Never been a very prolific solo artist Crosby has suddenly in his 70s in the last 4 years put out four albums. This one is though more of a collective effort by the quartet of Crosby, Becca Stevens, Michelle Willis both accomplished singer/songwriters in their own right and co-producer Michael League (Snarky Puppy).
Exquisite harmonies in abundance and some memorable songs like Willis' "Janet" that was heavily featured on Crosby's recent European tour. Of special interest for long time fans of Croz is some reworkings of old never published recordings. Fittingly titled "1967" and "1974". And like his old (ex)friend Graham Nash he is not afraid to tackle the sensitive subjects of ageing and dying as evidenced on "Buddha On The Hill". The album ending with a beautiful version of Joni Mitchell's "Woodstock" in an arrangement very different from Stephen Stills' on "Deja Vu".
Relaxing and deep and profound could be fitting adjectives for this release. If any thing is missing I could have liked a few instrumental solos. But highly recommended for old time CSN(Y) fans as well as lovers of americana and folk.
Comparisons with Nash (self absorbed with him self) , Stills (record with Judy Collins) & Young who apart from the great archives records shows no signs of recovering his songwriting mojo - but Crosby is now recording some of his best music. This record is a collaboration where he shares song writing duties and vocals. Crosby's voice is miraculous. There's been talk of CSNY doing a final tour - Crosby doesn't need it. At last Crosby picks ups from those innovative sounds from the early 70s, Here Crosby shares the spotlight with Becca Stevens, Michelle Willis & Michael League all offer their own stellar performance - but Crosby is making a fine fist of ditching the 80s/90s for one last hurrah.
As a long-time Croz fan, I could well be biased. BUT, this is his best yet - it seems (to me) as if Croz' new-found burst of creativity (in the Croz, Lighthouse and Sky Trails albums) all lead to this album. As other reviewers have said: the songs are contemplative but not introspective or "lazy"; and the arrangements - especially the vocals - are rich. The mix of Becca Stevens and Michelle Willis (Michael League, too?) vocals are completely in sync with Croz' phrasing and feel. David says, in the liner notes, that he wanted it to be a "group record...not a solo with help" and so it is, with Becca and/or Michelle sharing many lead vocals to great effect. My stand-out track is "1967" - reminiscent of "Tamalpais High" from Croz' first solo album. But it's all good. If you like David Crosby - especially, if you like his recent output - buy the thing. Crosby says "This [album] is one of the best musical experiences of my life" I can believe it.
This boy shows potential and I reckon he could make it big one day!!!! Despite having a 50 year back catalogue with some of the greatest songs ever written, David Crosby has produced some of his finest work during the past 5 years and 'Here if you listen' ranks with his best. Nobody does 'harmony' like Crosby and this album shows him at his best, especially as he is working with other wonderful talents. These a re beautifully crafted songs that are superbly performed. A truly brilliant album. I am looking forward to the next one!
Another great album from David and the Lighthouse band. His solo albums of the past few years have produced wonderful music and long may he continue to do so. The album arrived on time in excellent condition. The vinyl sound is rich and allows the best range for David’s voice. I would thoroughly recommend the album as well as the last two solo offerings. A consummate musician with a good supporting band.