Songs from the Labyrinth
仕様 |
価格
|
新品 | 中古品 |
CD, インポート, 2006/10/10
"もう一度試してください。"
|
インポート | ¥1,769 | ¥20 |
CD, リミックス含む, スペシャル・エディション, 2008/10/21
"もう一度試してください。"
|
インポート, リミックス含む | ¥1,824 | ¥728 |
CD, CD, CD+DVD, 2013/10/22
"もう一度試してください。"
|
CD, CD+DVD |
—
|
¥864 | ¥1,300 |
CD, CD, インポート, 2008/9/9
"もう一度試してください。"
|
CD, インポート |
—
|
— | ¥1,254 |
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登録情報
- Is Discontinued By Manufacturer : いいえ
- 製品サイズ : 14.2 x 1 x 12.5 cm; 100 g
- メーカー : Deutsche Grammophon
- EAN : 0602517031395
- 製造元リファレンス : 1703139
- 時間 : 48 分
- SPARSコード : DDD
- レーベル : Deutsche Grammophon
- ASIN : B000G8OYZS
- ディスク枚数 : 1
-
Amazon 売れ筋ランキング:
- 167,500位ミュージック (の売れ筋ランキングを見るミュージック)
- - 45,370位輸入盤
- カスタマーレビュー:
商品の説明
内容紹介
2006 classical project from the former Police main man and successful solo artist featuring the music of acclaimed Elizabethan songwriter, John Dowland (1563-1626). Sting is joined on this recording by much-admired lutenist Edin Karamazov, in what he describes as "a soundtrack to Dowland's life in words and music". Packaged in a digipak. Deutsche Grammophon.
Product Description
2006 classical project from the former Police mainman and successful solo artist featuring the music of acclaimed Elizabethan songwriter, John Dowland (1563-1626). Sting is joined on this recording by much-admired lutenist Edin Karamazov, in what he describes as "a soundtrack to Dowland's life in words and music". Packaged in a digipak. Deutsche Grammophon.
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カスタマーレビュー
5つ星のうち4.3
星5つ中の4.3
203 件のグローバル評価
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トップレビュー
上位レビュー、対象国: 日本
レビューのフィルタリング中に問題が発生しました。後でもう一度試してください。
2016年10月25日に日本でレビュー済み
Amazonで購入
スティング。
あまりにも有名過ぎて、聴いていなかった私…
Englishman in NewYork
が、スティングだったのを知らなかった!私。
非難の声から非難したいです…
すみません。
English という、言語を、美しいと心から想える、彼の判りやすい発音の英国語。
年輪と共に、クラシカルな
枯れ葉が舞い降りる様が見える様な叙情詞。
彼の憂いを帯びた声。
ささやき…
秋の夜長に、一人。物思いを、し乍ら、聴いてみては如何でしょうか。
あまりにも有名過ぎて、聴いていなかった私…
Englishman in NewYork
が、スティングだったのを知らなかった!私。
非難の声から非難したいです…
すみません。
English という、言語を、美しいと心から想える、彼の判りやすい発音の英国語。
年輪と共に、クラシカルな
枯れ葉が舞い降りる様が見える様な叙情詞。
彼の憂いを帯びた声。
ささやき…
秋の夜長に、一人。物思いを、し乍ら、聴いてみては如何でしょうか。
ベスト500レビュアーVINEメンバー
2006年、Stingの作品です。
今回は、John Dowlandの曲集となっています。
John Dowlandは、16〜17世紀に活躍した、英国人作曲家(兼・リュート奏者)です。
時代的には、バッハetcのバロック期の前の、ルネッサンス期。
リュートの演奏 & StingのVoのみの、とてもシンプルな音像です。
歌詞は、恋愛や、愛を請う故の悲しみ etcの世俗的な感じです。
で、一番気になる音楽ですが、Stingの音楽に慣れ親しんでいる人なら、違和感無く聴けてしまいます。
「Sting = 現代のDowland?、Dowland = 中世のSting?」と思う人も多いと思います。
Stingの楽曲と同様に、頭から離れないようで、癖になります。
演奏は、
Sting (Vo, Archlute on 15,20), Edin Karamazov (Lute, Archlute) の2人です。
古楽の曲集、リュート & Voのみ、途中に手紙の朗読が入る etc、Stingの作品の中では特異な点はあるものの、
秋冬シーズンに聴くと、とても素晴らしいと思いますので、「☆5」とさせていただきました。
秋に聴くと、リュートの音が、とても枯れた感じを与えてくれ、秋の詩のようですし、
冬に聴くと、静謐かつシンプルな音像が、冬の澄んだ空気のように感じます。
個人的には、リリースされた9月、夏の疲れがドッと出ていたときでした。
このアルバムに出逢って、ホント癒されました。(アコースティク・ギターの癒しを、より上質にしたような感じでした)
「Stingファン」「Dowland, リュート etcに興味がある人」は、一度、聴いてみてください。
(参考)
ボーナストラック3曲追加、SHM-CD仕様の「 ラビリンス‾スペシャル・エディション 」があります。
今回は、John Dowlandの曲集となっています。
John Dowlandは、16〜17世紀に活躍した、英国人作曲家(兼・リュート奏者)です。
時代的には、バッハetcのバロック期の前の、ルネッサンス期。
リュートの演奏 & StingのVoのみの、とてもシンプルな音像です。
歌詞は、恋愛や、愛を請う故の悲しみ etcの世俗的な感じです。
で、一番気になる音楽ですが、Stingの音楽に慣れ親しんでいる人なら、違和感無く聴けてしまいます。
「Sting = 現代のDowland?、Dowland = 中世のSting?」と思う人も多いと思います。
Stingの楽曲と同様に、頭から離れないようで、癖になります。
演奏は、
Sting (Vo, Archlute on 15,20), Edin Karamazov (Lute, Archlute) の2人です。
古楽の曲集、リュート & Voのみ、途中に手紙の朗読が入る etc、Stingの作品の中では特異な点はあるものの、
秋冬シーズンに聴くと、とても素晴らしいと思いますので、「☆5」とさせていただきました。
秋に聴くと、リュートの音が、とても枯れた感じを与えてくれ、秋の詩のようですし、
冬に聴くと、静謐かつシンプルな音像が、冬の澄んだ空気のように感じます。
個人的には、リリースされた9月、夏の疲れがドッと出ていたときでした。
このアルバムに出逢って、ホント癒されました。(アコースティク・ギターの癒しを、より上質にしたような感じでした)
「Stingファン」「Dowland, リュート etcに興味がある人」は、一度、聴いてみてください。
(参考)
ボーナストラック3曲追加、SHM-CD仕様の「 ラビリンス‾スペシャル・エディション 」があります。
他の国からのトップレビュー

Matt182
5つ星のうち5.0
Ancient songs given new life
2014年11月9日に英国でレビュー済みAmazonで購入
This album was released on October 6th 2006. After releasing Sacred love (an album of original songs) in 2003 Sting once again, just like in the late 80's, began to suffer a bout of writer's block. With no new songs he decided to rediscover the songs of John Dowland and was introduced to lutenist Edin Karamazov through Sting's long time guitarist Dominic Miller. Together they created this album of songs written by John Dowland, a 16th-17th century Lute player who played in the courts of royalty including King Christian IV of Denmark but he never managed to receive the position he so heartedly coveted - to play in the court of Elizabeth I of England and later James I.
The album is a collection of Dowland’s songs, 1 by Robert Johnson who was a contemporary, and a letter written by Dowland to Sir Robert Cecil; secretary of state for Queen Elizabeth I when it was written in 1595. Sting calls it “a musical soundtrack” to the composers life and I think it’s a tribute that Dowland should be proud of. The booklet has plenty of information including the full story of the meeting of Karamazov, the life and times of John Dowland and Sting’s own experiences and opinions on the songs, as well as some original pictures of Dowland’s artefacts.
I actually bought the CD-DVD collection entitled ‘The journey and the labyrinth’ a year before I purchased the original album as I didn’t know how I would take the music and was putting it off for a while. When I watched the DVD documentary and listened to the live CD I was greatly impressed so decided I’d buy the original album and I’m very glad I did!
Having a mix of instrumental songs, lyrical songs - all melancholy in lyric but some being very bright and cheery in music such as Fine knacks for ladies (which uses a choir), the amazing Come again (1 of my favourites) and Clear or cloudy, and the pleading letter to Cecil, it really does give an insight into Dowland’s life and his feelings at the time. Dowland was obviously a very melancholy character, but with wry humour present in many of the lyrics, and some of the songs being quite upbeat and jolly, he definitely wasn’t what some describe as a ‘depressive‘.
My personal favourite from the album is the Robert Johnson (17th century lutenist not Blues musician) song Have you seen the bright lily grow? I can safely say it’s 1 of the most beautiful pieces of music I’ve ever heard. This album is full of real music, as Sting said; “there is nowhere to hide“, it’s just lute and vocal and that simplicity is where the beauty and quality lies. I could name all my favourites but really there isn’t one song that I don’t like. I am not a classically trained musician or a classical buff at all and I’m writing as a fan of a massive range of genres, classical being 1 that I do really appreciate. The music is amazing, and Karamazov’s talent is explicitly displayed in the instrumental Forlorn hope fancy. Together with Sting’s amazing vocals, which he says was a challenge for him, especially for Weep you no more sad fountains, these songs are carried with real eminence. The original album ends with In darkness let me dwell which Karmazov calls “The greatest song ever written in the English language” and was the first Dowland song Karamazov performed for Sting.
For this 2008 Australian and Asian tour special edition there are 3 bonus tracks - Fields of gold; which really fits in well with lute backing, Message in a bottle - live and Have you seen the bright lily grow - live. The live recordings, arguably have more life and vigour than the originals and sound just as great.
This is an incredible project and Sting has shown his versatility as a musician and singer with this masterpiece. I have a lot of respect for Sting because he respects the history of music and that is clearly depicted in this beautiful tribute to these 400 year old compositions. It's far more than just a cover album that's for sure!
The album is a collection of Dowland’s songs, 1 by Robert Johnson who was a contemporary, and a letter written by Dowland to Sir Robert Cecil; secretary of state for Queen Elizabeth I when it was written in 1595. Sting calls it “a musical soundtrack” to the composers life and I think it’s a tribute that Dowland should be proud of. The booklet has plenty of information including the full story of the meeting of Karamazov, the life and times of John Dowland and Sting’s own experiences and opinions on the songs, as well as some original pictures of Dowland’s artefacts.
I actually bought the CD-DVD collection entitled ‘The journey and the labyrinth’ a year before I purchased the original album as I didn’t know how I would take the music and was putting it off for a while. When I watched the DVD documentary and listened to the live CD I was greatly impressed so decided I’d buy the original album and I’m very glad I did!
Having a mix of instrumental songs, lyrical songs - all melancholy in lyric but some being very bright and cheery in music such as Fine knacks for ladies (which uses a choir), the amazing Come again (1 of my favourites) and Clear or cloudy, and the pleading letter to Cecil, it really does give an insight into Dowland’s life and his feelings at the time. Dowland was obviously a very melancholy character, but with wry humour present in many of the lyrics, and some of the songs being quite upbeat and jolly, he definitely wasn’t what some describe as a ‘depressive‘.
My personal favourite from the album is the Robert Johnson (17th century lutenist not Blues musician) song Have you seen the bright lily grow? I can safely say it’s 1 of the most beautiful pieces of music I’ve ever heard. This album is full of real music, as Sting said; “there is nowhere to hide“, it’s just lute and vocal and that simplicity is where the beauty and quality lies. I could name all my favourites but really there isn’t one song that I don’t like. I am not a classically trained musician or a classical buff at all and I’m writing as a fan of a massive range of genres, classical being 1 that I do really appreciate. The music is amazing, and Karamazov’s talent is explicitly displayed in the instrumental Forlorn hope fancy. Together with Sting’s amazing vocals, which he says was a challenge for him, especially for Weep you no more sad fountains, these songs are carried with real eminence. The original album ends with In darkness let me dwell which Karmazov calls “The greatest song ever written in the English language” and was the first Dowland song Karamazov performed for Sting.
For this 2008 Australian and Asian tour special edition there are 3 bonus tracks - Fields of gold; which really fits in well with lute backing, Message in a bottle - live and Have you seen the bright lily grow - live. The live recordings, arguably have more life and vigour than the originals and sound just as great.
This is an incredible project and Sting has shown his versatility as a musician and singer with this masterpiece. I have a lot of respect for Sting because he respects the history of music and that is clearly depicted in this beautiful tribute to these 400 year old compositions. It's far more than just a cover album that's for sure!

Nicholas Casley
5つ星のうち4.0
"Hark, you shadows that in darkness dwell"
2009年6月28日に英国でレビュー済みAmazonで購入
I prefer `classical' music to rock, but am not a lover of John Dowland's compositions; I prefer Sting's! So please bear this in mind when reading what follows. Usually the classical/rock crossover leads to neither side loving the result, but sometimes it does work, as here, largely because I think Sting has a genuine love and feel for the work of John Dowland; he no longer has to do this thing for kudos or for celebrity.
Sting does the vocals, but the vast majority of the lute work is done by Edin Karamazov. Of the twenty-three tracks, five are instrumentals and eleven are songs. The remaining seven tracks sees Sting interspersing the songs by reading extracts from Dowland's letters as he travelled around Europe.
Many listeners will be perhaps shocked at the soundworld of the first song, for it is not really what is expected. And yet, shock soon gives way to respect at the raw and not-so-raw techniques involved, such as Sting's harmonising with his own voice. One of the songs is by Robert Johnson, a younger contemporary of Dowland, and this definitely has a different feel to it.
The more I played this disc, the more I liked it (the exact opposite of most pop/rock), for the more I heard, the more I explored: there is here surprisingly much to discover for a disc featuring just two artists. Sting and Edin Karamazov have convinced me that indeed Dowland's songs have a feel for the modern-day, so it would have been interesting if Sting had done an accompanying disc where he performs the eleven songs in a modern setting.
There are good illustrated sleevenotes provided, outlining the history of this project. These include also the lyrics.
Sting does the vocals, but the vast majority of the lute work is done by Edin Karamazov. Of the twenty-three tracks, five are instrumentals and eleven are songs. The remaining seven tracks sees Sting interspersing the songs by reading extracts from Dowland's letters as he travelled around Europe.
Many listeners will be perhaps shocked at the soundworld of the first song, for it is not really what is expected. And yet, shock soon gives way to respect at the raw and not-so-raw techniques involved, such as Sting's harmonising with his own voice. One of the songs is by Robert Johnson, a younger contemporary of Dowland, and this definitely has a different feel to it.
The more I played this disc, the more I liked it (the exact opposite of most pop/rock), for the more I heard, the more I explored: there is here surprisingly much to discover for a disc featuring just two artists. Sting and Edin Karamazov have convinced me that indeed Dowland's songs have a feel for the modern-day, so it would have been interesting if Sting had done an accompanying disc where he performs the eleven songs in a modern setting.
There are good illustrated sleevenotes provided, outlining the history of this project. These include also the lyrics.

Sarah Marie Moses
5つ星のうち5.0
Sting : CD
2019年12月31日に英国でレビュー済みAmazonで購入
Unusual repertoire for Sting. However, music lovely. Both me and partner liked this CD.

Amanda
5つ星のうち4.0
Lovely lute
2019年8月16日に英国でレビュー済みAmazonで購入
Some songs work more than others, but overall, a pleasant and interesting cd

D.Austin
5つ星のうち5.0
A courageous effort from an old musical master!
2012年1月12日に英国でレビュー済みAmazonで購入
Many true Sting fans will know Sting wanted to make this album for over 20 years, thus its seasoned well in his soul for a great many years. A great CD for late night feasting, lovemaking or just doing the knitting! I'd love to see Sting do a CD of Shetland folk songs...(keep up the courageous streak Mr Sumner!)
現時点ではこのメニューの読み込みに問題があります。