Portrait of a Castrato: Politics, Patronage, and Music in the Life of Atto Melani (New Perspectives in Music History and Criticism) (英語) ハードカバー – 2009/5/14
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'The book includes a survey of Atto's cantatas, polished, efficient exemplars of a fashionable new Italian genre, but in the end far less important to their creator than the wordly advancement their performances brought with it. Richly documented, this whole extraordinary chronicle of the eunuch as self-made man is one of the most absorbing studies in its field to have appeared in recent years.' The Times Literary Supplement
Roger Freitas is Associate Professor in the Department of Musicology, Eastman School of Music, University of Rochester.
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Roger Freitas describes a world far more intricate and fascinating than the superficial idea of "human nightingales" often associated with the era, an idea somewhat more applicable to the golden age of Handel and Hasse, Farinelli and Caffarelli. This study, instead, offers far more of interest than biographical information about one person or the music for which he was known. Through the author's painstaking research and analysis, one develops a much clearer understanding of the cultural, sociological, political, and even sexual practices of the time. The author also views with a fresh eye the Baroque genre of cantate and motets, demonstrating the greater subtlety in their composition and the greater importance in the life of the aristocracy than previously understood. One concludes reading the work with a sense of having gained a much more realistic understanding of the era.
Readers and authors too often fall into the trap of viewing earlier eras and practices from their own, modern perspectives, thereby slanting the manner in which the information is presented. This author avoids such a trap and leaves the readers to form their own conclusions and comparisons. "Portrait of a Castrato" is not only an engaging story; it also is worth keeping as a reference.
Freitas provides an important and powerful retrospective and reference to the evolution and prospectives regarding castration, celibacy and controversies surrounding spirituality, rights and admission into full acceptance. The book effectively offers provocative approaches to intellectual discourse within human sexual history. Most impressive is the realization toward normalization the text presents. It is truly an immediate read for everyone from the student to scholar or musician to history buff. Like talking about sex, politics, and religion, or going to Italy? This is the best ticket in town!