Bad (Spec)
| 仕様 | 価格 | 新品 | 中古品 |
|
CD, CD, インポート, 2015/9/4
"もう一度試してください。" | CD, インポート | ¥1,389 | ¥1,124 |
|
CD, CD, スペシャル・エディション, 2001/10/2
"もう一度試してください。" | 通常盤 |
—
| ¥2,137 | ¥100 |
|
CD, 2015/6/7
"もう一度試してください。" | [CD, 2015/6/7] |
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| ¥2,432 | — |
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CD, インポート, 1990/10/25
"もう一度試してください。" | インポート | ¥3,980 | ¥13 |
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CD, 限定版, 2009/7/8
"もう一度試してください。" | 限定版 | ¥3,990 | ¥310 |
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CD, 限定版, 2010/6/23
"もう一度試してください。" | 限定版 |
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| ¥4,844 | ¥693 |
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CD, 追加トラック, オリジナルレコーディングのリマスター, 2001/10/17
"もう一度試してください。" | 追加トラック, オリジナルレコーディングのリマスター |
—
| — | ¥12 |
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CD, 2001/10/31
"もう一度試してください。" | 通常盤 |
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| — | ¥50 |
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CD, オリジナルレコーディングのリマスター, 2012/9/17
"もう一度試してください。" | オリジナルレコーディングのリマスター |
—
| — | ¥980 |
|
CD, シングル, インポート, 2006/3/20
"もう一度試してください。" | シングル, インポート |
—
| — | ¥6,190 |
この商品を見た後にお客様が購入した商品
曲目リスト
| 1 | Bad |
| 2 | The Way You Make Me Feel |
| 3 | Speed Demon |
| 4 | Liberian Girl |
| 5 | Just Good Friends |
| 6 | Another Part Of Me |
| 7 | Man In The Mirror |
| 8 | I Just Can't Stop Loving You |
| 9 | Dirty Diana |
| 10 | Smooth Criminal (Radio Edit) |
| 11 | Leave Me Alone |
| 12 | Voice-Over Intro Quincy Jones Interview # 1/Quincy Jones Interview #1 |
| 13 | Streetwalker |
| 14 | Voice-Over Intro Quincy Jones Interview #2/Quincy Jones Interview #2 |
| 15 | Todo Mi Amor Eres Tu (I Just Can't Stop Loving You) |
| 16 | Quincy Jones Interview #3 |
| 17 | Voice-Over Intro "Fly Away" |
| 18 | Fly Away |
商品の説明
Amazonレビュー
"We wanted a tough album," producer Quincy Jones recalls in a bonus interview on this special edition of Bad. Though the 1987 blockbuster would appear to be Michael Jackson's most personal statement to date--9 of its 11 cuts were written solely by him--its appeal also rested more on craft than the idiosyncratic art of Thriller and Off the Wall. At the same time, most of Bad has aged well in spite of its digital brittleness and MIDI treatments of gems like Jimmy Smith's organ solo on the title track. While the third best of his first three Epic solo discs, Bad carries a lot of what people love about Jackson's music. This disc also benefits from two fine outtakes, the exciting, uptempo "Streetwalker" and the Carpenters homage "Fly Away." Either could easily have extended the record's run of hit singles. --Rickey Wright
Product Description
How do you follow-up the biggest album of all-time? That was MJ's challenge with 1987's Bad . While failing to scale the sales heights of Thriller , Bad boasted a record-breaking 5 #1 singles. This 2001 special edition adds three unreleased tracks, plus interviews with producer Quincy Jones.
登録情報
- 製品サイズ : 14.25 x 12.67 x 1.04 cm; 99.79 g
- メーカー : Sony
- EAN : 0074646607220
- 製造元リファレンス : 74646607220
- レーベル : Sony
- ASIN : B00005QGAX
- ディスク枚数 : 1
- Amazon 売れ筋ランキング: - 283,272位ミュージック (ミュージックの売れ筋ランキングを見る)
- カスタマーレビュー:
-
トップレビュー
上位レビュー、対象国: 日本
レビューのフィルタリング中に問題が発生しました。後でもう一度試してください。
パワフルな声、優しさが響き渡る声、感情移入しそうなくらい切ない声、などなどでした。
申し訳ないくらい安価で購入しているので、「これは心から信じて、心から応援してきたのでマイケルからのプレゼントだと勝手に思っちゃえ」、 と 思っています。
購入する価値は大いにあります。
80年代前半に、キング・オブ・ポップの座を名実ともに欲しいままにした彼が、到達した音楽性の極地がこのBADであろう。売り上げこそ、前作には及ばないが、これぞマイケル!!という曲がこれでもかと散りばめられている。
今から、20年以上前のアルバムとは思えない先進性と完成度。録音も素晴らしい!
※デジタルリマスター版もあります。
1. Bad、2. The Way You Make Me Feel 7. Man In The Mirror 8. I Just Can't Stop Loving You 10. Smooth Criminal のように、「This is it」でも歌われたような名曲は当然のこと、
夜のハイウェイを高速疾走する時にこれ以上ないくらい似合う、3. Speed Demon
エキゾチックで切ない 4. Liberian Girl
御大 スティービー・ワンダーとの奇跡のデュエット 5. Just Good Friends
ディズニーランドの3Dアトラクションの主題歌 6. Another Part Of Me
PVが超かっこいい 9. Dirty Diana
もはや偶像からモンスターと化した自分とメディアへの反抗歌 11. Leave Me Alone
ボーナストラックも盛りだくさんで、
I Just Can't Stop Loving Youのスペイン語バージョン
Streetwalker キャッチーなダンスナンバー
Fly Away カーペンターズへのオマージュ
もし持っていない人がいたら、すぐに買いましょう。
他の国からのトップレビュー
Arrivato un giorno in anticipo dalla consegna stimata. Il disco e la custodia sono perfetti, insieme al disco ho ricevuto una copia digitale su Amazon Music.
2023年9月25日にイタリアでレビュー済み
Arrivato un giorno in anticipo dalla consegna stimata. Il disco e la custodia sono perfetti, insieme al disco ho ricevuto una copia digitale su Amazon Music.
The album opens up brilliantly with "Bad", the title track, and a #1 single. The production, though from 1987, still sounds cutting edge to this day. Something about Quincy Jones production skills on yet another Jackson album make for one of the most timeless tracks ("Bad") and most timeless albums of our time. My favorite line must definitely be "your butt is mine" with an energized MJ showing off his machismo through this signature track. Here on "Bad", you can hear Michael Jackson borrowing from the groove oriented nature that made James Brown, Michael's idol, such a revolutionary force in rhythm and blues, and the pop music of his time. Vocally, Michael sounds perfectly in tune and gets a grade "A".
"The Way You Make Me Feel" may have an inherit, signature 1980s sound, but as far as songwriting, vocal performance, and even the classicism of the production work is concerned, "The Way You Make Me Feel" is timeless. It ranks in my mind as one of Michael Jackson's very best performances. I'd stack it against any pop or R&B song today and it would easily outdo most or all of them.
"Speed Demon" is given less credit than most of the "hits" from BAD. While it falls bridesmaid to many of the other tracks on BAD for me personally, it is still a killer track. The production rocks with all the synthesized instruments and the electric guitar(s). The hook is incredibly catchy and as always MJ sounds like signature MJ. MJ sounds particularly charged when he facilitates his falsetto.
"Liberian Girl", like "Speed Demon" is also underrated in comparison to the "hits" of BAD. However, it is as consistent as every other track that appears here. "Liberian Girl" tends to be a smooth, mid-tempo track exploiting the utter beauty of MJ's voice. Again, the production is typical of the 1980s, but a certain timelessness is apparent, much like the timelessness of the greatest pop albums of the 1980s (Prince's PURPLE RAIN, George Michael's FAITH, or MJ's own THRILLER). Another sound, highly enjoyable track.
"Just Good Friends" utilizes more cutting edge, electronic-based production work, providing for a cool-sounding, up-tempo number. MJ truly commands the track as always with his unrequited, undeniable swagger and his pitch-perfect, energetic vocals.
"Another Part of Me" features bombastic production work with the King of Pop evoking his signature "hee hee" in falsetto. Few performers manage this "scream" and perhaps the only one still living is Prince (both James Brown and MJ are now gone). Not my favorite track from BAD, but certainly worth the listen, as with anything else on BAD.
"Man In The Mirror" is songwriting gold and there is simply no other way to put it. Like Marvin Gaye and Stevie Wonder before, this song is socially conscious, a theme that many of todays pop and R&B artists fail to incorporate within their albums. After the phenomenal "We Are The World", so many of Jackson's songs took on this socially conscious aspect. Definitely one of my favorites from BAD and one of Jackson's very best. The choir just adds more depth and grandness to this fantastic song.
"I Just Can't Stop Loving You" is another brilliant Jackson song, also notably another Jackson #1. As far as the #1s from BAD, I think it falls victim to being forgotten, though personally I think it is an absolutely lovely song that is very unforgettable. Maybe it doesn't possess the greatness of say "Billie Jean" or "Rock With You", but it certainly shows off Jackson on his "A" game.
"Dirty Diana", yet another #1 shows of MJ getting his Mick Jagger on. Michael Jackson goes all out rock star on this extremely well produced single that is undeniably catchy, filled with soaring electric guitars and all the machismo that goes with rock and roll. A great song, not my personal favorite Jackson hit, but definitely timeless.
"Smooth Criminal" is definitely one of Jackson's best, BEST songs. The production is slick, Jackson's frantic vocals are perfect, and honestly it's just plain COOL!
"Leave Me Alone", like all other BAD tracks is well written and another clear-cut hit. It definitely deserves its accolades and its place in history as a hit by the King of Pop. The production, Michael's vocals, and the songwriting are magnificent.
The above mentioned tracks all appeared from the original release of BAD. Included on the SPECIAL EDITION are a couple of worthwhile bonus tracks including the funky "Streetwalker", a spanish version of "I Just Can't Stop Loving You" ("Todo mi amor eres tu"), and the slick"Fly Away", an unreleased ballad. Also, included are interviews regarding BAD.
Overall, no one can deny this is a 5 star album. Sure, it may play bridesmaid to THRILLER or OFF THE WALL, but it is every bit as notable and enjoyable. MJ doesn't miss a beat. 5 stars.
This album is just about as good Thriller. Thriller of course wins because I feel that is is perhaps the only "perfect" album in existence. While Thriller's song list and organization gave it incredible flow (much shorter than Jackson's later albums) Bad seems to be a lot more random in its song organization. This is not a problem because this contains many of his greatest hits and is always fun to listen through.
Though, for the most part, none of the songs are as perfect as Thriller's signature tunes it more than compensates for it by providing even more hits than the previous, record breaking album. One thing's for sure, and that's `Bad' had several good, and a few great songs. Jackson made sure to produce several more memorable tunes than most artists can in a lifetime. Very few artists could release an album jam-full of hits, but Michael managed it several times- and even his lesser known works are well-worth looking into.
Bad - The title song is quite the change of pace from Michael's previous work in Thriller, being the first song where he truly brings out some intensity in his tone- even in the creepy Thriller Michael still sounded like a nice guy. Here he does sound like he could be relatively "bad." The song is like funk being mixed with synthesized instrumentals.
The Way You Make Me Feel - A very catchy, and upbeat courtship tune. Perhaps the best of his "upbeat" love songs (his best -in my opinion- being the more dramatic "You Are Not Alone").
Smooth Criminal - An exciting, incredibly fast-paced song that accounts the story of a girl by the name of Annie's murder. Though it has a fast, relatively cheerful pace, -and his lyrics are often hard to make-out for first time listeners- if you do manage to get the lyrics it is actually one of the darker songs of his earlier career.
Like Wanna Be Startin' Something it is hard to pick the darkness in the lyrics, but the difference here is that the musical score gives it a far darker feeling. Natural, since the song describes the brutal murdering of a girl by the name of Annie ("Annie are you okay?") by a "smooth Criminal." This is probably my favorite track on the Bad album.
Man in the Mirror - One of the first of Michael's many charity based songs in which he gives his plea for humanity to change its way for the betterment of the world. Without a doubt, one of his classic pieces of music, and it is sung with such great emotion. Michael proves his ability to pluck the strings of human emotion with this piece, something he would do in many future "save the Planet/"change the world" songs.
Dirty Diana - A rock based song proves that the King of Pop would have been successful in any genre he chose. The song centers on a woman by the name of Diana who tries to seduce men in positions of wealth and is one of his more intense songs. Other good rock songs (which I feel are better) from the King of Pop include: Beat It (Thriller), and Give In To Me (Lesser known song from Dangerous).
Leave Me Alone - One of the greater changes in pace for MJ's work, this is a song where he expresses obvious anger over the constant exploitation he receives at the hands of the media and tabloids. Not his best song, but it definitely has the most unique tune on this album.
Now let's get to the big question: Did Michael take a huge step down from Thriller? Well, anyone who says that this album doesn't live up to Thriller obviously set their expectations too high- I mean, seriously, there could only be ONE Thriller, and it wasn't going to be topped, and I'll tell you that Bad is worthy successor to Michael's incredible legacy.
The man never gave in and constantly tried to change his style and that's why he was so successful: he didn't stay the same so he was always new. Michael tried his best and always laughed-off the fact that he couldn't even beat his own album's record.
Finally, his third Epic/Sony project, Bad, hit store shelves and, although it wasn’t the runaway phenomenon that its predecessor had been, it was still a force to be reckoned with, earning five Number One singles on the Hot 100 Chart and selling 45 million units worldwide. The fact that Bad reinforced the entertainer’s reign as King of the 80s and kicked off his first-ever world-wide solo tour is what’s celebrated in the new deluxe 25th anniversary re-release set.
Those who purchased 2007’s 25th anniversary edition of Thriller and were disappointed with the bare-minimum extras that were offered (delightful packaging and mini-booklet, the gorgeously understated ballad “For All Time” and unfortunately, remixes that were scarier than the zombies on its front cover) won’t feel that way about Bad’s upgrade: first off, the fully-remastered original eleven tracks are now devoid of the brassiness and over-abundance of treble, giving more lavish dimensions to “Man In The Mirror,” “Just Good Friends” and “The Way You Make Me Feel.” The CD of bonus material, songs that were crafted around the same timeframe but never made the final cut, actually offers some worthwhile listening: “Free” is a finger-snapping, whimsical mid-tempo that hearkens to Off The Wall’s “I Can’t Help It,” thanks to its irresistable chorus (“Free, free like the wind though, to fly just like the sparrow/ the feel of letting my hair blow, to take my time wherever I go”) and a delivery so euphoric that MJ actually cracks up during the fade-out. “Fly Away,” has a jazzier percussive approach, a lush melody and intriguing alternation of his tenor and falsetto ranges, and “I’m So Blue” must’ve been recorded after studying The Book Of Stevie (maybe this was an early collaboration that was switched out for the harder grooving “Friends” instead). Of the more fast-paced material, the remixes of “Bad” and “Speed Demon” fall between interesting and incidental, “Price of Fame” (a sinister Billie-Jean-turned-stalker tale) could’ve taken the place of Bad’s weaker tracks and a couple of them are so hit and miss that they should’ve remained in the vault (“Don’t Be Messin’ Around” and “Song Groove, AKA Abortion Papers”) . “Al Capone” (the early incarnation of “Smooth Criminal”) and “Streetwalker” are fun, but Michael’s choice in avoiding numbers that could’ve been interpreted as tributes to bootleggers and prostitutes was ultimately more wise.
Aside from the music, the collection’s best asset is the homage it pays to Michael Jackson’s first-ever solo tour: there’s a lavishly-photographed and detailed booklet (which contains the tour dates, photos from his performances and a scaled-down reproduction of its tour program), a poster and, best of all, a DVD capturing the London launch of his sold-out stint in London’s Wembley Stadium. Yes, the visual quality is that of a brand new VHS tape (that’s what he used to the performance and review to tighten up his technique), but it’s still well-shot and demonstrates his virtuosity as a vocalist, dancer and all-encompassing, untouchable entertainer.
In the three years since the world bid a reluctant farewell to the King Of Pop, what was once a never-ending preoccupation with the more peculiar aspects of his personal life has all but receded into the background, allowing what fans love and cherish the most---his gentleness, generosity, and gift of music--- to finally remain at center stage. Bad may have been just one of the albums in his enviable catalog, but it’s the one that established Michael Jackson as a creative force in his own right and proved it on a global platform, making this re-packaging a crucial addition for his devoted fans. Enthusiastically Recommended.
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