プライム無料体験をお試しいただけます
プライム無料体験で、この注文から無料配送特典をご利用いただけます。
| 非会員 | プライム会員 | |
|---|---|---|
| 通常配送 | ¥410 - ¥450* | 無料 |
| お急ぎ便 | ¥510 - ¥550 | |
| お届け日時指定便 | ¥510 - ¥650 |
*Amazon.co.jp発送商品の注文額 ¥2,000以上は非会員も無料
無料体験はいつでもキャンセルできます。30日のプライム無料体験をぜひお試しください。
この商品をお持ちですか?
Minute By Minute
| 仕様 | 価格 | 新品 | 中古品 |
|
CD, 限定版, SHM-CD, 2009/9/16
"もう一度試してください。" | SHM-CD, 限定版 |
—
| ¥4,980 | ¥2,755 |
|
CD, 限定版, 2006/7/12
"もう一度試してください。" | 限定版 | ¥9,977 | ¥1,320 |
|
CD, 限定版, オリジナルレコーディングのリマスター, 2008/12/17
"もう一度試してください。" | SHM-CD, オリジナルレコーディングのリマスター |
—
| ¥11,000 | ¥2,796 |
|
CD, 2005/5/25
"もう一度試してください。" | 1枚組 |
—
| — | ¥303 |
|
CD, 1997/11/25
"もう一度試してください。" | 1枚組 |
—
| — | ¥340 |
|
CD, 限定版, 2015/7/22
"もう一度試してください。" | 限定版 |
—
| — | ¥3,300 |
|
CD, ゴールドCD, インポート, 2005/2/22
"もう一度試してください。" | ゴールドCD, インポート |
—
| — | ¥9,900 |
|
CD, CD, 2017/4/19
"もう一度試してください。" | CD |
—
| — | — |
よく一緒に購入されている商品

¥1,314¥1,314
最短で11月4日 土曜日のお届け予定です
残り2点(入荷予定あり)
総額:
当社の価格を見るには、これら商品をカートに追加してください。
ポイントの合計:
pt
もう一度お試しください
追加されました
一緒に購入する商品を選択してください。
この商品をチェックした人はこんな商品もチェックしています
ページ: 1 / 1 最初に戻るページ: 1 / 1
曲目リスト
| 1 | Here to Love You |
| 2 | What a Fool Believes |
| 3 | Minute By Minute |
| 4 | Dependin' on You |
| 5 | Don't Stop to Watch the Wheels |
| 6 | Open Your Eyes |
| 7 | Sweet Feelin' |
| 8 | Steamer Lane Breakdown |
| 9 | You Never Change |
| 10 | How Do the Fools Survive? |
商品の説明
What a Fool Believes highlights this 1978 smash!
登録情報
- メーカーにより製造中止になりました : いいえ
- 製品サイズ : 14.3 x 12.8 x 0.99 cm; 100.07 g
- メーカー : Wea/Warner Bros.
- EAN : 0075992735421
- 商品モデル番号 : 2016394
- オリジナル盤発売日 : 1990
- レーベル : Wea/Warner Bros.
- ASIN : B000002KIN
- 原産国 : アメリカ合衆国
- ディスク枚数 : 1
- Amazon 売れ筋ランキング: - 60,850位ミュージック (ミュージックの売れ筋ランキングを見る)
- - 369位クラシックソウル
- - 3,879位ポップス (ミュージック)
- - 10,618位ロック (ミュージック)
- カスタマーレビュー:
-
トップレビュー
上位レビュー、対象国: 日本
レビューのフィルタリング中に問題が発生しました。後でもう一度試してください。
2017年11月28日に日本でレビュー済み
Amazonで購入
音質、マスタリング等が気になる方へ
SACD/CD層とも、2016年ハイレゾ用 192kHz / 24bit リマスター音源使用(帯裏に記載)
Mastered by Tal Miller and WEA Studios (ブックレットに記載)
今回、発売されたアルバム10枚すべて同じ。
SACD/CD層とも、2016年ハイレゾ用 192kHz / 24bit リマスター音源使用(帯裏に記載)
Mastered by Tal Miller and WEA Studios (ブックレットに記載)
今回、発売されたアルバム10枚すべて同じ。
2013年9月3日に日本でレビュー済み
Amazonで購入
The CD case was rather feable. It got broken when I dropped it.
2014年2月11日に日本でレビュー済み
Amazonで購入
自分が好きでも世間からは評価されない作品もあれば
世間一般で「名盤」と言われる物でも共感できない作品もあります。
この作品は自分の中ではまさしく後者の方です。
たいがい色んな時代の音楽を聴いてきて偏った好き嫌いも無く
最初は合わなくても何度か聴き直して好きになるものもあるのですが
これは何度聴いてもやっぱりダメですね。
もちろん作品の評価が「ダメ」なわけでなく、嫌いでもないのですが
名曲2.『ホワット・ア・フール・ビリーヴス』をはじめ
どうでもいいというか残らない。
この作品は「AOR」なのか「ブルーアイド・ソウル」なのか「ロック」なのか
いや単純なカテゴリーに括られない「後期ドゥービーサウンド」というべきか
そんな中途半端なおしゃれ感が、この70年代後半には
見事にハマったと言う事でしょうか。
全部で36分。昼下がりのカフェで大きくない音で
流れていれば合うような1枚です。
世間一般で「名盤」と言われる物でも共感できない作品もあります。
この作品は自分の中ではまさしく後者の方です。
たいがい色んな時代の音楽を聴いてきて偏った好き嫌いも無く
最初は合わなくても何度か聴き直して好きになるものもあるのですが
これは何度聴いてもやっぱりダメですね。
もちろん作品の評価が「ダメ」なわけでなく、嫌いでもないのですが
名曲2.『ホワット・ア・フール・ビリーヴス』をはじめ
どうでもいいというか残らない。
この作品は「AOR」なのか「ブルーアイド・ソウル」なのか「ロック」なのか
いや単純なカテゴリーに括られない「後期ドゥービーサウンド」というべきか
そんな中途半端なおしゃれ感が、この70年代後半には
見事にハマったと言う事でしょうか。
全部で36分。昼下がりのカフェで大きくない音で
流れていれば合うような1枚です。
VINEメンバー
ぼくの自宅NASに格納された56,000枚超の音楽アルバム群は今も進化していて、どんどんと高音質化している。その中でも、ドゥービー・ブラザーズのアルバムは、発売当初の音がものすごく良くなって、リマスタ・24bit化していて嬉しくなってしまう。2016年に24/192bit化された『ミニット・バイ・ミニット』。オリジナル・アルバムのリリースは、1978年12月1日。彼らの8枚目のアルバムだ。
1979年4月7日から4月20日、および4月28日から5月18日にかけてビルボード・アルバムチャートのトップにランクされたマイケル・マクドナルドのボーカルが冴えまくるアルバムだ。特に、『ホワット・ア・フール・ビリーヴス』はマイケル・マクドナルドがケニー・ロギンスと共作した曲で、ビルボードのポップ・シングル・チャートの1位に輝き、第22回グラミー賞最優秀レコード賞、最優秀楽曲賞を受賞している。
高音質で聴くこのアルバムの無敵さは際立っている。無限リピートしたくなってしまう。
1979年4月7日から4月20日、および4月28日から5月18日にかけてビルボード・アルバムチャートのトップにランクされたマイケル・マクドナルドのボーカルが冴えまくるアルバムだ。特に、『ホワット・ア・フール・ビリーヴス』はマイケル・マクドナルドがケニー・ロギンスと共作した曲で、ビルボードのポップ・シングル・チャートの1位に輝き、第22回グラミー賞最優秀レコード賞、最優秀楽曲賞を受賞している。
高音質で聴くこのアルバムの無敵さは際立っている。無限リピートしたくなってしまう。
2014年10月18日に日本でレビュー済み
Amazonで購入
今までのドゥービーとは違った雰囲気で、とても良いと思いました。
他の国からのトップレビュー
Missing Person
5つ星のうち5.0
uplifting, soulful, fun--impossible to resist
2004年12月27日にアメリカ合衆国でレビュー済みAmazonで購入
"Minute By Minute", originally released in December of 1978, was the third official studio album from the Doobie Brothers with Michael McDonald as a member of the band, and I think it's clear that the third time was the charm, both artistically and commercially--although the previous two albums certainly weren't without solid commercial success in the US, this one was a bonafide blockbuster, topping the US charts, having gone platinum within the first four months of its original release, and having gone triple-platinum by 1985.
I think the report of the band being dissatisfied with this album can be attributed to them feeling emotionally drained at the time of its recording/ release. The sessions weren't exactly smooth sailing--in the booklet for the Rhino "Greatest Hits" CD, Michael McDonald recalls how the band did countless takes just for "What A Fool Believes" alone and that they "almost gave up".
Without a doubt, the huge success of this album was deserved. It's really amazing how much better of an album "Minute By Minute" is compared to the first two Doobies' albums with McDonald--1976's "Takin' It To The Streets" and 1977's "Livin' On The Fault Line" respectively. Although respectable albums, the Doobies sound rather burnt out on "...Streets" and "...Fault Line" and often seem to be coasting on their (admittedly hugely respectable) instrumental chops to try and mask a lack of quality songwriting. With "Minute By Minute", energy and enthusiasm are back in a big way--it's like the band suddenly got a second wind.
Michael McDonald's gasping, soulful vocals here pack a major wallop and are simply infectious, and he handles the lead vocals on a handful of classic tracks from this album. And of course, McDonald was one damn impressive songwriter as well--his album opening solo composition, the heavily syncopated "Here To Love You", is one of his characteristic "soulful rants" as I like to call them, and it's an irresistible, uplifting feel-good tune. "What A Fool Believes" was a huge hit, and with its crisp beat, rich & soaring harmonies, clever and incisive love lyrics, the sly key change on the chorus, and the extreme melodic catchiness, it's a total classic--it's true that you've probably heard it a 'zillion' times, but there's no denying the brilliance of it. The jazzy, arrestingly hushed and moody title track is also classic hit. "Open Your Eyes", with its pleading minor-keyed verses and extreme catchiness, is also a gem, and don't forget about the grooving album closer "How Do The Fools Survive?".
The greatness doesn't stop there. On the previous album, it was as if the band was either afraid to rock out or had forgotten how to do so, but they come gloriously roaring back in that department with Patrick Simmons' enthusiastic bluesy rocker "Don't Stop To Watch The Wheels", an irresistible song with a super fun guitar line and cool atmospheric stuff going on as well.
I'll admit that not every song itself on the album is a classic, but still, "Dependin' On You" is a fun feel-good tune, and "Streamer Lane Breakdown" is a solid, country-flavored instrumental that adds a welcome diversity. The minor-keyed "You Never Change" is admittedly a bit slight, and yet it's still another piece of arrestingly catchy material. The quasi-ballad "Sweet Feelin'", with vocals from Nicolette Larson, is rather fluffish, but it's still catchy, under 3 minutes long, and nicely enjoyable.
So, despite some weaknesses, I have to admit I have a real weakness for this type of classy music, the kind of stuff that really holds up to repeated listening. Even "What A Fool Believes" is one of those songs that, despite its relentless airplay, has so much going on to make it one of those songs that's always 'worth one more listen', as the saying goes. On the whole, "Minute By Minute" is a great and timeless album.
I think the report of the band being dissatisfied with this album can be attributed to them feeling emotionally drained at the time of its recording/ release. The sessions weren't exactly smooth sailing--in the booklet for the Rhino "Greatest Hits" CD, Michael McDonald recalls how the band did countless takes just for "What A Fool Believes" alone and that they "almost gave up".
Without a doubt, the huge success of this album was deserved. It's really amazing how much better of an album "Minute By Minute" is compared to the first two Doobies' albums with McDonald--1976's "Takin' It To The Streets" and 1977's "Livin' On The Fault Line" respectively. Although respectable albums, the Doobies sound rather burnt out on "...Streets" and "...Fault Line" and often seem to be coasting on their (admittedly hugely respectable) instrumental chops to try and mask a lack of quality songwriting. With "Minute By Minute", energy and enthusiasm are back in a big way--it's like the band suddenly got a second wind.
Michael McDonald's gasping, soulful vocals here pack a major wallop and are simply infectious, and he handles the lead vocals on a handful of classic tracks from this album. And of course, McDonald was one damn impressive songwriter as well--his album opening solo composition, the heavily syncopated "Here To Love You", is one of his characteristic "soulful rants" as I like to call them, and it's an irresistible, uplifting feel-good tune. "What A Fool Believes" was a huge hit, and with its crisp beat, rich & soaring harmonies, clever and incisive love lyrics, the sly key change on the chorus, and the extreme melodic catchiness, it's a total classic--it's true that you've probably heard it a 'zillion' times, but there's no denying the brilliance of it. The jazzy, arrestingly hushed and moody title track is also classic hit. "Open Your Eyes", with its pleading minor-keyed verses and extreme catchiness, is also a gem, and don't forget about the grooving album closer "How Do The Fools Survive?".
The greatness doesn't stop there. On the previous album, it was as if the band was either afraid to rock out or had forgotten how to do so, but they come gloriously roaring back in that department with Patrick Simmons' enthusiastic bluesy rocker "Don't Stop To Watch The Wheels", an irresistible song with a super fun guitar line and cool atmospheric stuff going on as well.
I'll admit that not every song itself on the album is a classic, but still, "Dependin' On You" is a fun feel-good tune, and "Streamer Lane Breakdown" is a solid, country-flavored instrumental that adds a welcome diversity. The minor-keyed "You Never Change" is admittedly a bit slight, and yet it's still another piece of arrestingly catchy material. The quasi-ballad "Sweet Feelin'", with vocals from Nicolette Larson, is rather fluffish, but it's still catchy, under 3 minutes long, and nicely enjoyable.
So, despite some weaknesses, I have to admit I have a real weakness for this type of classy music, the kind of stuff that really holds up to repeated listening. Even "What A Fool Believes" is one of those songs that, despite its relentless airplay, has so much going on to make it one of those songs that's always 'worth one more listen', as the saying goes. On the whole, "Minute By Minute" is a great and timeless album.
giuseppe p.
5つ星のうち5.0
Capolavoro
2023年5月23日にイタリアでレビュー済みAmazonで購入
Si tratta di uno dei capolavori della premiata famiglia, splendidamente registrato.. un must have!!
californiagirlincanada
5つ星のうち4.0
Great record
2022年10月11日にカナダでレビュー済みAmazonで購入
I love the original familiar music and the original cover design. It was shipped from UK. Not packed well. Plastic cover was broken. That much can be remedied. Next time, protective packing please!
CDP's Onceagain habit of purchasing
5つ星のうち5.0
Doobie Brothers - Minute By Minute
2010年9月6日にアメリカ合衆国でレビュー済みAmazonで購入
Minute By Minute by The Doobie Brothers
This is one of the Doobie's Albums that took them as high up in the charts and rock music popularity, other than "Takin it to the Streets" as they have gone to date. One of my favorites, despite being of that "Era" where they utilized the emense talents of Michael McDonald. Oh, the other one was the one mentioned above, also with Michael. I really associate Dobbies with Tom Johnston's vocals/Guitar, Patrick Simmons' guitar work/vocals and John McFee doing violin and every thing else, Tiran Porter on bass, Keith Knudsen and John Hartman doing the percussion excellence, but Jeff Baxter, Security Analyst, preform guitar duties early on and here too, with Ted Templeman and Don Landee contributing in the studio as they often do. But, Michael McDonald joins in to support the album's music, writing on 6 of these offerings with vocals on the best. His presence is the reason the Doobies skyrocketed during this era. Say what you will about not liking his being here. His contribution is the reason they survived this timeframe when Tom was on sebatical. 'What a Fool Believes", "Minute by Minute", "How do the Fools Survive?" and "Open your eyes". took the Albumn to heights not achieved before and established Michael McDonald as a new force with the band. This is good listening music.
This is one of the Doobie's Albums that took them as high up in the charts and rock music popularity, other than "Takin it to the Streets" as they have gone to date. One of my favorites, despite being of that "Era" where they utilized the emense talents of Michael McDonald. Oh, the other one was the one mentioned above, also with Michael. I really associate Dobbies with Tom Johnston's vocals/Guitar, Patrick Simmons' guitar work/vocals and John McFee doing violin and every thing else, Tiran Porter on bass, Keith Knudsen and John Hartman doing the percussion excellence, but Jeff Baxter, Security Analyst, preform guitar duties early on and here too, with Ted Templeman and Don Landee contributing in the studio as they often do. But, Michael McDonald joins in to support the album's music, writing on 6 of these offerings with vocals on the best. His presence is the reason the Doobies skyrocketed during this era. Say what you will about not liking his being here. His contribution is the reason they survived this timeframe when Tom was on sebatical. 'What a Fool Believes", "Minute by Minute", "How do the Fools Survive?" and "Open your eyes". took the Albumn to heights not achieved before and established Michael McDonald as a new force with the band. This is good listening music.
Joe Clawson
5つ星のうち3.0
Another Friday Music blah
2013年6月24日にアメリカ合衆国でレビュー済みAmazonで購入
This is another example of the Friday Music mess. I will however state that at least this record had some highs. They were not sucked out. The lows are almost vacant. I have come to the conclusion that this company does not know how to master and after they are done sucking the life out of the music, they send it off to (probably the cheapest) vinyl pressing house. Not only did the pop and click plague exist, the record was pressed off center. As the tonearm gets further into the record it becomes more evident as the impact is greater. It has an actual affect on the speed making it sound as though the record is varying. As the needle is being forced outword by the off center, it has the appearance of the record speeding up. The opposite is true as the needle is forced inword. This has the appearance that the record is slowing down.
I would realy appreciate that if Friday Music insists on charging so much for their records, they should consider delivering a product that is worth the price of admission.
Well, enough of my ranting. While this is not my most favorite Doobie album, it ranks pretty close to the top. In reading some of the reviews, it appears that there are some people that did not like them while michael McDonald was with them. I on the other hand think that while he was with them, the music went a different direction (a good one IMOP). I enjoy listening to this album a lot. Between this and Livin' on the Fault Line (my favorite), I became to realy apprecitiate the Doobie Brothers.
I gave this recording a 3 star only because of the music. Beleive me that it had nothing to do with the 180 gram pressing.
I would realy appreciate that if Friday Music insists on charging so much for their records, they should consider delivering a product that is worth the price of admission.
Well, enough of my ranting. While this is not my most favorite Doobie album, it ranks pretty close to the top. In reading some of the reviews, it appears that there are some people that did not like them while michael McDonald was with them. I on the other hand think that while he was with them, the music went a different direction (a good one IMOP). I enjoy listening to this album a lot. Between this and Livin' on the Fault Line (my favorite), I became to realy apprecitiate the Doobie Brothers.
I gave this recording a 3 star only because of the music. Beleive me that it had nothing to do with the 180 gram pressing.
ウェブプレーヤーを開く




![ミニット・バイ・ミニット [紙ジャケット・コレクション~MQA-CD/UHQCDエディション]](https://images-fe.ssl-images-amazon.com/images/I/713uNF1bPfL._AC_UL160_SR160,160_.jpg)
![運命の掟 [紙ジャケット・コレクション~MQA-CD/UHQCDエディション]](https://images-fe.ssl-images-amazon.com/images/I/81h-0DzoxOL._AC_UL160_SR160,160_.jpg)


