビュー済み

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梱包もディスクも綺麗でした。
友人が大好きだったアルバムの一つで楽しんで聴いてます。

2021年1月13日に日本でレビュー済み

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このSHM-CDは、音の立ち上がりと分離が良く、スマフォに落として、聞くと中々良い、気に入ってるアルバムは買い漁ってる。
ポップスはいいけど、ロック系は音の歪みが薄くなって聴きやすくなってるのが難。

1人のお客様がこれが役に立ったと考えています

役に立った

まさる

ベスト

2021年1月8日に日本でレビュー済み

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ポールの個性的な曲ばかりです。
ウィングスとの協奏もベストです。

役に立った

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Beatlenik

Long Awaited Return of a Perfect Pop Confection

2014年11月4日にアメリカ合衆国でレビュー済み

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Defining Paul McCartney is like trying to pick up mercury. In 1970 he delivered a crushing blow with the dissolution of The Beatles and the release of a very, very, "raw" home-made album which many either outright hate or love (I fall into the latter camp but admit it is a "you have to be in the mood" album). Paul then released RAM in 1971 under the duo heading of Paul & Linda McCartney. This album won the hearts of many Beatles fans and despite heavy-handedness from the critics, both sold well and received much acclaim from the public. (This one falls into my absolute favorite position). Then a few months later in '71 he released an album called WINGS WILDLIFE, or at least that is the way we, the general public who didn't know any better, the way we understood the title, not Wildlife by Wings. Well, once you read the liner notes you kinda got the feeling something was happening where Paul and Linda were putting a "group" together with their drummer and a new recruit from the "old" Moody Blues, Denny Laine. The album got hammered, and even some fans didn't like it, but given enough time, and enough fan adoration, the album still carries a good listen or ownership and deserves much more credit that it initially got. Then Paul and Linda and Denny decided to dub themselves "Paul McCartney & Wings" (RED ROSE SPEEDWAY and the immortal BAND ON THE RUN). Macca has spent some considerable time and effort in remastering a few of these over the last few years, releasing them on Starbuck's Hear Label as The McCartney Archives Collection, and the resulting sonic wave is indeed beautiful and worth every consumer penny. I've been waiting for these two VENUS & MARS, and WINGS AT THE SPEED OF SOUND for years, literally years, as I never purchased them on CD, my vinyl wore out completely, and by the time I wanted them on CD, they were "collectibles" demanding a daunting price. So here they are, finally, on my player, with the same high definition sound waves that carried NEW, MEMORY ALMOST FULL, and all of the thus far released Archives Collection, to new heights of ear candy glory.

Sound? Immaculate, Pristine, Gorgeous, Amazing, Spectacular (that enough for you?), how does one describe it best... If you have previous Archives releases like RAM, or own the latest (NEW) solo releases, surely you must know that MPL and Hear Music have used the greatest available technology in rendering these old gems into digital form without compromising sound and by actually making that brand new vinyl LP you brought home decades ago sound even better! No Kidding! I always thought that CD's would never surpass the warmth and comfort of our vinyl albums, and though I sorely miss the big gatefold covers and posters and art for art's sake packaging and goodies, I have to admit that some CD releases have been nothing short of miraculous and the Archives Collection have all been supreme. Both V&M and SofS are magnificent!!!

For the newbies or the ones who wish to reminisce:

VENUS & MARS was tasked with following on the heels of one of the greatest selling post-Beatles Beatle-solo releases ever, Band On The Run. How do you follow an act like that?

After the dissolution of The Beatles, and up through BAND ON THE RUN, Paul McCartney had experimented and refined his "sound" down a middle path between rock and what was becoming Progressive Rock. Many of his singles and album songs were identified by critics as "silly love songs" and Paul would have an answer to that veiled insult soon. However, as a Beatle, with the continued adventuring in music, Paul's middle road could effectively be called Progressive Pop, as it meanders around from hard rock, to blues based rock, to somewhat jazz and classical influences, and yet manages to never stray too far into radical experimentation. For VENUS & MARS, the McCartneys and Denny Laine recruited another guitarist and drummer (originally Geoff Britton who was replaced by Joe English due to personality conflicts with 2nd guitarist Jimmy McCulloch). Now Wings had evolved into a semblance of a permanent band and the "McCartney" name was dropped from the band title.

VENUS & MARS uses a favorite musical method which is often loved by Paul, the continuous segues of tracks into each other a la ABBEY ROAD side two (or SGT PEPPER). The title track kicks off both side of the album (on record) and as a whole piece, V&M is a pastiche of classic-progressive-rock full of fun and adventure. You will rock out as Venus & Mars transitions into an arena rock anthem (Rock Show), sway to a pretty standard Macca love song (Love In Song), get retro American with Rudy Valle megaphone singing (a classic Beatle effect) on You Gave Me The Answer (a song Macca liked to dedicate to Fred Astaire in concert), rock out to a couple Marvel comics characters, then delve into a classic rock blue piece (Letting Go) which is one of the highlights of the album. This was the fitting end to side one on vinyl. Part two kicks off again with a Venus and Mars reprise, and then Denny Laine leads us through a psychedelic prog number (Spirits Of Ancient Egypt) and Jimmy M really rocks with lead vocals on Medicine Jar (another hot number and high point on the album). Call Me Back Again is a New Orleans styled blues track (the album for the most part was recorded there), raw and fun, and then the lead single from the album, Listen To What The Man Said features Dave Mason and Tom Scott in a swinging pop confection. That there would be enough to end the original album but Paul tacked on a double bill Treat Her Gently/Lonely Old People classic not so silly love song, and then closed the album by playing the theme song from a British soap opera program, Crossroads, as a one minute coda.

The result was another chart topper for McCartney, a well-engineered and produced album which sold like hot cakes and everyone and their dog were playing everywhere. If you want classic Paul McCartney that is not AM radio oriented, that treats the listener like an adult with taste, this is one to get! Long out of print, way longer than it ever deserved, VENUS & MARS was one of Macca's most precious gems, fully deserving as a solid follow-up to BAND ON THE RUN. Have fun with it and enjoy it for years to come. This one and its follow-on WINGS AT THE SPEED OF SOUND were the perfect children to BOTR, forming a trilogy of the best post-Beatles pop ever available.

Archives collection releases come with a bonus disc (and in ultra deluxe editions with DVD and assorted other goodies). The bonus discs have all so far included non-album singles and many alternate versions of songs from the famous One Hand Clapping performances, as well as tracks which did not make Wings Over America or were high quality concert performances from places like Glasgow.

VENUS & MARS contains some of the best of these offerings as well as a few "lost" alternate versions of tracks as works in progress, previous incarnations, etc. The One Hand Clapping tracks have consistently been the surprising best and often most interesting; Soily and Baby Face will be a big hit with Macca fans. The work in progress ("old version") of Rock Show is also highly welcome, as well as the non-album singles which could only, thus far, be found on hits/best of compilations. Juniors Farm was a song which stylistically belonged on BAND ON THE RUN and Sally G was always a concert favorite. If you are a devout McCartney Fan, then V&M Archives release is a must. If you are novice fan, and you loved BAND ON THE RUN, continue your journey here and by all means, pick up WINGS AT THE SPEED OF SOUND. These three albums were the pinnacle of 70's polished classic rock. Only one other, RAM is a must have in this run of the collection, unless you are a devotee, like myself, who latches on to everything.

MPL and Hear Music get my most huge endorsement possible!

47人のお客様がこれが役に立ったと考えています

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Ricardo Solis

Excelente producto y muy eficiente el servicio de entrega

2023年10月10日にメキシコでレビュー済み

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Todo perfecto, el producto súper recomendable y el servicio de Amazon y la entrega muy eficientes!

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Quiverbow

Planet sweet

2019年1月8日に英国でレビュー済み

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McCartney’s sixth ‘solo’ album wasn’t up there with his previous release but it was still pretty darn good. Originally released in May1975, it was later reissued in 1988 with three additional tracks (two of which are on the second disc here) and then again in 1993. It’s now been remastered and includes a second CD with previously unreleased McCartney ditties.

CD 1.

The original release has been reviewed extensively elsewhere, so there’s no point in going over old ground. Suffice to say, it now sounds wonderful and brings all the instruments to the fore even though ‘Crossroads’ should have been left in the vaults, but it was used as the end theme on the TV show for a few years.

CD2

With 14 bonus tracks, this is one of the better releases in the series. ‘Juniors Farm’ is a good A-side but the reverse of ‘Sally G’ is a terrific country tune, whilst the next two tracks also came out as a single credited to The Country Hams and ‘Walking In The Park With Eloise’ is a nice 1940s dance tune. ‘My Carnival’ isn’t that great and ‘Going To New Orleans’ is the same tune with different words. I think ‘Hey Diddle’ is instantly forgettable but the piano demo of ‘Lets Love’ had potential to be a good song. I remember seeing McCartney on stage at the Hammersmith Odeon (as it was then) back in September 1975 and he closed with ‘Soily’, a song that had never been recorded at the time. ‘Baby Face’ is him having fun on and old standard from the 20s, though it has been performed on stage a few times.

You can dismiss ‘Lunch Box/Odd Sox’ as a pointless filler, but ‘4th Of July’ might have been interesting had he taken it further than this basic guitar demo. ‘Rock Show’ on the other hand is completely different to that found on the album and well worth the seven minutes of listening time. I think it’s better and it probably would have been faded early had it been issued at the time. The rarely heard single version of ‘Letting Go’ is 60 seconds shorter, having the intro and ending truncated, and is a different mix to that on the LP.

Well worth investigating.

3人のお客様がこれが役に立ったと考えています

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paul f caloia

great album

2023年7月2日にアメリカ合衆国でレビュー済み

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i like the bonus track that comes with it

レビューを日本語に翻訳する

Steven Haarala

Venus and Mars are more than alright tonight

2014年4月9日にアメリカ合衆国でレビュー済み

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This is Sir Paul McCartney's best post-Beatle work. He has other good albums ("RAM" is my second favorite and "Band On The Run" my third), but this one sounds inspired and virtually perfect. Maybe it has something to do with the fact that it was recorded in New Orleans. I was living there when he and Linda came to town, and let me tell you, New Orleans in 1975 was a very loose place where you could let your hair down and breathe free. Whatever the reason, everything fell into place. The album is fun, upbeat and bright without being lightweight. The instrumentation by all is excellent. Paul, the consummate musician, offers a colorful palette of song styles, from regulation pop-rock to a 20's "Honey Pie" clone. The vocals are confident and on target, the tunes are melodic (Paul's specialty), and the lyrics cover a range of odd and interesting topics. My favorites are the "Venus and Mars" theme and its reprise, "Rock Show", "Magneto & Titanium Man", "Letting Go" (practically a deification of Linda - God, how he loved her!), "Spirits Of Ancient Egypt", "Call Me Back Again", and of course, the big hit "Listen To What The Man Said". OK, so, just about every song. I especially like the lyrics to the "Venus And Mars" reprise, and I think they embody the imaginative quirkiness that makes this such a good album: "Standing in the hall of the great cathedral/Waiting for the transport to come/Starship 21ZNA9/A good friend of mine/studies the stars/Venus and Mars/are alright tonight/Come away on a strange vacation/Holiday hardly begun...". I paid a pretty penny for this CD, but it was worth it. The sound is fantastic and the album brought back fabulous memories.

Three bonus tracks are included. "Zoo Gang" was written for a TV show and recorded at the "Band On The Run" sessions. It is odd, and it's rather hard to imagine as a TV theme. The other two, "Lunch Box/Odd Sox" and "My Carnival", were recorded in New Orleans at the "Venus And Mars" sessions. "Lunchbox" is rather funky, and "My Carnival" is an old-school New Orleans jazz party song commemorating Paul and Linda's enjoyment of Mardi Gras 1975. There is a very cool photo included which shows them out in the street celebrating with us locals!

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Venus & Mars

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