The Lion, the Witch and the Wardrobe (Chronicles of Narnia, 2) (英語) マスマーケット – イラスト付き, 2002/3/5
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Kindle版 (電子書籍)
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¥1,427
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オンデマンド (ペーパーバック)
¥734
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¥1,068
獲得ポイント: 11pt -
CD
¥3,204 -
カセット
¥2,426
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対象読者年齢8 - 12歳
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本の長さ224ページ
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言語英語
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対象3 - 6
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Lexile指数940L
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寸法10.64 x 1.14 x 17.15 cm
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出版社HarperCollins
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発売日2002/3/5
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ISBN-109780064471046
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ISBN-13978-0064471046
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商品の説明
メディア掲載レビューほか
白い魔女によって永遠に冬に閉じ込められた国、ナルニア。そこで子どもたちは、かずかずの魔法や、アスランという偉大なるライオンなどに出会い、仲間で力を合わせることでナルニア国に変化の兆しが見えて来る。
全6巻のシリーズで、本書は最近になって第2巻とされたが、第1巻よりもこちらから最初に読むことをおすすめする。また読み聞かせとしてなら、本書は6、7歳の子どもから楽しめる。大人をも引き込む、物語としての展開の面白さや、登場人物たちの設定や性格づけが洞察に富み、普遍性をもちあわせた名作だ。(え)
Copyright© ペイパーウェイト・ブックス All rights reserved. -- 『英語ペラペラキッズ(だけにじゃもったいない)ブックス』 より
著者について
Clive Staples Lewis (1898-1963) was one of the intellectual giants of the twentieth century and arguably one of the most influential writers of his day. He was a Fellow and Tutor in English Literature at Oxford University until 1954, when he was unanimously elected to the Chair of Medieval and Renaissance Literature at Cambridge University, a position he held until his retirement. He wrote more than thirty books, allowing him to reach a vast audience, and his works continue to attract thousands of new readers every year. His most distinguished and popular accomplishments include Out of the Silent Planet, The Great Divorce, The Screwtape Letters, and the universally acknowledged classics The Chronicles of Narnia. To date, the Narnia books have sold over 100 million copies and have been transformed into three major motion pictures.
Clive Staples Lewis (1898-1963) fue uno de los intelectuales más importantes del siglo veinte y podría decirse que fue el escritor cristiano más influyente de su tiempo. Fue profesor particular de literatura inglesa y miembro de la junta de gobierno en la Universidad Oxford hasta 1954, cuando fue nombrado profesor de literatura medieval y renacentista en la Universidad Cambridge, cargo que desempeñó hasta que se jubiló. Sus contribuciones a la crítica literaria, literatura infantil, literatura fantástica y teología popular le trajeron fama y aclamación a nivel internacional. C. S. Lewis escribió más de treinta libros, lo cual le permitió alcanzar una enorme audiencia, y sus obras aún atraen a miles de nuevos lectores cada año. Sus más distinguidas y populares obras incluyen Las Crónicas de Narnia, Los Cuatro Amores, Cartas del Diablo a Su Sobrino y Mero Cristianismo.
Pauline Baynes has produced hundreds of wonderful illustrations for the seven books in The Chronicles of Narnia. In 1968 she was awarded the prestigious Kate Greenaway Medal for her outstanding contribution to children's literature.
登録情報
- ASIN : 0064471047
- 出版社 : HarperCollins; Reprint版 (2002/3/5)
- 発売日 : 2002/3/5
- 言語 : 英語
- マスマーケット : 224ページ
- ISBN-10 : 9780064471046
- ISBN-13 : 978-0064471046
- 対象読者年齢 : 8 - 12歳
- 寸法 : 10.64 x 1.14 x 17.15 cm
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Amazon 売れ筋ランキング:
- 56,125位洋書 (の売れ筋ランキングを見る洋書)
- - 658位Children's Classics
- - 849位Christianity (洋書)
- - 1,057位Children's Fantasy & Magic Books
- カスタマーレビュー:
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カスタマーレビュー
上位レビュー、対象国: 日本
レビューのフィルタリング中に問題が発生しました。後でもう一度試してください。
For English language learners, this book is very accessible, and has great teaching / learning points about life in England during WWII, family dynamics, honor, and yes even religious philosophy.
My first encounter with Narnia, Aslan, and turkish delight was when I was in the fifth or sixth grade. It fascinated and thrilled me then. As an adult I reread it. Now, as a parent I am reading the series to my children. Time has not dimmed the clarity and radiance of the writing in this classic tale by C.S. Lewis.
教授の屋敷にあるタンスからナルニア国に迷い込んだ4人の少年少女の物語。
魔女により真っ白な冬の世界にされてしまったナルニア国で、偉大な王であるライオン・アスランをはじめ多くの登場人物(動物?)と出会い、ナルニア国を変えるべく戦っていくファンタジー。
映画を見るのもいいけれど、原書で想像力を駆使しながら物語にのめりこんでいくのも面白いです。本を読んだ後に映画を見て、自分の想像との違いを楽しむのも面白いと思います。
英語は多少難しい単語はあるものの、話の流れから十分想像できるのではないかと思います。
他の国からのトップレビュー

First published in 1950, this is one of the most classic portal fantasies ever written. Four children are sent from London to an old house in the country during the evacuations of World War II. Through a magic wardrobe, they enter the fantasy land of Narnia, which is a jumbled mixture of Greek mythology, Bible stories, and Arthurian romances, with a bit of Medieval Bestiaries thrown in and also a nod to George Macdonald. The White Witch has made herself Queen of Narnia, and put it under the spell of an ever-constant winter. With the arrival of the children and the lion Aslan, an old prophecy is met, spring comes to Narnia, and there is a major clash between the good and evil Narnians on who gets to dominate Narnia.
It is good writing to read aloud, and I can see why decades of schoolteachers have done so to their classes, including my own Year 3 teacher when I was a child. It's also a good silent read for children on the 8+years level. I had to explain the Adam and Eve story to my daughter, but otherwise the child doesn't need to already know the rich layers of references within it, which fed my own subsequent reading for years and years when I was a child - I wanted to know more about all the creatures C.S. Lewis had referred to! (Though I never did find out who the People of the Toadstools were.....)
Re-reading it again as an adult, what struck me was the influence of World War II. I have no idea how much C.S. Lewis followed the events of the war from his academic enclave, or how aware he was of the atrocities in Europe. But certain bits of the imagery - the wolf who was Chief of the Secret Police and visited victims in the night to trash their homes; the White Witch casually pointing her wand at a happy little family party at the side of the road and turning them to stone, in spite of Edmund's pleas - felt connected to it. And unlike the stone spells, deaths caused by gunfire can not be reversed.
My daughter hasn't got that far in her history lessons yet.

This novel is by far the most popular in The Narnia Series, and it’s easy to see why. Published in 1950, it offers complete escapism for the reader; Peter, Susan, Edmund, and Lucy are evacuated from London to avoid the Blitz and are sent to a big house in the countryside. This is one location in the novel and the other, of course, is the magical world of Narnia.
Much of this story is etched into my memory from reading the books and watching the films but I did find one discover a part of the story (don’t worry, it’s not a spoiler) I’ve never really paid attention to before. It’s a conversation between Peter, Lucy, and Professor Digory Kirke, which goes like this:
“But there was no time,” said Susan. “Lucy had had no time to have gone anywhere, even if there was such a place. She came running after us the very moment we were out of the room. It was less than a minute, and she pretended to be away for hours.”
“That is the very thing that makes her story so likely to be true,” said the Professor. “If there really is a door in this house that leads to some other world (and I should warn you that this is a very strange house, and even I know very little about it) – if, I say, she had got into another world, I should not be at all surprised to find that the other world had a separate time of its own; so that however long you stayed there it would never take up any of our time. On the other hand, I don’t think many girls of her age would invent that idea for themselves. If she had been pretending, she would have hidden for a reasonable time before coming out and telling her story.”
I loved this part because you have two children worried about their little sisters sanity, only for a well respected Professor (and adult) to basically say, “Why not? Keep your minds open to other possibilities.” A great lesson for anyone reading this novel!
The writing style is very simple and easy to read which is such a difficult thing to achieve. I also really liked the little drawings scattered throughout the book. Overall, a brilliant story by C.S Lewis, and one which I feel has more than enough depth for adults and children to enjoy.


Sadly, in this case, the adage "You can never go home again" more or less applies. Whatever magic Narnia held for me when I was younger, the actual writing and the age of the original work have not held up against time. The Christian allegory is not subtle. The children's behaviour is strangely starched and/or grown-up. The pace is so super-fast that some dramatic events are over so quickly you hardly get time to absorb them at all. I almost felt like if I blinked I would miss something, even in print.
The concept was charming enough and I may read the others if they come up cheap on Kindle in future, but I think I'm lacking enough nostalgia to be excited about continuing.

現時点ではこのメニューの読み込みに問題があります。