Mojo
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曲目リスト
| 1 | Jefferson Jericho Blues |
| 2 | First Flash Of Freedom |
| 3 | Running Man's Bible |
| 4 | The Trip To Pirate's Cove |
| 5 | Candy |
| 6 | No Reason To Cry |
| 7 | I Should Have Known It |
| 8 | U.S. 41 |
| 9 | Takin' My Time |
| 10 | Let Yourself Go |
| 11 | Don't Pull Me Over |
| 12 | Lover's Touch |
| 13 | High In The Morning |
| 14 | Something Good Coming |
| 15 | Good Enough |
商品の説明
2010 album from the veteran rockers, their first album in eight years. The first thing that hits you about Mojo is that this is the sound of a band playing together in a room - not a studio - facing each other, all singing and playing at the same time. The music is alive, with no overdubs or studio trickery. What you hear is what they created on the spot at that time. Tom Petty says, "With this album, I want to show other people what I hear with the band. Mojo is where the band lives when it's playing for itself." As for the songs, Mojo showcases a wide variety of American music from Rock 'n' Roll to Country and both electric and acoustic Blues. Mojo has juice and guts but it also has some sweet balladry for the slow dancers and even a wacked-out Reggae number that is unlike anything that Heartbreakers have done before. It's the kind of album nobody's supposed to be able to make anymore. It got here just in time.
登録情報
- メーカーにより製造中止になりました : いいえ
- 製品サイズ : 12.7 x 14.2 x 0.99 cm; 56.13 g
- メーカー : Warner Bros
- EAN : 0093624966807
- 商品モデル番号 : 4 3 00496680
- オリジナル盤発売日 : 2010
- SPARSコード : DDD
- レーベル : Warner Bros
- ASIN : B003A4IFGY
- ディスク枚数 : 1
- Amazon 売れ筋ランキング: - 135,217位ミュージック (ミュージックの売れ筋ランキングを見る)
- - 25,054位ロック (ミュージック)
- - 32,936位輸入盤
- カスタマーレビュー:
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トップレビュー
上位レビュー、対象国: 日本
レビューのフィルタリング中に問題が発生しました。後でもう一度試してください。
※Blu-ray Audio盤収録音源
1:LPCM 2.0ch 48kHz/24bit
2:DTS-HD Master Audio 5.1ch 48kHz/24bit
で今回ハートブレイカーズ名義では8年ぶりだそうですが、聞いてみて、先に挙げたような曲は全然無くてブルーズ・ロック、カントリー、などのオンパレードという感じです。ですが個人的には今年上半期のNo.1は「Peter Wolf / Midnight Souvenirs」かこれか?ぐらいハマリにはまって聞いてます。
他のレビューに書かれてように、意地悪言い方をすれば「重厚でないオールマン・ブラザーズ・バンド」や「迫力のないレッド・ツェッペリン」「何処かで聞いたビートルズのフレーズ」が表れてくると言うことも出来ますが、私はノー・プロブレムで全然気になりません。
このMojoを聞いていて感じたのは何故か「レイド・バック」と言う言葉。73〜74年頃グレッグ・オールマンが同名のアルバムを発表したり、クラプトンも461・オーシャン・ブールヴァードを出したあのころ流行ったLaid Back。そんな感じを受けるのは私くらいでしょうか?
現在50代初めの私ですが、もし私が20代でこのアルバムを聞いたら、きっとすぐオークションにでも出して売り飛ばしてるでしょう。現在の私にはとても心地よく聞けるすてきなアルバムです。
余談ですが「決してテクをひけらかす人じゃないけど全編にわたり、M・キャンベルが弾きまくっている!」というレビューがありましたが、この人ギターというのはとても良いのですが、印象に残るフレーズが無いのがちょっと残念かなとも思ってしまいました。(M・キャンベルのファンの人ごめんなさい!)
Mudcrutchがシンプルなアメリカンロックであり良作だったので期待して待っていたが・・・うーん、やはりかっこいいロックで流石。
ベテランならでわって感じの渋く大人のブルース寄りロックで、変なアレンジを施す訳でもなく凄くしまったプレイに唸らされる。
まぁ、しかし出てきた音は予想の範囲で、上手い実力あるベテランがこういった路線でアルバムを作るとこうなるかなって印象。
Tom Pettyには、まだ暫くは、アグレシッヴでシャープなこれぞアメリカンロックだぜ!!!ってな作品を作ってほしいなぁ。
SWANP MUSICの香りがプンプンする大人のアルバムに仕上がった。聴き手を選ぶだろうが、それ系の音楽が好きな奴にはたまらない作品だと思う。
言っておくがここには「新しい音」など無い・・ミュージック・シーンを変えてしまう音楽でも無い・・
ただ、淡々と自分たちの好きな曲を演るバンドがいるだけだ。
だけど、何せ腕っこきのメンバーだもの、最高の演奏を聞かせてくれる。
しかし、トム・ぺティをはじめとしたバンドの面々を見てると嬉しくなる。歳を重ねて、年月を重ねてきた男たちにしか出せない「音」があるんだ。
さ、後の評価は購入したあなた方が下せばいい・・
俺は・・ラストの「GOOD ENOUGH」でちゃんと「昇天」しましたよ。
他の国からのトップレビュー
booklet enclosed. Very happy with "Bull Moose", the store that had this item.
I hadn't bought a new vinyl disc since the mid 1980s...so when I saw Tom Petty had released MOJO on vinyl I had to try it. When it arrived, very promptly, I was curious. First impressions were good, high quality card sleeve and the vinyl disc was heavy and perfectly flat. The hole in the middle was a snug fit on the spindle of my Dunlop Systemdek turntable.
The system was ready: I lowered the Linn arm and there was silence as the needle tracked the run-in grooves. Excellent!
The music? It seems to me that Tom Petty and his band have moved towards country rock with this album. Bruce Springsteen it isn't! Compared with his earlier work the arrangements are softer, perhaps less complex but the quality of the music, especially through my always revealing QUAD 63 ELS speakers is superb. The lyrics are, as ever, worth listening to.
One CD = 4 sides on vinyl, so there is no sitting back and letting the music wash over you, but after a couple of sides I began to warm to this album. So much so that I used the free download and it is safely in my I-pod. I've listened to if a few times: there are a couple of tracks that I am less keen on, "Takin my Time and I Put a Spell on you are, well, tedious but Pirates Cove is a gem!
I was impressed with the disc: if you want to make sure your turntable and speakers are up to the mark try this disc. If you are a "must have Tom Petty" fan then it is for you. But if you are expecting the raw, hard edged Tom Petty of the 1990s this will disappoint. Overall, the performance and the technical arrangement, with little studio modification make the performance live and vibrant, particularly on vinyl. But the music is a bit bland, verging on easy listening. So only 4 stars.
When I think about buying a CD, I go to the Amazon reviews and head straight for the one-stars. I have to say, the one-star reviews for this release are extremely amusing. The level of immature name-calling and insults is something to read. But I can see how some Petty fans, who have Full Moon Fever and Into The Great Wide Open on constant rotation, might look askew at this and wonder WTF. Especially those not grounded in the blues. Just relax, Petty fans. Tom is having his Dylan moment, playing music he and the Heartbreakers like and hoping you might like it too (if you truly believe in them and their body of work). So you don't like it. I doubt this signals an overhaul of the Heartbreaker's sound. Just a nice diversion. Listen and enjoy.
As a student of the blues, I enjoy this immensely. So much so that this is the first ever Petty or Heartbreakers CD I've purchased (although I've owned vinyl - see above). So glad I did too. Hope you will too.
So I see Tom Petty and the Heartbreakers on SNL this Spring and I'm absolutely floored. Where did that guitar come from??? That outrageous Jimmy Page sounding Gibson Les Paul??? And the organs. It sounded like there were ten Hammond B3s playing. Slide guitar, deep organs, contrasting melodies. Oh, and Petty's vocals... pure blues rock and roll. I couldn't believe it. Both songs (Jericho and I Should Have Known It). If I closed my eyes, I could swear I was listening to Jimmy Page on I Should Have Known It. Wow.
I downloaded this album, and it is unquestionably the best work he and his band have ever done. Petty has said that they are playing for themselves. Keep doing that... don't play for us anymore!
The mood of this album is late 70's stoner. I can't think of another way to describe it. Several songs discuss marijuana and pot growing (Trip to Pirate's Cove, Let Yourself Go, High in the Morning, Don't Pull Me Over... get it?). And there is a slow, bluesy stoner groove to this whole disc. Lots of competing melodies and improvisation. This album reminds me of some of the later work by the Grateful Dead (West LA Fadeaway) and The Allman Brothers (everything). There are a few songs that have the Led Zeppelin/Page sound too. One that has a break that sounds like Heartbreaker revisited.
Most songs on this album are excellent. One or two weak or questionable tracks, but this is an album - buy the whole thing. I have found myself listening to it as a playlist for a two months, and I'm still discovering new things.
I would love to see Tom Petty and the Heartbreakers performing an unscripted show with ABB or the Dead. They sound like a jam band. They sound pure. They sound sincere.
I've been a Petty fan for over thirty years, and while he's received his fair share of critical acclaim, he's also been dissed by self-proclaimed "sophisticated" music fans. Give this CD a listen .. a careful listen several times. Listen to the hooks, the melodies, the writing, and the way that this ensemble continues to prove themselves the least selfish, supremely talented band in pop music today. Benmont Tench apparently enjoyed the Mudcrutch sessions and touring so much that he wished they'd cut a second LP and toured again. This is about as good a compromise as he might have hoped for .. the band playing for themselves, Tom on top of his writing game without being overly concerned about penning an instant-airplay single, and the drawing power of a band that can sell out huge arenas in minutes. (Although truth be told, I'd much prefer to see them in a small venue as when they played San Francisco's Fillmore back in the 90s, and have them do this entire album and not just four or five cuts.)
It's ironic that the same thing that propelled Petty over the top - his ability to write catchy, occasionally ephemeral pop hits that have it in spades over typical top 10 pablum yet manage to hold the public's popular imagination - is also what has caused him to suffer the derision of some nose-up Robyn Hitchcock types. This selection of tunes is a stellar example of what they've been missing.
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