曲目リスト

1	Back Together Again
2	Rich Girl
3	Crazy Eyes
4	Do What You Want, Be What You Are
5	Kerry
6	London Luck & Love
7	Room to Breathe
8	You'll Never Learn
9	Falling

商品の説明

1976 was a banner year for Hall & Oates, thanks for their #1 smash "Rich Girl" and their platinum smash album "Bigger Than Both of Us". This incredible album also culled two other hit singles with "Back Together Again" and "Do What You Want, Be What You Are." Amazingly, this smash has been out of print for a long time, but never fear. We are proudly presenting BIGGER THAN BOTH OF US as the definitive re-release as part of our continuing Hall & Oates Remasters series. Complete with original graphics, lyrics, photos and pristine remastering by Joe Reagoso from the original RCA source tapes.

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メーカーにより製造中止になりました ‏ : ‎ いいえ
製品サイズ ‏ : ‎ 14.22 x 12.83 x 0.94 cm; 86.18 g
メーカー ‏ : ‎ FRIDAY MUSIC
EAN ‏ : ‎ 0829421197621
製造元リファレンス ‏ : ‎ 0829421197621
オリジナル盤発売日 ‏ : ‎ 2017
SPARSコード ‏ : ‎ DDD
レーベル ‏ : ‎ FRIDAY MUSIC
ASIN ‏ : ‎ B001CY1YQW
ディスク枚数 ‏ : ‎ 1

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2023年9月3日に日本でレビュー済み

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探していた物が見つかり喜んでます。

役に立った

シルヴァーアルバムと肩を並べる名盤！

2012年4月6日に日本でレビュー済み

　７６年発表、通算５作目。ＲＣＡに移籍後、本人たちはもちろん、ＲＣＡ側も相当の力を入れて制作したと思われる前作シルヴァー・アルバムは、「超」がつく名盤。それで、それに続くこのアルバムも、全世界のミュージシャンに申し訳ないんだけど、前作と同じく名盤となっています。このアルバムからは、「リッチ・ガール」が大ヒット。その他の曲も凄まじいとしか言いようがないくらいの名曲揃い、さらにアルバム全体としてもこれ以上は人間にはできないというくらいのデキに仕上がっています。Ｒ＆Ｂ、ポップ、ロックの融合とか言われることもあるが、この時点で彼らにしか出せないサウンドになっているのは驚異的。　

　全９曲、３５分のアルバムだけど、何度聴いても何年聴いても飽きない本当の名盤。

このアルバムに関してダリル・ホールは、前作のパート２と思っている。どちらもカリフォルニアで、非常に近い時期に制作した。などと話していることからも、このアルバムは絶対にスルー出来ないものと言えましょうね。

9人のお客様がこれが役に立ったと考えています

役に立った

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Andre S. Grindle

Back Together And Bigger Than Ever

2010年6月9日にアメリカ合衆国でレビュー済み

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Considering the big success of their RCA debut album Daryl Hall & John Oates it wasn't the least bit surprising that they'd release a follow up album that would be more than worthy of it's predecessor. It was just one of those kinds of albums. While the duo could've easily coasted on a particular sound and tred water they decided to keep growing and working with and around their sound. On this album the Philly soul influence is still the main focus of the arrangements and writing. On the other hand the album holds together more in terms of the sound and the music has a more fluid sound as a result,even across the songs that diviated from the albums general sound. All the same Daryl Hall apparently wasn't entirely happy with certain elements of the production sound of Christopher Bond on this album and this was one of the albums that set them to thinking of their decision to produce themselves in the 80's,which turned out to be the best choice they ever made. Even still this album became their first platinum success and really cemented them on the pop music map. One of the reasons for that is the very Philly sounding uptempo classic "Rich Girl",actually an outtake from the previous album that really became the song this album would be known for. At this point however Hall & Oates' musical ambitions were focused very differently at this time. Whereas after their Voices singles were the main priority for them they were in the mid to late 70's still a much more AOR oriented duo,much the same as fellow Philly music maestro Todd Rundgren who once produced them so it wasn't uncommon to still have them stretching out different musical ideas across several songs rather than packing them into one. The final half of the album,from "Kerry","London Luck & Love","Room To Breathe","You'll Never Learn" and "Falling",which has an almost jazz fusion style synthesizer solo at the conclusion there was the conceptualization of a rock mini suite. I would'nt call it proggy by any means since the soul and songwriting are a big priority but it does have a certain (and very Rundgrenoid) flow to it all regardless. "Back Together Again" and "Crazy Eyes" are two very well crafted funky soul tunes from John Oates,in terms of vocals and writing far less eccentric and quirky than his contributions to the previous album and two of this albums anchoring songs in a lot of ways. Ditto for the more collaborative and similarly framed "Do What You Want,Be What You Are". This would not be the last of Hall & Oates' album to contain some more experimental ventures but still two big hit albums like this and the previous release assured at least two or three more albums whose success was mainly built on momentum and that to a degree is sort of what happened for the remainder of the decade with them. Even still as they saying goes this was the start of something big for this talented Philly duo.

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Robert Chica

The Second Masterpiece from Hall & Oates in the 70s

2006年3月18日にアメリカ合衆国でレビュー済み

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When Daryl Hall and John Oates did Bigger Than Both of Us, they once more fashoned a true Masterpice, and although Abandoned Lunchonette was a failure, that album was a very poorly overlooked Masterpiece, with this one being accepted and successful.

Rich Girl is a song that not only was the Duo's first mass Hit, but it was also a song that showed how Daryl was such a great songwriter, to create something at the spir of a moment. He wrote the song as a protest to the attitude of a former Boyfriend of Daryl's dear Girlfriend and co songwriter with John Oates, who was Miss Sara Allen; of which this guy was a spoiled brat who demanded that everything be his way, so Daryl did a song about his attitude, but instaid of saying " Rich Guy, Now Your Going to Far" and then " Its a Bitch" and Bitch Guy, he said Girl in all those phraises.

Back Together Again was both Daryl and John's look at the reunion of Frankie Vale and the 4 Seasons, of whom they admired alongside the Idols of MOTOWN. Do What You Want, Be What You Are is an amazing ballad of deep feeling, as well as it being a song of acception for various feelings at the time of sorts. The song was defenitly accepted by many Gays in America and Britain as well as Continental Europe, for so many points in the song reflect on one accepting one's self, as well as others accepting that person's image.

Crazy Eyes is a Love song that begins with a beautiful Guitar intro in acoustic form, while You'll Never Learn is another love ballad but different as it has no acustic Guitar in the full force that Crazy Eyes has; in which John Oates sang those two songs.

London-Luck and Love is a song that is dedicated to London as a city, where I believe that it was influenced by some Tour that they must have had previously, which included a few British Gigs.

All that is this album I enjoy, and the album cover is amazing as it has the two guys in a futuristic Jetsons like Apartment. John is using a Home Computer as Daryl is writing down his lyrics, while John also has his Fender Strat, in which one must remember that this album was made in 1976, and Private Home Computers were only being developed at the time, and there was no such thing as Apple or Dell and Microsoft at the time. It is also to mention that the Apartments outside of the window are Amps and the balconies and gardens are Amp dials, when the Amp sound Gadges are the windows.

I recomend this one 100 per cent

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JOSE PEDRO NAVARRO CRUZ

M A R A V L L O S O

2021年6月24日にアメリカ合衆国でレビュー済み

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Lo que mas me gusto fue que para el año del que es el vinilo estaba sellado y sin ningun problema de sonido.

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Amazon Customer

Deep, quality album.

2018年3月5日にアメリカ合衆国でレビュー済み

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Great collection of songs. So much more to these guys than the hits.

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Steven C. Guion

H&O On Top!

2018年8月12日にアメリカ合衆国でレビュー済み

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A fabulous album. So much more here than just the hit Rich Girl. Great songwriting, singing and playing.

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BIGGER THAN BOTH OF US [CD]

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曲目リスト

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