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Nicholas Negroponte

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Being Digital ペーパーバック – 1996/1/4

英語版 Nicholas Negroponte (著)

4.5 97個の評価

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Aimed at the non-expert, this is a guide to survival on the information superhighway.

本の長さ

249ページ
言語

英語
出版社

Coronet Books
発売日

1996/1/4
寸法

11.1 x 1.6 x 17.5 cm
ISBN-10

0733603920
ISBN-13

978-0733603921
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登録情報

ASIN ‏ : ‎ 0340649305
出版社 ‏ : ‎ Coronet Books; New版 (1996/1/4)
発売日 ‏ : ‎ 1996/1/4
言語 ‏ : ‎ 英語
ペーパーバック ‏ : ‎ 249ページ
ISBN-10 ‏ : ‎ 0733603920
ISBN-13 ‏ : ‎ 978-0733603921
寸法 ‏ : ‎ 11.1 x 1.6 x 17.5 cm

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4.5 97個の評価

著者について

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Nicholas Negroponte

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Jairo Antonio Melo Flórez

Second hand, very good condition

2021年7月21日にメキシコでレビュー済み

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This is the second edition of tha classic Being Digital. Although the book have 25 years from printing, it was in great condition. No signs of use. Great purchase

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great condition

2020年1月29日にドイツでレビュー済み

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great

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G.C.

A moment in time.

2015年10月8日にアメリカ合衆国でレビュー済み

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Great book, interesting to see how things have changed over the past 20 years. Negroponte gets a lot of things right.

The book first of all emphasises how far we have come when it talks about 9600 baud connections, I am writing this post sat on the end of an internet connection that provides 50mbps download and 10mbps upload – and that’s slow compared to the speeds that I enjoyed in Hong Kong. Negroponte envisioned that satellites would have a greater role in internet access than it seems to currently have, cellular networks seem to have brought that disruption instead.

It has the tone of boundless optimism that seemed to exemplify technology writing in the mid-to-late 1990s but with not quite the messianic feel of peer George Gilder. Negroponte smartly hedges his bets for where the ‘rubber hits the road’ as society brings some odd effects in on technology usage.

Negroponte grasped the importance of digital and the internet as a medium for the provision of media content. That sounds like a no brainer but back in the day the record industry didn’t get it. In fact record industry went on to make blockbuster profits for another five years, N’Sync was the best selling artist of the year in 2000 with No Strings Attached selling 9.94 million copies. Over the next decade or so profits halved in the face of determined record label countermeasures including suing their customers.

Negroponte was dismissive of high definition video and television considering it wasteful of bandwidth. On this I get the sense that he is both right and wrong. We are surrounded by high definition screens (even 4K mobile screens – where their size doesn’t allow you to appreciate the full clarity of the image). But this doesn’t mean that our entertainment has to come in high definition, much YouTube isn’t watched on full screen for instance.

Negroponte grasped that it would also shake up the book industry and Being Digital has been published in a number of e-book reader formats, but at the moment the experience of digital books leaves something to be desired compared to traditional books.

Negroponte labours a surprising amount of copy on tablet devices. At the time that he published his book GO was in competition with Microsoft with pen computing devices and software, EO had launched their personal communicator – a phablet sized cellular network connected pen tablet and the first Apple Newton had launched in 1993. Negroponte goes on to insist that the finger is the best stylus. MIT Media Lab had done research on the stylus-less touch experience, but reading the article reminded me of the points Steve Jobs had made about touch on the original iPhone and iPad.
Negroponte considered that we would be supported in our online lives with agents that would provide contextual content and do tasks, which is where Google Now, Siri and Cortana have tried to go. However his writing implies an agent that is less ‘visible’ and in the face of the user.

Negroponte’s critique of virtual reality at the time provides good insight as to how much progress Oculus Rift and other similar products have made. He points out the technical and user experience challenges really well. If anyone is thinking about immersive experiences, it is well worth a read.

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Cippo

Un must!

2012年11月2日にイタリアでレビュー済み

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Non si può fare a meno di aver letto questo testo. Si legge come un libro di fantascienza, ma quello che racconta sta davvero succedendo. E c'è ancora un bel pezzo di futuro che non è ancora accaduto, raccontato su queste pagine.

Libro non sufficiente: necessario!

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from the mind of a visionary of multimedia

2002年10月14日に英国でレビュー済み

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The author is a visionary engineer. He worked at MIT -despite of being dyslexic - and been involved with the real leaders of todays society of gifted engineers. For example, he worked on the 'Aspen project' [1978] to film all the possible streets in Aspen, Colorado and to transfer them to a multimedia medium that allowed one to traverse these routes when played back on a player. We take this for granted now but this was really creative use of a cutting edge science. He has helped on the transfer from analogue tv to digital broadcasting. He forecast the usage mapping software for automobiles, and worked on GUI (Graphical User Interfaces) for pc and how to make them better. He always has time to look how his concepts could be better for complete strangers to his domain. What holds this book back is a lack of narrative, he has done so much that its hard to see a common thread to hang it all together. Its a shame i waited so long to read it, most of it has yet to occour and some is happening already. I feel humble to think engineers like him have such calibre. Pure genius. I enjoyed this book very much, though it was hard to take in so much.

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