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Drawn to Life: 20 Golden Years of Disney Master Classes: Volume 1: The Walt Stanchfield Lectures (英語) ペーパーバック – 2009/4/23

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内容紹介

Discover the lessons that helped bring about a new golden age of Disney animation!

Published for the first time ever, Drawn to Life is a two volume collection of the legendary lectures from long-time Disney animator Walt Stanchfield. For over twenty years, Walt helped breathe life into the new golden age of animation with these teachings at the Walt Disney Animation Studios and influenced such talented artists as Tim Burton, Brad Bird, Glen Keane, and John Lasseter. These writings represent the quintessential refresher for fine artists and film professionals, and it is a vital tutorial for students who are now poised to be part of another new generation in the art form.

Written by Walt Stanchfield (1919-2000), who began work for the Walt Disney Studios in the 1950s. His work can be seen in films like Sleeping Beauty, The Jungle Book, 101 Dalmatians, and Peter Pan.

Edited by Academy Award®-nominated producer Don Hahn, who has prduced such classic Disney films as Beauty and the Beast and The Lion King.

レビュー

For nearly thirty years, the artists that passed through the gates of Disney Animation, and even non-artists like myself, were influenced by the craft, skill, wisdom, writings and sketches of Walt Stanchfield.

Roy Disney

Walt was a kind of Mark Twain for us at Disney. He always taught with humor and skill. You learned to see the world through his eyes. I remember him one day encouraging us to leap into our drawings with boldness and confidence, "Don't be afraid to make a mistake. We all have 10,000 bad drawings in us so the sooner you get them out the better!" Sitting in Walt's class was as much a psychology course as it was a drawing class. One couldn't help walk away with your mind and soul a little more open than when you entered.

Glen Keane, Walt Disney Animation Studios

Walt Stanchfield's classes and writings were little distillations of the man: quirky, strongly stated in a genial voice, and brimming with a lifetime of sharp observations about story telling and graphic communication. Whether he drew with a ball point pen or painted with a brush dipped in his coffee cup, he got to the essence of things and was eager to share what he learned to his eager disciples, myself among them. He was grizzled and he was great and proof that there was more than one Walt at the Disney Studio that could inspire a legion of artists.  

John Musker, Walt Disney Animation Studios

Walt Stanchfield was one of Disney Animation's national treasures. His classes and notes have inspired countless animation artists, and his approach to drawing of caricature over reality, feeling over rote accuracy, and communication over photographic reproduction gets to the heart of what great animation is all about. Huzzah to Don Hahn for putting it all together for us!

Eric Goldberg, Walt Disney Animation Studios

During the Animation Renaissance of the 1990s, one of the Walt Disney Studio's best kept secrets was Walt Stanchfield. Once a week after work, this aged but agile figure jumped from drawing board to drawing board, patiently teaching us the principles behind the high baroque style of Walt Disney Animation drawing. Being in a room with Walt made you feel what it must have been like to have been taught by Don Graham. Having one of your life drawings be good enough to be reproduced in one of his little homemade weekly bulletins was akin to getting a Distinguished Service medal! Senior animators vied with trainees for that distinction.

Tom Sito, Animator/Filmmaker/Author of Drawing The Line: The Untold Story of the Animation Unions from Bosko to Bart Simpson

This exciting collection of master classes by the great teacher Walt Stanchfield is destined to become a classic on the order of Kimon Nicolaides' exploration of the drawing process. Stanchfield (1919-2000) inspired several generations of Disney animators and those of us outside the studio fortunate enough to happen upon dog-eared copies of his conversational notes, which we passed around like Leonardo's Codex Leicester. Stanchfield beautifully communicates the essence and joy of expressing ideas through the graphic line and accumulating a visual vocabulary. DRAWN TO LIFE is a treasure trove of cogent, valuable information for students, teachers and anyone who loves to draw.

John Canemaker, NYU professor and Academy Award-winning animation filmmaker

Walt Stanchfield, in his own unique way, taught so many of us about drawing, caricature, motion, acting and animation. Most important to me, was how Walt made you apply what you had observed in his life drawing class to your animation. Disney Animation is based on real life, and in that regard Walt Stanchfield's philosophy echoed Walt Disney's:

'We cannot caricature and animate anything convincingly until we study the real thing first.'

Andreas Deja, Walt Disney Animation Studios

Walt Stanchfield's renewed emphasis on draftsmanship at the Disney Studios transformed the seemingly moribund art of animation. His students were part of a renaissance with The Little Mermaid and Who Framed Roger Rabbit, a renaissance that continues with films ranging from The Iron Giant to Lilo and Stitch to Wall-E.

Charles Solomon, Animation Historian

I'm so grateful to Focal Press for publishing these fabulous Walt Stanchfield books. They are veritable 'gold dust' for the serious (and aspiring) animator! So 'hurrah' to Focal and 'hurrah' to Don Hahn to committing himself to compiling them. I ordered my copies the minute I saw them and will of course hope my students are smart enough to do so too! 

Tony White, DigiPen, Author of 'Animation: From Pencil to Pixels' and 'How to Make Animated Films'

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登録情報

  • ペーパーバック: 448ページ
  • 出版社: Focal Press; 1版 (2009/4/23)
  • 言語: 英語
  • ISBN-10: 0240810961
  • ISBN-13: 978-0240810966
  • 発売日: 2009/4/23
  • 商品パッケージの寸法: 2.5 x 21.6 x 27.3 cm
  • おすすめ度: 5つ星のうち 4.0 2件のカスタマーレビュー
  • Amazon 売れ筋ランキング: 洋書 - 50,785位 (洋書の売れ筋ランキングを見る)
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5つ星のうち 4.0
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形式: ペーパーバック
私が北米のアニメーション学校に行っている間に出版され、上下巻購入しました。
著者は長年、ディズニーのスタジオで、ドローイングの講師をしていた方で、彼がその時アニメーター達に配っていたハンドアウトをまとめた本です。
アニメーターにとって重要な、ジェスチャードローイング、スケッチを中心に書かれています。ただ単に、自分が見たものを描くのではなく、ストーリーを観客に伝えるためには、どう描いたらいいか、ということが重点に置かれています。実際のディズニーのアニメーターのスケッチもたくさん入っているので、とても楽しいし分かり易いです。

退屈なドローイングの本と違って、ユーモアもたくさん入っているし、何よりページをめくるたびに、不思議とその時自分に必要な言葉が見つかったり、やる気にさせてくれたり、いつも新しい発見を与えてくれる、素晴しい本です。描き方から、ものの捉え方、考え方まで教えてくれます。この本に出会ってから、私のスケッチも劇的に変わったし、いつでもスケッチブックを持ち歩いてスケッチを楽しむようになりました。

ほんとうにオススメの本です!
コメント 7人のお客様がこれが役に立ったと考えています. このレビューは参考になりましたか? はい いいえ 評価を送る...
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申し訳ありませんが、お客様の投票の記録に失敗しました。もう一度試してください。
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形式: ペーパーバック
英文が読めない事には、お話にならない本です。
もちろんそれは承知の上で、図解目当てで購入したのですが、如何せん文章量が多い。
図解・挿絵もディズニーキャラクターより人物デッサンの方が多いです。
しかし、個人的に1つでも多くのディズニーレイアウトが見れたのは有難いです。
なので☆3つ
コメント 3人のお客様がこれが役に立ったと考えています. このレビューは参考になりましたか? はい いいえ 評価を送る...
フィードバックありがとうございました。
申し訳ありませんが、お客様の投票の記録に失敗しました。もう一度試してください。
違反を報告

Amazon.com で最も参考になったカスタマーレビュー (beta)

Amazon.com: 5つ星のうち 4.7 130 件のカスタマーレビュー
5つ星のうち 5.0 excellent book!! 2016/6/27
投稿者 Nicholas D. Stage - (Amazon.com)
形式: ペーパーバック Amazonで購入
this wonderful book contains not the anatomical information of drawing, (though it very briefly and sparsely touches that, so briefly that it's not worth mentioning) but the force that gives a drawing life; gestures and intention. the reviews that complain of illustration quality obviously have missed the point of the book. this is not about finished drawings, this is about capturing a moment and learning to express emotions and movement through your characters. creating interest with flow and lines and simplicity and building from there is up to you. this can be applied to any style. i've only had this book for one day and i can not put it down. Mr. Stanchfeild explains the thinking process for bringing about believable and relatable poses, how to breathe life and a story into a simple sketch. his explanations are amazingly easy to understand and to apply. rudimentary knowledge of anatomy is required to practice these exercises but even then it will be molded to your needs. i can not say enough good things about this book and will purchase the second when i've finished this one.
4 人中、4人の方が、「このレビューが参考になった」と投票しています。
5つ星のうち 5.0 I've had a Lot of Drawing Books In my Life, But Not One Quite Like This! 2013/2/10
投稿者 Abbey Horine - (Amazon.com)
形式: ペーパーバック Amazonで購入
Most drawing books I've found are structured and tell you how to draw this and how to draw that and just pretty much lays it out to you to get it to look like the picture in the book. Not very creative in my opinion. This one, however, is different. Good different. These are notes by Walt Stanchfield, who taught drawing classes to some of the great animators of today such as Glen Keane, Joe Ranft, Andreas Deja, and Eric Goldberg. In this volume he emphasizes the gesture drawing and capturing the essence of the action. This book is meant for animators who need to think in motion, but can be very helpful for any artist who wants to make their drawing more than "just a drawing". (He uses that phrase a lot). Most of this book is reading material with drawing illustrations to stress the point, but the reading is so fast and almost conversational in a way because he uses humor, drama, stories from his life, and stories from his drawing classes. I always end up smiling in each chapter and even sometimes laughing out loud at some of the things he says. I recommend having a pen or highlighter with you when reading each chapter because he says some pretty enlightening things that hit me like "why did I not think about that in a drawing before?" So whether you be an inspiring animator, such as my self, or just want to better your art, I highly recommend both volumes to really bring your art to life!
19 人中、19人の方が、「このレビューが参考になった」と投票しています。
5つ星のうち 5.0 It's a wealth of information and insight into drawing, animation and observation 2009/5/5
投稿者 Parka - (Amazon.com)
形式: ペーパーバック Amazonで購入
Drawn to Life is a collection of lectures from long-time Disney animator Walt Stanchfield. He has worked for Disney since the 1950s.

There are two volumes, each with over 400 pages. The reason for two volumes is probably to make the books easier to handle. Both are on gesture and life drawing, even though the cover art might suggest otherwise, especially the one with the lion. You can start reading from any book and any lecture. The order isn't important.

There are plenty of essays in the books. Each is a lesson relating to drawing and animation. It can be tangent drawings, creating believable characters, learning to observe, understanding gestures, etc. There are tips on almost anything relating to drawing. Loose and sketchy sketches serves as examples to the lessons.

These books are more thinking than drawing technique books. For example, the lessons are not about how to draw perspective, the lessons are about how to use perspective. You can view sample pages for volume one and volume two on amazon.com to get an idea.

The books represent a tremendous wealth of information and insight into drawing, animation and observation. After all, Walt Stanchfield has more than 50 years of experience in animation.

This book is recommended to those who are into animation and drawing.

(More pictures are available on my blog. Just visit my Amazon profile for the link.)
2 人中、2人の方が、「このレビューが参考になった」と投票しています。
5つ星のうち 2.0 This book is amazing BUT... 2015/9/8
投稿者 Eduardo Moya - (Amazon.com)
形式: Kindle版 Amazonで購入
Images suck badly in kindle verision, so disappointing trying to see the details that Stanchfield point out in the book only to get pixels and noise please fix this and I'll change my rating to 5 stars :( also is hard to read text written in scanned images this is a lousy work, if you are going to buy the printed version then, 5 stars this info is invaluable, but digital version I may prefer the free version that is out there. Not buying the second book because of this reason.
2 人中、2人の方が、「このレビューが参考になった」と投票しています。
5つ星のうち 2.0 Great learning material horrible quality of binding 2016/8/4
投稿者 haha - (Amazon.com)
形式: ペーパーバック Amazonで購入
The material in the book is fantastic and was just what I was looking for. But the binding of the book is terrible. I purchased it as new and have opened it twice since I have purchased this book and literally 15-20 pages have fallen out. Not impressed.
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