The Sign
| 仕様 | 価格 | 新品 | 中古品 |
|
CD, CD, インポート, 1994/3/8
"もう一度試してください。" | CD, インポート |
—
| ¥1,978 | ¥1 |
|
CD, シングル, 1994/9/30
"もう一度試してください。" | シングル |
—
| ¥4,167 | ¥2,972 |
|
CD, シングル, インポート, 1994/9/30
"もう一度試してください。" | シングル, インポート |
—
| ¥4,639 | — |
|
CD, 2000/1/1
"もう一度試してください。" | 1枚組 |
—
| ¥4,975 | ¥360 |
|
CD, 2000/1/1
"もう一度試してください。" | 1枚組 |
—
| ¥14,548 | ¥1,422 |
|
CD, インポート, 1993/11/23
"もう一度試してください。" | 通常盤 |
—
| — | ¥1 |
|
CD, シングル, インポート
"もう一度試してください。" | シングル, インポート |
—
| — | ¥2,850 |
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曲目リスト
| 1 | All That She Wants |
| 2 | Don't Turn Around |
| 3 | Young And Proud |
| 4 | The Sign |
| 5 | Living In Danger |
| 6 | Dancer In A Daydream |
| 7 | Wheel Of Fortune |
| 8 | Waiting For Magic (Total Remix 7') |
| 9 | Happy Nation |
| 10 | Voulez-Vous Danser |
| 11 | My Mind (Mindless Mix) |
| 12 | All That She Wants (Banghra Version) |
商品の説明
Sign- Ace of Base
登録情報
- メーカーにより製造中止になりました : いいえ
- 製品サイズ : 14.27 x 12.5 x 0.84 cm; 108.86 g
- メーカー : Bmg/Arista
- EAN : 0093624627722, 0078221874021
- 商品モデル番号 : 07822 18740-2
- レーベル : Bmg/Arista
- ASIN : B000002VNS
- ディスク枚数 : 1
- Amazon 売れ筋ランキング: - 134,121位ミュージック (ミュージックの売れ筋ランキングを見る)
- - 8,884位ポップス (ミュージック)
- - 32,461位輸入盤
- カスタマーレビュー:
-
トップレビュー
上位レビュー、対象国: 日本
レビューのフィルタリング中に問題が発生しました。後でもう一度試してください。
2022年1月1日に日本でレビュー済み
Amazonで購入
タイトル通り在庫あった為非常に早かったです。商品は間違い無いです。
2015年10月20日に日本でレビュー済み
このCDの帯に不思議サウンドと書いてあったのでこの人自体知りませんが買ってみました
一曲目が印象に残る曲で確かにほかでは聞かないような不思議なサウンドでした
英語分かんなくて何言ってんだかわかりませんが
大人の女性がカッコよく浮気しに行くような曲に感じました
一曲目が印象に残る曲で確かにほかでは聞かないような不思議なサウンドでした
英語分かんなくて何言ってんだかわかりませんが
大人の女性がカッコよく浮気しに行くような曲に感じました
2013年7月28日に日本でレビュー済み
この頃のスウェーディシュポップのブレイクの先駆けとなったのはこのグループでしょう。ハイパワーでエネルギュシュなダンスミュージックが楽しいです。『the sign』『Allthat she wants』など前半の曲が特に分かりやすく踊れます。4つ打ちのベースのリズムに打ち込みサウンド、それに負けない力強さを持ったヴォーカルもカッコ良いですね。ちなみにこのデビュー盤、2000万枚の大ヒットです、売上もすさまじいパワーですね。
2011年4月8日に日本でレビュー済み
懐かしくてつい買ってしまった。聞きたい曲ってあんまりないんですけどね。
ものすごくノスタルジックになってよかった。
ものすごくノスタルジックになってよかった。
2008年2月6日に日本でレビュー済み
初めて買ったCDです。
今、改めて車なんかでかけると
懐かしさがこみあげてきます。
そしてやっぱりかっこいいなあと思います。
個人的にはシングルで出たものよりも
アルバムオリジナルの歌の方が好きです。
まだこの頃は音が薄いんで、
ベースがきいててかっこいい!
今、改めて車なんかでかけると
懐かしさがこみあげてきます。
そしてやっぱりかっこいいなあと思います。
個人的にはシングルで出たものよりも
アルバムオリジナルの歌の方が好きです。
まだこの頃は音が薄いんで、
ベースがきいててかっこいい!
2018年5月8日に日本でレビュー済み
Amazonで購入
ディスク自体には傷は無かったのですが、ケースがバキバキに割れてました。ちょっと残念でした。気分は台無しです。
2009年8月3日に日本でレビュー済み
Amazonで購入
某FM番組を聴いて流れてきた懐メロ。もしかして、ほかにも埋もれた曲があるかも、と思いアルバムを買いましたが、欲しかったタイトル曲しかありませんでした。シングルで十分でしょう。
他の国からのトップレビュー
jean claude
5つ星のうち5.0
tres bien
2023年8月10日にフランスでレビュー済みAmazonで購入
superbe best of merci
Jo
5つ星のうち5.0
Parfait !
2023年7月9日にフランスでレビュー済みAmazonで購入
CD bien emballé. Arrivé en parfait état. Dans les délais. Je recommande.
Tom P. the Underground Navigator
5つ星のうち5.0
Remains a classic 20 years on
2013年11月16日にアメリカ合衆国でレビュー済みAmazonで購入
There was something special about the year 1993. It just happened to be the year that I graduated high school for one, but just talking electronic dance pop music, something good must have been in the water then. One example that immediately comes to mind is that this year saw the initial release of Haddaway's mega-hit "What Is Love," which would of course go on to become an in-house standard on television programs like "Saturday Night Live" in the mid-'90s.
Shift across the world to the region of Scandinavia and enter the one and only Ace of Base. The group emerged from humble beginnings, with lead-off track and signature tune "All That She Wants" becoming a massive hit in 1992 in European dance clubs before the band was ever signed to a major label. It was clear from the group's overnight success that they were just too good to remain merely a cult, underground phenomenon for any longer.
Their debut full-length and the album being reviewed "the Sign" saw its North American release in November of 1993, exactly 20 years ago this month, and that's why I wanted to write this review as a means to commemorate this special occasion.
This CD is a monster success and engaging listen from beginning to end. I just previewed the whole disc as preparation for this review and there is not a single bad song to be found here, with several attaining absolute classic status. "All That She Wants," the group's aforementioned breakthrough single, is as catchy and vibrant as they come and is still a standard on FM radio to this day. "Living in Danger" captivates the listener with its danceable melodies and chorus. My favorite song of them all, though, is track number seven "Wheel of Fortune." Producer and studio mastermind Joker creates beats and soundscapes here that are so mesmerizing that they can bring one to an arguably higher state of consciousness from airing them. And let it be said that then-22-year-old principle vocalist Linn is not only a real Swedish blonde beauty on the outside, but an immeasurably talented frontwoman as well. Her vocal phrasings and stylings are so original and she really shines throughout the entire CD. Just as a sidenote, she is also publicly known to be a committed Christian as well, and as a fellow believer, I really like how she thanks her Lord and savior so prominently in the liner notes to the Ace of Base Greatest Hits compilation that was eventually released in 2000.
All in all, "the Sign" is a classic and life-affirming release that will likely remain in the annals of best dance pop records ever for a long time to come. Highly recommended.
[NOVEMBER 2016 UPDATE: After languishing in out of print obscurity for much of the last 20 years, in which these tracks were only available on the odd Greatest Hits compilation, or occasional plays on FM radio, Sony Entertainment finally gave this gem a much-needed reissue in 2015, in both CD and vinyl format. This is the version for sale here brand-new on this page, despite Amazon still currently listing it as the '93 Arista pressing -- that version has in reality been long since deleted. That's okay, because I received my Sony CD in the mail today (11-5-16), and am happy to report the audio has been given a slight remaster to bring it more up-to-date for the 21st century -- it is noticeably louder and more fluid-sounding than that old disc from the '90s, not to mention this reissue includes the LYRICS, which the '93 Arista version did not. As a lyrics aficionado, this is important to me, and again, with the excellent sonic upgrade sound-wise, I am discovering this lost masterpiece all over again today (I'm on my third or fourth spin for this day!). All in all, if you just own a scratched-up, beat-up old '90s copy, well, what are you waiting for? Plunk down the cash here on Amazon for a pristine, brand-new Sony copy -- it is money well-spent!)
Shift across the world to the region of Scandinavia and enter the one and only Ace of Base. The group emerged from humble beginnings, with lead-off track and signature tune "All That She Wants" becoming a massive hit in 1992 in European dance clubs before the band was ever signed to a major label. It was clear from the group's overnight success that they were just too good to remain merely a cult, underground phenomenon for any longer.
Their debut full-length and the album being reviewed "the Sign" saw its North American release in November of 1993, exactly 20 years ago this month, and that's why I wanted to write this review as a means to commemorate this special occasion.
This CD is a monster success and engaging listen from beginning to end. I just previewed the whole disc as preparation for this review and there is not a single bad song to be found here, with several attaining absolute classic status. "All That She Wants," the group's aforementioned breakthrough single, is as catchy and vibrant as they come and is still a standard on FM radio to this day. "Living in Danger" captivates the listener with its danceable melodies and chorus. My favorite song of them all, though, is track number seven "Wheel of Fortune." Producer and studio mastermind Joker creates beats and soundscapes here that are so mesmerizing that they can bring one to an arguably higher state of consciousness from airing them. And let it be said that then-22-year-old principle vocalist Linn is not only a real Swedish blonde beauty on the outside, but an immeasurably talented frontwoman as well. Her vocal phrasings and stylings are so original and she really shines throughout the entire CD. Just as a sidenote, she is also publicly known to be a committed Christian as well, and as a fellow believer, I really like how she thanks her Lord and savior so prominently in the liner notes to the Ace of Base Greatest Hits compilation that was eventually released in 2000.
All in all, "the Sign" is a classic and life-affirming release that will likely remain in the annals of best dance pop records ever for a long time to come. Highly recommended.
[NOVEMBER 2016 UPDATE: After languishing in out of print obscurity for much of the last 20 years, in which these tracks were only available on the odd Greatest Hits compilation, or occasional plays on FM radio, Sony Entertainment finally gave this gem a much-needed reissue in 2015, in both CD and vinyl format. This is the version for sale here brand-new on this page, despite Amazon still currently listing it as the '93 Arista pressing -- that version has in reality been long since deleted. That's okay, because I received my Sony CD in the mail today (11-5-16), and am happy to report the audio has been given a slight remaster to bring it more up-to-date for the 21st century -- it is noticeably louder and more fluid-sounding than that old disc from the '90s, not to mention this reissue includes the LYRICS, which the '93 Arista version did not. As a lyrics aficionado, this is important to me, and again, with the excellent sonic upgrade sound-wise, I am discovering this lost masterpiece all over again today (I'm on my third or fourth spin for this day!). All in all, if you just own a scratched-up, beat-up old '90s copy, well, what are you waiting for? Plunk down the cash here on Amazon for a pristine, brand-new Sony copy -- it is money well-spent!)
ScottPaul ScottPaul
5つ星のうち4.0
90s Dance Estravaganza With A Brain for a Happy, if not Ecstatic Nation
2011年5月17日に英国でレビュー済みAmazonで購入
One of the biggest selling debuts of all time, no mean feat either, not least as, not only where Ace Of Base a European act, but they totally conquered America, seeling as many copies over there as anywhere else. Such an instant and huge success set the bar high, too high perhaps, but looking back, as good as this album is, it's sadly not perfect, and they have actually both equalled it and bettered it since.
But in 1993, when all the synth-driven gems of new wave and other musical styles gave way to dreary grunge pop and aimless, brainless dance-drivel, Ace Of Base appeared to adroitly marry the dancefloor with a clear intelligence barely seen then and since.
Never as strong as Abba, yet arguably mining more styles than Roxette, Ace of Base hit with the unique chart-topping singles 'All That She Wants' and 'The Sign'. Both tunes are perfect, though their version of 'Don't Turn Around' is their weakest single alongside the 1998 motown attempt 'Always Have, Always Will'. The problem is mainly the song-it's typical slushy gush from the pen of Diane Warren, and it could only be made palatable by the powerhouse approach from a set of lungs like Pat Benatar or Laura Branigan. In fact Bonnie Tyler has covered it too, with the best results yet, but it sadly wasn't a single. How Ace Of Base got a hit with it is no mystery-they were on a high in their first year and could have got a hit with a nursery rhyme. Their light musical and vocal approach is just too flimsy to engage on an already unsatisfactory song, though they still beat Aswad's version.
Their other singles have no such problem-the accidentally (?) ambiguous 'Living In Danger', ever-so-slightly eerie Enigma-like title track of the album which showcases their early knack of ingeniously delivering a sombre, even melancholic tune that totally belies the title, and the uniquely standout 'Wheel Of Fortune'. Both these two were pleasingly offbeat, even risky releases over more obviously rapturous, but less flavourable dance-floor fodder like 'Voulez-Vous Danser'-the first of an Abba reference they use on every album, and nice hints of growth to come, and an urge to be known beyond a drug-fuelled dancefloor.
Shades of Adamski's Killer, Haddaway and some other good techno-tunes show up in 'Dancer In A Daydream', exuberant 'Young And Proud' and 'Waiting For Magic', though the version of it on this album is a charmless, pedestrian 90s dancefloor mess with over-hyper vocals that lack the beauty and slight atmosphere of the 1st version on the initial version of their album (and on their 2002 collection). Along with 'Young And Proud',the insistent and delicious 'Hear Me Calling'-complete withcharming police-siren music should have been singles over the irritatingly twee 'Don't Turn Around'.
What weakens this huge-selling album over its less-well known but more artistically pleasing and mature follow-ups are the inclusion of two truly horrible nightmares. The offensively repetitive, pointless 'Fashion Party' is more a continous show-loop of demo-rap you'd warm up a booze-filled bender. "You loser" she sings, and I'd say careful there! As for the rap, even the vocals, is this actually the same group. The horrific dance-dirge of actual losers like 2 Unlimited are brought to mind-not something a clean, tuneful Nordic break-out group should be going for. The other worthlessness is 'My Mind'-another repetitive, directionless ode-to dancing irritation concentrating on the early 90s reliance on drum machines and sampled two-word sentences to get by. She says "everyone, everywhere" one more time...!
Why this album sold how it did was it shot perfectly into the techno-fuelled rave culture of its time, which also led to AOB being seen as little but groove-fodder, and this album does underline that truth in places. But the more lyrical and tuneful approaches do stand the test of time, pointing to a burgeoning songwriting skill that would ditch simple dancefloor gimmicks for artistic integrity and thank God for artistic development for the furture. The 2nd album would be even better, but anyone with a love of 90s techno, and a generous smattering of tuneful twinges among early songwriting promise should own this album, ignoring the two naff tracks mentioned, as it is a hugely worthwhile purchase for anyone that has lost their copy, or missed them in the annals of time. The extra mixes of 'All That She Wants' and 'Happy Nation' are middling at best, and do not challenge the brill originals at all.
All in all, they made the hugely diminishing music scene of 1993 a very Happy Nation. And would contiue to do so till both girls sadly left just a decade later.
But in 1993, when all the synth-driven gems of new wave and other musical styles gave way to dreary grunge pop and aimless, brainless dance-drivel, Ace Of Base appeared to adroitly marry the dancefloor with a clear intelligence barely seen then and since.
Never as strong as Abba, yet arguably mining more styles than Roxette, Ace of Base hit with the unique chart-topping singles 'All That She Wants' and 'The Sign'. Both tunes are perfect, though their version of 'Don't Turn Around' is their weakest single alongside the 1998 motown attempt 'Always Have, Always Will'. The problem is mainly the song-it's typical slushy gush from the pen of Diane Warren, and it could only be made palatable by the powerhouse approach from a set of lungs like Pat Benatar or Laura Branigan. In fact Bonnie Tyler has covered it too, with the best results yet, but it sadly wasn't a single. How Ace Of Base got a hit with it is no mystery-they were on a high in their first year and could have got a hit with a nursery rhyme. Their light musical and vocal approach is just too flimsy to engage on an already unsatisfactory song, though they still beat Aswad's version.
Their other singles have no such problem-the accidentally (?) ambiguous 'Living In Danger', ever-so-slightly eerie Enigma-like title track of the album which showcases their early knack of ingeniously delivering a sombre, even melancholic tune that totally belies the title, and the uniquely standout 'Wheel Of Fortune'. Both these two were pleasingly offbeat, even risky releases over more obviously rapturous, but less flavourable dance-floor fodder like 'Voulez-Vous Danser'-the first of an Abba reference they use on every album, and nice hints of growth to come, and an urge to be known beyond a drug-fuelled dancefloor.
Shades of Adamski's Killer, Haddaway and some other good techno-tunes show up in 'Dancer In A Daydream', exuberant 'Young And Proud' and 'Waiting For Magic', though the version of it on this album is a charmless, pedestrian 90s dancefloor mess with over-hyper vocals that lack the beauty and slight atmosphere of the 1st version on the initial version of their album (and on their 2002 collection). Along with 'Young And Proud',the insistent and delicious 'Hear Me Calling'-complete withcharming police-siren music should have been singles over the irritatingly twee 'Don't Turn Around'.
What weakens this huge-selling album over its less-well known but more artistically pleasing and mature follow-ups are the inclusion of two truly horrible nightmares. The offensively repetitive, pointless 'Fashion Party' is more a continous show-loop of demo-rap you'd warm up a booze-filled bender. "You loser" she sings, and I'd say careful there! As for the rap, even the vocals, is this actually the same group. The horrific dance-dirge of actual losers like 2 Unlimited are brought to mind-not something a clean, tuneful Nordic break-out group should be going for. The other worthlessness is 'My Mind'-another repetitive, directionless ode-to dancing irritation concentrating on the early 90s reliance on drum machines and sampled two-word sentences to get by. She says "everyone, everywhere" one more time...!
Why this album sold how it did was it shot perfectly into the techno-fuelled rave culture of its time, which also led to AOB being seen as little but groove-fodder, and this album does underline that truth in places. But the more lyrical and tuneful approaches do stand the test of time, pointing to a burgeoning songwriting skill that would ditch simple dancefloor gimmicks for artistic integrity and thank God for artistic development for the furture. The 2nd album would be even better, but anyone with a love of 90s techno, and a generous smattering of tuneful twinges among early songwriting promise should own this album, ignoring the two naff tracks mentioned, as it is a hugely worthwhile purchase for anyone that has lost their copy, or missed them in the annals of time. The extra mixes of 'All That She Wants' and 'Happy Nation' are middling at best, and do not challenge the brill originals at all.
All in all, they made the hugely diminishing music scene of 1993 a very Happy Nation. And would contiue to do so till both girls sadly left just a decade later.
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![Gold [Analog]](https://images-fe.ssl-images-amazon.com/images/I/71oNb20xxUL._AC_UL160_SR160,160_.jpg)


![Happy Nation - Picture Disc Vinyl [Analog]](https://images-fe.ssl-images-amazon.com/images/I/61Oxky+GluL._AC_UL160_SR160,160_.jpg)
