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Luc Tuymans (Contemporary Artists) (英語) ペーパーバック – 2003/10/1
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Luc Tuymans works almost exclusively in paint. In the tradition of Flemish and Spanish still-life genre painting, some works represent domestic scenes or commonplace objects. Other paintings have more political source material such as Nazi gas chambers or images associated with Flemish nationalism.
"Amongst other recently published monographs, the revised and enlarged edition of Phaidon's Luc Tuymans, from its Contemporary Artists Series is opportune as it is just in time for his major show at Tate Modern in the Summer of 2004. Indeed Tate will find it difficult to match the breadth and scale of this book in any exhibition catalogue it may choose to produce. Tuymans is rapidly gaining ground as the successor to Gerhard Richter as the History Painter of the late 20th Century, and this book, which amounts to a catalogue raisonne as nearly every one of his paintings is reproduced, goes some way towards confirming his reputation."-Andrew Wilson, deputy editor of Art Monthly On the Contemporary Artists Series "The boldest, best executed, and most far-reaching publishing project devoted to contemporary art. These books will revolutionize the way contemporary art is presented and written about."-Artforum "The combination of intelligent analysis, personal insight, useful facts and plentiful pictures is a superb format invaluable for specialists but also interesting for casual readers, it makes these books a must for the library of anyone who cares about contemporary art."-Time Out "A unique series of informative monographs on individual artists."-The Sunday Times "Gives the reader the impression of a personal encounter with the artists. Apart from the writing which is lucid and illuminating, it is undoubtedly the wealth of lavish illustrations which makes looking at these books a satisfying entertainment."-The Art Book商品の説明をすべて表示する
moderate in its charges
its price in Guangzhou academy of fine arts is rmb 375,in amazon just rmb 265,make me happy
This book may not be the definitive volume on his career to date, but it does supply information from the artist's words that is sadly lacking in other publications. He offers insights as to his choices of subject matter without denying that he often works with images that suggest if not illustrate violence. His images often are reproductions of the faces of well known people - such as Condoleeza Rice and Lumumba - capturing the aspect of the various 'models' he chooses to present the unspoken words they may be forming. He is unafraid to make painterly comments that are politically charged - a factor that helps make his art so poignant in today's world. He is a painter to observe and this fine book gives a solid introduction to his creativity. Grady Harp, January 11