Everything
| 仕様 | 価格 | 新品 | 中古品 |
|
CD, CD, 追加トラック, 2012/10/3
"もう一度試してください。" | CD, 追加トラック | ¥1,909 | — |
|
CD, インポート, 1988/11/10
"もう一度試してください。" | インポート |
—
| ¥1,340 | ¥303 |
|
CD, 限定版, 2009/7/22
"もう一度試してください。" | 限定版 | — | ¥5,180 |
|
CD, CD, インポート, 2008/1/8
"もう一度試してください。" | CD, インポート |
—
| — | ¥6,495 |
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曲目リスト
| 1 | In Your Room |
| 2 | Complicated Girl |
| 3 | Bell Jar |
| 4 | Something To Believe In |
| 5 | Eternal Flame |
| 6 | Be With You |
| 7 | Glitter Years |
| 8 | I'll Set You Free |
| 9 | Watching The Sky |
| 10 | Some Dreams Come True |
| 11 | Make A Play For Her Now |
| 12 | Waiting For You |
| 13 | Crash And Burn |
登録情報
- メーカーにより製造中止になりました : いいえ
- 製品サイズ : 14.27 x 12.5 x 0.84 cm; 108.86 g
- メーカー : Sony
- EAN : 0074644405620
- 製造元リファレンス : MFR074644405620#VG
- レーベル : Sony
- ASIN : B0000026I6
- ディスク枚数 : 1
- Amazon 売れ筋ランキング: - 131,405位ミュージック (ミュージックの売れ筋ランキングを見る)
- - 24,245位ロック (ミュージック)
- - 31,702位輸入盤
- カスタマーレビュー:
-
トップレビュー
上位レビュー、対象国: 日本
レビューのフィルタリング中に問題が発生しました。後でもう一度試してください。
2021年2月10日に日本でレビュー済み
Amazonで購入
4人が妖精となっての第2段。
良い曲が、粒ぞろい。
良い曲が、粒ぞろい。
2019年1月19日に日本でレビュー済み
Amazonで購入
まさに「everything」というアルバムタイトル通り!色々なタイプの楽曲が収録されているバングルスの最高傑作だと思います!MVやシングルカットされる楽曲のイメージだとスザンナ・ホフスばかりがクローズアップされがちですが、他のメンバーがメインを唄う楽曲も魅力的なものがありますよ!中でもBassのマイケル・スティールがリードをとるtrack 7 は最高にCOOL!
2017年8月15日に日本でレビュー済み
Amazonで購入
レコードは持っていたが、CDは無いので買いました
ポップな曲も、スローな曲も全部良い
収録曲も多いし
スザンヌの曲が多いから、解散してソロになったんだろうな
ポップな曲も、スローな曲も全部良い
収録曲も多いし
スザンヌの曲が多いから、解散してソロになったんだろうな
2020年4月22日に日本でレビュー済み
飛ぶ鳥を落とす勢いだった1988年にリリースされた3rd作。
本作もまた、前2作同様に、珠玉のポップセンス溢れるロック作品として仕上がっています。
全曲素晴らしいのは勿論なのですが、個人的にはやはり何と言っても「Eternal Flame」。
言わずと知れた、彼女たちを代表する全米ナンバー1ヒットシングルです。
・・・切々と歌い上げるホフスのVo。メンバーの美しいコーラスハーモニー。
荘厳かつ流麗に紡がれるイントロダクションから、中盤以降は壮大なオーケストレーションでドラマチックな広がりをみせる曲展開。
・・・とにかく、究極的なまでに美しいラヴ・バラードであり、当時は何度も何度もリピートしたものでした。
女の子が恋人に対して告げる切なる思いも、実にシンプルなワードで歌詞の中に封じ込められていて・・・
これは紛れもなく全ての恋人たちにとっての永遠のラヴソングと言っていいんじゃないでしょうか。
個人的には、全ポップ・ミュージック史上でも一二を争う屈指のラヴバラードだと思っています。
勿論この曲以外にもいい曲が目白押し。
相変わらずメンバー全員が入れ代わり立ち代わりリードを取るスタイルも実に嵌っているし、ガールズバンドとしてのキラメキ度も存分にアピールしています。
良い楽曲、良い演奏だけをとことんまで突き詰めるといったスタイルは、本作においても全く揺らいではいません。
ところで、本作が発表された80年代後半というのは、例えばロックシーンではヘヴィメタルが、ブラック・ミュージック・シーンではMJ&JJの兄妹やボビー・ブラウンなどが、何れもド派手なアティテユードを売りにする人たちが全盛の時代であって、彼女たちの様な素朴なポップ・アーティストというのは、どちらかと言えば敬遠されがちであった時代。
そうした中にあっても、なお一層の輝きを放っていたバングルスというのは、そのアイドル然としたヴィジュアル・イメージとは裏腹に、極めてプロフェッショナルな実力派グループだったということが、発表された作品群を聴けばもの凄く良く分かると思います。
とにもかくにも、ガールズ・バンドとしての可能性、その潜在能力の高さについて、広く世間に認知させた功績というものには、本当に絶大なものがあったと思います。
そしてその志というのは、バンド解散後も多くのフォロワー達によって引き続き継承されていくことになります。
本作もまた、前2作同様に、珠玉のポップセンス溢れるロック作品として仕上がっています。
全曲素晴らしいのは勿論なのですが、個人的にはやはり何と言っても「Eternal Flame」。
言わずと知れた、彼女たちを代表する全米ナンバー1ヒットシングルです。
・・・切々と歌い上げるホフスのVo。メンバーの美しいコーラスハーモニー。
荘厳かつ流麗に紡がれるイントロダクションから、中盤以降は壮大なオーケストレーションでドラマチックな広がりをみせる曲展開。
・・・とにかく、究極的なまでに美しいラヴ・バラードであり、当時は何度も何度もリピートしたものでした。
女の子が恋人に対して告げる切なる思いも、実にシンプルなワードで歌詞の中に封じ込められていて・・・
これは紛れもなく全ての恋人たちにとっての永遠のラヴソングと言っていいんじゃないでしょうか。
個人的には、全ポップ・ミュージック史上でも一二を争う屈指のラヴバラードだと思っています。
勿論この曲以外にもいい曲が目白押し。
相変わらずメンバー全員が入れ代わり立ち代わりリードを取るスタイルも実に嵌っているし、ガールズバンドとしてのキラメキ度も存分にアピールしています。
良い楽曲、良い演奏だけをとことんまで突き詰めるといったスタイルは、本作においても全く揺らいではいません。
ところで、本作が発表された80年代後半というのは、例えばロックシーンではヘヴィメタルが、ブラック・ミュージック・シーンではMJ&JJの兄妹やボビー・ブラウンなどが、何れもド派手なアティテユードを売りにする人たちが全盛の時代であって、彼女たちの様な素朴なポップ・アーティストというのは、どちらかと言えば敬遠されがちであった時代。
そうした中にあっても、なお一層の輝きを放っていたバングルスというのは、そのアイドル然としたヴィジュアル・イメージとは裏腹に、極めてプロフェッショナルな実力派グループだったということが、発表された作品群を聴けばもの凄く良く分かると思います。
とにもかくにも、ガールズ・バンドとしての可能性、その潜在能力の高さについて、広く世間に認知させた功績というものには、本当に絶大なものがあったと思います。
そしてその志というのは、バンド解散後も多くのフォロワー達によって引き続き継承されていくことになります。
2021年11月21日に日本でレビュー済み
エクセレントコンディションではないですが、グッドコンディションでした。今や貴重なバングルスのアナログヴァイナルですので部屋に飾っております。
2019年4月18日に日本でレビュー済み
バングルズ、とっても大好きでした。
今も車のなかで聴いています。
このアルバムがお気に入りです。
今も車のなかで聴いています。
このアルバムがお気に入りです。
2016年10月12日に日本でレビュー済み
大ヒットしたエターナル・フレームも共作で、演奏もバンドという感じではないので、前知識なしに聴くとスザンヌのソロみたいです。だからこそスザンヌはソロに走ったのかもとも思えますし、ユーロビートを含めダンスミュージック吹き荒れる中、前作も含めバンドだけで完結したヒットを1曲もだせないかったのもバンドの限界を本人たちが一番理解していたのではと想像してしまいます。たぶん契約は4枚だけど3枚で解散したので、そのおかげで素敵なシングルを集めたベスト盤がこの後にでたのかなと思います。ベスト盤とファーストから本作までの3枚とのクオリティの差を比べると、やはりここまでが限界だったのかなと聴き手としても納得してしまいます。
でも、全盛期のお宝ライブ音源あるいはライブ映像はとっても見てみたいです。
でも、全盛期のお宝ライブ音源あるいはライブ映像はとっても見てみたいです。
他の国からのトップレビュー
Ito
5つ星のうち5.0
Nostalgia
2023年7月14日にスペインでレビュー済みAmazonで購入
Llegó en fecha y en buen estado
ScottPaul ScottPaul
5つ星のうち5.0
You Who Have Nothing Need "Everything"!
2014年7月21日に英国でレビュー済みAmazonで購入
Much is made of the fact that the Bangles hard rocking garage sound that first brought them to apparent prominence (yet it didn't, for as late as 1985, even with one very accomplished album out, no one seemed to be listening in droves until a certain song called 'Manic Monday' appeared in 1986, and by that time, the girls had become far more melodic, with a more opened up and eclectic sound. Sniffers and die-hard moaners can call it "dumbing down" or selling out (what a laugh, surely you'd have to be selling in the first place), but the unique and highly attractive second album "Different Light" was the moment everyone got a life and realised-wow, a proper dead serious all-girl-group who write, sing, and play their instruments. And not daft like the early eighties examples were-Girlschool, Belle Stars, and yes, the Go-Gos too. Give me Belinda solo any day.
But "Different Light" had been a difficult record within the stifling stranglehold of producer David Kahne; the songs were beautiful generally, with a few that were more kooky, but the atmosphere i the studio was charged with uncertainty, and there were casualties.Glad to be shot off him, the girls took to working with record producer and novelist Davitt Sigerson who created a more relaxed working vibe, resulting in their finest album ever, and just like Abba, who started with equally odd Euro-folk ditties before they exploded into a perfect hook-filled machine of A-grade song chart brilliance, and finally became the respected emotionally resonant and achingly powerful act fuelled by excellent songcraft and musicianship they're finally recognised as today, Bangles can be and are proud of a highly sophisticated set of songs that show off just about everything (sorry) they can be proud of, and best of all, this cherry pop re-release (long overdue, yet how pointless of them not to release it with the earlier two several years before, which were already overdue themselves) includes what should have been the final song on side 2, but was dismissed to accompany the ignored side of the 'Eternal Flame' single. A truly rude state of affairs, not least cos not only did it suit the album fully, but it meant Debbi would have had three songs and not just two.
The mid-eastern tinge and pounding sexuality of first song and lead single 'In Your Room' is at once raw yet refined, yet with all the beauty of offerings like the luscious poet-ballad 'Something To Believe In', from bassist Michael, peppy 'Waiting For You' featuring Susanna and delightfully orchestral 'Be With You' from Debbi which marries drama and wistfulness to great degree; indeed when you look beyond the gorgeous production and unerring harmonies, you realise that the girls have actually put their darkest material to date on it. 'Glitter Years' rumbles along gracefully, proof hard riffing exists alongside melody, as it references Michael's time in the Runaways, 'Watching The Sky' turns increasingly psychotic, Vicki's roaring towards the end like the tuneful evoking of a banshee, she gets the edge on the usually dark Michael with this and two others, both suicide songs, one as an observer ('Bell Jar'), the other as a wish for herself ('Crash And Burn'). And quite an ingenious aside is that they're so painful without being morose, suggestive rather than overly detailed, but that's just as powerful as the listener is invited to complete the final picture scripture themselves. 'Complicated Girl' from Michael possibly takes the similarly written 'If She Knew What She Wants' from the previous album and plays out an even more solidly configured female protagonist amid a soft and perky country-lite backdrop of chiming guitar. Equally vivid is the ache and heart-stirring sadness of the lovely Vicki tune 'Make A Play For Her Now' which seems to invoke a theatre setting among a garden as the sun goes down to gentle tragedy, and Debbi's powerful and stirring 'Some Dreams Come True', a fast-paced piece of sonic perfection, but the album's utter plateau must be the towering sway and blood-rushing zing of 'I'll Set You Free', one of their best ever songs and prime candidate for one of the best songs of the 80s or any decade. Remaining is 'What I Meant To Say', as mentioned earlier, finally on here where it should always have been, only I play it as track 7 instead of 14. Chugs along with gusto, but still classy and lyrically eventful as the rest of the album.
There are two other bonus tracks, a unfortunately beefed up remix of 'I'll Set You Free' that is longer, but destroys most of the audacious harmonising and sleek musicianship of the album cut, and the extended version of 'In Your Room'. The booklet is a lavish job that includes all the lyrics, apart from 'What I Meant To Say' (daft as all of Kim Wilde's remasters from cherry pop include her b-side/extra track words). Also included are some lovely photographs of the darling quartet taken from that time. Best album of 1988, so grand it even beats Kim Wilde's much feted "Close", Sandra's "Into A Secret Land" and Til Tuesday's final masterpiece "Everything's Different Now" and the best stocking filler, though t would have spent most of 1989 selling for all that, making it possibly the best album of both years. Like with Kim's remasters, the sound is hardly an improvement on the original 1988 CD (only offensively overrated gasbags tend to get perfect album updates audio-wise), but it's still the peerless album it is, and I still happily bought it, even though I'd clicked on the old copy not long before, once the cassette died.
I deliberately avoided mentioning the gorgeous scorching ballad 'Eternal Flame' everyone goes on about, it's exactly as lovely as everyone says, but it is surrounded by "Everything" else easily of standard, and some even better. A bunch of skilled session musicians clearly helped the blend to true perfection, and some outside writers were brought in to help (as on most anyone's records), but unlike "Different Light", the girls were all involved on every song in far more detail, and their satisfaction comes through admirably. My only gripe is with the public and label and scene as ever-only four singles were picked, and no more. Every song was a perfect single, still is, and to anyone and everyone who's lost, forgotten or missed out on this entirely, regarding it rudely as just a vessel to hold 'Eternal Flame', you who lack "Everything", have nothing.
But "Different Light" had been a difficult record within the stifling stranglehold of producer David Kahne; the songs were beautiful generally, with a few that were more kooky, but the atmosphere i the studio was charged with uncertainty, and there were casualties.Glad to be shot off him, the girls took to working with record producer and novelist Davitt Sigerson who created a more relaxed working vibe, resulting in their finest album ever, and just like Abba, who started with equally odd Euro-folk ditties before they exploded into a perfect hook-filled machine of A-grade song chart brilliance, and finally became the respected emotionally resonant and achingly powerful act fuelled by excellent songcraft and musicianship they're finally recognised as today, Bangles can be and are proud of a highly sophisticated set of songs that show off just about everything (sorry) they can be proud of, and best of all, this cherry pop re-release (long overdue, yet how pointless of them not to release it with the earlier two several years before, which were already overdue themselves) includes what should have been the final song on side 2, but was dismissed to accompany the ignored side of the 'Eternal Flame' single. A truly rude state of affairs, not least cos not only did it suit the album fully, but it meant Debbi would have had three songs and not just two.
The mid-eastern tinge and pounding sexuality of first song and lead single 'In Your Room' is at once raw yet refined, yet with all the beauty of offerings like the luscious poet-ballad 'Something To Believe In', from bassist Michael, peppy 'Waiting For You' featuring Susanna and delightfully orchestral 'Be With You' from Debbi which marries drama and wistfulness to great degree; indeed when you look beyond the gorgeous production and unerring harmonies, you realise that the girls have actually put their darkest material to date on it. 'Glitter Years' rumbles along gracefully, proof hard riffing exists alongside melody, as it references Michael's time in the Runaways, 'Watching The Sky' turns increasingly psychotic, Vicki's roaring towards the end like the tuneful evoking of a banshee, she gets the edge on the usually dark Michael with this and two others, both suicide songs, one as an observer ('Bell Jar'), the other as a wish for herself ('Crash And Burn'). And quite an ingenious aside is that they're so painful without being morose, suggestive rather than overly detailed, but that's just as powerful as the listener is invited to complete the final picture scripture themselves. 'Complicated Girl' from Michael possibly takes the similarly written 'If She Knew What She Wants' from the previous album and plays out an even more solidly configured female protagonist amid a soft and perky country-lite backdrop of chiming guitar. Equally vivid is the ache and heart-stirring sadness of the lovely Vicki tune 'Make A Play For Her Now' which seems to invoke a theatre setting among a garden as the sun goes down to gentle tragedy, and Debbi's powerful and stirring 'Some Dreams Come True', a fast-paced piece of sonic perfection, but the album's utter plateau must be the towering sway and blood-rushing zing of 'I'll Set You Free', one of their best ever songs and prime candidate for one of the best songs of the 80s or any decade. Remaining is 'What I Meant To Say', as mentioned earlier, finally on here where it should always have been, only I play it as track 7 instead of 14. Chugs along with gusto, but still classy and lyrically eventful as the rest of the album.
There are two other bonus tracks, a unfortunately beefed up remix of 'I'll Set You Free' that is longer, but destroys most of the audacious harmonising and sleek musicianship of the album cut, and the extended version of 'In Your Room'. The booklet is a lavish job that includes all the lyrics, apart from 'What I Meant To Say' (daft as all of Kim Wilde's remasters from cherry pop include her b-side/extra track words). Also included are some lovely photographs of the darling quartet taken from that time. Best album of 1988, so grand it even beats Kim Wilde's much feted "Close", Sandra's "Into A Secret Land" and Til Tuesday's final masterpiece "Everything's Different Now" and the best stocking filler, though t would have spent most of 1989 selling for all that, making it possibly the best album of both years. Like with Kim's remasters, the sound is hardly an improvement on the original 1988 CD (only offensively overrated gasbags tend to get perfect album updates audio-wise), but it's still the peerless album it is, and I still happily bought it, even though I'd clicked on the old copy not long before, once the cassette died.
I deliberately avoided mentioning the gorgeous scorching ballad 'Eternal Flame' everyone goes on about, it's exactly as lovely as everyone says, but it is surrounded by "Everything" else easily of standard, and some even better. A bunch of skilled session musicians clearly helped the blend to true perfection, and some outside writers were brought in to help (as on most anyone's records), but unlike "Different Light", the girls were all involved on every song in far more detail, and their satisfaction comes through admirably. My only gripe is with the public and label and scene as ever-only four singles were picked, and no more. Every song was a perfect single, still is, and to anyone and everyone who's lost, forgotten or missed out on this entirely, regarding it rudely as just a vessel to hold 'Eternal Flame', you who lack "Everything", have nothing.
Ac88
5つ星のうち5.0
The beautiful goodbye
2012年10月3日に英国でレビュー済みAmazonで購入
Once again Cherry Pop have brought us a cracking reissue of a classic album. Although nothing here is previously unreleased, several things are nicely brought together in one package for the first time.
This proved to be the Bangles' final album (until they got back together a decade later of course), and it was their most mature album to date. Working with new producer Davitt Sigerson they well and truly honed their enchanting harmony vocals and showed impressive musicianship and songwriting on this collection of songs.
These songs have been described as having an autumnal beauty, being their last flourish before going their separate ways. That's a nice description. The songs have a great beauty, with the diverse instrumentations (a plethora of guest musicians providing everything from 12-string guitar to the mysterious "noise") and the aforementioned spine-tingling harmony vocals.
The hard rock edge of their earlier days was largely absent on this record - it's been reinstated here though with the inclusion of "Eternal Flame" b-side "What I Meant To Say" - what a pity its kindred spirit "Everything I Wanted" has not been included here (this can be found on the Greatest Hits album).
The best known track is of course the mega number 1 "Eternal Flame", which itself is unlike any other song on this album. The other ballad, Michael Steele's "Something To Believe In" is a world away in style and sentiment. A superior song in many ways, it's a testament to the quality of the other songs when "Eternal Flame" is considered one of the less good songs.
All four members turn in stellar performances. Susanna Hoffs sizzles in "In Your Room" with electrifying vocals with the chugging guitar. Debbi Peterson scored a hit with her "Be With You", and gives more solid performances in her other tracks (it would be 2011's Sweetheart Of The Sun when she would truly excel with her tracks outshining the others, though as always she's great here). This record then belonged to Michael Steele and Vicki Peterson. Steele's beauty "Something To Believe In" and the superb vintage rocker "Glitter Years" joined Vicki Peterson's Zeppelin-esque "Watching The Sky" and goose-pimple inducing "Make A Play For Her Now" as the stars of the show.
This reissue besides boasting superb sound includes a handful of bonus tracks. The aforementioned "What I Meant To Say" has superb duetting from the Peterson sisters. The remixed version of "I'll Set You Free" gave that song a new lease of life; although the original was a cracker this version gave it a new beauty and made the strong chorus more anthemic. The 12" remix of "In Your Room" leaves us in no doubt that this is 80s stuff - the other tracks are timeless.
An essential album - whilst perhaps missing some of the all-time best Bangles songs, this album as a whole was arguably their finest in its overall feel and beauty. This autumnal beauty is a true vintage which has lost none of its considerable charm; it deserves to be discovered again and savoured.
This proved to be the Bangles' final album (until they got back together a decade later of course), and it was their most mature album to date. Working with new producer Davitt Sigerson they well and truly honed their enchanting harmony vocals and showed impressive musicianship and songwriting on this collection of songs.
These songs have been described as having an autumnal beauty, being their last flourish before going their separate ways. That's a nice description. The songs have a great beauty, with the diverse instrumentations (a plethora of guest musicians providing everything from 12-string guitar to the mysterious "noise") and the aforementioned spine-tingling harmony vocals.
The hard rock edge of their earlier days was largely absent on this record - it's been reinstated here though with the inclusion of "Eternal Flame" b-side "What I Meant To Say" - what a pity its kindred spirit "Everything I Wanted" has not been included here (this can be found on the Greatest Hits album).
The best known track is of course the mega number 1 "Eternal Flame", which itself is unlike any other song on this album. The other ballad, Michael Steele's "Something To Believe In" is a world away in style and sentiment. A superior song in many ways, it's a testament to the quality of the other songs when "Eternal Flame" is considered one of the less good songs.
All four members turn in stellar performances. Susanna Hoffs sizzles in "In Your Room" with electrifying vocals with the chugging guitar. Debbi Peterson scored a hit with her "Be With You", and gives more solid performances in her other tracks (it would be 2011's Sweetheart Of The Sun when she would truly excel with her tracks outshining the others, though as always she's great here). This record then belonged to Michael Steele and Vicki Peterson. Steele's beauty "Something To Believe In" and the superb vintage rocker "Glitter Years" joined Vicki Peterson's Zeppelin-esque "Watching The Sky" and goose-pimple inducing "Make A Play For Her Now" as the stars of the show.
This reissue besides boasting superb sound includes a handful of bonus tracks. The aforementioned "What I Meant To Say" has superb duetting from the Peterson sisters. The remixed version of "I'll Set You Free" gave that song a new lease of life; although the original was a cracker this version gave it a new beauty and made the strong chorus more anthemic. The 12" remix of "In Your Room" leaves us in no doubt that this is 80s stuff - the other tracks are timeless.
An essential album - whilst perhaps missing some of the all-time best Bangles songs, this album as a whole was arguably their finest in its overall feel and beauty. This autumnal beauty is a true vintage which has lost none of its considerable charm; it deserves to be discovered again and savoured.
Nancy larocque
5つ星のうち4.0
A must for a big fan
2022年6月28日にカナダでレビュー済みAmazonで購入
It arrived early and in perfect condition sounds great
SoCal Hiker1
5つ星のうち5.0
The Bangles Get to Write and Sing Their Songs and They Are Great
2013年1月16日にアメリカ合衆国でレビュー済みAmazonで購入
"Everything" is the final album before the band fell apart in 1990. Following the mega commercial success of Different Light, this album was highly anticipated, though from different expectations. The record company would probably like to follow the trail of Different Light and continue to promote Susanna to be the pop princess. The Bangles, however, is inherently a rock band, they are at their best in folk rock and garage rock. Unlike the previous albums, in "Everything" the members got to write or co-write all the songs.
Michael probably delivered the best song writing in this album. Her songs (Complicated Girl, Something, and Glitter Years) were excellently composed, demonstrated her music skills with different song styles. Gritter Years is my favorite rock song in Everything. It contains a good story, showcases the band's great instrument and harmony, and Michael's wonderful vocal.
Susanna's ballads were great - Eternal Flame and I'll Set You Free were two instant classics. Susanna's voice was more mature here than a few years ago. It was really enjoyable for us to just close our eyes and listen to her stories. In Your Room was molded into a pop song, unfortunately did not get the commercial success the record company wanted.
Vicki, as usual, led the major music part of the Bangles songs. Crash And Burn, Watching The Sky are the kind of songs that the listeners should just get up and move with her. In Everything, Vicki's guitar part was wilder and bolder.
Debbie was the big surprise in this album. Usually staying behind the drums and we forgot about how her energy had carried the Bangles through their concerts. Here she showcased her song writing and energetic vocal in Some Dream Come True, it was a surprise that this song was seldom performed in their concerts. Be With You, being one of the few singles promoted at that time, had an eye-opener MTV that everyone should watch.
This is an album that is a must for the Bangles fans and for people who cherish the 80's music.
Michael probably delivered the best song writing in this album. Her songs (Complicated Girl, Something, and Glitter Years) were excellently composed, demonstrated her music skills with different song styles. Gritter Years is my favorite rock song in Everything. It contains a good story, showcases the band's great instrument and harmony, and Michael's wonderful vocal.
Susanna's ballads were great - Eternal Flame and I'll Set You Free were two instant classics. Susanna's voice was more mature here than a few years ago. It was really enjoyable for us to just close our eyes and listen to her stories. In Your Room was molded into a pop song, unfortunately did not get the commercial success the record company wanted.
Vicki, as usual, led the major music part of the Bangles songs. Crash And Burn, Watching The Sky are the kind of songs that the listeners should just get up and move with her. In Everything, Vicki's guitar part was wilder and bolder.
Debbie was the big surprise in this album. Usually staying behind the drums and we forgot about how her energy had carried the Bangles through their concerts. Here she showcased her song writing and energetic vocal in Some Dream Come True, it was a surprise that this song was seldom performed in their concerts. Be With You, being one of the few singles promoted at that time, had an eye-opener MTV that everyone should watch.
This is an album that is a must for the Bangles fans and for people who cherish the 80's music.
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