Lee Miller: Portraits from a Life (英語) ハードカバー – 2002/11/25
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Lee Miller is arguably the 20th century's most famous woman photographer. During her extraordinary life, she came into contact with a wide range of people including many of the most celebrated and influential artists, writers, actors, fashion designers and socialites of the last century. The photographs include not only Pablo Picasso, Max Ernst, Dora Maar, Igor Stravinsky, Henry Moore, Colette, Marlene Dietrich, Fred Astaire and a host of others, but also pictures of unsung individuals engaged in war work. Most memorable of all are Miller's pictures of victims and perpetrators of Nazi oppression - some of the most powerful images from the last century. These brilliant portraits are shown together for the first time. Throughout the book, Richard Calvocoressi demonstrates the originality and artistry of the photographer's work, while exploring the relationship between the photographs and Lee Miller's fascinating life.
"'Miller leaves a legacy that is second to none' - The Guardian 'These pictures alternately amuse, thrill and horrify, leaping from the page with all the vigour they must have had when they first appeared... impeccably researched and truly illuminating' - What's On in London 'Superb' - Scotland on Sunday" --このテキストは、ペーパーバック版に関連付けられています。商品の説明をすべて表示する
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With portraits of Chaplin, many of the leading Surrealists, Picasso, Stravinsky, T.S. Eliot, Dylan Thomas, Henry Moore and many others, Miller's twin eye Rolleiflex produces a very intimate view of the artistic scene in the middle of the 20th century. Some of the pictures were taken in the artist's studio, some in Miller's own studio, but most show the sitters informally and relaxed in mundane surroundings, weaving the mystery of artistic inspiration into the fabric of daily life. Whatever the context, Miller's portraits show the mark of a great artist, with composition, lighting and atmosphere invariably matched to the personality of the sitter. A great deal of her pictures are quite classical in conception, but many are spiced up with an occasional Surrealist wink.
The war pictures are a different matter. When Miller registers the ravages of this savage conflict, irony makes way for tragic grandeur. For example, the portrait of a Nazi suicide, daughther of the Leipzig Mayor, reconnects with the dramatic clair obscur of Carravaggio. Many of the images of wrens and ordinary service men reveal the quiet determination of people amidst a whirlwind of extreme violence. One of the most impressive pictures of this period, and in a sense an untypical one, depicts a murdered German prison guard floating in a canal bounding the Dachau camp, producing a mixture of the bucolic and the tragic which is very moving.
This book is beautifully produced and is a delight to hold in your hands. The captions that go with the pictures are well written and very informative. I would have wished for a more extensive lead essay by Richard Calvocoressi, but maybe we can find more information elsewhere. Pity also that the UK version of this book sports the Hein Heckroth portrait on its cover, which I do not find one of the most attractive pictures in this collection. But these minor quibbles do not detract for this valuable addition to my library.