Tchaikovsky: Rococo / Prokofiev: Sinfonia
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登録情報
- 製品サイズ : 14.5 x 12.9 x 0.99 cm; 167.83 g
- メーカー : Virgin Classics
- EAN : 5099969448607
- SPARSコード : DDD
- レーベル : Virgin Classics
- ASIN : B002WQ5CP8
- ディスク枚数 : 1
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Amazon 売れ筋ランキング:
- 890,974位ミュージック (の売れ筋ランキングを見るミュージック)
- - 48,316位室内楽・器楽曲
- - 62,061位交響曲・管弦楽曲・協奏曲
- - 367,712位輸入盤
- カスタマーレビュー:
商品の説明
内容紹介
`Gautier Capuçon plays the cello with the control and wisdom of a much older musician. The lightness of his touch and the consistent clarity of his bow strokes are quite admirable in themselves, but when combined with an uncanny sweetness of tone in the higher registers they are breathtaking.' Gramophone
A Frenchman in St Petersburg ... Gautier Capuçon joins Valery Gergiev (making his Virgin Classics debut) and the Mariinsky Orchestra for works by Tchaikovsky and Prokofiev These live performances were recorded in St Petersburg on 24th December 2008 when Gautier Capuçon was the guest of Russia's leading maestro - and one of the world's most prominent conductors - the protean Valery Gergiev and his Mariinsky Orchestra.
This is Gergiev's debut on Virgin Classics; Capuçon, of course, is one of the mainstays of the label and this is his third album of solo works with orchestra.
His recording of the Dvoøák and Victor Herbert concertos was released in early 2009. The Sunday Telegraph reported that: "This is not the first coupling of these works, but it is perhaps the most distinguished. The works have much in common and Gautier Capuçon makes the most of the music's melodic appeal. The Dvoøák receives a powerful and intense interpretation with some superb orchestral solos to match the soloist's eloquence," while The Guardian found that, in the Herbert, Capuçon "captures the work's rhapsodic ambitions and the lyrical charm of its slow movement perfectly ... this version just about has it all."
Gautier joined his brother, violinist Renaud for a recording of the Brahms Double Concerto, released in 2007. "There's something totally compelling about this performance of the Double Concerto from the first few bars," wrote The Guardian, "when Gautier Capuçon launches into the opening cello solo with a rhapsodic freedom and expressive abandon that seems to sweep all before it, gathering first his brother Renaud's violin playing and then the Gustav Mahler Jugend Orchestra and conductor Myung-Whun Chung into the same unstoppable flood of lyricism."
Tchaikovsky's Mozart-inspired Rococo Variations are a mainstay of the cello repertoire, but Prokofiev's Sinfonia Concertante features less frequently in concerts and recordings. The work was premiered in 1952 by Mstislav Rostropovich, with the equally legendary pianist Sviatoslav Richter deserting the keyboard for the conductor's baton. Its material is drawn from the composer's earlier cello concerto, written in the 1930s.
Product Description
`Gautier Capu輟n plays the cello with the control and wisdom of a much older musician. The lightness of his touch and the consistent clarity of his bow strokes are quite admirable in themselves, but when combined with an uncanny sweetness of tone in the higher registers they are breathtaking.' Gramophone
A Frenchman in St Petersburg ... Gautier Capu輟n joins Valery Gergiev (making his Virgin Classics debut) and the Mariinsky Orchestra for works by Tchaikovsky and Prokofiev These live performances were recorded in St Petersburg on 24th December 2008 when Gautier Capu輟n was the guest of Russia's leading maestro - and one of the world's most prominent conductors - the protean Valery Gergiev and his Mariinsky Orchestra.
This is Gergiev's debut on Virgin Classics; Capu輟n, of course, is one of the mainstays of the label and this is his third album of solo works with orchestra.
His recording of the Dvo�疚 and Victor Herbert concertos was released in early 2009. The Sunday Telegraph reported that: "This is not the first coupling of these works, but it is perhaps the most distinguished. The works have much in common and Gautier Capu輟n makes the most of the music's melodic appeal. The Dvo�疚 receives a powerful and intense interpretation with some superb orchestral solos to match the soloist's eloquence," while The Guardian found that, in the Herbert, Capu輟n "captures the work's rhapsodic ambitions and the lyrical charm of its slow movement perfectly ... this version just about has it all."
Gautier joined his brother, violinist Renaud for a recording of the Brahms Double Concerto, released in 2007. "There's something totally compelling about this performance of the Double Concerto from the first few bars," wrote The Guardian, "when Gautier Capu輟n launches into the opening cello solo with a rhapsodic freedom and expressive abandon that seems to sweep all before it, gathering first his brother Renaud's violin playing and then the Gustav Mahler Jugend Orchestra and conductor Myung-Whun Chung into the same unstoppable flood of lyricism."
Tchaikovsky's Mozart-inspired Rococo Variations are a mainstay of the cello repertoire, but Prokofiev's Sinfonia Concertante features less frequently in concerts and recordings. The work was premiered in 1952 by Mstislav Rostropovich, with the equally legendary pianist Sviatoslav Richter deserting the keyboard for the conductor's baton. Its material is drawn from the composer's earlier cello concerto, written in the 1930s.
カスタマーレビュー
上位レビュー、対象国: 日本
レビューのフィルタリング中に問題が発生しました。後でもう一度試してください。
収録作品はチャイコフスキー作「ロココの主題による変奏曲」およびプロコフィエフ作「協奏的交響曲」。全11トラック61分19秒。
兄ルノーとともに、アルゲリッチの随伴で初来日した頃は、まだ少年の面影を残していたゴーティエも、気がつけば間もなく三十代。フルニエ、トルトゥリエをはじめ、優れたチェリストの宝庫といわれるフランスにあって、すでに若手の筆頭格に数えられる存在だ。暗褐色のチェロ(彼のメイン楽器はヴェネツィアのゴフリラー工房製。もう一挺コントレラス製も愛奏しており。本作でどちらが使われたかは不明)を、 深く寝かせて奏でる姿はもはやお馴染みのもの。
本作でも、フレンチ・チェリストに特有とも思えるしなやかな運弓と、陽性で甘い音色が印象的。特にチャイコフスキーは彼の個性に良く合った楽曲で、とびっきりの美音を聴かせる。
いっぽう、プロコフィエフではその個性が心持ち裏目に出た印象で、この作曲家らしいオケのグロテスクな音塊と渡り合うには、チェロがやや上品に響き過ぎるようにも思える。ゲルギエフ/マリインスキー劇場管の演奏がこの曲の「正鵠を射た」、つまり大当たりの印象があるだけに、ソリストにも剛毅な音を求めてしまうのは、こちらの聴き方が間違っているのだろうか。ことスケール感という面で、近年の演奏ではトゥルルス・モルクやアルバン・ゲルハルトに一歩譲る感があり、そこが好みの分かれるところだろう。
なお(音楽の本質的な価値とは別の要素ではあるが)録音はきわめて優秀。オケの配置が手に取るように分かる音場の再現性に加え、楽音のソノリティを余すところ無く捉えたエンジニアリングは、LINN Records(スコットランドの高級オーディオメーカー、LINN社が主催するレーベル)のフィリップ・ホッブスが手がけたもの。チェロの美音を求める方にとって、本盤はファースト・チョイスになるはずだ。
他の国からのトップレビュー

In my own opinion, both works need a bit of advocacy, not just from the performers but probably also from their editorial associates. Tchaikovsky's Variations as we have them are apparently not as the composer first wrote them but have been rearranged to some extent by a strong-minded colleague called Fitzenhagen. Whether we have lost much through this interference I rather doubt. The concerto style never, in my opinion, shows us Tchaikovsky at his best, and this set of variations seems to me rather lightweight. Prokofiev's `Sinfonia Concertante' was premiered near the end of the composer's life (he died on the same day as Stalin), in 1952. It is actually a modified version of an earlier cello concerto, but one that apparently did not suit the players who gave the early performances under the baton of none other than Sviatoslav Richter. The prevailing atmosphere of threats and pressures from officialdom in Stalin's awful last years cannot have done much for Prokofiev's state of mind or even for his general health, and it is probably fair to say, with regret, that this 40+-minute monster is not one of his best efforts.
Even assuming all that, Tchaikovsky and Prokofiev are very great composers, and the right performers will get abundant value out of the two works. I find both performances here admirable, unsurprisingly when the rapport between soloist and conductor was as close and sympathetic as we have just been told. I don't have another version of the Prokofiev for comparison, but my collection contains plenty of his work, Gergiev is a noted exponent of it, so I seem to find the style fully authentic. The technical challenges are as nothing to Maitre Capucon, and the result is an account that I expect will satisfy indefinitely my wish for such. At the same time as acquiring this disc I also came by a performance of the Variations from Lynn Harrell on a 1979 ADD recording with Maazel and the Cleveland. This modern recording has a lot more body in the orchestral tone, but even at the level of the performance itself I find that Capucon's extra liveliness here and there shades it in his favour. How much market research you may require I don't know, but one account of the Sinfonia and two of the Variations are going to satisfy me for a long time to come. If they are enough for you as well, I'm confident you will not regret picking these.



