Empire of Dreams: The Epic Life of Cecil B. DeMille (英語) ハードカバー – 2010/9/7
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BEST KNOWN AS THE DIRECTOR of such spectacular films as The Ten Commandments and King of Kings, Cecil B. DeMille lived a life as epic as any of his cinematic masterpieces.
As a child DeMille learned the Bible from his father, a theology student and playwright who introduced Cecil and his older brother, William, to the theater. Tutored by impresario David Belasco, DeMille discovered how audiences responded to showmanship: sets, lights, costumes, etc. He took this knowledge with him to Los Angeles in 1913, where he became one of the movie pioneers, in partnership with Jesse Lasky and Lasky’s brother-in-law Samuel Goldfish (later Goldwyn). Working out of a barn on streets fragrant with orange blossom and pepper trees, the Lasky company turned out a string of successful silents, most of them directed by DeMille, who became one of the biggest names of the silent era. With films such as The Squaw Man, Brewster’s Millions, Joan the Woman, and Don’t Change Your Husband, he was the creative backbone of what would become Paramount Studios. In 1923 he filmed his first version of The Ten Commandments and later a second biblical epic, King of Kings, both enormous box-office successes.
Although his reputation rests largely on the biblical epics he made, DeMille’s personal life was no morality tale. He remained married to his wife, Constance, for more than fifty years, but for most of the marriage he had three mistresses simultaneously, all of whom worked for him. He showed great loyalty to a small group of actors who knew his style, but he also discovered some major stars, among them Gloria Swanson, Claudette Colbert, and later, Charlton Heston.
DeMille was one of the few silent-era directors who made a completely successful transition to sound. In 1952 he won the Academy Award for Best Picture with The Greatest Show on Earth. When he remade The Ten Commandments in 1956, it was an even bigger hit than the silent version. He could act, too: in Billy Wilder’s classic film Sunset Boulevard, DeMille memorably played himself.
In the 1930s and 1940s DeMille became a household name thanks to the Lux Radio Theater, which he hosted. But after falling out with a union, he gave up the program, and his politics shifted to the right as he championed loyalty oaths and Sen. Joseph McCarthy’s anticommunist witch hunts.
As Scott Eyman brilliantly demonstrates in this superbly researched biography, which draws on a massive cache of DeMille family papers not available to previous biographers, DeMille was much more than his clichéd image. A gifted director who worked in many genres; a devoted family man and loyal friend with a highly unconventional personal life; a pioneering filmmaker: DeMille comes alive in these pages, a legend whose spectacular career defined an era.
Scott Eyman has written fifteen books, three of them New York Times bestsellers, including John Wayne: The Life and Legend. His most recent book is Hank and Jim. He has been awarded the William K. Everson Award for Film History by the National Board of Review. He teaches film history at the University of Miami and lives in West Palm Beach with his wife, Lynn.
That said, the book and DeMille's life story really kicks into gear as soon as he arrives in Hollywood. DeMille didn't start Hollywood because several fledgling units were already up and running, filming on the dusty lots and open-air stages, with the likes of D.W. Griffith and other founders already busy making names for themselves. But, the narriative and descriptions of those early days, the cheap hotel down the block on the gravel street (which is now downtown LA!), the barn used for the first "studio" and the actors and extras renting horses to get to work when a cab wasn't available, and the description of the sunshine, the scent of orange blossoms and pepper trees that hung in the air of this quiet little town shows without a doubt that although DeMille didn't start Hollywood, he was pretty close! He was essentially there at the beginning and saw over nearly the next half century the development of the city and industry which is explained in great historical and film detail that spans the man's life.
DeMille's style, his swagger and his unyielding, uncompromising drive to do it his way, the best, and with class is what made the man a "showman" the likes of which we may never see again! The book is full of interesting anecdotes both funny and touching and showed the times that went from bust-to-fortune, fortune-to-bust and back again until the sheer record of achievement and accomplishment of this great man was finally set-in-stone for all time!
All in all, a great read and an essential work for those interested in the foundation of Hollywood, the film industry and the men responsible for making movies that are the envy of the world.