"Stephen King's newest audiobook is compulsively entertaining and features a dazzling performance by narrator Santino Fontana. After a seemingly unconnected prelude that is revisited much later, listeners meet 12-year-old telekinetic genius Luke Ellis. One night, Luke's parents are brutally murdered, and he's drugged, kidnapped, and brought to The Institute. There, he meets other supernaturally gifted children who have been taken. Fontana does wonders with this diverse lineup of young characters who band together to fight their captors. Each of them sounds authentic and unique. Meanwhile, the adult characters, with a few exceptions, are a nightmarish bunch. Through them, Fontana shows that evil can have many different voices. While this isn't King at his most original, his and Fontana's talents are a winning combination." ― Winner of AudioFile Earphones Award, AudioFile Magazine
--このテキストは、audioCD版に関連付けられています。
著者について
Stephen King is the author of more than sixty books, all of them worldwide bestsellers. His recent work includes If It Bleeds, The Institute, Elevation, The Outsider, Sleeping Beauties (cowritten with his son Owen King), and the Bill Hodges trilogy: End of Watch, Finders Keepers, and Mr. Mercedes (an Edgar Award winner for Best Novel and an AT&T Audience Network original television series). His novel 11/22/63 was named a top ten book of 2011 by The New York Times Book Review and won the Los Angeles Times Book Prize for Mystery/Thriller. His epic works The Dark Tower, It, Pet Sematary, and Doctor Sleep are the basis for major motion pictures, with It now the highest-grossing horror film of all time. He is the recipient of the 2020 Audio Publishers Association Lifetime Achievement Award, the 2018 PEN America Literary Service Award, the 2014 National Medal of Arts, and the 2003 National Book Foundation Medal for Distinguished Contribution to American Letters. He lives in Bangor, Maine, with his wife, novelist Tabitha King.
--このテキストは、audioCD版に関連付けられています。
抜粋
The Institute
1
Half an hour after Tim Jamieson’s Delta flight was scheduled to leave Tampa for the bright lights and tall buildings of New York, it was still parked at the gate. When a Delta agent and a blond woman with a security badge hanging around her neck entered the cabin, there were unhappy, premonitory murmurings from the packed residents of economy class.
“May I have your attention, please!” the Delta guy called.
“The delay should be short, and the captain wants to assure you all that your flight will arrive approximately on time. We have a federal officer who needs to board, however, so we’ll need someone to give up his or her seat.”
A collective groan went up, and Tim saw several people unlimber their cell phones in case of trouble. There had been trouble in these situations before.
“Delta Air Lines is authorized to offer a free ticket to New York on the next outbound flight, which will be tomorrow morning at 6:45 AM—”
Another groan went up. Someone said, “Just shoot me.”
The functionary continued, undeterred. “You’ll be given a hotel voucher for tonight, plus four hundred dollars. It’s a good deal, folks. Who wants it?”
He had no takers. The security blond said nothing, only surveyed the crowded economy-class cabin with all-seeing but somehow lifeless eyes.
“Eight hundred,” the Delta guy said. “Plus the hotel voucher and the complimentary ticket.”
“Guy sounds like a quiz show host,” grunted a man in the row ahead of Tim’s.
There were still no takers.
“Fourteen hundred?”
And still none. Tim found this interesting but not entirely surprising. It wasn’t just because a six forty-five flight meant getting up before God, either. Most of his fellow economy-class passengers were family groups headed home after visiting various Florida attractions, couples sporting beachy-keen sunburns, and beefy, red-faced, pissed-off-looking guys who probably had business in the Big Apple worth considerably more than fourteen hundred bucks.
Someone far in the back called, “Throw in a Mustang convertible and a trip to Aruba for two, and you can have both our seats!” This sadly provoked laughter. It didn’t sound terribly friendly.
The gate agent looked at the blond with the badge, but if he hoped for help there, he got none. She just continued her survey, nothing moving but her eyes. He sighed and said, “Sixteen hundred.”
Tim Jamieson suddenly decided he wanted to get the fuck off this plane and hitchhike north. Although such an idea had never so much as crossed his mind before this moment, he found he could imagine himself doing it, and with absolute clarity. There he was, standing on Highway 301 somewhere in the middle of Hernando County with his thumb out. It was hot, the lovebugs were swarming, there was a billboard advertising some slip-and-fall attorney, “Take It on the Run” was blaring from a boombox sitting on the concrete-block step of a nearby trailer where a shirtless man was washing his car, and eventually some Farmer John would come along and give him a ride in a pickup truck with stake sides, melons in the back, and a magnetic Jesus on the dashboard. The best part wouldn’t even be the cash money in his pocket. The best part would be standing out there by himself, miles from this sardine can with its warring smells of perfume, sweat, and hair spray.
The second-best part, however, would be squeezing the government tit for a few dollars more.
He stood up to his perfectly normal height (five-ten and a fraction), pushed his glasses up on his nose, and raised his hand. “Make it two thousand, sir, plus a cash refund of my ticket, and the seat is yours.”
--このテキストは、kindle_edition版に関連付けられています。
It’s getting old and banal Mr. King. I was hoping to enjoy this book but alas, not to be. A word of advice though... If you continue to write, avoid politics so you don’t alienate half your reading audience because we are after all the force behind your income. Your Trump digs have nothing to do with the story. You're just a sorry old man trying to grand stand. I pick up a book to forget about the trivial day to day political b.s. so why do you feel the need to shove your beliefs down my throat? Wish I could get my money back on this but I won't purchase anything else from this author. I might also add that this book repeated itself over and over, had a slow moving story line and was hard to finish. Might be a good time for you to retire Mr. King...
I’m a Stephen King fan. His storytelling remains captivating and horrifying in equal measure and he can still make my blood run cold. The Institute is another belting tale, showing his finely honed writing skills to perfection.
There’s a very ordinary start. Something at which King excels, small towns with ordinary people just going about their business. In this case a disgraced former cop settles in Du Pray (he loves his word play! I enjoy finding his hidden references. Eliot’s The Love Song of Alfred J Prufrock is there in a passing conversation and there must be more!) The story shifts to the Institute of the title. A shadowy place which houses children with exceptional gifts. They’re ordinary kids with extraordinary abilities who have little idea why they’re there and are fearful of the director Mrs Sigsby, and Stackhouse, the security manager. There are doctors and other adults who all play a part in a tale of dark secrets and exploitation.
So much of King’s writing is understated. He hooks you in with banal detail about people, places and conversations. It’s ordinary and almost mundane, but bit by bit he’s spinning an intricate web and setting the reader up for one twist after another. As usual, King is exploring a number of wide ranging themes. Saving the human race or maybe the planet, child abuse, extra sensory abilities, the Trump administration, minorities...it’s all there, predominantly adult’s inhumane treatment of children and loss of moral compass. As usual, King creates an array of distinct and memorable characters to shape his tale. He’s a master storyteller and his power to influence and challenge remain as relevant now as when he first started. This is a gripping and horribly plausible tale. Chilling, thought provoking and extraordinary. Simply brilliant.
Preordered this book some months ago, as was always a fan. Then read some recent SK rants made comparing events in this novel to certain views on law enforcement at our borders. Immediately returned the book for refund before reading it. I will not make another SK purchase.
5つ星のうち5.0A great character study about people who justify their horrible choices
2019年9月12日にアメリカ合衆国でレビュー済み
Amazonで購入
King writes so well about the innocence of kids. He also writes at his best when the subject is pure evil. Slap them together and you have The Institute. The book starts in a simple little town where a cop passing through takes a job as a night knocker. There's a kid, a really smart kid, who's 12 years old and getting ready to attend MIT because he's, you know, special. That's the setting. From there it gets chilling. Even without ghosts, or vampires or outer space boogie men.
The child, Luke, is taken in the middle of the night. His folks are murdered. He wakes up at The Institute in Maine in a room that's just like his - almost. There's other kids there and he gets the skinny from a young girl in the hallway, seemingly smoking a cigarette. She tells him that they "do stuff" to the kids, injections-flickering lights-dunking, but at least they're in the Front Half. You don't want to go to the Back Half. No, that's like the roach motel. Kids go in and don't ever come out.
To say this is a character study of the people throughout history who have told themselves that the horrible, hideous, atrocious things they do are for a "higher good". This book is King at his best. It's tense and I found myself ill at ease throughout the 500 plus pages. But it's good. A good story, good writing, and yeah, sure, it's relevant in the America of today and about our choices.