"Salon magazine's Dave Cullen has been on top of the Columbine story from the start... We don't like our evil to be banal. Ten years after Columbine, it only now may be sinking in that the psychopathic killers were not jock-hating dorks from a 'Trench Coat Mafia,' or, as ABC News maintained at the time, 'part of a dark, underground national phenomenon known as the Gothic movement.' In the new bestseller COLUMBINE, the journalist Dave Cullen reaffirms that Dylan Klebold and Eric Harris were instead ordinary American teenagers who worked at the local pizza joint, loved their parents and were popular among their classmates."―Frank Rich, The New York Times

"Dave Cullen is the Dante of this high school hell. I came away from it thinking of Jack Nicholson hollering 'You want the truth? You can't handle the truth!' Read this quietly powerful account of Columbine and find out if you can."―Ron Rosenbaum, author of Explaining Hitler and The Shakespeare Wars

"Half the anguish of Columbine is our mystification. How did those boys get so twisted, so murderous? Now, after nine years of great reporting, Dave Cullen has done the impossible: you will know these killers -- and it will shake you up. This is a big-time work that will endure."

―Richard Ben Cramer, author of Joe DiMaggio and What It Takes

"In this remarkable account of the April 20, 1999, Columbine High School shooting, journalist Cullen not only dispels several of the prevailing myths about the event but tackles the hardest question of all: why did it happen? Drawing on extensive interviews, police reports and his own reporting, Cullen meticulously pieces together what happened when 18-year-old Eric Harris and 17-year-old Dylan Klebold killed 13 people before turning their guns on themselves.... Cullen expertly balances the psychological analysis-enhanced by several of the nation's leading experts on psychopathology-with an examination of the shooting's effects on survivors, victims' families and the Columbine community. Readers will come away from Cullen's unflinching account with a deeper understanding of what drove these boys to kill, even if the answers aren't easy to stomach."―Publishers Weekly, Starred Reivew

"Comprehensive...It's a book that hits you like a crime scene photo, a reminder of what journalism at its best is all about. Cullen knows his material from the inside; he covered Columbine, for Salon and Slate primarily, 'beginning around noon on the day of the attack.' But if this gives him a certain purchase on the story, his perspective is what resonates."―LA Times

"Cullen's book is a nerve-wracking, methodical and panoramic account...COLUMBINE has its terrifying sections, particularly during Cullen's minute-by-minute rendering of the chaotic 49-minute assault. He puts us inside and outside the building, and he captures the disbelief viewers experienced in 'almost witnessing mass murder' live on television."―Cleveland Plain Dealer

"A chilling page-turner, a striking accomplishment given that Cullen's likely readers almost certainly know how the tragic story ends...I knew Cullen was a dogged reporter and a terrific writer, but even I was blown away by the pacing and story-telling he mastered in Columbine, a disturbing, inspiring work of art."―Salon

"Comprehensively nightmarish . . . Cullen's task is difficult not only because the events in question are almost literally unspeakable but also because even as he tells the story of a massacre that took the lives of 15 people, including the killers, he has to untell the stories that have already been told . . . Should this story be told at all? There's an element of sick, voyeuristic fascination to it--we don't need an exercise in disaster porn. But Columbine is a necessary book. . . . The actual events of April 20, 1999, are exactly as appalling as you'd expect, and Cullen doesn't spare us a second of them."―Time

"The definitive account, [of the tragedy] will likely be Dave Cullen's COLUMBINE, a nonfiction book that has the pacing of an action movie and the complexity of a Shakespearean drama . . . Cullen has a gift, if that's the right word, for excruciating detail. At times the language is so vivid you can almost smell the gunpowder and the fear."―Newsweek

"COLUMBINE is an excellent work of media criticism, showing how legends become truths through continual citation; a sensitive guide to the patterns of public grief, foreshadowing many of the reactions to Sept. 11 (lawsuits, arguments about the memorial, voyeuristic bus tours); and, at the end of the day, a fine example of old fashioned journalism . . . moving things along with agility and grace."―Jennifer Senior, The New York Times Review of Books