Joker
| 仕様 | 価格 | 新品 | 中古品 |
|
CD, 2000/1/1
"もう一度試してください。" | 1枚組 |
—
| ¥2,489 | ¥1,068 |
|
CD, 限定版, 2017/4/26
"もう一度試してください。" | 限定版 |
—
| ¥5,200 | ¥3,508 |
|
CD, インポート, 1998/3/6
"もう一度試してください。" | インポート |
—
| — | ¥8,682 |
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曲目リスト
| 1 | Sugar Babe |
| 2 | Mary Lou |
| 3 | Shu Ba Da Du Ma Ma Ma Ma |
| 4 | Your Cash Ain't Nothin' But Trash |
| 5 | The Joker |
| 6 | The Lovin' Cup |
| 7 | Come on in My Kitchen |
| 8 | Evil |
| 9 | Something to Believe in |
登録情報
- メーカーにより製造中止になりました : いいえ
- 製品サイズ : 12.4 x 14.2 x 1.19 cm; 85.9 g
- メーカー : Capitol
- EAN : 0007777944452, 0077779444526
- 商品モデル番号 : 1700143
- オリジナル盤発売日 : 1991
- 時間 : 36 分
- SPARSコード : DDD
- レーベル : Capitol
- ASIN : B00000DRBI
- ディスク枚数 : 1
- Amazon 売れ筋ランキング: - 222,419位ミュージック (ミュージックの売れ筋ランキングを見る)
- - 15,429位ポップス (ミュージック)
- - 44,003位ロック (ミュージック)
- - 60,448位輸入盤
- カスタマーレビュー:
-
トップレビュー
上位レビュー、対象国: 日本
レビューのフィルタリング中に問題が発生しました。後でもう一度試してください。
2022年8月7日に日本でレビュー済み
Amazonで購入
レコードで鑑賞して頂くことを強くオススメします。jokerは何度聞いても素晴らしい曲ですね。
2012年7月21日に日本でレビュー済み
Amazonで購入
派手さもアーティスティックでもないけど良心的?で堅実なロック。こういう人がスターになるアメリカという国のふところの大きさを感じます。
JOKERは何度聴いてもあきない、名曲です。
JOKERは何度聴いてもあきない、名曲です。
2013年4月26日に日本でレビュー済み
Amazonで購入
この超スローなテンポはまりますね、けれ1曲しか聞いたことがないアルバムでしたが懐かしくて購入しました。この曲は全米TOP100で聞きました。
2004年10月8日に日本でレビュー済み
Amazonで購入
このアルバムは、渋さと聴きやすさが嫌みなく両立してるような感じがします。僕の中でSteveMillerってあんまり良いイメージがなかったんだけど、このアルバムはめちゃくちゃ気に入りました。特にタイトル曲「TheJoker」なんて最高!渋すぎる!ラストの「SomethingToBelieveIn」も青春ソングって感じで泣けるし。マイナーブルース調の「Evil」も渋い。でも、一番の驚きは、「ComeOnInMyKitchen」。変だがデルタブルースっぽくも聴こえる。ロバート・ジョンソンが聴いたらどう思うだろうか?
VINEメンバー
Amazonで購入
皆さんが言われている「シブさ」が光る隠れた名盤です。特に「JOKER」はなんでこれが全米NO.1やねん?と突っ込みたくなるような曲ですが、聞いているうちに病み付きになって何度も聞くという真に「怪しげな恐ろしい」曲です。この後、押しも押されもしないスーパーバンドになっていくのですが、ステーブ・ミラーの歩んできた道を考えれば、ボーカルを基本とした「いい曲」を歌うということだけかなと思ったりします。もともとブルースバンドだと思っていたので、このアルバムにはまだまだ「ブルース」ににおいがプンプンしていてお好きな方にはお薦めです。さらっとした白人の歌う新しい感覚のブルースのような気がしておりました。なかなか聞けます。
2013年12月26日に日本でレビュー済み
アルバムの最後に「Something To Believe In」という素晴らしいバラードが収録されています。
恋人のためにララバイを歌って安心して眠れるようにしてあげようとする人の歌で、
その人はその恋人がいるから生きていける、守りたいものに守られているというような内容の歌詞です。
「谷川の清流のように」や「湖水に映る山並のように」などのアメリカの美しい自然に例えていたりと心に染みるものがあります。
「Something To Believe In」はヒットシングル「The Joker」のB面曲でしたが、両曲ともこのアルバムに収録されています。
「The Joker」の方は奇妙なコード進行が浮遊感を感じさせるるエキセントリックなようで牧歌的な不思議な曲です。
2013年の今聴いても十分インパクトのある名曲です。2曲ともそれぞれ個性的で素晴らしい曲です。
恋人のためにララバイを歌って安心して眠れるようにしてあげようとする人の歌で、
その人はその恋人がいるから生きていける、守りたいものに守られているというような内容の歌詞です。
「谷川の清流のように」や「湖水に映る山並のように」などのアメリカの美しい自然に例えていたりと心に染みるものがあります。
「Something To Believe In」はヒットシングル「The Joker」のB面曲でしたが、両曲ともこのアルバムに収録されています。
「The Joker」の方は奇妙なコード進行が浮遊感を感じさせるるエキセントリックなようで牧歌的な不思議な曲です。
2013年の今聴いても十分インパクトのある名曲です。2曲ともそれぞれ個性的で素晴らしい曲です。
2006年7月22日に日本でレビュー済み
初期メンバーにはボズ・スキャッグスがいたことがかなり意外。アルバムとしては FLY LIKE AN EAGLE 以降にヒット作を連発していてそちらの諸作も大好きなのですが、その前哨戦となるこのアルバムは過剰な派手さがないところが、かえって聴きやすいかも。醒めているかのようで、熱い演歌のコブシのような味を感じさせるスティーヴのヴォーカルは不変で、一度好きになると応えられない魅力があります。ちなみにこのアルバム、スティーヴの作品としては初めて全米チャート10位入りを果たし最高で2位まで上がった作品だとか。かなりのヒット作ですね。
他の国からのトップレビュー
C William
5つ星のうち4.0
... in a bin somewhere a few years ago and enjoyed it as something unexpected and different from anything I'd ...
2014年7月20日にアメリカ合衆国でレビュー済みAmazonで購入
I found Miller's solo "Born 2B Blue" in a bin somewhere a few years ago and enjoyed it as something unexpected and different from anything I'd heard from Steve Miller before. Talented guy, iconic delivery and voice, smooth, very talented guitarist. I like everything about the album but the tenor sax on "God Bless the Child" (I just don't like soft jazz tenor sax. It's especially prominent and repulsive in the intro.)
Some recent late night I decided to backfill the Steve Miller Band in my CD collection. I'd owned and enjoyed the early albums, Children of the Future, Sailor, Brave New World and Number 5 during my student years before they disappeared with some roommate or move, but as the band's struggles to find an identity solidified with their move into mainstream pop rock, I became less interested. After all, they had arrived to the point of being in the 20-minute rotation on mainstream radio stations and I was no longer in college but living in parts of the world where that was all that was available on my radios. I didn't need The Joker, Take the Money and Run, Rock'n Me, Fly Like an Eagle, Jet Airliner, Jungle Love or Swingtown in my collection for at home listening. Plus I'd discovered jazz and that's where my collection was moving.
Now we're in 2014. Change continues. Retirement's the next big event. The kids are grown and gone and I stay up some nights, or sit around some days and listen to music. (Things don't change completely.) So I noodle with my CD collection and internet stations and have been backfilling my collection, including adding back music I enjoyed in years past, or expanding collections by some artists and in some genres. I bought CDs versions of the early, "psychedelic" albums (except Number 5) and listened to the Amazon's snatches of songs for more insight on the later, platinum pop albums. I added The Joker and Fly Like an Eagle and Book of Dreams.
The way I listen to music is I rip the CD to my music library. Very anal I suppose, because I could just download songs from Amazon. Except I want to own what I pay for so that I can copy it for my own use as many times as I like to different devices I own or might own in the future. When I ripped The Joker today I had an UNPLEASANT SURPRISE worthy of at least 1 deduct point from my rating of the CD if not returning it. On replay the last 18 seconds or so of "Sugar Babe" is cut from the Sugar Babe track - only to be added to the front of the following track, "Mary Lou". I've never heard this before. It's a major bummer as I could see where I might want to incorporate "Mary Lou" into some playlist sometime without reference to "Sugar Babe".
Regarding The Joker, enough time has passed that I can accept and listen to the title song for the hook-laden little selfie it is. Miller sure got a lot of mileage out of his various self portraits, and this one is iconic. Beyond the big, hit song, the music represents that easy evolution of the California rock-n-roll sound that evolved through the happy beach and muscle car music of the early '60's to the electrified and countrified sounds that held such a wide slice of the '70's with the sounds of Steve Miller Band, The Eagles, Jackson Browne and others. Miller underlays everything his band does, and his lyrics and singing wih solid, intelligent guitar work. This album provides a good example of that. He and bassist Gerald Johnson have lots of fun with Miller's Shu Ba Da Du Ma Ma Ma Ma. "The Lovin' Cup" is a sweet little harmonica blues penned by Miller, a departure into a more folkish style. "Come On in My Kitchen is another solid, white-boy blues cover. It features Miller strumming in a sort of modified delta style. Reitterate: he is a man of many licks and idioms. With "Evil" Miller takes the music to a darker place, but not too dark, because the post trama Miller never seems to forget to hew near the mainstream. Maybe his voice demands he do that, but he shows here that he has a broader range. Miller's voice may be too bright for the dark lyrics, but he knows what he's singing and how to bring it, and underlays it with his ripping guitar with Dickie Thompson providing atmospheric fills on organ. "Something to Believe In" sounds like it may have been written to be another big hit, it's got the vocal and guitar hooks. Maybe it was just a little too laconic for that, but it makes a nice closer when listening to the CD straight through. Overall this release is not very well unified as most of the songs have little relationship to each other. But I guess we don't expect that of pop artists' releases. He's got a great voice, writes good lyrics and leads a tight band. I can see why millions bought it; I'm still disappointed Steve Miller didn't challenge the status quo more than he did. My "4" rating is for the music. WIth the glitch I described above it gets a "3".
Some recent late night I decided to backfill the Steve Miller Band in my CD collection. I'd owned and enjoyed the early albums, Children of the Future, Sailor, Brave New World and Number 5 during my student years before they disappeared with some roommate or move, but as the band's struggles to find an identity solidified with their move into mainstream pop rock, I became less interested. After all, they had arrived to the point of being in the 20-minute rotation on mainstream radio stations and I was no longer in college but living in parts of the world where that was all that was available on my radios. I didn't need The Joker, Take the Money and Run, Rock'n Me, Fly Like an Eagle, Jet Airliner, Jungle Love or Swingtown in my collection for at home listening. Plus I'd discovered jazz and that's where my collection was moving.
Now we're in 2014. Change continues. Retirement's the next big event. The kids are grown and gone and I stay up some nights, or sit around some days and listen to music. (Things don't change completely.) So I noodle with my CD collection and internet stations and have been backfilling my collection, including adding back music I enjoyed in years past, or expanding collections by some artists and in some genres. I bought CDs versions of the early, "psychedelic" albums (except Number 5) and listened to the Amazon's snatches of songs for more insight on the later, platinum pop albums. I added The Joker and Fly Like an Eagle and Book of Dreams.
The way I listen to music is I rip the CD to my music library. Very anal I suppose, because I could just download songs from Amazon. Except I want to own what I pay for so that I can copy it for my own use as many times as I like to different devices I own or might own in the future. When I ripped The Joker today I had an UNPLEASANT SURPRISE worthy of at least 1 deduct point from my rating of the CD if not returning it. On replay the last 18 seconds or so of "Sugar Babe" is cut from the Sugar Babe track - only to be added to the front of the following track, "Mary Lou". I've never heard this before. It's a major bummer as I could see where I might want to incorporate "Mary Lou" into some playlist sometime without reference to "Sugar Babe".
Regarding The Joker, enough time has passed that I can accept and listen to the title song for the hook-laden little selfie it is. Miller sure got a lot of mileage out of his various self portraits, and this one is iconic. Beyond the big, hit song, the music represents that easy evolution of the California rock-n-roll sound that evolved through the happy beach and muscle car music of the early '60's to the electrified and countrified sounds that held such a wide slice of the '70's with the sounds of Steve Miller Band, The Eagles, Jackson Browne and others. Miller underlays everything his band does, and his lyrics and singing wih solid, intelligent guitar work. This album provides a good example of that. He and bassist Gerald Johnson have lots of fun with Miller's Shu Ba Da Du Ma Ma Ma Ma. "The Lovin' Cup" is a sweet little harmonica blues penned by Miller, a departure into a more folkish style. "Come On in My Kitchen is another solid, white-boy blues cover. It features Miller strumming in a sort of modified delta style. Reitterate: he is a man of many licks and idioms. With "Evil" Miller takes the music to a darker place, but not too dark, because the post trama Miller never seems to forget to hew near the mainstream. Maybe his voice demands he do that, but he shows here that he has a broader range. Miller's voice may be too bright for the dark lyrics, but he knows what he's singing and how to bring it, and underlays it with his ripping guitar with Dickie Thompson providing atmospheric fills on organ. "Something to Believe In" sounds like it may have been written to be another big hit, it's got the vocal and guitar hooks. Maybe it was just a little too laconic for that, but it makes a nice closer when listening to the CD straight through. Overall this release is not very well unified as most of the songs have little relationship to each other. But I guess we don't expect that of pop artists' releases. He's got a great voice, writes good lyrics and leads a tight band. I can see why millions bought it; I'm still disappointed Steve Miller didn't challenge the status quo more than he did. My "4" rating is for the music. WIth the glitch I described above it gets a "3".
Nick C
5つ星のうち5.0
A Timeless Classic
2023年7月24日にアメリカ合衆国でレビュー済みAmazonで購入
"The Joker - 40th Anniversary" is a timeless classic that continues to captivate audiences. Celebrating four decades of cinematic brilliance, this film remains a cultural icon, with memorable performances and an unforgettable storyline. A must-watch for movie enthusiasts and a testament to the enduring legacy of this legendary character.
kenneth ashton
5つ星のうち5.0
Nothing
2023年5月21日に英国でレビュー済みAmazonで購入
Good quality
MP
5つ星のうち4.0
The Joker 1991 CD $10.98
2014年6月19日にアメリカ合衆国でレビュー済みAmazonで購入
Steve Millers 1973 release, his 8th album.The Joker went platinum based on the one song, The Joker.
I have the CD, and I am glad I do, but being a long time Steve Miller fan this album takes a little lull. The album before this, Recall the beginning, A Journey from Eden, is far superior. And then the next album Fly Like an Eagle takes off with commercial success. I feel this is Steve's transition album between what was and what will become..
The stereo sound quality is normal for this era of recording and it is good. The package is standard plastic jewel case with good liner notes. The tracks 6 and 7 are live, 6 from Philly and 7 from Boston, the producers did not put a pause between the two tracks so sounds like same concert, nice.
$10.98 is good enough for this recording.
I have the CD, and I am glad I do, but being a long time Steve Miller fan this album takes a little lull. The album before this, Recall the beginning, A Journey from Eden, is far superior. And then the next album Fly Like an Eagle takes off with commercial success. I feel this is Steve's transition album between what was and what will become..
The stereo sound quality is normal for this era of recording and it is good. The package is standard plastic jewel case with good liner notes. The tracks 6 and 7 are live, 6 from Philly and 7 from Boston, the producers did not put a pause between the two tracks so sounds like same concert, nice.
$10.98 is good enough for this recording.
R. C. Whiteley
5つ星のうち3.0
Great Album, But...
2010年9月4日にアメリカ合衆国でレビュー済みAmazonで購入
I recorded The Joker off the radio back in the late '80s or early '90s. Anyway, I have loved the album ever since I made that copy off the radio. But, the cd version of the album I just got today has too much crackling in it for 1973. I have cds of music recorded in the '50s that sounds better than this cd version of The Joker. The album sleeve claims it was remastered, but that is difficult to believe! Yes, Capitol Records, give me Something To Believe In. I imagine over the next few years, there will be a proper remastering of the album. I mean, I am also finding I need to turn the volume up to a level that I normally don't reach when I listen to a new or properly remastered classic! If you have a cassette or vinyl version of The Joker, I'd wait until a new remaster is released. I love this album, so I am going to enjoy it as best I can, despite its shortcomings. I've heard Steve Miller Band music before The Joker, and I can definitely say The Joker is a great jump forward for Steve Miller and Co. Then, by the mid 1970s, Fly Like An Eagle and Book Of Dreams would make Steve Miller a superstar. But, The Joker is the album that really launched his recording career by leaps and bounds!
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