- ハードカバー: 352ページ
- 出版社: Scribner (2001/4/24)
- 言語: 英語
- ISBN-10: 068485757X
- ISBN-13: 978-0684857572
- 発売日： 2001/4/24
- 商品パッケージの寸法: 16.9 x 2.8 x 24.4 cm
- おすすめ度： この商品の最初のレビューを書き込んでください。
Displaced Persons: Growing Up American After the Holocaust (英語) ハードカバー – 2001/4/24
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An account of how one family of Polish Jews, with one son born at the close of World War II and the other son born in a "displaced persons" camp on the margins of Berlin, narrowly survived Hitler's atrocities and managed to emerge anew amid the bewildering landscape of Manhattan's Upper West Side and the Bronx in the 1950s and 1960s. Joseph Berger recreates his parent's experiences in light of his own childhood among refugees in America. He illuminates the plight of 140,000 refugees who came to America between 1947 and 1953, through the eyes of a young boy. The book captures the poignant shading, the telling minutae and the stubborn intractability of displaced life.
Eva Fogelman psychologist and author of "Conscience and Courage" Joseph Berger follows in the tradition of Frank McCourt in being a master storyteller. He recounts a story that is both tragic and uplifting. His journalistic eye for detail will make the reader cry, laugh, and never forget his family's saga. For readers, Berger's account will resonate, no matter how they feel displaced. At last we have a second generation voice of Holocaust refugees that defies stereotypes.商品の説明をすべて表示する
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Berger is acutely aware of "the unmentioned sorrow that was the subtext to everything [his] parents said or did." Haunted by memories, devastated by enormous loss, handicapped by their arrival in America in their twenties and driven to provide security for their families, Holocaust survivors often perceive their children as replacements of beloved family members who perished and as repositories of hopes and dreams denied them. Worried about their children's safety, happiness and future, Berger muses about his parents' perspective, "What could I say about the dread and suspicion with which they encountered a world that had proven maliciously fickle?"
As the author emerges from childhood, he begins to chafe from his mother's protective, controlling instincts and desires to assert himself as his own man. Berger's wrenching analysis of his status becomes the overarching theme of his memoir. "I saw myself now an an American...I would no more be the timid refugee boy with one leg planted in the fearful shtetls of Poland, with a mother ever vigilant that no more perils come to the remnants of her kin." It is this unspoken loving tension between Joseph and his mother, Rachel, that gives "Persons" its dynamism.
Alternating between two narratives, one his own and the other the gripping account of his mother's survival, Berger deftly intermingles past and present. Aware of his distinct heritage, the young Berger recognizes others in his impoverished Manhattan neighborhood who share his background. "We knew one another, knew in our young bellies that our parents were the same dazed and damaged lot, had the same refugee awkwardness, the same whiff about them of marrow bones and carp." Now attempting to wrest coherence in America, Holocaust survivors tend to frustrate Berger with their problem solving techniques. Berger prefers the American way of standing up directly; survivors "were always scraping by on a willingness to do what was necessary to survive, even if that meant surrendering pride or principle."
Raw emotion floods "Displaced Persons." Rachel's symbolic mourning of a dead child in Warsaw at the onset of World War II serves to remind us that she has no "mental picture" of the actual murder of her family. Unspoken grief undulates throughout the memoir. Berger's stoic father Marcus scarcely articulates his unfathomable sense of loss; nearly half a century passes before he can utter the names of his sisters. Guilt ebbs and flows in Rachel's description of her survival. Anguished over refusing to bring non-kosher food to her hungry brother during World War II, she has never forgiven heself, calling it "the worst thing I ever did in my life."
Yet life surges and humor emerges in Berger's descriptions of growing up in New York City in the 1950s and 60s. With both parents working at dreary, tiring jobs, the author experiences a freedom of movement he admits he would never conceive of allowing his own daughter today. His descriptions of his initial exploration of Manhattan reveal the sheer joy of discovery, the incredible exuberance of youthful hopes and the awesome sense of possibilities Berger recognizes in his new home. Berger's frantic disposal of an illicit girlie magazine carries universal appeal; he becomes an American everyboy. His struggles with self-confidence, academic competition and sexual frustrations are those of not only his generation, but of those before and after.
Written with conviction and compassion, "Displaced Persons" is that kind of memoir that not only describes, but instructs. Through the author's descriptions of his resolute, stubborn and proud mother, survivors attain an identity beyond that of suffering and loss. His own life's story shapes our understanding of the purpose of our national experience and the sacredness of an American identity. Treating both the Holocuast in its past brutality and its implications for the second-generation children of survivors, the memoir blends sorrow and joy, heartache and hope, pain and redemption.