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Sibelius;Symphonies 3 + 5 Import

Sibelius (アーティスト), Jansons (アーティスト) 形式: CD

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登録情報

CD (1996/4/23)
ディスク枚数: 1
フォーマット： Import
レーベル: EMI Classics Imports
ASIN: B000002RVR
JAN： 0724355553324
おすすめ度： この商品の最初のレビューを書き込んでください。
Amazon 売れ筋ランキング: ミュージック - 1,733,526位 (ミュージックの売れ筋ランキングを見る)
- 109305位 ─ ミュージック > クラシック > 交響曲・管弦楽曲・協奏曲
- 953625位 ─ ミュージック > 輸入盤

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曲目リスト

ディスク：1

1. Sym No.3 in C, Op.52: I. Allegro Moderato

2. Sym No.3 in C, Op.52: II. Andantino Con Moto, Quasi Allegretto

3. Sym No.3 in C, Op.52: III. Moderato - Allegro (Ma Non Tanto)

4. Sym No.5 in E flat, Op.82: I. Tempo Molto Moderato -

5. Sym No.5 in E flat, Op.82: Allegro Moderato - Presto

6. Sym No.5 in E flat, Op.82: II. Andante Mosso, Quasi Allegretto

7. Sym No.5 in E flat, Op.82: III. Allegro Molto - Un Pochettino Largamente

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Bernard Michael O'Hanlon

A Pretender to the Throne

2014年7月8日 - (Amazon.com)

In the Land of the Blind, the one-eyed man is king. When Simon "Patch" Rattle does a Dunkirk in 2018, who will be empurpled by the legions of Berlin? Heavens to Betsy, let it not be one of the prospective "boy-emperors" - namely, Paavo Järvi, Yannick Nézet-Séguin or Andris Nelsons - good lord. It could be the Day of the Tadpole. Thielemann is in the mix even if his inspiration is fitful. Barenboim will covet Berlin until the day he is entombed: his age notwithstanding, discount him not.

Recently that old campaigner - Mariss Jansons - was nominated by the Chief Procurement Officer of the Australian Knappertsbusch Association (in lieu of anyone else suitable). In the early Seventies, Karajan asked him to become his assistant at the Philharmonie; for whatever reason, the Soviets blocked the initiative. I've never been impressed by his output. I cannot comment on his Mahler or Shostakovich. Mention his Tchaikovsky cycle and the CNBF factor kicks in and profoundly so. His recent Bruckner, Haydn and Beethoven are underdone. Mozart is absent and ominously so. While Jansons will need to avoid Boot Hill in the interim (he'll be 75 in 2018), could he serve as a competent Nerva-like emperor of a shortish reign in the hope that better days come?

This discussion was enough to send me back to my collection and ferret out this old recording. Here, MJ faces stiff competition: Karajan in the Fifth Symphony (I prefer EMI over DG) and Okku Kamu and the Helsinki Radio Symphony Orchestra in the Third (it's an instance where participants were touched by the Hand of God).

Again, I would be hard-pressed to say that these performances are anything more than competent, polished and thoughtful. Janson's pacing cannot be faulted. He elicits a spirited response from the Oslo Philharmonic - a solid, second-tier orchestra with an underwhelming lower string-section. Both symphonies are portals of Otherness - or should be. Here, in contrast to his rivals above, no transfiguration is on offer. Jansons, in this instance at least, fails the Hotspur Principal: anyone can summon the spirits from the vasty deep - but will they come?

"Yes, these are the dog days, Fortunatus." In the hope of averting a greater disaster, may empurplement be his even if such a prospect is not the stuff of dreams.

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Santa Fe Listener

The young Jansons and his eager orchestra acquit themselves well

2007年6月25日 - (Amazon.com)

This 1994 coupling of the Sibelius Third and Fifth has now been reissued in a budget two-fer by EMI, along with the Second Sym. All performances are vivid and well played. As the reivewer below says, the Oslo Phil. displays an affinity for this music. They are eager and committed, two things that can't be said for Colin Davis's three cycles with the Boston Sym. (Philips) and the LSO (on rCA and the orchestra's house label, LSO Live), which seem a bit stuffy and over-refined at times. Here the music-making is quite fresh. Jansons' tempos stay on the fast side of conventional, which also helps.

Weaknesses? The orchestra's tone lacks weight, and there is a lack of power at times. And although talented, the young Jansons wasn't the equal of Bernstein when he recorded both works in grand style with the NY Phil. on Sony. Jansons' instincts are conventional; therefore you can't expect the originality or supreme authority displayed by such varied conductors as Bernstein, Karajan, Barbirolli, or Beecham. In the bargain two-fer, however, the issue of price comes up, and for the price, these are fine performances. I'd rank them on a par with Rattle and the CBSO, also on EMI.