プライム無料体験をお試しいただけます
プライム無料体験で、この注文から無料配送特典をご利用いただけます。
| 非会員 | プライム会員 | |
|---|---|---|
| 通常配送 | ¥410 - ¥450* | 無料 |
| お急ぎ便 | ¥510 - ¥550 | |
| お届け日時指定便 | ¥510 - ¥650 |
*Amazon.co.jp発送商品の注文額 ¥2,000以上は非会員も無料
無料体験はいつでもキャンセルできます。30日のプライム無料体験をぜひお試しください。
新品:
¥952¥952 税込
ポイント: 10pt
(1%)
無料お届け日:
11月4日 土曜日
発送元: Amazon.co.jp 販売者: Amazon.co.jp
中古品 - 良い
¥1¥1 税込
お届け日 (配送料: ¥450
):
11月6日 - 7日
発送元: ワークス@net 年中無休毎日発送24時間以内発送 販売者: ワークス@net 年中無休毎日発送24時間以内発送
American Idiot
| 仕様 | 価格 | 新品 | 中古品 |
|
CD, クリーン, インポート, 2012/9/25
"もう一度試してください。" | インポート, クリーン | ¥1,969 | ¥1,175 |
|
CD, ライブ, インポート, 2005/5/25
"もう一度試してください。" | インポート, ライブ | ¥2,997 | ¥1 |
|
CD, 2004/9/23
"もう一度試してください。" | 通常盤 | ¥2,800 | ¥1 |
|
CD, インポート, 2004/9/17
"もう一度試してください。" | インポート |
—
| ¥3,519 | ¥129 |
|
CD, 2012/7/11
"もう一度試してください。" | 1枚組 |
—
| — | ¥50 |
|
CD, 限定版, スペシャル・エディション, 2004/9/21
"もう一度試してください。" | インポート, 限定版 |
—
| — | ¥347 |
|
CD, ボックスセット, インポート, 2005/7/12
"もう一度試してください。" | ボックスセット, インポート |
—
| — | ¥385 |
|
CD, CD, インポート, 2005/7/12
"もう一度試してください。" | CD, インポート |
—
| — | ¥530 |
|
CD, 限定版, 2009/5/27
"もう一度試してください。" | 限定版 |
—
| — | ¥990 |
|
CD, インポート, 2021/5/7
"もう一度試してください。" | インポート |
—
| — | — |
よく一緒に購入されている商品

この商品をチェックした人はこんな商品もチェックしています
曲目リスト
| 1 | American Idiot |
| 2 | Jesus Of Suburbia |
| 3 | Holiday |
| 4 | Boulevard Of Broken Dreams |
| 5 | Are We The Waiting |
| 6 | St. Jimmy |
| 7 | Give Me Novacaine |
| 8 | She's A Rebel |
| 9 | Are We The Waiting |
| 10 | Letterbomb |
| 11 | Wake Me Up When September Ends |
| 12 | Homecoming |
| 13 | Whatsername |
| 14 | Letterbomb |
| 15 | Wake Me Up When September Ends |
| 16 | The Death of St. Jimmy |
| 17 | East 12th St |
| 18 | Nobody Likes You |
| 19 | Rock and Roll Girlfriend |
| 20 | We're Coming Home Again |
| 21 | Whatsername |
商品の説明
内容紹介
The first original album since 2000 from modern rock superheroes Green Day, AMERICAN IDIOT is one of the most anticipated and controversial albums of the year. Scathing yet self-effacing as it tells the tale of Green Day's Billie Joe Armstrong, AMERICAN IDIOT is the punk rock epic.
Amazonレビュー
パンク・ロックの持つ可能性を常に押し広げてきたグリーン・デイがさらなる新境地に挑戦した2004年のアルバム。マスメディアに躍らされるアメリカの大衆に向けて警鐘を鳴らす「アメリカン・イディオット」も痛烈だが、それぞれ9分台の組曲「ジーザス・オブ・サバービア」「ホームカミング」が斬新。“パンク・オペラ”というべき構成は壮大なスケール感を持ち、バンドが新たな局面に立ったことを告げている。
ただ、もちろんグリーン・デイ節全開の熱血パンク・ロックと泣きのメロディも健在。ビーチ・ボーイズばりのヴォーカル・ハーモニーを堪能できる「エクストラオーディネリー・ガール」も秀逸だ。10年もの間、トップの座をキープしながら現状に甘んじることなく前進を続けていく。そんな彼らのアティテュードこそがパンクなのである。(山崎智之)
Product Description
The first original album since 2000 from modern rock superheroes Green Day, American Idiot is one of the most anticipated and controversial albums of the year. Scathing yet self-effacing as it tells the tale of Green Dayâs Billie Joe Armstrong, American Idiot is the punk rock epic. "A bold, polished punk opera." (Entertainment Weekly) "They're the biggest, most successful, punk band the world has ever seen. What's more, Green Day's next album may well be their masterpiece." (Kerrang!)
登録情報
- メーカーにより製造中止になりました : いいえ
- 製品サイズ : 13.59 x 16.41 x 0.99 cm; 108.01 g
- メーカー : Reprise / Wea
- EAN : 0093624877721
- 商品モデル番号 : 2031592
- オリジナル盤発売日 : 2004
- SPARSコード : DDD
- レーベル : Reprise / Wea
- ASIN : B0002OERI0
- 原産国 : アメリカ合衆国
- ディスク枚数 : 1
- Amazon 売れ筋ランキング: - 7,697位ミュージック (ミュージックの売れ筋ランキングを見る)
- - 144位ヘヴィーメタル
- - 377位ポップス (ミュージック)
- - 1,039位ロック (ミュージック)
- カスタマーレビュー:
-
トップレビュー
上位レビュー、対象国: 日本
レビューのフィルタリング中に問題が発生しました。後でもう一度試してください。
また、何度も試したのですが、Track2の最初あたりで2秒ぐらい止まってしまいます。それ以降は問題なかったのですが少し残念です。
何故でしょうね???
他の国からのトップレビュー
Green Day’s American Idiot is, somehow, an exception to that exception. It is an album that is, most importantly, genuinely great, and also manages to accurately convey the feeling of the American 2000s. People will point to the politicized aspects of the album to highlight such statements, but those aspects are fairly anomalous on a record that is, for the most part, about the pain birthed when nationalism isn’t earned by its target country. For that reason, the album is also incredibly tactful, despite its blunt title. The verbal witch-hunt that the Dixie Chicks faced in 2003 when they announced to a British audience that they were against the war and “ashamed that the President of the United States is from Texas” was avoided by Green Day at a time when even the slightest whiff of supposed anti-Americanism was decried at every turn (President Bush’s response was uncharacteristically smooth and clever, allowing that the Chicks were free to speak their opinion in America, “in stark contrast to Iraq,” a Nixonian getting back to the “real” issues at hand, be it the threat of Communism or a false war). For all its operatic swagger, American Idiot is vulnerable, afraid. It is an album that remembers the Watts riots, that remembers Klansmen painting “NEVER” on campaign billboards for politicians supportive of civil rights, that remembers the Red-baiting ‘50s. Remembers and does not want its country to go through such things again.
The band was, admittedly, an unlikely source for an album like that. Although they were rightly considered the harbingers of punk’s shift toward pop in the mid-‘90s, they were also the harbingers of the natural progression that all pop bands seem to go through – from pop that was, if not incendiary, then at least memorable, to a softer alternative rock that was purportedly more mature but mostly just boring. American Idiot, released in 2004, was Green Day’s first album since 2000’s decent but underwhelming Warning (besides two seemingly ominous compilation albums), and four years is a long time for a pop band to go without recording. Or perhaps it was the perfect move: pop’s audience is a fickle one, but it is also always up for a comeback, for heavyweights-turned-beleaguered-has-beens to shake things up. It was in an American landscape that harbored discontent underneath an idyllic consensus that Green Day did just that.
The thing about American Idiot is that it almost doesn’t work as a cohesive album. For a supposed rock opera, there seems to be little consistency from song to song. Listening in order, one hears the raucous, placeholder-seeming “She’s a Rebel” following the slow cry for numbness that is “Give Me Novocaine.” There are times when the album seems haphazard, confused even. But taking a step back and seeing the whole picture does wonders. The stunned search of the American people for clarity within this decade begins to take shape in these songs. “Wake Me Up When September Ends” seems, at first, like a generic ballad of the type that helped make Green Day famous, but there is such a primal, monumental pain delineated by the song, putting into words what so many felt foolish for thinking, to be put to sleep until someone has figured out what’s happening and made the hurting stop. It is obvious in the best sort of way, in that it is necessarily blunt to combat a complex time when no one knew what to feel.
Sometimes the album disappears inside its own concept. Songs like “She’s a Rebel” and “Extraordinary Girl” seek to plant the album back into its narrative and the album suffers for it. But Green Day’s tale of love in a messed-up time, though it has missteps, makes the album more endearing. It tells of a love that ultimately fails because of the time in which it takes place, because sometimes the world we have built does not cultivate happy endings. But the St. Jimmy narrative is largely wonderful even if the image of a punk messiah was made generic long before Green Day employed it. Here then is the “Jesus of Suburbia,” a skinny, tattooed freak looking to save someone, anyone, but too damaged to do anything but fail. It is the definition of American Idiot, and at the end of St. Jimmy’s titular song, when Billie Joe Armstrong yells, “…and don’t wear it out!” there is a desperation beneath the bravado, an unspoken but implicit “please.” It is a perfect complement to the expertly phrased (and “screamed”) chorus in the preceding song: “We are the waiting.”
That the album is musically accomplished is a testament to the band’s collective older age (so-called “three-chord rock” has never sounded so dynamic and fresh); that the lyrics are similarly accomplished is not. As a band, Green Day appeals to younger people, and perhaps it is that appeal that allowed them to so tenderly guide a younger generation into acceptance of their flawed but beautiful country, to become who they are in the shadow of a land that sometimes causes them pain and seems to work against its own interests. Through all the smoke and mirrors of overlong music videos, excessive airplay, and Broadway adaptations, American Idiot manages, in spite of itself, to be both timeless and wonderfully of its time. Surprising as it is, a band named after a day during which one does nothing but smoke marijuana created the modern American album, warts and all, highlighting our fear, our rage, and most of all, the pain that we feel in "the spaces between insane and insecure," which we all at some point occupy. American Idiot knows that America sometimes isn’t all that great, perhaps never even was, but that it could be, maybe, years from now when inequality is forever ago and barely remembered, an idiot’s concept.
Tutto ok, tranne un piccolo segno sulla copertina in cartone.
Dischi in perfette condizioni, spedizione ovviamente al top
2023年8月17日にイタリアでレビュー済み
ウェブプレーヤーを開く








