Howard Hawks: Interviews (Conversations With Filmmakers Series) (英語) ペーパーバック – 2006/3/1
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Howard Hawks (1896-1977) is one of America's great film directors. During a career that spanned fifty years and produced more than forty films, this writer, producer, and director made highly successful movies and managed to maintain remarkable artistic control during a time when studio moguls usually ruled. Hawks conquered virtually every genre, including action/adventure, comedy, western, film noir, gangster, science fiction, and musical films.
The remarkable diversity of his work may have kept Hawks from being as easily recognized as his contemporaries Alfred Hitchcock and John Ford. Hawks brought a unique stamp to all of his films by mixing dramatic and comedic elements, manipulating gender conventions, emphasizing story and dialogue, and eschewing cinematic trickery and sentimentality. His classic oeuvre includes films such as Scarface, Only Angels Have Wings, His Girl Friday, Sergeant York, Bringing Up Baby, The Big Sleep, Red River, Gentlemen Prefer Blondes, and Rio Bravo.
This collection of interviews takes the reader from talks with his admirers in the French press to revealing discussions late in his life. By his own admission, Hawks was above all a storyteller. These interviews are replete with entertaining anecdotes. Howard Hawks: Interviews is a diverse collection offering valuable access to the life and career of one of the most fiercely independent filmmakers in the history of Hollywood.
Scott Breivold is an associate librarian at California State University, Los Angeles, and director of the university library's music and media center.
This book, however, turned out to be interesting in a surprising way. Most of these interviews come from the late Sixties and early Seventies, when Hawks' career was ending. You can see Hawks putting a brave face on his late work, glad for the chance to be working, but once his career is over, he assesses those films very clearly. Also of interest is that the book shows how the first generation of film students came to Hawks, seeking his input on the political struggles of the era and the emerging women's movement. Seeing the clash between their expectations and Hawks' opinions is almost a movie in itself.
Also, Hawks expresses himself vigorously about other directors, something I hadn't really seen before. (He is especially harsh on post-WWII Capra.)
So even if you have read "Hawks on Hawks," "Howard Hawks Inteviews" will surprise you and give you a fuller portrait of the man behind all those terrific movies.