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Femme Fatale

ブリトニー・スピアーズ形式: CD

4.7 884個の評価

￥1,643 税込

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曲目リスト

1	Till the World Ends
2	Hold It Against Me
3	Inside Out
4	I Wanna Go
5	How I Roll
6	(Drop Dead) Beautiful - Britney Spears Feat. Sabi
7	Seal It with a Kiss
8	Big Fat Bass - Britney Spears Feat. Will. I. Am
9	Trouble for Me
10	Trip to Your Heart
11	Gasoline
12	Criminal

登録情報

製品サイズ ‏ : ‎ 12.19 x 13.72 x 0.51 cm; 45.36 g
メーカー ‏ : ‎ Sbme Special Mkts.
EAN ‏ : ‎ 0889854375225
製造元リファレンス ‏ : ‎ unknown
オリジナル盤発売日 ‏ : ‎ 2011
レーベル ‏ : ‎ Sbme Special Mkts.
ASIN ‏ : ‎ B072P3FMRZ
原産国 ‏ : ‎ アメリカ合衆国
ディスク枚数 ‏ : ‎ 1

Amazon 売れ筋ランキング: - 261,546位ミュージック (ミュージックの売れ筋ランキングを見る)
- - 52,620位ロック (ミュージック)
- - 73,279位輸入盤

カスタマーレビュー:
4.7 884個の評価

カスタマーレビュー

5つのうち4.7つ

884グローバルレーティング

この商品をレビュー

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レビューのソート基準

上位レビュー、対象国：日本

すべてのレビューを日本語に翻訳

レビューのフィルタリング中に問題が発生しました。後でもう一度試してください。

Donald

I like the whole style of this album

2011年5月18日に日本でレビュー済み

Amazonで購入

This album, if you only listen to it only one time, you will not have any sense until the other time you enjoy. It's full of passion however it remains the basis of fragile mind of the singer, all you can get from the wonderful album is that the vulnerable heart can be strong, and need to be strong. Outstanding album "Femme Fatale" is

3人のお客様がこれが役に立ったと考えています

2013年2月11日に日本でレビュー済み

Amazonで購入

最近のアルバムの中では1番好きです。
FemmeFatale > Blackout > Circus
って感じですね〜
Hold It Against Me / Up N' Down / I Wanna Go が特に気に入ってます‼
ジャケットもカッコよくていいです。

4人のお客様がこれが役に立ったと考えています

役に立った

fine

良かったよ。

2014年7月8日に日本でレビュー済み

Amazonで購入

最近のブリトニーにしては良かった。
とりあえず購入が続いていたけどコレは良かったよ!!

3人のお客様がこれが役に立ったと考えています

役に立った

neko-tamami

待望のアルバム！

2011年4月19日に日本でレビュー済み

Amazonで購入

私の場合、値段は、少々高いですが、
　日本版を、予約しました。
届いて、パッケージは、簡素化されてますが、
　アルバムを、聴いて、衝撃が走る程、
感激しました！どの曲も、リズミカルで、
ダンサブルな、ナンバー！
　私、個人の見解だと、今までのブリトニー作品で、
一番、クォリティーが高いと評価します。
　☆を一つ減らしてしまったのは、ＰＶが、特典で、
付いてたら、良かったのに。と、いう理由です。

2人のお客様がこれが役に立ったと考えています

役に立った

0930ｼﾞﾛ-

スルメアルバム。

2011年4月27日に日本でレビュー済み

Amazonで購入

最初はシングル2曲以外
お気に入りの曲があまり
無かったんですが何回か
聞いていく内に段々と
お気に入りの曲が増えて
きました\(^^●)/

シングル曲以外では
T4・T8・T12・T16が特に
気に入っています。

これっていうナンバーが
ありませんがどの曲も質
は高く聴いていて楽しい
です。

バラード無しで結構
音も機械的なので好み
が分かれると思います。

1回聴いてあんまり好き
じゃなくても繰り返し
聴く事をお勧めします。

6人のお客様がこれが役に立ったと考えています

役に立った

ハルク

期待どおりの秀作です!

2011年4月8日に日本でレビュー済み

Amazonで購入

シングル・コレクションを挟んでリリースされた久々のアルバム。

いいタイトルですね、ブリちゃんにピッタリです。

内容も申し分ない仕上がりで、いつもどおり捨て曲無し。

全世界の音楽シーンをリードするポップ・アイコンのひとりとしてキッチリ機能してくれてますね。

それにしても全17曲、すんごいボリュームに圧倒されますわ。

予想どおりエレクトロ全開ですね、この展開ってどうなんでしょう?

個人的にエレクトロが大好きなので、全曲楽しく聴いておりますが、やはりこの手のサウンドが苦手な方たちからはソッポ向かれるのかもね。

最後に書いておきたいんですが、この初回パッケージはなんとかならなかったんでしょうか?

ブックレットもCDも出しにくくてしょうがないんすわ。

普通のプラケースで良かったんじゃないのかな?

おまけのステッカーに折れ目がついちゃったよ・・・グスン

4人のお客様がこれが役に立ったと考えています

役に立った

KyotoB

何回でも聞きたくなるCDです

2013年5月11日に日本でレビュー済み

Amazonで購入

グレイティスヒッツもいいけれどこのアルバムもなかなかいいでする

4人のお客様がこれが役に立ったと考えています

役に立った

love madonna

ポップな曲・・・＾　＾♪♪

2011年5月1日に日本でレビュー済み

Amazonで購入

バラードが無く、車で聴く私には最高〜のアルバムでした！！！

ただ・・・ジャケットが紙だったので、★マイナス１

でも本当によかった

4人のお客様がこれが役に立ったと考えています

役に立った

他の国からのトップレビュー

すべてのレビューを日本語に翻訳

A. Gooding

Britney Spears is a true 'Femme Fatale'

2011年3月29日にアメリカ合衆国でレビュー済み

Amazonで購入

The short version of this review? Femme Fatale (especially the Deluxe Edition) is simply Britney Spears' best album to date. It's everything a Britney fan could ask for. And for those who aren't fans, they will most likely become fans if they like catchy electro dance music.

Now for the (very) long version. Femme Fatale is an electro-pop masterpiece that melds pop, techno, and even dubstep together. Every song has fantastic production, creative lyrics, and a star quality that only Britney can pull off. This album is one you will want to listen to whenever and wherever, in the car, at the club, at home, at parties. Britney really put her heart and soul into this album, and it shows through her vocal performance throughout the album as well. Yes, there is a fair amount of production and editing that goes on, but as far as the energy in her vocals (which is something autotune cannot induce),she really has put her best foot forward to make tantalizing dance music.

Is Femme Fatale better than Blackout? That is up for you to judge. Femme Fatale is definitely sex-driven, just like Blackout. Every song on this album is different and unique sounding, but there are definitely a lot of similarities to Blackout. Femme Fatale is more like the Blackout 2.0, it's definitely far from the sound of Circus.

"Till The World Ends" and "Hold It Against Me" are the singles so far for this album. "Hold It Against Me" is a fantastic song that has a thrusting beat, and the double-entendre is very clever. The album begins with the high-energy "Till The World Ends", written by Ke$ha. It's an amazing dance anthem complete with chants of "woah oh oh oh ohhh" and the vocals are fierce and catchy. These two songs are already an amazing start to the album.

The next song is a mid-tempo breakup sex jam called "Inside Out". This is probably one of Britney's best mid-tempos and the lyrics are instantly catchy. We heard dubstep influences in "Hold It Against Me", and "Inside Out" is no exception, it takes the influence to the next level. Next "I Wanna Go" kicks in, and this song is pure fire. The song features some clever whistling, and classic Britney stuttering "I I wanna go go all the way way". This is definitely a highlight of the album, and you won't be able to get it out of your head.

The album stays uptempo with the bubbly "How I Roll", which is one of the album's most unique songs. Produced by Bloodshy & Avant, Britney sings some jazzy vocals over electronic bubble pops and a beat made out of her own panting. It's a weird description, but the R&B/Techno-vibe song is very fun and Britney owns it. My favorite lyrics are "I wanna go downtown where my posse's at, because I got nine lives like a kitty cat". Also, she pulls an "If U Seek Amy" with the lyrics of "You can be my thug tonight", but it really sounds like "You can be my f**k tonight" (which after many listens, I am convinced it's the real lyric).

"(Drop Dead) Beautiful [Featuring Sabi]" has an infectious beat and chorus, featuring a new female rapper named Sabi. The beat is so sick, and Britney delivers some sassy lines. The song is definitely great with some lyrics that make me chuckle, but Sabi's part is just kind of generic and overly auto-tuned. Next is "Seal It With A Kiss", probably the most hardcore dubstep song on the album, with a hard breakdown in the middle of the song. This song is another one of my favorites as Britney declares her secret love for someone at a party. It also has an identifiable "Oooo Oooo Ooo" throughout that makes it fun.

Will.I.Am features in "Big Fat Bass" (pronounced base, mind you) which is one of those tracks that has to grow on you, some will like it, others won't. It's basically a Black Eyed Peas song made just for Britney, as the lyrics are pretty straightforward. She coos in her lower register "I can be your treble baby, you can be my bass" and she says this over and over until the point where "treble" sounds more like "trouble". The beat on this song is very good, it swells and includes some flourishing piano in it. Will.I.Am's rap is nothing special either, but I have to give him credit for the practically flawless production. This "Womanizer" like song is also the longest on the album, clocking in at 4:45.

At this point, you are halfway through the album (or more than halfway if you just have the standard edition) and you would expect things to get boring right? Well that's where you're wrong; the last half of the album is just as exciting as the first. The track "Trouble For Me" is a R&B influenced track with a dirty electro beat molded into it. It's here where Britney's vocals sound the most confident and fierce. She sings about a lover who is trouble for her, but a party must-have for everyone else. This song has a great bridge too, and keeps bumpin' till the inevitable end of the song.

"Trip To Your Heart" is an effervescent, gorgeous, ballad style electro song. It reminds me of "Heaven On Earth" from Blackout, and a little bit of "Breathe On Me" from In The Zone. Britney's vocals sound soft and pretty here almost like "Everytime" from In The Zone. The lyrics are absolutely beautiful "Spread my wings out into the dark, I'll fly away on a trip to your heart / Break these chains that keep us apart, I'll fly away on a trip to your heart".

"Gasoline" picks the pace back up with addicting and clever lyrics like "Spark and it's like gasoline / I start pumping like a machine / My heart only runs on supreme / So hot / Give me your gasoline". The standard length album comes to an end with the incredible "Criminal" which is another ballad like electro song. The song features a cool flute, and Britney sings about loving a bad boy. The song's lyrics make you to wonder if she is talking about her ex: Kevin Federline. Either way, this is a pretty and entertaining song that ends the standard album on a good note.

The bonus tracks bring the deluxe album back to party mode with the electric, addictive "Up `N Down". This song is so good and dirty with an amazing bridge, and this song definitely should have been included on the standard edition track listing. "Selfish" is equally amazing, with classic Britney pronunciation of the word "selfish", which sounds more like "seyylfesh".
My favorite lyrics from the chorus are "Boom boom baby, pick you up in my Mercedes".

"He About To Lose Me" has guitars that remind me of P!nk song, and features Britney's most raw vocals. That is until you get to the chorus, which doesn't sound anything like her. Still, this song is catchy and emotional, probably the only other song not talking about sex. Then the last song is a complete oddball (but really a hidden gem) song, it's a rock/pop song called "Don't Keep Me Waiting" which doesn't fit the electro sound of the rest of the album. What's great about this song is how unique it is, I don't think I can remember the last time Britney sang a rock song. The vocals are very confident and I can totally imagine her rocking out while recording it.

As far as the title, her involvement, and concept goes, I would say all these songs fit the concept in a sort of effortless way. Britney doesn't need to try hard to be seductive with her music, she just is seductive with her music. Would it be safe to say she is a femme fatale? Definitely. Seven albums in to her career and she can still captivate us with her image, style and vocal presence. The very fact that Britney didn't write even one song on this album just proves how she easily makes ANY song that she is willing to record her own, and she does it with her undeniable spirit and a voice more unique than any other pop artist on the scene. She doesn't need to be a fantastic songwriter to make amazing music that is exclusively all her own, and neither did some of the greats like Frank Sinatra or Elvis Presley. Even the contemporaries of today don't write much of their own music, take Rihanna's Loud for example. Britney has a had a lot of creative involvement throughout the years, whether it be coming up with a music video idea, choosing album pictures, or co-writing some of her biggest hits ("Me Against The Music" and "Everytime"). I would hope that seven albums into her career that we would stop questioning her talent, voice, creative drive, and rather be accepting of it. The best thing Britney has done for a decade now is sing, dance, and deliver fantastic pop music. If anything, Britney has earned her Ph.D in the art of seduction via music.

Overall Femme Fatale is an amazing record, Britney's best if I dare say so. Or at the very least a flawless equal match to the magnificent Blackout. It has all types of songs, and really nothing on it disappoints me. The vocals are amazing (she experiments every part of her range, from the high notes in "Trip To Your Heart" to the lows of "Big Fat Bass"), the production is consistently flawless, the beats and lyrics are top-notch, and the album stands alone as a gorgeous, one-of-a-kind, dance record. This album is where Britney is completely in her zone; giving her fans the best music she's ever made. This album is far better than anything the other Pop divas of today (Katy Perry, Ke$ha, Beyonce, Rihanna) have put out in the past year or so. Only Britney can pull an album like this off anyways. I would very highly recommend this album to any and all Britney fans, but also to anyone who is looking for amazing, feel-good, dance, avant-garde, pop music. I am so proud of and thankful to Britney and her producers for making this album; it really is a pop masterpiece for 2011.

Rating: 5/5 Stars or an A+

122人のお客様がこれが役に立ったと考えています

レビューを日本語に翻訳する

Sanyi

When I heard it, it broke me down!

2023年10月1日に英国でレビュー済み

Amazonで購入

I ordered the deluxe version of the album, because it's booklet has one of my favorite photos of her, and because of the extra tracks of course. Amazing album! 💛

レビューを日本語に翻訳する

Andrew Ellington

Fatal attraction...

2011年5月3日にアメリカ合衆国でレビュー済み

Amazonで購入

Britney is back, and she makes that very clear on her latest album. `Femme Fatale' is dripping with character and just oozes sex appeal that laces every track and makes Britney and undeniable force. She really dominates here, switching up her style to modernize her sound and make herself relevant again in a genre populated by the stylings of Lady Gaga and Katy Perry. Britney is back to prove she still has a place in your stereo, and `Femme Fatale' proves that with ease.

So, here is a little breakdown of the great, the good and the undecided.

The great:

`Till the World Ends' is slick and simply put rather stunning for what it is. It booms with slick beats and soft vocals that are enticing and commanding at the same time. The high register on the chorus are sublime, and the chants add and anthem appeal to the track. It is extremely club heavy, which is a great direction for Britney since it shows an evolution to her music. `Hold it Against Me' was the PERFECT choice for the album's first single. It's edgy, sexy and straightforward. It has that `Gaga' feel to it, in that it dives headfirst into her techno/pop genre, and it contains some beautifully controlled vocals from Britney. In fact, Britney has rarely sounded better than she does on this album. The musical breakdown on the bridge is flawless (that whole "give me something good" part) and just creates one of the best tracks the `Princess of Pop' has delivered in a long time. I love the contrast of soft and hard from the chorus to the verse, and the fact that it is the reverse of the usual (in that the chorus is far softer than the verse) also adds a layer of intrigue to the song. `Inside Out' has a great tone. I actually LOVE this song. It may be my favorite on the album. It has a soft musicality that is accompanied by slickly delivered vocals that just slide right off of Britney's tongue with expert precision. `Drop Dead (Beautiful)' just nails the whole club tone. Sure, the vocals are overshadowed by the electronic aspect of the track, but it works. The chorus just booms with excitement. `Gasoline' has a great rock edge to it, that Britney OWNS with such ferocity. It just melts in your ears. I love the spunk she brings to her delivery of the chorus. It's direct and almost aggressive and yet playful at the same time, especially with the high-pitched backing vocals. It's just so darn catchy!

The (very) good:

`I Wanna Go' is fun and sassy with a nicely constructed beat. The pre-chorus grew on me considerably, and the chorus itself, while feeling a tad disjointed, has a nice air of nostalgia wrapped up in it. It's a good song, bordering on great. I have a feeling that this could be considered `great' by me in a few months. `Seal It With a Kiss' also works pretty well. The beat is a tad simplistic, but it works well for the tone of the track. The verse structure is great, but the chorus leaves a bit to be desired. It feels a tad lazy in its execution. `Trip to Your Heart' is soft and sweet and feels almost fairy-tail like in its delivery. It could have used a little more edge, to even it out a bit, but it kind of works. I can't tell if `Criminal' is great or just deceptively good. I mean, I really like it and yet I kind of don't. The tone is strange, feeling almost detached from the remainder of the album, and yet it feels almost appropriately tagged onto the end of this star-turned album. Her vocals are distant and yet they pierce. I have to listen to this one a bit more. Maybe it's the best track on the whole album, I just haven't realized that yet!

The decent (or the undecided):

`How I Roll' is a bit of a conundrum since everything I like about it (the absurd uniqueness of it all) is everything I can't stand about it. It is so different (the vocals and the musical arrangement) and yet I'm not quite sure it really works entirely. I'm kind of over Will.i.am, and he spews his personality all over `Big Fat Bass', which borders on `very good' but settles into `decent' thanks to his presence. He just consumes everything he touches, taking away the artists individuality in order to reflect his own taste. That said, there are elements of this song that really work nicely. `Trouble For Me' feels like a Katy Perry song. It's pretty good, but out of place on the album and just doesn't possess any `pop'. It quickly feels generic, and the pre-chorus is terribly unbecoming.

In the end, this is best thing she's released in a long while. It actually flows (for the most part) from start to finish, and even the songs I'm less fond of contain intriguing aspects that make them admirable (all except `Trouble For Me', which is just `eh').

For those of you interested; my ranking:

1) Inside Me
2) Till the World Ends
3) Gasoline
4) Hold it Against Me
5) Drop Dead (Beautiful)
6) I Wanna Go
7) Criminal
8) Seal it With a Kiss
9) Trip to Your Heart
10) How I Roll
11) Big Fat Bass
12) Trouble for Me

2人のお客様がこれが役に立ったと考えています

レビューを日本語に翻訳する

Hinch

Britney does it better.......than anyone

2011年4月2日にアメリカ合衆国でレビュー済み

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This is the first pop album I've written a review for. With the exception of Britney, Robyn and Pink, I don't listen to modern pop music. Most of it sounds the same. Britney is one of the few artists, of any genre, who's new music I buy automatically upon release.

I wouldn't rate FEMME FATALE as Britney's best, but it's still a very good album. Considering it follows, what in my opinion were two near perfect albums, BLACKOUT and CIRCUS, it had a high standard to uphold.

A "femme fatale" is defined as a mysterious and seductive woman whose charms ensnare her lovers in bonds of irresistible desire, often leading them into compromising, dangerous, and deadly situations.

The album begins with two of my favorites. Up first is the very pretty dance track "Till The World Ends", which reminds me of something on Robyn's BODY TALK series. Track two is the albums first single, "Hold It Against Me". Normally I'm not a big fan of electronic dance music but......this is Britney!!

Britney slows it down and heats things up, on the sexy "Inside Out". This track is closer to her sound on my favorite of her albums, BLACKOUT. This is Britney at her best.

"I Wanna Go" is an upbeat dance track. I like this one a lot. The whistle sound adds a nice effect to this catchy song.

"How I Roll" was one of my least favorites on this album on first listen. The male voice seemed annoying at first, but after a few listens, it's actually a very catchy track, and if released as a single, would probably be a radio hit.

I didn't care much for "(Drop dead) Beautiful" at first, but after a couple of listens it grew on me. This is an infectious dance track with some fun vocals from Britney.

Britney gets naughty and seductive on "Seal It With A Kiss", inviting a secret rendezvous "in the shadows, where it's hot, got the risk of getting caught." The "oohoo oohoo" backup vocals in the refrain remind me of Beach Boys style vocals, although according to the notes, the vocals are female.

"Big Fat Bass" is my least favorite Britney song since "(I Got That) Boom Boom", which, for me, kept IN THE ZONE from being a perfect album, but at least this one doesn't have anything as annoying as The Ying Yang Twins. Like "Boom Boom", it's not a bad song, but the male rapper, too many electronic effects and the monotonous refrain are pretty annoying, and ruin it for me.

"Trouble For Me" is an upbeat dance track with some nice vocals from Britney, but the song is marred by a very annoying electronic sound which make it almost unlistenable for me.

"Trip To Your Heart" is another catch dance track. The melody is nice and Britney's vocals are some of the prettiest on the album.

"Gasoline" is another really good track, and one of my favorites. I love Britney's vocals on this one, and they remind me of "Mannequin", one of my favorite CIRCUS tracks.

Next is "Criminal", another great Britney song. She doesn't seem to use much, if any auto tune, and puts in some really good vocals that pull at my heart. Britney sounds much like she did a few years ago, and reminds me of why I'm such a big Britney fan. The sound of a flute is also very nice.

"Up and Down", is the first of four bonus tracks. The song is very catchy and her voice sounds really good.

When I first heard the next track, "He About To Lose Me", I was struck by how her vocals sound like the young Britney Spears. Britney's voice with no auto tune is very nice to hear. Contrary to what some say, Britney has a very good voice. This mid-tempo dance track, is again, Britney at her best.

"Selfish" is another good one. Britney's southern accent comes out on this sexxy song about taking control of the situation at hand. When she sings, "Pick you up in my Mercedes...I'mma be a little selfish....Just lay right there and don't you move. I'm in control tonight", who could resist?

The album ends, as good as it began. "Don't Keep Me Waitng" is one of my favorite tracks. It has real guitar, bass and live drums. Britney rocks out on this one and does what I wish she would do more of....use real musicians playing real instruments, and sing her heart out.

The cd comes in a double fold cardboard sleeve. I would have preferred a jewel case, but it's a nice looking album. Credit info for each track is listed in the booklet. There are some nice photos of Britney, who looks as beautiful as ever.

I rate this album, behind BLACKOUT, CIRCUS and IN THE ZONE, in that order, with .....BABY ONE MORE TIME, coming in fifth. FEMME FATALE may not be my favorite, but Britney has set the bar so high, it beats any pop music out there today. Besides, how many perfect, or near perfect albums can one do in a row?

Britney shows a lot of playfulness and sexuality on this album, as she has on her past three albums, but after all, she is an adult. She will be thirty in December of this year. She also shows the versatility of her voice, and I know she has the ability to sing live. I wish she would stop lip-synching and show what she's really capable of.

3人のお客様がこれが役に立ったと考えています

レビューを日本語に翻訳する

James yela

Muy bueno

2023年8月4日にアメリカ合衆国でレビュー済み

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Producto usado pero en muy buen estado

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