著者について
Jonathan D Solomon is Associate Dean at the School of Architecture at Syracuse University. His work explores public space and the contemporary city, through design projects such as Ooi Botos Gallery, a shophouse in a Hong Kong street market converted into a gallery for contemporary Chinese photographic art; research projects such as his 2004 book 13 Projects for the Sheridan Expressway, the 26th volume in the Pamphlet Architecture series; curatorial projects such as 2010s Workshopping in the US Pavilion at the Venice Architecture Biennale; and publication projects through 306090 books, where he has served as a founding editor since 2001. Solomon has taught design at the City College of New York and, as a Banham Fellow, at the University at Buffalo, as well as the University of Hong Kong, where he led the Department of Architecture as Acting Head from 2009 to 2012. He is a licensed architect in the State of Illinois and Member of the American Institute of Architects.
Clara Wong is the co-author of Once Upon a Time? Monsterpieces of the 2000s!, which has been presented at the Storefront for Art and Architecture, New York, and the Architectural Association School of Architecture, London, and reviewed in the Architects Journal, Archidose, Domus and A+. She currently practices architecture in Hong Kong, and is a LEED accredited professional and a member of the Hong Kong Institute of Architects. She has been part-time assistant professor at the Faculty of Architecture, The University of Hong Kong, where she has taught and coordinated the Summer Program 2010 and 2009, and is a frequent visiting critic. She is co-exhibitor at the Venice Biennale 2010 and Sao Paulo Biennale 2009 on the spaces and environments of Hong Kong shopping malls. She holds a Master of Architecture degree from Harvard University Graduate School of Design. She received her Bachelors degree summa cum laude from Princeton University School of Architecture, and graduated with accolades from the Princeton University Program in Visual Arts, focusing on Drawing and Painting.
Adam Frampton is an architect who has been practicing at OMA since 2006. For three years, he was based in Rotterdam, working as a project leader responsible for numerous concept designs and competitions in the U.A.E., Saudi Arabia, Bahrain, and India. In addition, he was involved in the design of the Taipei Performing Arts Center, which won an open two-stage international competition in early 2009. He is currently located in Hong Kong as project leader for the development and realization of the project, which is scheduled for completion in 2015.
His independent work on Hong Kong urbanism, in collaboration with Jonathan Solomon and Clara Wong, was exhibited in the 12th International Architecture Exhibition at the Venice Biennale (2010). Prior to joining OMA, his analysis on the structural design of the World Trade Center, in collaboration with Guy Nordenson, was exhibited at the Museum of Modern Art, New York and has been acquired into its permanent collection. His work has also been exhibited the Center for Architecture, New York, and the Van Alen Institute, New York.
He holds a Master of Architecture from Princeton University and is a registered architect In the Netherlands.
