String Quintets 1 & 2 CD, インポート
Like Mozart, Brahms was a bit uncomfortable writing string quartets, where the desire to maintain an absolutely democratic discourse among the participants often led to overly dense textures and rhythmic heaviness. The extra viola part offered by the quintet medium, however, allowed both composers to relax a bit and write music with the richness of texture they both loved, without forcing. These two works really don't seem to get the attention that they deserve, either on recordings or in concert, but they are both vintage Brahms. Fortunately, Naxos seems to be dedicated to a complete survey of the chamber music of the great composers, and they are working with a very fine stable of artists. This disc is no exception. --David Hurwitz
Brahms composed the string quintet no. 1 in F major, op. 88 in 1882. By this time, he had composed his first two symphonies, the second piano concerto, and the violin concerto. The quintet is in three movements rather than the usual four and features melody. This quintet is one of Brahms's less often played chamber works. The first movement opens with a lyrical, strong, and rocking theme reminiscent of Schubert followed by a slower, even more songlike theme given first to the cello and then to the upper strings. The themes are developed with counterpoint, and upon the return the five instruments play in unison to lead to a triumphant conclusion. The second movement is actually a combination of a slow movement and a scherzo. It opens with a glowing slow theme in the middle strings which is interupted twice by rapid passages, in which Brahms borrowed from works written in his youth. The finale is in sonata form but is in counterpoint throughout. It opens with two large chords. Listen for the lively, giddy and piping theme that occurs throughout this movement in the high register of the violin accompanied by the low register of the cello.
The string quintet no 2 in G major op. 111 dates from 1890. By this time, Brahms had composed all four of his symphonies and had some fear that he might be burned-out as a composer. In fact, he wrote this work as his farewell to composition, but, fortunately, he did not follow-through on his intention. The work is in four movements, with the outer movements being strong and cheerful and the two middle movements melancholy and reflective. The work opens with a powerful theme for the cello which has to battle against a loud, ringing accompaniment in the higher strings to make itself heard. Brahms initially intended the opening theme of this work for a symphony. The second theme is a Vienniese dance which moves gracefully from the lower to the upper strings. The opening movement is lengthy but tightly written. It is exquisitely performed here. The second movement is a theme with variations that builds in intensity. Note the long frilly cadence for the solo viola before the theme returns near the end of the movement. (The term for this type of solo passage is "roulade".) The third movement is quiet and melancholy, slightly quick, with a contrasting waltz-like section in the middle. The finale is a brief and lively rondo, and in it Brahms used gypsy themes. Note the very fast, jerky dancing theme with which Brahms brings the work to a joyous conclusion. This quintet has always been more frequently performed than the first quintet.
Brahms himself expressed special affection for both his string quintets. In their lyricism and strength, they are excellent works for the new listener to Brahms's chamber music. I encourage you to get to know Brahms's string quintets with this fine CD.
I do enjoy this disc, and it is a very nice performance, but for me, my favorite version is the Hagen Quartet's Deutsche Grammophone (import) offering of the two pieces. It's more expensive, but it is worth the price in my opinion (if it is even still in print.) Another alternative would be the Leipzig Quartet on MD&G. However this recording is more than suitable for anyone who would like to expand their collection of Brahms' chamber works. It is some of his best chamber music, along with the Clarinet Quintet op. 115.