The Signature of All Things (英語) ペーパーバック – 2014/6/24
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LONGLISTED FOR THE BAILEYS WOMEN'S PRIZE FOR FICTION SHORTLISTED FOR THE WELLCOME BOOK PRIZE From the moment Alma Whittaker steps into the world, everything about life intrigues her. Instilled with an unquenchable sense of wonder by her father, a botanical explorer and the richest man in the New World, Alma is raised in a house of luxury and curiosity. It is not long before she becomes a gifted botanist in her own right. But as she flourishes and her research takes her deeper into the mysteries of evolution, the man she comes to love draws her in the opposite direction - into the realm of the spiritual, the divine and the magical. The Signature of All Things soars across the globe of the nineteenth century, from London and Peru, to Philadelphia, Tahiti and beyond. Peopled with extraordinary characters along the way, most of all it has an unforgettable heroine in Alma Whittaker.
Unlike anything else she has ever written ... Its prose has the elegant sheen of a 19th-century epic, but its concerns - the intersection of science and faith, the feminine struggle for fulfilment - are especially modern -- Steve Almond International Herald Tribune The story of Alma Whittaker's journey of discovery has irresistible momentum -- Helen Dunmore The Times Ms Gilbert has established herself as a straight-up storyteller who dares us into adventures of worldly discovery, and this novel stands as a winning next act ... A bracing homage to the many natures of genius and the inevitable progress of ideas, in a world that reveals its best truths to the uncommonly patient minds -- Barbara Kingsolver International Herald Tribune Charming and compelling ... A big novel in all senses - extensively researched, compellingly readable and with a powerful charm that will surely propel it towards the bestseller lists -- Jane Shilling Daily Telegraph Gilbert has written the novel of a lifetime O, The Oprah Magazine Sumptuous ... Gilbert's prose is by turns flinty, funny, and incandescent New Yorker Quite simply one of the best novels I have read in years ... a bejewelled, dazzling novel -- Elizabeth Day Observer Readers prepared to enter Gilbert Time will be rewarded: she is an unflaggingly curious writer, prone to delightful touches ... Gilbert's period interests seem boundless - she explores everything from self-sacrifice, to homosexuality, Darwinism and Victorian pornography ... This is a novel to be chewed over, slowly -- Lucy Atkins Sunday Times A botanical odyssey through the nineteenth century, global in ambition, revelling in the period's insatiable curiosity about the world ... a tall tale, told with verve and wit Guardian Filled with dazzling storytelling -- Susie Boyt Financial Times Gilbert writes superbly well -- Wendy Holden Daily Mail An intricate, beautifully written historical novel ... A passionate paean to the 19th-century women of science who strove for achievement against the odds -- Anita Sethi Metro Gilbert's observations, of both characters and locations, make this an unexpected joy and in Alma she has created a truly unforgettable heroine -- Anita Chaudhuri Irish Examiner Astute and funny ... comes with generous helpings of optimism and romance. Cynics need not apply Irish Sunday Mirror Ambitious, boldly imagined and packed with authenticating detail, it engages very boldly with the interaction of art and science Andrew Motion, Guardian Gilbert reminds readers she can do, and undo, narratives through impeccably observed and original stories Independent Gilbert shows herself to be a writer at the height of her powers O Magazine Magnificent ... I was just a few pages into the book when I felt myself relax, aware that I was in the safe hands of a master story-teller -- Anna Carey The Irish Times My own 500-pager of choice? Elizabeth Gilbert's The Signature of All Things ... just read it ... Hugely enjoyable -- Viv Groskop Observer Books of the Year I can't stop thinking about The Signature of All Things by Elizabeth Gilbert Hillary Clinton, International New York Times This is a book to be chewed over, slowly Lucy Atkins, Sunday Times Every now and then, a book comes along that completely sweeps us up in the life of its heroine. The Signature of All Things is one of those books ... Its unique premise, imaginable characters, witty prose and galloping pace make it the story to immerse yourself in this summer Stylist商品の説明をすべて表示する
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The Signature of All Things is a big, ambitious book, beginning with the world-spanning exploits of one Henry Whittaker, thief turned botanist, in the late 1700s, before moving on to his daughter Alma about 50 pages in. Alma grows up fantastically wealthy and encouraged to follow scientific pursuits, falls in love with a local publisher, and you think you know where this is going.... but then, well, it doesn't go that way, and a third of the way through the book she's 48 years old, and then the real story begins.
One of the difficulties with this novel is that there's no real driving plot--or rather, Alma's life is the plot, though there are some significant time-skips--but it consistently defied my expectations and kept my interest. It's a book about the Enlightenment, with a lot of research and discovery and expanding of horizons, and I came away impressed with Gilbert's respect for science. Alma is someone whose intellectual life is as important to her (perhaps more so) than her emotional life, and most authors would have a hard time writing about that sort of character in a positive and believable way--which makes sense; writing a good novel almost always requires an author to be intensely interested in feelings. But Gilbert balances the science and emotion well, and even has me looking at mosses (Alma's specialty) with new eyes. Her writing style itself draws the reader in, energetic and engaging and far more polished than I expected from someone best known for a mega-bestselling mid-life-crisis memoir (judge me all you like for that).
But too often in this 499-page book I felt Gilbert was perhaps getting carried away with her writing. Whole sections go on far longer than necessary (the Tahiti episode, for instance); at least 50 pages could have been cut without harming the story. Worse, the book feels weighted more toward narrative summary than scenes, which means we're being told a lot about the characters and their activities rather than being in the story with them watching events unfold. I've noticed this problem in a number of recent novels, and I don't know whether it originates with authorial lack of confidence or just the desire to cram in everything about a character's life, but it results in a less engaging and memorable story. When Gilbert gets into the scenes, it's excellent: the solar system dance tells us more about Alma's childhood than all the summary preceding it, and lingers far longer in the reader's mind besides.
The biggest problem with all the summarizing is that it distances the reader from the characters. Alma is well-developed and believable, and I enjoyed her story, but my investment came more from curiosity to know what would happen next than any emotional connection to her (and for all the science, this is still a novel, so emotional connections are to be desired). The secondary characters are colorful and often intriguing, but suffer from being described more than shown. Prudence, in particular, is potentially fascinating but gets too little page time, leaving her relationship with Alma not quite believable (they grow up together from the age of 10, without access to other children, and maintain a polite distance the entire time?). Ambrose works because we see his relationship with Alma develop as she experiences it. Retta is bizarre--in fact, all Gilbert's women have extreme personalities of one sort or another, and by the time Retta was introduced my suspension of disbelief was breaking. Henry is a mess of contradictions not really explained by the 50 pages spent on his backstory, though beginning with his adventures rather than Alma's childhood was an astute choice. For the most part I believed in these people, but by zooming out too often Gilbert kept me from truly knowing them.
Overall, then, I found this a worthy novel but not a great one, though it has great potential that a firmer editor might have captured. Not having read Gilbert before, I found it a pleasant surprise and an enjoyable read, and admire its bold choices. I just wish it had been a bit more focused.
This is why I was surprised down to my socks when I gobbled the first 300 pages of this book down like a giant bucket of popcorn at the movies. I couldn't believe this book had been penned by the same author as Eat, Love, Pray. The writing was robust, the characters were compelling, the storyline riveting and most of all, there was a historical and educational richness that made you feel like you were getting smarter and smarter with every page you turned. In this way, Gilbert's novel reminded me of the historical fiction by authors James Michener and Leon Uris. I had even started imagining my critique to my reading group that would include such accolades as "one of my favorite books of all time."
Not so fast. Around page 300 I hit the skids with this book and hit them big. The reading went from sailing through chapter after chapter with the wind at my back on a sea of glass, to slogging my way through each page as if I were hip deep in a muddy bog with three bags of groceries in my arms. My sense is that Gilbert ran out of steam. In some ways, the story deflated slowly, as with the fortunes and foibles of some of the main characters, but mostly, there was a sudden shift in tone, storyline, and even the style of writing. I swear it seemed like a different person took over the writing of the last 200 pages. The longer that this workman-like writing and irksome plot continued, the angrier I got that the author had taken me to the celestial heights of reading pleasure, only to drop me to the dark depths of reading despair. Okay, that was a little dramatic, but you get my point. I wish Ms. Gilbert's editors had applied as firm a hand to the end of the book, as they did at the beginning.
Now, once and for all, I am done with Elizabeth Gilbert (unless, of course, she shows up on my doorstep and politely asks me to read her next book and then I certainly will.) :-)
Final note: almost everyone else in my reading group felt the same way I did. There were a couple of people who didn't like the book from the start, but for those who did, their feelings had changed drastically by the end.
The novel is full of small delights of writing. Money, Gilbert writes, follows Alma's father around "like a small, excited dog." The nineteenth century enchantment with science and the natural world is expressed fully and with the sense of wonder Alma and her family felt. Alma is educated in the 19th century way by her autodidact botanist father Henry and her classically educated Dutch mother, who want her to be able to understand the world on many levels. She does, and she doesn't.
Where the novel falters is in the secondary characters, notably Alma's adopted sister Prudence and their friend, Retta. Both characters are meant to offer contrasts to Alma's cerebral, carnal aspects, but as people they are not believable, nor are their marriages. The novel becomes a little unmoored--as does Alma--once she leaves White Acres for the greater world. These are strange false steps in an otherwise assured work.
But you know what? Who cares! It might take a little suspension of disbelief in the last third or so of "The Signature of all Things" but each page is still a pleasure and otherwise it might just be too perfect. May this quality novel have the success of Elizabeth Gilbert's other books. It would be nice to see it at the top of the NYT bestseller list.