Mud Slide Slim And The Blue Horizon
| 仕様 | 価格 | 新品 | 中古品 |
|
CD, 2015/6/8
"もう一度試してください。" | [CD, 2015/6/8] |
—
| ¥2,792 | — |
|
CD, 1997/11/22
"もう一度試してください。" | 1枚組 |
—
| — | ¥210 |
|
CD, 限定版, 2006/12/27
"もう一度試してください。" | 限定版 |
—
| — | ¥1,500 |
|
CD, インポート, 2013/2/19
"もう一度試してください。" | インポート |
—
| — | ¥3,495 |
|
CD, 限定版, 2010/4/7
"もう一度試してください。" | 限定版 |
—
| — | ¥5,613 |
|
CD, インポート, 2012/3/27
"もう一度試してください。" | インポート |
—
| — | ¥10,295 |
この商品を見た後にお客様が購入した商品
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曲目リスト
| 1 | Love Has Brought Me Around |
| 2 | You've Got A Friend |
| 3 | Places In My Past |
| 4 | Riding On A Railroad |
| 5 | Soldiers |
| 6 | Mud Slide Slim |
| 7 | "Hey Mister, That's Me Up On The Jukebox" |
| 8 | You Can Close Your Eyes |
| 9 | Machine Gun Kelly |
| 10 | Long Ago And Far Away |
| 11 | Let Me Ride |
| 12 | Highway Song |
| 13 | Isn't It Nice To Be Home Again |
登録情報
- メーカーにより製造中止になりました : いいえ
- 製品サイズ : 12.7 x 14.3 x 0.99 cm; 102.06 g
- メーカー : Warner Bros / Wea
- EAN : 0075992725224
- 製造元リファレンス : 7599-27252-2
- SPARSコード : ADD
- レーベル : Warner Bros / Wea
- ASIN : B000002KDM
- ディスク枚数 : 1
- Amazon 売れ筋ランキング: - 108,658位ミュージック (ミュージックの売れ筋ランキングを見る)
- - 7,119位ポップス (ミュージック)
- - 19,635位ロック (ミュージック)
- - 25,329位輸入盤
- カスタマーレビュー:
-
トップレビュー
上位レビュー、対象国: 日本
レビューのフィルタリング中に問題が発生しました。後でもう一度試してください。
2015年5月25日に日本でレビュー済み
Amazonで購入
名盤です。レコード盤から取り込んだデータがありますが、レコードプレーヤのカートリッジの癖が出てなくて良いと思いました。
プツプツ言わないし、・・・。
プツプツ言わないし、・・・。
2013年8月3日に日本でレビュー済み
Amazonで購入
対応が早く商品状態も良くたいへん気に入りました。
価格も適正で良かった。
価格も適正で良かった。
2013年6月18日に日本でレビュー済み
Amazonで購入
評価以前の問題だね。是非、聞いてください。ただ、ケースのフイルムラッピングなしです。
2013年4月25日に日本でレビュー済み
Amazonで購入
なんとなく昔の感動を、と思って購入しましたが、それなりの満足で終わってしまいました。ちょっといろいろ聴きすぎたかも。
2015年5月7日に日本でレビュー済み
昨年の春、大病をして彼岸の方に一歩近づいたこともあってか、最近死を随分意識するようになった。そしたらこれまで聴いて来た様々な音楽も何だか違った聴こえ方がするようになった気がする。音楽なしでは生きて来れなかったから、どうしても旅立ちの時に、携えたいアルバムも考えるようになった。迷った。いや迷っている。が、今考えたのは2枚。ジャズへの道標となってくれた、チャーリー・ミンガスの「直立猿人」そしてこのアルバムである。僕がアコースティック・ギターの虜になったきっかけでもあり、同じように音楽好きだった今はもうこの世にはいない妻との最初のデュエット曲もこのアルバムから。「You Can Close Your Eyes」。いつも友人たちと唄い続けて来た「You've Got A Friend」という名曲さながらに、様々な想い出とともにいつも傍にいてくれたアルバムである。今では数少ない持ち歌になり、いつだって、どこだって、そらで演奏出来る。今改めて聴き直すと、前作「スィート・ベイビー・ジェームス(’70)」とは違った優しさや哀しさがある。何度聴いてもいいなぁと心が洗われる感じがする。’71年のリリースだから、44年ほどが経つ。ずっと聴き続けて来た。今はこのジャケットほど、髪もなくなっているが、相変わらず素晴らしい歌声とギター。今年は新作も出るらしい。変わって行く彼と、少しも変わらない彼の両方を感じることが出来たらいい、と思う。その前にまた復習をたっぷりと。
そういえば、妻の棺に彼女が大好きだったキャロル・キングの「つづれおり」を添えた。CD本体は禁じられたのでブックレットだけだったけれど。喜んでくれていたらいい、と今も時々想い出す。
そういえば、妻の棺に彼女が大好きだったキャロル・キングの「つづれおり」を添えた。CD本体は禁じられたのでブックレットだけだったけれど。喜んでくれていたらいい、と今も時々想い出す。
他の国からのトップレビュー
Robert Lee
5つ星のうち5.0
Excellent service.Great VFM
2023年7月7日に英国でレビュー済みAmazonで購入
Classic album. Only just overshadowed by his friend Carole's Tapestry album!
G. Alexander
5つ星のうち4.0
This review is specifically directed to the Audio Fidelity Gold CD
2012年8月6日にアメリカ合衆国でレビュー済みAmazonで購入
I am writing this review in response to the one star review of this Audio Fidelity release provided by a "Mr. Withnail." After reading it, I went to the comments on the review in which a Mr. Stephen Marsh stated that "Mr. Withnail" had used the same verbiage, and given the same one star, in a number of reviews of Audio Fidelity audiophile Gold CD reissues. Mr. Withnail denied these assertions.
For the record, I don't know Mr. Marsh, I have no relationship with nor work for Audio Fidelity (or Mobile Fidelity or any record company for that matter), and, like others, I have found the results of Audio Fidelity's remasterings to be mixed, ranging from excellent down to "just OK." But I was curious about Mr. Marsh's assertion and so I personally checked out the reviews of "Mr. Withnail." It turns out that Mr. Marsh is correct. Mr. Withnail does give only 1 star to EVERY Audio Fidelity CD release and a number of his reviews reveal both identical (or very similar) negative verbiage, and, despite his positive words about Steve Hoffman and Mr. Withnail's compliments on the products of Mr. Hoffman's DCC label (with which I concur), Mr. Withnail clearly has an animus against Mr. Hoffman and is misusing this Amazon reviewer's forum as a way simply to lower the average ratings on these limited release remasterings whose sales are directed solely to an audience of audiophiles. I don't know the causes of Mr. Withnail's antipathy twoards (or grudge against) Mr. Hoffman (or against Audio Fidelity) but I am aware that, within this audiophile community, Steve Hoffman's opinions and recent work have brought out passionate responses which, for a few of this limited group, has risen to overt and obsessive hostility. Mr. Withnail seems to be amongst this group and his reviews are likely not based on either purchases or fair listens to AF releases.
For those few who care, I think that this AF reissue is very good. While not as sonically revelatory as the previous first CS&N album or Sweet Baby James, it's very listenable, easy on the ears and clearly a few steps up from the mushy sound of the WB plain vanilla redbook CDs. I also own and have listened to the Japanese SHM-CD releases of the first five or so James Taylor albums (including the first one that was released on Apple Records). They are also very good but (as is often found in Japanese remasters) are a bit brighter in tone than the AF releases. So, some listeners may prefer the Japanese pressings while others may prefer the somewhat flatter but warmer results from the AF reissues. Due to the extremely high value of the yen against the dollar, however, these Japanese pressings are currently prohibitively expensive (at around $36 to $40 per CD) for even a great number of American audiophile enthusiasts.
In short, there is no one, "ur-perfect" resissue or remaster, since even when the original vinyl albums were released they often sounded different in pressings made in different countries. (For example, one could contrast not only the original EMI British Beatles albums against those radically different masterings and pressings on Capitol in the US but also would find differences in the mixes -- as well as in the masterings -- used in the British versus German or Japanese pressings). For this reason, I think that it is important not only for reviewers to provide thoughtful and honest opinions about the sound quality of reissues and remasterings (whether labelled "remastered," "deluxe," audiophile gold CDs or whatever) but also for prospective buyers of these CDs to read a number of reviews before pressing the "add to basket" button, as those opinions will likely differ to some degree or another. But actual listening and an openness by reviewers to fairly describing the results of these sonic auditions are crucial to the system working. In this context, reviews such as those by Mr. Withnail can unfairly hurt the manufacturers of these products as well as confuse rather than educate prospective purchasers and, thus, should be given little creedence by any reader. Hope this was helpful.
For the record, I don't know Mr. Marsh, I have no relationship with nor work for Audio Fidelity (or Mobile Fidelity or any record company for that matter), and, like others, I have found the results of Audio Fidelity's remasterings to be mixed, ranging from excellent down to "just OK." But I was curious about Mr. Marsh's assertion and so I personally checked out the reviews of "Mr. Withnail." It turns out that Mr. Marsh is correct. Mr. Withnail does give only 1 star to EVERY Audio Fidelity CD release and a number of his reviews reveal both identical (or very similar) negative verbiage, and, despite his positive words about Steve Hoffman and Mr. Withnail's compliments on the products of Mr. Hoffman's DCC label (with which I concur), Mr. Withnail clearly has an animus against Mr. Hoffman and is misusing this Amazon reviewer's forum as a way simply to lower the average ratings on these limited release remasterings whose sales are directed solely to an audience of audiophiles. I don't know the causes of Mr. Withnail's antipathy twoards (or grudge against) Mr. Hoffman (or against Audio Fidelity) but I am aware that, within this audiophile community, Steve Hoffman's opinions and recent work have brought out passionate responses which, for a few of this limited group, has risen to overt and obsessive hostility. Mr. Withnail seems to be amongst this group and his reviews are likely not based on either purchases or fair listens to AF releases.
For those few who care, I think that this AF reissue is very good. While not as sonically revelatory as the previous first CS&N album or Sweet Baby James, it's very listenable, easy on the ears and clearly a few steps up from the mushy sound of the WB plain vanilla redbook CDs. I also own and have listened to the Japanese SHM-CD releases of the first five or so James Taylor albums (including the first one that was released on Apple Records). They are also very good but (as is often found in Japanese remasters) are a bit brighter in tone than the AF releases. So, some listeners may prefer the Japanese pressings while others may prefer the somewhat flatter but warmer results from the AF reissues. Due to the extremely high value of the yen against the dollar, however, these Japanese pressings are currently prohibitively expensive (at around $36 to $40 per CD) for even a great number of American audiophile enthusiasts.
In short, there is no one, "ur-perfect" resissue or remaster, since even when the original vinyl albums were released they often sounded different in pressings made in different countries. (For example, one could contrast not only the original EMI British Beatles albums against those radically different masterings and pressings on Capitol in the US but also would find differences in the mixes -- as well as in the masterings -- used in the British versus German or Japanese pressings). For this reason, I think that it is important not only for reviewers to provide thoughtful and honest opinions about the sound quality of reissues and remasterings (whether labelled "remastered," "deluxe," audiophile gold CDs or whatever) but also for prospective buyers of these CDs to read a number of reviews before pressing the "add to basket" button, as those opinions will likely differ to some degree or another. But actual listening and an openness by reviewers to fairly describing the results of these sonic auditions are crucial to the system working. In this context, reviews such as those by Mr. Withnail can unfairly hurt the manufacturers of these products as well as confuse rather than educate prospective purchasers and, thus, should be given little creedence by any reader. Hope this was helpful.
Colin
5つ星のうち5.0
Top notch customer service
2022年11月22日にアメリカ合衆国でレビュー済みAmazonで購入
I had a problem with an album, they had a perfect replacement really quick. I wish everything ran so smooth.
Paul Moreau
5つ星のうち4.0
For those reminiscent moods
2016年5月27日にアメリカ合衆国でレビュー済みAmazonで購入
The yearn to travel and bitter sweet rememberances of people encountered and places left behind are the primary themes of this album. Most of the songs are slow balads, many with sad or regretful overtones. This is good background music for a quiet evening at home spent thinking of people and events of the past. Not especially uplifting, but there are times when uplifting and joyful songs simply don't fit the current mood.
Not recommended if you object to downers or simply sad rememberances. However, if you generally like James Taylor and or easy listening songs of a more reminiscent moods, this may be just the ticket.
The audio is very clean, but does seem to not have the sharp high of other James Taylor albums. Perhaps this was an artistic choice to better reflect the general mood of this album. Of course, it may also be that Rhino simply didn't catch the sharper highs when they digitized this music.
Not recommended if you object to downers or simply sad rememberances. However, if you generally like James Taylor and or easy listening songs of a more reminiscent moods, this may be just the ticket.
The audio is very clean, but does seem to not have the sharp high of other James Taylor albums. Perhaps this was an artistic choice to better reflect the general mood of this album. Of course, it may also be that Rhino simply didn't catch the sharper highs when they digitized this music.
John S. Roff
5つ星のうち5.0
Virgin Record
2014年4月6日に英国でレビュー済みAmazonで購入
Back in the sixties when I was a regular in the Birmingham folk clubs I first heard people singing James Taylor songs and have been a fan ever since. This and Sweet Baby James were two of the first vinyl lp's I bought at the newly opened Virgin Record shop next to the old law courts in Corporation Street. I still have these in pretty good condition but rarely use the deck these days and you can't really play them in the car. I'm gradually replacing all my favourite vinyl and recently picked up the revamped Gordon Smith tracks. A very underated guitarist was Gordon. It is nice to listen to all the tracks without having to stop and turn over the disk. Well Gorden has only ever recorded a couple of albums and James moved into the world of jazz but it is nice to hear these old songs now and again, I always considered them to be his best work. JR.
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