2020年2月発売3枚組レビュー。(音質は10年前のデラックス盤と同じ)
何と言っても目玉のデモ集(CD2)の素晴らしさに尽きると思う。
セールスを特に意識しない段階の純粋に音の楽しさだけを追求した、作り込む前の荒さが聴き流していて心地よく、よりストレートにキュアが浸透してくる。(インスト曲が多いので余計に…)
ライブ盤(CD3)は、オリジナルと全く同じ曲順曲数で、演奏も完璧。スタジオ盤と聴き間違えそうになる部分も有ったりし、聴き込むほど味わいが増す。
追記:いったい ”disintegration" だけで何バージョンあるんだw
Disintegration
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曲目リスト
ディスク: 1
| 1 | Plainsong (Remastered) |
| 2 | Pictures Of You (Remastered) |
| 3 | Closedown (Remastered) |
| 4 | Lovesong (Remastered) |
| 5 | Last Dance (Remastered) |
| 6 | Lullaby (Remastered) |
| 7 | Fascination Street (Remastered) |
| 8 | Prayers For Rain (Remastered) |
| 9 | The Same Deep Water As You (Remastered) |
| 10 | Disintegration (Remastered) |
| 11 | Homesick (Remastered) |
| 12 | Untitled (Remastered) |
ディスク: 2
| 1 | Prayers For Rain (RS Home Instrumental Demo) |
| 2 | Pictures Of You (RS Home Instrumental Demo) |
| 3 | Fascination Street (RS Home Instrumental Demo) |
| 4 | Homesick (Band Instrumental Rehearsal) |
| 5 | Fear Of Ghosts (Band Instrumental Rehearsal) |
| 6 | Noheart (Band Instrumental Rehearsal) |
| 7 | Esten (Band Instrumental Demo) |
| 8 | Closedown (Band Instrumental Demo) |
| 9 | Lovesong (Band Instrumental Demo) |
| 10 | 2 Late (Alternative Version) (Band Instrumental Demo) |
| 11 | The Same Deep Water As You (Band Instrumental Demo) |
| 12 | Disintegration (Band Instrumental Demo) |
| 13 | Untitled (Alternative version) (Studio Instrumental Rough) |
| 14 | Babble (Alternative version) (Studio Instrumental Rough) |
| 15 | Plainsong (Studio Guide Vocal Rough) |
| 16 | Last Dance (Studio Guide Vocal Rough) |
| 17 | Lullaby (Studio Guide Vocal Rough) |
| 18 | Out Of Mind (Studio Guide Vocal Rough) |
| 19 | Delirious Night (Rough Mix) |
| 20 | Pirate Ships (Robert Smith Solo - Rough Mix) |
ディスク: 3
| 1 | Plainsong (Entreat Plus - Live 1989) |
| 2 | Pictures Of You (Entreat Plus - Live 1989) |
| 3 | Closedown (Entreat Plus - Live 1989) |
| 4 | Lovesong (Entreat Plus - Live 1989) |
| 5 | Last Dance (Entreat Plus - Live 1989) |
| 6 | Lullaby (Entreat Plus - Live 1989) |
| 7 | Fascination Street (Entreat Plus - Live 1989) |
| 8 | Prayers For Rain (Entreat Plus - Live 1989) |
| 9 | The Same Deep Water As You (Entreat Plus - Live 1989) |
| 10 | Disintegration (Entreat Plus - Live 1989) |
| 11 | Homesick (Entreat Plus - Live 1989) |
| 12 | Untitled (Entreat Plus - Live 1989) |
登録情報
- メーカーにより製造中止になりました : いいえ
- 製品サイズ : 12.7 x 14.61 x 1.91 cm; 173.5 g
- メーカー : Imports
- EAN : 0600753245668
- 製造元リファレンス : 5324566
- SPARSコード : DDD
- レーベル : Imports
- ASIN : B00318EDD8
- ディスク枚数 : 3
- Amazon 売れ筋ランキング: - 526,668位ミュージック (ミュージックの売れ筋ランキングを見る)
- - 116,018位ロック (ミュージック)
- - 172,386位輸入盤
- カスタマーレビュー:
-
トップレビュー
上位レビュー、対象国: 日本
レビューのフィルタリング中に問題が発生しました。後でもう一度試してください。
2019年3月8日に日本でレビュー済み
Amazonで購入
1976年にロバート・スミス(guitars, vocals)を中心としてクローリーで結成されたイングランドのロックバンド、ザ・キュアー(The Cure)の8作目のアルバム(全英アルバムチャート3位。全米アルバムチャート12位)。シンセとキーボードを効果的に使用した美しいサウンド、初期のアルバムのような内省的なスタイル、メランコリックな抒情性が特徴のオルタナティヴ・ロック。シングル曲、「Lullaby」(全英5位)、「Fascination Street」、「Lovesong」(全米2位)、「Pictures of You」収録
2010年5月29日に日本でレビュー済み
Amazonで購入
ロバート・スミス率いるThe Cure は、その怪しげなコスチュームや、
サイケなアルバムジャケで敬遠されがちなバンドのひとつです。
しかしそのサウンドは、正しく80’sを象徴する哀愁ギターロックなんですよね。
そんなThe Cure の80年代最高傑作であるのが、1989年リリースのこのアルバム、
Disintegration なんです。
彼ららしいPictures Of You を始め、何と言っても、耳に残るベースラインが癖になる、
Lovesong の素晴らしさは言うことありません。
そんな名盤が、今回3CDセットという、豪勢なボックス仕様で登場しました。
ディスク2にはレア音源が満載で、未発表曲Delirious Night は超貴重でしょうね。
ディスク3は1989年ライブ音源のようで、こちらも楽しみです。
メジャーバンドとは言い難いですが、いい曲たくさん発表しているThe Cure 。
名盤Disintegration 。
80’sメジャー路線を聴き尽くした方々にぜひ聴いてもらいたい名盤です!!
サイケなアルバムジャケで敬遠されがちなバンドのひとつです。
しかしそのサウンドは、正しく80’sを象徴する哀愁ギターロックなんですよね。
そんなThe Cure の80年代最高傑作であるのが、1989年リリースのこのアルバム、
Disintegration なんです。
彼ららしいPictures Of You を始め、何と言っても、耳に残るベースラインが癖になる、
Lovesong の素晴らしさは言うことありません。
そんな名盤が、今回3CDセットという、豪勢なボックス仕様で登場しました。
ディスク2にはレア音源が満載で、未発表曲Delirious Night は超貴重でしょうね。
ディスク3は1989年ライブ音源のようで、こちらも楽しみです。
メジャーバンドとは言い難いですが、いい曲たくさん発表しているThe Cure 。
名盤Disintegration 。
80’sメジャー路線を聴き尽くした方々にぜひ聴いてもらいたい名盤です!!
2011年6月8日に日本でレビュー済み
Amazonで購入
おそらくキュアーのアルバムのなかで、世界でもっとも
愛されているだろうアルバム、それがDisintegration。
なぜ日本で発売されないのか、本当に謎。
日本の音楽界が、志よりもマネーを重視することの証明だろう。
キュアーの音楽は、周波数が違う。
聞こえてくる音が、全然違う。
世界中で、それに気づいたひとたちが
キュアーを愛する。
このDlx盤は、アウトテイクやライブも収めた二枚組。
曲がブラッシュアップされていく過程が、
おぼろげにでもわかるところが、ファンにはたまらない。
なぜキュアーが世界中で愛されているのか、
よくわかる一枚なのだ。
愛されているだろうアルバム、それがDisintegration。
なぜ日本で発売されないのか、本当に謎。
日本の音楽界が、志よりもマネーを重視することの証明だろう。
キュアーの音楽は、周波数が違う。
聞こえてくる音が、全然違う。
世界中で、それに気づいたひとたちが
キュアーを愛する。
このDlx盤は、アウトテイクやライブも収めた二枚組。
曲がブラッシュアップされていく過程が、
おぼろげにでもわかるところが、ファンにはたまらない。
なぜキュアーが世界中で愛されているのか、
よくわかる一枚なのだ。
2012年1月15日に日本でレビュー済み
昨年弊社のインドネシアの工場に技術指導に出張した時、昼休みにふとこのアルバムの音が聴こえてきて、なんとも懐かしい気持ちになりました。
インドネシア人は本当に音楽が好きで、会社の休み時間には好きな音楽をカセットやCDで思い思い流し食い入るように聴いています。
ロバート・スミスとキュアーの音楽の広がりには、唖然とさせられます。これも彼らの名作の一つです。
インドネシア人は本当に音楽が好きで、会社の休み時間には好きな音楽をカセットやCDで思い思い流し食い入るように聴いています。
ロバート・スミスとキュアーの音楽の広がりには、唖然とさせられます。これも彼らの名作の一つです。
他の国からのトップレビュー
Stephen F.
5つ星のうち5.0
FORGOT WHAT A GREAT CD THIS IS!
2023年9月27日にアメリカ合衆国でレビュー済みAmazonで購入
I have now reunited with this CD, having forgotten over time how it's significance impacted my life. It allows me to drift out into space, weightless and free. For a while I can forget about yesterday, today, and tomorrow. It then brings me back down to Earth, to this moment in time. I can't imagine how Robert Smith can be so creative and talented to be able to write so many songs. His music IS a cure, for so many different things. I listen to Plainsong in my car on repeat, it fills a void that can sometimes be overwhelming, thanks Robert.
Ronald
5つ星のうち5.0
Einfach gut!
2023年8月11日にドイツでレビュー済みAmazonで購入
The Cure at its best, einfach nur gut, am Höhepunkt ihres Schaffens. Spannende Remixe und Akkustikversionen
Ken Bosar
5つ星のうち5.0
My favorite Cure album.
2023年9月27日にアメリカ合衆国でレビュー済みAmazonで購入
Excellent sound quality.
Surferofromantica
5つ星のうち5.0
Sit in on the recording process of Disintegration
2011年8月27日にアメリカ合衆国でレビュー済みAmazonで購入
"Disintegration" has been the only Cure studio release that I ever bought close to its release (I've only ever bought packages, such as the "Standing on the Beach"/"Staring at the Sea" compilation, and the Connect the Dots box set), so when this was released as a set with demos and the full "Entreat" live show I thought it would be a good one to get. The booklet has a short essay describing what the band went through in the recording, such as kicking the useless Lol Tolhurst out of the band, or allowing him to leave, or whatever happened; it also talks about how they saved the lyrics from a deadly fire, the band forming a human chain, wrapping wet towels around their heads and shoulders, and then groping around a smoke-filled room to retrieve the already-smouldering leather satchel with the only copy of the lyrics in it - whew! There are a bunch of pictures from the era - man, were those guys ugly. Vocals for the 12 studio songs (but none of the singles) are included.
The songs on the studio release are all as good as I remember, although somehow they are a bit shabby, pale, boring. Not quite what I remembered, exactly, although the later songs are a bit nicer than the earlier songs. I was quite surprised when I got to the live show, which was from a show at Wembley Stadium in July of 1989 that represents all 12 songs on Disintegration, that I actually liked it better than the studio version. I was surprised, because usually it's the other way around, where the live recording bugs me for some reason or other, I nearly always prefer the studio album... just not this time.
The second disc doesn't really excite that much either, although it has its moments. It includes three Robert Smith home demos, nine band demo instrumentals, two studio rough instrumentals, four studio roughs with guide vocals, one rough mix with vocals and one Robert Smith solo rough mix with vocals. Seems that the band went through two rounds of laying down the instrumentals, a process that lasted from about April to October. Taken together they chart the whole recording process of the album. Listening to the instrumentals can be a bit trying at times, but it also shows how interesting the music can be (even when it drones on and on) without the distraction - pleasant though it may be - or Robert Smith's unique voice. It's also fitting, since the album is known for its long instrumental sections anyway.
First off: the demos that Robert Smith did at home before he added the vocals, which are sort or like rough karaoke tracks. "Prayers For Rain" sounds like it's been programmed into hell, and there are three such demos. "Fascination Street" sounds weird with a bit of slide guitar and keyboard thrown on top of the mix. There are also band rehearsals. The one for "Homesick" sounds just that - it's awful. Other band rehearsals are "Closedown", "Lovesong", "The Same Deep Water As You", and "Disintegration". "Lovesong" has really weird bass sounds. There are also B-sides "Fear Of Ghosts", which sounds like some sort of a weird early Cure icy poker repeating its tracks over and over, "Noheart", which starts out with wicked drums and noise and then a creepy dirge with cheap keyboard sounds, "Esten", which is jaunty and cheerful and a lot of fun, and "2 Late (alternate version)", a gorgeous and textured number that has that "Monday I'm In Love" spring in its stride. "Babble" is a fun tune, bass-driven with prominent keyboards and drums, here in its instrumental version. Other studio roughs have vocals and sound a lot like the final album versions. "Out of Mind" is keyboard-led and it sort of grooves, it also has hard rock guitar (!?!) in it. It's a lot less murky than the final B-side version, and it has great Robert Smith vocals. "Delirious Night" is jaunty and drum-led, it sort of grooves on and on and on and has really strange vocals. "Pirate Ships" is a Judy Collins cover that Robert Smith did for a planned 40th anniversary Elektra tribute album that never happened so it never got used, and appears here for the first time. It is a strange little ditty, with Robert Smith singing over accordion sounds, with the sound of surf to accompany it. I can't find this song on YouTube, my ersatz jukebox; I wonder what the original sounded like.
The songs on the studio release are all as good as I remember, although somehow they are a bit shabby, pale, boring. Not quite what I remembered, exactly, although the later songs are a bit nicer than the earlier songs. I was quite surprised when I got to the live show, which was from a show at Wembley Stadium in July of 1989 that represents all 12 songs on Disintegration, that I actually liked it better than the studio version. I was surprised, because usually it's the other way around, where the live recording bugs me for some reason or other, I nearly always prefer the studio album... just not this time.
The second disc doesn't really excite that much either, although it has its moments. It includes three Robert Smith home demos, nine band demo instrumentals, two studio rough instrumentals, four studio roughs with guide vocals, one rough mix with vocals and one Robert Smith solo rough mix with vocals. Seems that the band went through two rounds of laying down the instrumentals, a process that lasted from about April to October. Taken together they chart the whole recording process of the album. Listening to the instrumentals can be a bit trying at times, but it also shows how interesting the music can be (even when it drones on and on) without the distraction - pleasant though it may be - or Robert Smith's unique voice. It's also fitting, since the album is known for its long instrumental sections anyway.
First off: the demos that Robert Smith did at home before he added the vocals, which are sort or like rough karaoke tracks. "Prayers For Rain" sounds like it's been programmed into hell, and there are three such demos. "Fascination Street" sounds weird with a bit of slide guitar and keyboard thrown on top of the mix. There are also band rehearsals. The one for "Homesick" sounds just that - it's awful. Other band rehearsals are "Closedown", "Lovesong", "The Same Deep Water As You", and "Disintegration". "Lovesong" has really weird bass sounds. There are also B-sides "Fear Of Ghosts", which sounds like some sort of a weird early Cure icy poker repeating its tracks over and over, "Noheart", which starts out with wicked drums and noise and then a creepy dirge with cheap keyboard sounds, "Esten", which is jaunty and cheerful and a lot of fun, and "2 Late (alternate version)", a gorgeous and textured number that has that "Monday I'm In Love" spring in its stride. "Babble" is a fun tune, bass-driven with prominent keyboards and drums, here in its instrumental version. Other studio roughs have vocals and sound a lot like the final album versions. "Out of Mind" is keyboard-led and it sort of grooves, it also has hard rock guitar (!?!) in it. It's a lot less murky than the final B-side version, and it has great Robert Smith vocals. "Delirious Night" is jaunty and drum-led, it sort of grooves on and on and on and has really strange vocals. "Pirate Ships" is a Judy Collins cover that Robert Smith did for a planned 40th anniversary Elektra tribute album that never happened so it never got used, and appears here for the first time. It is a strange little ditty, with Robert Smith singing over accordion sounds, with the sound of surf to accompany it. I can't find this song on YouTube, my ersatz jukebox; I wonder what the original sounded like.
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