このレコードを持っていますが、最近はほとんど聞く機会がありません。
なんと6曲もBONUS TRUCKがあるとのことで、購入しようかと思っています。
20年以上前、パンクにはまっていた中学生の私は、
音楽雑誌で「歯の隙間からパンクが聞こえる」とのレビューを見て
試聴もせずに買いましたが、聞いてみて笑顔が広がったのを今でも
思い出します。
POGUESのベストはこのアルバムだと思います。どの曲も大好きで
何度聞いたことか。
またゆっくり聞いて見たいと思います。
プライム無料体験をお試しいただけます
プライム無料体験で、この注文から無料配送特典をご利用いただけます。
| 非会員 | プライム会員 | |
|---|---|---|
| 通常配送 | ¥410 - ¥450* | 無料 |
| お急ぎ便 | ¥510 - ¥550 | |
| お届け日時指定便 | ¥510 - ¥650 |
*Amazon.co.jp発送商品の注文額 ¥2,000以上は非会員も無料
無料体験はいつでもキャンセルできます。30日のプライム無料体験をぜひお試しください。
Rum Sodomy & The Lash
| 仕様 | 価格 | 新品 | 中古品 |
|
CD, CD, インポート, 2005/1/11
"もう一度試してください。" | CD, オリジナルレコーディングのリマスター | ¥1,137 | ¥1,137 | — |
|
CD, インポート, 1994/3/7
"もう一度試してください。" | インポート |
—
| ¥2,133 | ¥161 |
|
CD, オリジナルレコーディングのリマスター, 2008/1/23
"もう一度試してください。" | オリジナルレコーディングのリマスター |
—
| — | ¥924 |
|
CD, オリジナルレコーディングのリマスター, リミックス含む, 2006/9/19
"もう一度試してください。" | オリジナルレコーディングのリマスター, インポート |
—
| — | ¥4,869 |
|
CD, インポート, 2005/1/10
"もう一度試してください。" | インポート |
—
| — | ¥9,871 |
|
CD, インポート, 2010/10/19
"もう一度試してください。" | インポート |
—
| — | ¥28,200 |
プロモーション情報
【一緒に買うとおもちゃが5%OFF】
1 件
-
【一緒に買うとおもちゃが5%OFF】
【クリスマス おもちゃ大セール まとめ買いキャンペーン】期間中、Amazon.co.jpが販売、発送する、このメッセージが表示されている対象商品を、まとめて「2,000円以上」ご購入いただくと、対象のおもちゃがレジで「5%OFF」となるキャンペーンを実施中です。詳細は、 クリスマス おもちゃ大セール ページ をご確認ください。 買い物をする
この商品を見た後にお客様が購入した商品
ページ: 1 / 1 最初に戻るページ: 1 / 1
曲目リスト
| 1 | The Sick Bed Of Cuchulainn |
| 2 | The Old Main Drag |
| 3 | Wild Cats Of Kilkenny |
| 4 | I'm A Man You Don't Meet Every Day |
| 5 | A Pair Of Brown Eyes |
| 6 | Sally MacLennane |
| 7 | Dirty Old Town |
| 8 | Jesse James |
| 9 | Navigator |
| 10 | Billy's Bones |
| 11 | The Gentleman Soldier |
| 12 | The Band Played Waltzing Matilda |
| 13 | A Pistol For Paddy Garcia |
| 14 | London Girl |
| 15 | A Rainy Night In Soho |
| 16 | The Body Of An American |
| 17 | Planxty Noel Hill |
| 18 | The Parting Glass |
商品の説明
Remastered & expanded version of 1985 album includes six bonus tracks, "A Pistol for Paddy Garcia", "London Girl", "Rainy Night in Soho", "Body of An American", "Planxty Noel Hill", & "The Parting Glass". Produced by Elvis Costello, this is the second album by The Pogues. This edition features all 12 of the tracks found on the American release, including 'Sally MacLennane', 'A Pair of Brown Eyes', 'The Sick Bed of Cuchulainn', 'Dirty Old Town', 'The Band Played Waltzing Matilda', 'I'm a Man You Don't Meet Every Day' and 'Wild Cats of Kilkenny'. Warner. 2004.
登録情報
- 製品サイズ : 1 x 12.5 x 14.2 cm; 103 g
- メーカー : Warner Spec. Mkt. UK
- EAN : 0766481076575, 5050467595927
- 製造元リファレンス : 5046759592
- オリジナル盤発売日 : 2005
- SPARSコード : DDD
- レーベル : Warner Spec. Mkt. UK
- ASIN : B0006957S0
- ディスク枚数 : 1
- Amazon 売れ筋ランキング: - 1,968位ミュージック (ミュージックの売れ筋ランキングを見る)
- - 20位グローバルミュージック (ミュージック)
- - 60位ポップス (ミュージック)
- - 105位輸入盤
- カスタマーレビュー:
-
トップレビュー
上位レビュー、対象国: 日本
レビューのフィルタリング中に問題が発生しました。後でもう一度試してください。
2005年10月12日に日本でレビュー済み
このアルバムはヤバイっす!1‾12曲目まででお腹いっぱいなのにボーナストラックが6曲も入ってます!リマスター版ではない方をすでに持っている方にもお薦めです。シェインの歌声と一つ一つの楽器が完璧にマッチしてギネスも進む進む!1曲1曲大切に聴きたいアルバムです!Dropkick Murphys,Flogging Mollyを聴いていてこのバンドを聴いたことない方(そんな人いないと思いますが・・・)絶対必聴です!大名盤です!
2003年8月18日に日本でレビュー済み
Shane Macgawnの才能の前では、ジョーストラマーも色褪せる。こんなかっこいい声は誰にも出せないだろうし、こんなかっこいい曲は誰にも書けない。そしてこんなかっこいい奴はいない。正真正銘本物。この2ndは間違いなくポーグスの作品中ベスト。一曲目のSick bed・・から最後のワルチン・マチルダまで、詩人として、歌い手としてのシェーンの才気がほとばしっている。全てのパンクロック・アルバムの中で間違いなく三本の指に入る名盤。墓場に持っていくとしたら迷わずこれを選びたくなるでしょう。
他の国からのトップレビュー
Angry Mofo
5つ星のうち5.0
Fierce, beautiful music that touches something buried deep in English-language culture.
2020年12月23日にアメリカ合衆国でレビュー済みAmazonで購入
No other modern album has ever made the past come alive the way Rum, Sodomy and the Lash did. Folk music always looked back to traditional subjects, but the results were rarely inspiring -- a folk band covering a Scottish ballad, say, would most likely make it excessively sedate and mannered, with a well-intentioned reverence that is only suitable for dead, dusty artifacts in museums.
The Pogues made the past feel real and important. In fact, among all the songs on this album, only "The Sick Bed of Cuchulainn" and "The Old Main Drag" have anything resembling a modern setting, the former being a drunken brawler for the multicultural age, the latter an inversion of the classic girl-gone-astray lament into a frank, unsentimental tale of drugged-up male prostitution in a clearly contemporary city. Virtually every other song, however, looks back into history in some way, whether by covering traditional songs ("I'm A Man You Don't Meet Every Day," "Jesse James") or by writing new songs about traditional subjects ("The Wild Cats of Kilkenny"). And the past is made to sound just as fierce and violent as the brawling youths, as cruel as the "cold winter nights" are for the prostitutes. The Irish mythos of Cuchulainn is entirely at home in "The Sick Bed..."
This style is exciting because it is the only way that folk music can be truly genuine. I love Nick Drake as much as anybody else, but these traditional styles were not meant for soft-spoken, sensitive souls. They were written by, and for, rough and inarticulate people who were ground down by monotonous and unpleasant (and short) lives, and who looked to this music to regain a measure of vitality or to express defiance toward their inevitable fate, like the young man whose experience of first love has to occur "by the gasworks wall," and who dreams about chopping up the "Dirty Old Town" around him. Early death is so inescapable that it turns into something to celebrate, like how the character in "Sally MacLennane" leaves his hometown and unsuccessfully tries to "make money far away," only to die from alcohol poisoning the morning after coming home.
These songs do not express or ask for much compassion. The musical arrangement in "The Gentleman Soldier" is even more callous towards the song's deceived "fair maiden" than the lyrics, making her "shame" the subject of a raucous jig. The traumatized veteran in "A Pair of Brown Eyes" receives nothing but uncomprehending loathing from the drunken narrator, who, however, is just as much of a decrepit wreck. Everyone understands that life was not supposed to turn out this way, but simply accepts fate. Perhaps the only meaning to be found in these lives is the fact that someone can still sing about them in a way that makes them real again.
The Pogues were Irish patriots, of course, but strangely enough that theme is almost completely missing from this album (except in the purely musical sense). It is more overtly present on the follow-up album, If I Should Fall From Grace With God. But, as strange and sacrilegious as this may sound, the feeling that emerges from Rum, Sodomy and the Lash is one of purely British nostalgia. Of course, it is a very specific kind -- these lads don't have much sympathy for jingoism or aristocratic elitism, and they cover both the working-class anthem "Navigator" and the anti-war elegy "And The Band Played Waltzing Matilda." And yet, the very breadth of these covers -- "...Waltzing Matilda" from Australia, "Jesse James" from America, etc. -- evokes some kind of imperial, pan-English experience whose span went far beyond the boundaries of present-day countries. This experience is now gone, and its loss hovers over this album and feels somehow painful. The direct cause of its extinction was World War I, which is also present here in "A Pair Of Brown Eyes" and "...Waltzing Matilda," and gives a peculiar cast to the anti-war sentiment, as if the real issue was not so much the horror of war as it was the destruction of this shared cultural consciousness. In that sense, this is an unexpectedly profound album, reaching something buried deep inside English-language culture that no other work of its time was able to perceive. The ghosts of history that haunt these songs give them an existential depth that is very rare for any kind of rock or folk music.
The sign of a truly great band is that they write so much first-rate material that it doesn't all fit on the album and ends up spilling over to B-sides, EPs and the like. The Pogues in 1985 definitely fit into this category, as can be seen from the 2005 reissue of Rum, Sodomy and the Lash, which includes six superb bonus tracks that seamlessly fit into the album. "Body Of An American" is a love letter to America from a uniquely Irish perspective (and, consequently, a meditation on both kinds of identity), continuing the album's pan-English themes. And "The Parting Glass" is the best rendition of this traditional drinking lay that you'll ever hear.
The Pogues made the past feel real and important. In fact, among all the songs on this album, only "The Sick Bed of Cuchulainn" and "The Old Main Drag" have anything resembling a modern setting, the former being a drunken brawler for the multicultural age, the latter an inversion of the classic girl-gone-astray lament into a frank, unsentimental tale of drugged-up male prostitution in a clearly contemporary city. Virtually every other song, however, looks back into history in some way, whether by covering traditional songs ("I'm A Man You Don't Meet Every Day," "Jesse James") or by writing new songs about traditional subjects ("The Wild Cats of Kilkenny"). And the past is made to sound just as fierce and violent as the brawling youths, as cruel as the "cold winter nights" are for the prostitutes. The Irish mythos of Cuchulainn is entirely at home in "The Sick Bed..."
This style is exciting because it is the only way that folk music can be truly genuine. I love Nick Drake as much as anybody else, but these traditional styles were not meant for soft-spoken, sensitive souls. They were written by, and for, rough and inarticulate people who were ground down by monotonous and unpleasant (and short) lives, and who looked to this music to regain a measure of vitality or to express defiance toward their inevitable fate, like the young man whose experience of first love has to occur "by the gasworks wall," and who dreams about chopping up the "Dirty Old Town" around him. Early death is so inescapable that it turns into something to celebrate, like how the character in "Sally MacLennane" leaves his hometown and unsuccessfully tries to "make money far away," only to die from alcohol poisoning the morning after coming home.
These songs do not express or ask for much compassion. The musical arrangement in "The Gentleman Soldier" is even more callous towards the song's deceived "fair maiden" than the lyrics, making her "shame" the subject of a raucous jig. The traumatized veteran in "A Pair of Brown Eyes" receives nothing but uncomprehending loathing from the drunken narrator, who, however, is just as much of a decrepit wreck. Everyone understands that life was not supposed to turn out this way, but simply accepts fate. Perhaps the only meaning to be found in these lives is the fact that someone can still sing about them in a way that makes them real again.
The Pogues were Irish patriots, of course, but strangely enough that theme is almost completely missing from this album (except in the purely musical sense). It is more overtly present on the follow-up album, If I Should Fall From Grace With God. But, as strange and sacrilegious as this may sound, the feeling that emerges from Rum, Sodomy and the Lash is one of purely British nostalgia. Of course, it is a very specific kind -- these lads don't have much sympathy for jingoism or aristocratic elitism, and they cover both the working-class anthem "Navigator" and the anti-war elegy "And The Band Played Waltzing Matilda." And yet, the very breadth of these covers -- "...Waltzing Matilda" from Australia, "Jesse James" from America, etc. -- evokes some kind of imperial, pan-English experience whose span went far beyond the boundaries of present-day countries. This experience is now gone, and its loss hovers over this album and feels somehow painful. The direct cause of its extinction was World War I, which is also present here in "A Pair Of Brown Eyes" and "...Waltzing Matilda," and gives a peculiar cast to the anti-war sentiment, as if the real issue was not so much the horror of war as it was the destruction of this shared cultural consciousness. In that sense, this is an unexpectedly profound album, reaching something buried deep inside English-language culture that no other work of its time was able to perceive. The ghosts of history that haunt these songs give them an existential depth that is very rare for any kind of rock or folk music.
The sign of a truly great band is that they write so much first-rate material that it doesn't all fit on the album and ends up spilling over to B-sides, EPs and the like. The Pogues in 1985 definitely fit into this category, as can be seen from the 2005 reissue of Rum, Sodomy and the Lash, which includes six superb bonus tracks that seamlessly fit into the album. "Body Of An American" is a love letter to America from a uniquely Irish perspective (and, consequently, a meditation on both kinds of identity), continuing the album's pan-English themes. And "The Parting Glass" is the best rendition of this traditional drinking lay that you'll ever hear.
María
5つ星のうち5.0
Regalazo
2023年6月18日にスペインでレビュー済みAmazonで購入
¿Que no sabes qué regalar? Con esto acertarás seguro. Disco genial de los pogues.
DirkGerald
5つ星のうち5.0
Bestimmt ihr zweitbestes Album, aber :
2023年5月22日にドイツでレビュー済みAmazonで購入
Album auf Vinyl zum Sammeln. Zum digitalen täglichen Gebrauch empfehle ich
5er CD Box, zwar etwas lieblos im ersten Eindruck, ABER:
Mit Erwerb der Box via Amazon/Amazon, also sowohl Verkäufer als auch Versand gibt es sage und schreibe ALLE 5 Alben im Autorip gratis dazu. Da man wie ich finde die ersten 3 Alben, wenn man die Band mag, unbedingt haben muss, ein wahres Schnäppchen, da die CD Box unter Euro 10,- in 5-2023 hier erhältlich ist.
Die Musik läuft bei mir, wenn mein Irland Fernweh wieder ruft, den ganzen Tag, durch. Sláinte mhaith, Shane MacGowan
5er CD Box, zwar etwas lieblos im ersten Eindruck, ABER:
Mit Erwerb der Box via Amazon/Amazon, also sowohl Verkäufer als auch Versand gibt es sage und schreibe ALLE 5 Alben im Autorip gratis dazu. Da man wie ich finde die ersten 3 Alben, wenn man die Band mag, unbedingt haben muss, ein wahres Schnäppchen, da die CD Box unter Euro 10,- in 5-2023 hier erhältlich ist.
Die Musik läuft bei mir, wenn mein Irland Fernweh wieder ruft, den ganzen Tag, durch. Sláinte mhaith, Shane MacGowan
DirkGerald
2023年5月22日にドイツでレビュー済み
5er CD Box, zwar etwas lieblos im ersten Eindruck, ABER:
Mit Erwerb der Box via Amazon/Amazon, also sowohl Verkäufer als auch Versand gibt es sage und schreibe ALLE 5 Alben im Autorip gratis dazu. Da man wie ich finde die ersten 3 Alben, wenn man die Band mag, unbedingt haben muss, ein wahres Schnäppchen, da die CD Box unter Euro 10,- in 5-2023 hier erhältlich ist.
Die Musik läuft bei mir, wenn mein Irland Fernweh wieder ruft, den ganzen Tag, durch. Sláinte mhaith, Shane MacGowan
このレビューの画像
Amazon Customer John W
5つ星のうち5.0
Great CD
2023年6月3日にアメリカ合衆国でレビュー済みAmazonで購入
Love this band. Love this CD. It really captures the essence of what the Pogues are. This is one to have in any collection.
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