The False Friend (英語) ハードカバー – 2010/10/5
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From the bestselling author of Bee Season comes an astonishingly complex psychological drama with a simple setup: two eleven-year-old girls, best friends and fierce rivals, go into the woods. Only one comes out . . .
Leaders of a mercurial clique of girls, Celia and Djuna reigned mercilessly over their three followers. One afternoon, they decided to walk home along a forbidden road. Djuna disappeared, and for twenty years Celia blocked out how it happened.
The lie Celia told to conceal her misdeed became the accepted truth: everyone assumed Djuna had been abducted, though neither she nor her abductor was ever found. Celia’s unconscious avoidance of this has meant that while she and her longtime boyfriend, Huck, are professionally successful, they’ve been unable to move forward, their relationship falling into a rut that threatens to bury them both.
Celia returns to her hometown to confess the truth, but her family and childhood friends don’t believe her. Huck wants to be supportive, but his love can’t blind him to all that contradicts Celia’s version of the past.
Celia’s desperate search to understand what happened to Djuna has powerful consequences. A deeply resonant and emotionally charged story, The False Friend explores the adults that children become—leading us to question the truths that we accept or reject, as well as the lies to which we succumb.
Praise for THE FALSE FRIEND
“One of the most emotionally rich novels I’ve read this year...Intellectually rigorous, psychologically astute and beautifully written, The False Friend provides the truest accounting of the way memory can be a burden."
-- Jonathan Messinger for TimeOut Chicago
"The False Friend is a riveting read, both compelling and richly satisfying.”
--Richard Russo, author of That Old Cape Magic
"Not since Margaret Atwood's Cat's Eye have we seen such a precise and haunting portrayal of girl bullying. With uncanny pitch and tenderness, Goldberg captures both the passion of female friendship and its most savage rite of passage. Both girls and adults will find solace in this gem of a novel."
--Rachel Simmons, author of Odd Girl Out: The Hidden Culture of Aggression in Girls
“There are moments when I fear that my entire personality was formed (and malformed) in middle school. We all learned the hard way that there is nothing as obsessive and cruel as the intimate friendships of young girls. Myla Goldberg's magnificent new novel The False Friend mines this terrifying but exhilarating territory with precision, insight, and honesty.”
-- Ayelet Waldman, author of Red Hook Road and Bad Mother
"Myla Goldberg (Bee Season) does a scarily fine job describing the mean dynamic in a clique of five 11-year-olds...tense and marvelous."
-- Entertainment Weekly
"Suspenseful and smart, Friend, is a timely take on the fraught emotional terrain of American schoolgirls."
-- People Magazine
" A compelling exploration of the fallibility of memory, explored through richly drawn characters."
-- San Francisco Chronicle
"Fans of Goldberg's first novel, Bee Season, will love The False Friend...[A] brisk, unforgettable story. The False Friend leaves us wanting more, as all good fiction should."
"Readers are kept guessing until the final pages and, as in Bee Season, Goldberg uses beautiful, emotionally descriptive language to keep us with one ear to the ground, listening for the slow, quiet footsteps of creeping tragedy."
"Fascinating and fresh...Goldberg does a crackerjack job of showing a former factory town on the wane; a family, like the town, that hasn't moved forward; and a character, also stagnating, trying to discover an elusive truth...With psychological shrewdness, generosity and a sure hand, Goldberg circles her way to an ending that is both satisfying and unsatisfying. Like life." --The Washington Post
"The term mean girls is elevated to a new level in Goldberg's moody novel...this is a layered, understated novel about the complex, ambiguous nature of memory and its effect on the dynamics of relationships. Great fodder for reading groups."
--Library Journal, starred review
"Goldberg's intelligence and psychological acuity are evident on every page...She's a smart, witty, highly observant writer, and in her latest, the author's prose is as exceptional as ever." -- Dallas News
Praise for Myla Goldberg’s Bee Season
"A...fervidly intelligent book. Bee Season flickers past like a dream, and it is artful indeed."
--The New York Times Book Review
"Bee Season is a profound delight, an amazement, a beauty, and is, I hope, a book of the longest of seasons."
--Jane Hamilton, author of A Map of the World and The Book of Ruth
"There is such joy and pain thrumming inside Myla Goldberg's spelling bees! She delicately captures one family's spinning out by concentrating equally on the beauty and the despair. Bee Season is a heartbreaking first novel."
--Aimee Bender, author of The Particular Sadness of Lemon Cake
"In a story told with unique delicacy and brave inventiveness, a young girl, innocent and all-knowing, learns how much there is to lose, and what it takes to win."
--Elizabeth Strout, author of Olive Kitteridge
Praise for Wickett’s Remedy
“Brilliant. . . . A wonderfully courageous second novel.” –Newsday
“Her second novel is of a piece with [Bee Season] in its invention and stylistic skill. . . . A warmhearted, unusual and intelligent consideration of a world about which few people know.” –San Francisco Chronicle
“Goldberg displays a fresh, distinctive, totally winning voice.”
“A rich historical re-creation whose energy and ingenuity evoke memories of EL Doctorow’s classic Ragtime…A fine novel….And a quantum leap forward for the gifted Goldberg.”
—Kirkus Reviews, starred review
The big question that we should all have is: Why is Celia's recollection of what happened to her friend completely different from everyone else's? And why does she find it hard to accept that her recollection is faulty? If these two issues had been fully developed, this would have been a far better book. Instead, the ending falls very flat and the only saving grace is that the author does reveal for the reader what happened. But we have no idea what Celia's fate will be. My guess is that she will hold on to a false memory, live only a shadow of the life she's meant to have and eventually lose the pot-smoking boyfriend who will have had enough of her. One last thing: there is a scene in which Celia goes to meet a woman that she helped torment as a child. The woman wasn't home so Celia ended up talking to the brother. I got the very strange feeling that the woman and the brother were one and the same. Anyone else pick up on that?
The book is a dark, psychological tale that builds slowly and is filled with tension. If M. Knight Shyamalan (The Sixth Sense) were a novelist instead of a screenwriter, this is probably how one of his books would turn out. A truly great story concept, however, is hurt by Ms. Goldberg's presentation. First, as other reviewers have stated, there are major flaws - stylistically - with the syntax and prose. Very simply, Ms. Goldberg uses a densely worded, overly descriptive writing style that was very frustrating at times and distracted me from the story itself. As a result, this was a somewhat slow read. If I had just downloaded a sample, there's a good chance I would not have purchased the book, since the thick prose starts from page one. However, I stuck with it due to the recommendation I read. The book is more about the psychological end of it than the story itself, so add another star if you're into that approach.
The prose is, as always, beautiful and smart. I have a problem with the structure of the novel (especially the ending), the pace, and its slow reveal.
The idea in itself is quite interesting - admitting to something you think you did - and you feel the need to set things straight. I don't think it worked as well as it could have.
In my opinion, this novel suffers from what many literary novels suffer from - bad structure and a weak plot. There are so many possibilities to milk it - yet she does not.
I am so longing for a literary novel that encompasses both (plot and language) and I can think of only a few( may I mention Sawtelle?)
I finished it because I wanted to know - for no other reason. But not in a good way. I am a Goldberg fan - just not of this one.