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KEM　Office（Ecoma Leading Inc.)

（1352件の評価）

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（1352件の評価）

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EVERYTHING NOW

アーケイド・ファイア形式: CD

4.6 943個の評価

￥1,380 税込

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CD, CD, インポート, 2017/7/28

"もう一度試してください。"

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曲目リスト

1	Track 1
2	Track 2
3	Track 3
4	Track 4
5	Track 5
6	Track 6
7	Track 7
8	Track 8
9	Track 9
10	Track 10
11	Track 11
12	Track 12
13	Track 13

商品の説明

Digipak. 2017 release, the fifth album from the Canadian alt-rock band. Everything Now was produced by Arcade Fire, Daft Punk's Thomas Bangalter, and Steve Mackey, with co-production by Markus Dravs. It was recorded at Boombox Studios in New Orleans, Sonovox Studios in Montreal, and Gang Recording Studio in Paris. Founded in 2001, the band came to prominence in 2004 with the release of their critically acclaimed debut album Funeral. Their second studio album, Neon Bible, won them the 2008 Meteor Music Award for Best International Album and the 2008 Juno Award for Alternative Album of the Year. Their third studio album, The Suburbs, was released in 2010 to critical acclaim and commercial success. It received many accolades, including the 2011 Grammy for Album of the Year, the 2011 Juno Award for Album of the Year, and the 2011 Brit Award for Best International Album. In 2013, Arcade Fire released their fourth album, Reflektor, and scored the feature film Her, for which band members William Butler and Owen Pallett were nominated in the Best Original Score category at the 86th Academy Awards.

登録情報

メーカーにより製造中止になりました ‏ : ‎ いいえ
製品サイズ ‏ : ‎ 14.07 x 12.75 x 0.97 cm; 63.5 g
メーカー ‏ : ‎ COLUM
EAN ‏ : ‎ 0889854478520
商品モデル番号 ‏ : ‎ 88985447852
オリジナル盤発売日 ‏ : ‎ 2017
レーベル ‏ : ‎ COLUM
ASIN ‏ : ‎ B071LJJYCR
ディスク枚数 ‏ : ‎ 1

Amazon 売れ筋ランキング: - 181,335位ミュージック (ミュージックの売れ筋ランキングを見る)
- - 34,852位ロック (ミュージック)
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はちめ

よく聞聴いて

2018年8月3日に日本でレビュー済み

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このアーティストは、すべてコンプリートしてる。サヴァーブをはじめ、ほんとうに美しい。もちろんこれもそうだった。すごいよ、こいつら。

1人のお客様がこれが役に立ったと考えています

役に立った

トサマヤスヒラ

イイ環境なのかな？

2017年10月17日に日本でレビュー済み

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新たな気持ちで臨んだ本作はメンバーの高揚感が伝わりワクワクしながら一曲一曲を楽しめました。このバンドの魅力は斜に構えた曲作りだと第１作から聞き続けてきたファンにとってはダフトパンクがプロデュースに関わっている事に一抹の不安を感じましたが、結局アルバムを聴き通してバンドの気の充実が感じられる佳作でした。

1人のお客様がこれが役に立ったと考えています

役に立った

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Cliente Amazon

Discazo

2023年6月27日にスペインでレビュー済み

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Bueno, bonito, barato y llego bastante antes de la fecha prevista.
El mejor grupo de habla inglesa de este siglo, no te lo crees, vete a un concierto suyo.
Abrazos a todos los melomanos.

レビューを日本語に翻訳する

Mark Fitzell

Great album

2023年10月30日に英国でレビュー済み

Amazonで購入

Brilliant album. Not a bad song on there. If you like the band, you'll love this.

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ZeitGhoul (music is my sanctuary)

I love EVERYTHING about it. Timeless classic - the AF back in brilliant story telling mode........

2017年7月29日に英国でレビュー済み

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I pledge allegiance to Arcade Fire because everytime I have heard their new albums over the years I feel in my gut Im listening to the essential post millenium act - every album has its own identity and Everything Now for me feels like an angry letter from a grumpy old man to a spoilt teenager looking at mobile tweeting the fact they are currently walking to the station and not getting knocked over even though their not looking...yes really....lol.........this is the kind of record which will make mindless consumers and selfish non thinkers want to leave the room, because this album is vitriolic lyrically if you listen closely.....check out the booklet artwork done to look like a page of adverts ripped from a shoppers magazine - a lot of love went into this and alot of good design work....

But to hell with the lyrics and their meaning, what is outstanding is the quality of the music - I hear a lot of mid american rock and hybrid soul / jazz / blues / funk influences throughout, and am also touched by the visual artistry of the record and the videos - the logos for each record speak of branding and playing to an audience who perhaps now expects everything to have an individuality whilst existing in a realm of appearing accessible....Peter Pan has a feather - lovely - a good track too...jaunty number which throbs similarly to their debut album Funeral.....carribean warmth contrasting with western fiction and echoey churny sounds...tis fun......the title track is the old epic Arcade Fire - rock and haiti sounds and choral voices and strumming mid west guitars and abba influenced piano riffs - a concherto of space - love the irony of the video too - people in the desert watching form affar as things go off - where can people escape to be themselves?? is what the record keeps shouting at me - and I dont like being shouted at - but I like the kick up the butt done in this way..........the songs we had not heard before the album release at first strike me as odd - like Im listening to some obscure tracks sent to me by a funny friend on a cassette tape..........which reminds me - I just love that - thats how i first started to consume music...........good memories......

This album has a good chemistry overall - the track of this name feels so light hearted and is the albums needed break from the mood of serious critique of the masses and their habits....but yes lyrically it is about peoples habits and obsessions.........but love the bluetone feel to the piano and drum work and the repeated slur on relationships/drugs tie in.........

Id like to say the album is full of purposeful ironies - including 'infinite content 1 and 2'........because this is the one AF album that feels too short by the end - the old Bowie trick of leaving you wanting more is done in a satisfying way here.......the album is structured so that each track seems to'Star Wars Swipe' into the next.....again a nice 'cassette tape' touch.......

Outstanding beginning to next half - Electric Blue is the tantalizing spacey weird out moment of the album which then leaves the listener with three tracks which stumble back into arcade fire getting personal now rock mode - Good God Damn is loungey and punchy and roomy - like some tracks on Neon Bible id say.......feels like the most personal song between one fed up lover and another........a portrait of two people so intimate they do not have to pretend......love this..........Put Your Money on Me is is one of my favourites - makes me feel all Dire Straitsy.......if theres such a term.......but the chanty charming side to the fire comes out fully formed here.........backed up with a nice SPARKS like backing base riff.......this is so great....Arcade Fire telling us stories is what they are always best at...........

I have never done a song by song review before - but as this album is so short seeming I feel theres time to describe the fascinatingly brilliant 'more in the less' that you get here.....this is the signpost - record of the year so far......likes of Benjamin Clementine might come close to this for originality and artistry in song writing this year.........We Dont Deserve Love is the closest the guys have got to singing all out soul music / 80s love song on the back of a Kraftwerk warble riff........but then the chorus hits you with the best of British Sea Power like group hug loss........

Ive now run out of words......except I havent said the three words I could have just said it all with - I love EVERYTHING about it.

8人のお客様がこれが役に立ったと考えています

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David J. Danoff

A cycle of desire and suffering

2017年8月5日にアメリカ合衆国でレビュー済み

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I was a little underwhelmed at first listen, but then I usually feel that way with something new and different. After a few more listens, I think it's a beautiful album. All the talk about its satire of modern life and commercialism I think is obscuring some more interesting themes. Basically, I see a very Buddhist idea running throughout: life is a cycle of suffering, and suffering is rooted in desire.

The title song works as a comment on the internet, twitter, blah blah blah, but taken more broadly it's what life has always been: too much, overwhelming, crushing. A person could have felt this way 200 years ago, or 2000. The suffering is as much about the inevitable weight of age and experience--"every inch of skin has a scar"--as overindulgence in songs, movies, whatever. It's about the corrosive effects of desire: for more possessions, for more experience, for more of everything. But what else is there to show we're alive? (Cf. the next song.) We can't escape desire, and therefore we can't escape suffering--and our lives can never really be "painless." (Cf. the song after that.)

The much reviled "Peter Pan" and "Chemistry" I see as persona songs. They represent a pair of obviously doomed attempts to escape from suffering and pain by, in the first case, retreat into a childish fantasy of escape from responsibility, and in the second case a possessive, aggressive lust. Both songs are full of ambiguity (all the talk about death, cancer in Peter Pan; the oddly reticent stuff about "you haven't met me yet" in Chemistry), and there's sadness under the surface--especially at the end of Peter Pan.

In the two halves of "Infinite Content," I see a comment on the duality of life: we can be miserable, yet happiness is only inches away; we can be frantic, yet calmness is always right there, always within reach, just on the opposite side of the same experience.

I see "Electric Blue" as a song about illusion. How can we think one person is special, one experience is meaningful, out of the thousands of other identical ones? A summer fling, it's over...what's the big deal? But we have to see it that way, through a kind of rose-colored glasses (electric blue-colored glasses?). The loved one has to seem special, if only in our own blinkered minds, as we obsess over them night after night. And this is the source of much suffering, but also beauty--and it's a beautiful song.

Finally, "Put Your Money on Me" and especially "We Don't Deserve Love" are kind of the bookends standing opposite the big 3 "statement" songs at the start of the album. Those first songs diagnosed the causes of our suffering and pain, while these last two sketch out possible ways of moving forward and finding a measure of peace in spite of all that we know. They're chastened love songs, ambiguous and shot through with sadness, the awareness of distance and loneliness and loss, how no relationship can last forever, and no other person can really solve all our problems. Desire for another person--and the sacrifices you make for that person, the compromises, the ups and downs--will inevitably lead to suffering. But there's also beauty and sweetness, if only fleetingly. And boy is "We Don't Deserve Love" beautiful in its final minutes.

Then we repeat the cycle and do it all over again, as one does.

What I've come to really value about Arcade Fire over time is the layered quality of their music. There are surface levels, there are obvious details, and then there are depths and subtleties and things you only notice in the arrangement on the 20th listen or the 50th. To be honest, The Suburbs kind of irked me at first (it seemed cheesy, over-earnest, stiff) and so did Reflektor (what's with all the dance beats, where are the guitars?). And yet, the albums have grown and deepened and taken on additional meanings as the years pass. I expect Everything Now will do the same.

19人のお客様がこれが役に立ったと考えています

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Frederic

All good

2023年9月9日にカナダでレビュー済み

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All good

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