Greta Garbo (Taschen Movie Icons) (英語) ペーパーバック – 2007/11/1
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Greta Garbo's uniquely photogenic beauty belies her great talent as an actress, as her performances in "Queen Christina" and "Camille" prove. A hint of a Garbo smile, touch, or glance conveyed volumes. She was languid, distant, and melancholy, yet in her love scenes she conveyed a passion and hunger that startled audiences and overturned American notions of eroticism and sexuality. Part of her fascination, too, is the mystery of her private lives and loves: "I want to be alone," she insisted, but she remains the world's divine woman. "The Movie Icon" series: People talk about Hollywood glamour, about studios that had more stars than there are in heaven, about actors who weren't actors but were icons. Other people talk about these things, TASCHEN shows you. "Movie Icons" is a series of photo books that feature the most famous personalities in the history of cinema. These 192-page books are visual biographies of the stars. For each title, series editor Paul Duncan has painstaking selected approximately 150 high quality enigmatic and sumptuous portraits, colorful posters and lobby cards, rare film stills, and previously unpublished candid photos showing the stars as they really are. These images are accompanied by concise introductory essays by leading film writers; each book also includes a chronology, a filmography, and a bibliography, and is peppered with apposite quotes from the movies and from life. All the icons in the first 20 books of the series were voted for by over 7500 TASCHEN readers in a special online poll!
David Robinson is a critic and historian of long experience. He was successively film critic for The Financial Times (London) and The Times (London). His books have included Buster Keaton, Hollywood in the Twenties, World Cinema, From Peepshow to Palace and the definitive Chaplin: His Life and Art. Robinson is currently director of the Giornate del Cinema Muto (the Pordenone International Film Festival), the most prestigious festival dedicated to film history.
My favorite photos are on page 37 from Torrent; page 62 beautiful candid shot of Garbo and John Gilbert at a piano; page 77 from A Woman of Affairs, 92-93 Garbo with Lew Ayres; all the photos from Anna Christie: page 112-113 from Inspiration; pages 116 and 118-119 from Susan Lenox; all the photos from Mata Hari, certainly the one on page 125; page 140-141 from Queen Christina, which perfectly captures the tone of the movie. The photo on the back cover is also great. I wish I had a poster of it. The book is chock full of beautiful photos that it's difficult to say which one is the best.
What's surprising is that some of the text was more informative than big wordy biographies on her. With quotes from actors who worked with her or even reprints of a couple of movie magazine articles, I learned a few extra things about Garbo and her films that I never knew about.
Anyway, I actually carry this book around with me and whenever I'm bored or have time to kill, I just look at it and I'm swept away.
Another Taschen five out of five stars: Garbo, the Divine. Not bad for a 192 page overview, though there are many more luscious kult books on the kult subject Greta Garbo, larger format. But here, this is besides the point.
fbus 31 Greta Garbo - 16 June 2012