明日に向って撃て! [Blu-ray]
| フォーマット | Blu-ray, ドルビー, 色, ワイドスクリーン, DTS Stereo, 吹き替え, 字幕付き |
| コントリビュータ | ロバート・レッドフォード, キャサリン・ロス, ジョージ・ロイ・ヒル, ポール・ニューマン |
| 言語 | 英語, 日本語 |
| 稼働時間 | 1 時間 51 分 |
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商品の説明
鮮烈な軌跡を残した二人のアウトロー
永遠の輝きを放つアメリカン・ニューシネマの傑作!
<キャスト&スタッフ>
ブッチ・キャシディ…ポール・ニューマン(近藤洋介)
サンダンス・キッド…ロバート・レッドフォード(久富惟晴)
エッタ…キャサリン・ロス(二宮さよ子)
監督:ジョージ・ロイ・ヒル
製作:ジョン・フォアマン
脚色:ウィリアム・ゴールドマン
●字幕翻訳:保田道子 ●吹替翻訳:山田 実
<ストーリー>
実在したアウトロー、ブッチとサンダンスが銀行強盗を繰り返すなかで夢を追い求めて自由奔放に生き、それ故に時代に取り残されていく様を、「スティング」「ガープの世界」等、名作を作りつづける名匠ジョージ・ロイ・ヒルが時にユーモラスにまたシニカルに描いていく。
<ポイント>
●1080p HDの超高画質ハイビジョン映像
●ピュアなデジタルサウンドを体現するロスレス・オーディオ
●本編を観ながら操作ができるポップアップ・メニュー
◎1969年度アカデミー賞4部門受賞(脚本賞/撮影賞/作曲賞/歌曲賞)
●日本語吹替音声計約98分収録。
※現存するテレビ放送当時のものを収録しております。そのため一部吹替の音源がない部分はオリジナル音声(字幕スーパー付)となっております。
<特典>
●ジョージ・ロイ・ヒル(監督)、ハル・デイビッド(作詞)、ロバート・L・クロフォード(共同製作)、コンラッド・ホール(撮影)による音声解説
●ウィリアム・ゴールドマン(脚本)による音声解説
●「明日に向って撃て!」の舞台裏
●ブッチとサンダンスの真実
●未公開シーン(ジョージ・ロイ・ヒル監督による解説付き)
●劇場先行予告編
●劇場予告編1
●劇場予告編2
●『プラトーン』予告編
登録情報
- アスペクト比 : 2.35:1
- 言語 : 英語, 日本語
- 梱包サイズ : 17.2 x 13.6 x 1.2 cm; 99.79 g
- EAN : 4988142632128
- 監督 : ジョージ・ロイ・ヒル
- メディア形式 : Blu-ray, ドルビー, 色, ワイドスクリーン, DTS Stereo, 吹き替え, 字幕付き
- 時間 : 1 時間 51 分
- 発売日 : 2008/1/18
- 出演 : ポール・ニューマン, キャサリン・ロス, ロバート・レッドフォード
- 字幕: : 日本語, 英語
- 販売元 : 20世紀フォックス・ホーム・エンターテイメント・ジャパン
- ASIN : B000ZFTNKS
- ディスク枚数 : 1
- Amazon 売れ筋ランキング: - 248,545位DVD (DVDの売れ筋ランキングを見る)
- - 1,599位外国の西部劇映画
- - 12,703位ブルーレイ 外国映画
- - 18,776位外国のアクション映画
- カスタマーレビュー:
-
トップレビュー
上位レビュー、対象国: 日本
レビューのフィルタリング中に問題が発生しました。後でもう一度試してください。
2023年9月30日に日本でレビュー済み
Amazonで購入
面白かったです。
2023年1月11日に日本でレビュー済み
Amazonで購入
最高のコンビですね。
2023年2月16日に日本でレビュー済み
Amazonで購入
多少の失敗はあっても、大抵のことは上手くいっていた青春時代。オープニングのノスタルジックなカタカタ音とともに映写機で映し出されているのは、ブッチとサンダンスのそんな姿だ。
しかし、そんな輝かしい青春の日々はいつしか過ぎ去り、時代は「峠を越えた」二人を追い越してゆく。
オープニングに続いて画面に映し出される、次々閉じられてゆく鉄製の扉や金庫の冷たい音は、二人に下される時代からの死刑宣告のようだ。
時代に自分をうまくあわせたり、生き方を変えて生きることなど出来ない不器用でダメな二人は、結局「色気も何もねえ」時代からはじきだされ、散ってゆく。
この映画は、そんな愛すべきダメ親父たちへの、優しい挽歌だ。
しかし、そんな輝かしい青春の日々はいつしか過ぎ去り、時代は「峠を越えた」二人を追い越してゆく。
オープニングに続いて画面に映し出される、次々閉じられてゆく鉄製の扉や金庫の冷たい音は、二人に下される時代からの死刑宣告のようだ。
時代に自分をうまくあわせたり、生き方を変えて生きることなど出来ない不器用でダメな二人は、結局「色気も何もねえ」時代からはじきだされ、散ってゆく。
この映画は、そんな愛すべきダメ親父たちへの、優しい挽歌だ。
2023年1月9日に日本でレビュー済み
Amazonで購入
海外映画では2番目に好きな作品。
何処に行ったか分からず購入。
安価で問題無く満足しています。
何処に行ったか分からず購入。
安価で問題無く満足しています。
2023年1月23日に日本でレビュー済み
Amazonで購入
まったく共感できる箇所がないので評価しようがない。あえていえば、西部劇風なのにやたら映像美にこだわっていたり、女性の描き方が原題的だったり、というところが当時はアメリカンニューシネマということだったのかな。ロバートレッドフォードは、どちらかといえば都会人の役柄の方が好きです。
2022年12月14日に日本でレビュー済み
Amazonで購入
上と同じ
2022年11月3日に日本でレビュー済み
Amazonで購入
主人公たちは、歳とったと愚痴っているが、人生を謳歌して、カッコいい。
私は音楽と映像で詩的に流すシーンは好きだな。
私は「俺たちは明日はない」のような見せるラストより、こういう方が好き。
私は音楽と映像で詩的に流すシーンは好きだな。
私は「俺たちは明日はない」のような見せるラストより、こういう方が好き。
他の国からのトップレビュー
ranger lyle
5つ星のうち5.0
Good western
2023年10月14日にアメリカ合衆国でレビュー済みAmazonで購入
Love this movie
Railway Mike
5つ星のうち5.0
One of the best!
2023年10月8日に英国でレビュー済みAmazonで購入
Just love these two.
johnf
5つ星のうち5.0
Great entertainment despite some controversies.
2015年9月13日にアメリカ合衆国でレビュー済みAmazonで購入
One of the biggest films of the late sixties and into 1970, the film that made Robert Redford a superstar, one of the highlights of Paul Newman's long career, famous for its hit song and winner of four Oscars including Best Picture, there is much to recommend Butch Cassidy and the Sundance Kid. Its greatest asset is the chemistry between Newman and Redford that is what the picture is all about. The studio had wanted Newman as the Sundance Kid and had pursued Marlon Brando and Steve McQueen to play Cassidy, Newman really liked Redford's acting and insisted on him to the extent of switching roles. Newman was right.
What follows is a different type of Western. For one thing despite its increasing seriousness as it develops it is essentially light, at times a comedy. You can't take everything at face value and certainly not as history. Though the basic outlines of the plot are true, this is a buddy picture more than a classic Western and that has befuddled critics ever since it came out. One of the controversies of the film, and there are a few, is that its not a "Serious" Western and does not fit into the great Western tradition. Sam Peckinpah's The Wild Bunch, based on relatively the same material with changed names does fit in, and is done with absolute seriousness and great violence had come out earlier in 1969 to great critical acclaim. To them Butch Cassidy looked like a sanitized, overly-groomed version of the West inhabited by glamorous characters.
The public decided to ignore the critics this time and made it phenomenally popular far beyond the box office of Westerns into the stratosphere of its day. The film fall into three sections. The first part is a light look at the business of robbing banks and trains carrying payrolls and at times is purely comic. Things change when their famous robbery of the Union Pacific Overland Flyer leads to their relentless pursuit by a group of trackers 9representing the Pinkerton's) whose ability to follow them anywhere, always close behind becomes absolutely eerie, almost like the Black riders in The Lord of the Rings. After a photo montage trip to New York they flee to Bolivia where the remainder of the film becomes very serious. even then, the buoyancy of the two leads keeps the buddy movie atmosphere going and never allows it to feel truly grim. Throughout their ups and downs, Katherine Ross (recently in The Graduate) as Etta Place, Sundance's girlfriend, is able to hold her own with Newman and Redford.
The Academy Award song, Raindrops Keep Falling On My Head, and score by Burt Bacharach and Hal David was one of the movie's supreme delights at the time but since then has also become controversial. At the time it was a daring experiment to use a pop song in a film, especially when it would be anachronistic. After all this was a Western set around 1898 to 1908 not exactly a Bacharach era. But for the public it worked, however odd it seems today, and they made it a very major hit. If you can give it a chance, it works in its way in this whimsical scene, early in the film. Just remember the raindrops are metaphorical as some people complain that it's not raining in the scene. The only thing I find odd is that it's between Newman and Ross and not Redford and Ross.
Some people have objected to the robbers, and these guys are robbing the payrolls of hard working people, being portrayed as virtual heroes. But this is a film from the Late Sixties, a time of great change and unrest, and a time when antiheroes were popular and it was hip to have outlaws and those outside the system as heroes. The movie is light enough that you really don't need to take issues like that too seriously. The movie is about the end of the Old Wild West as the twentieth century dawns and the end of guys like Butch and Sundance. It's beautifully acted, full of spirit and worth seeing.
What follows is a different type of Western. For one thing despite its increasing seriousness as it develops it is essentially light, at times a comedy. You can't take everything at face value and certainly not as history. Though the basic outlines of the plot are true, this is a buddy picture more than a classic Western and that has befuddled critics ever since it came out. One of the controversies of the film, and there are a few, is that its not a "Serious" Western and does not fit into the great Western tradition. Sam Peckinpah's The Wild Bunch, based on relatively the same material with changed names does fit in, and is done with absolute seriousness and great violence had come out earlier in 1969 to great critical acclaim. To them Butch Cassidy looked like a sanitized, overly-groomed version of the West inhabited by glamorous characters.
The public decided to ignore the critics this time and made it phenomenally popular far beyond the box office of Westerns into the stratosphere of its day. The film fall into three sections. The first part is a light look at the business of robbing banks and trains carrying payrolls and at times is purely comic. Things change when their famous robbery of the Union Pacific Overland Flyer leads to their relentless pursuit by a group of trackers 9representing the Pinkerton's) whose ability to follow them anywhere, always close behind becomes absolutely eerie, almost like the Black riders in The Lord of the Rings. After a photo montage trip to New York they flee to Bolivia where the remainder of the film becomes very serious. even then, the buoyancy of the two leads keeps the buddy movie atmosphere going and never allows it to feel truly grim. Throughout their ups and downs, Katherine Ross (recently in The Graduate) as Etta Place, Sundance's girlfriend, is able to hold her own with Newman and Redford.
The Academy Award song, Raindrops Keep Falling On My Head, and score by Burt Bacharach and Hal David was one of the movie's supreme delights at the time but since then has also become controversial. At the time it was a daring experiment to use a pop song in a film, especially when it would be anachronistic. After all this was a Western set around 1898 to 1908 not exactly a Bacharach era. But for the public it worked, however odd it seems today, and they made it a very major hit. If you can give it a chance, it works in its way in this whimsical scene, early in the film. Just remember the raindrops are metaphorical as some people complain that it's not raining in the scene. The only thing I find odd is that it's between Newman and Ross and not Redford and Ross.
Some people have objected to the robbers, and these guys are robbing the payrolls of hard working people, being portrayed as virtual heroes. But this is a film from the Late Sixties, a time of great change and unrest, and a time when antiheroes were popular and it was hip to have outlaws and those outside the system as heroes. The movie is light enough that you really don't need to take issues like that too seriously. The movie is about the end of the Old Wild West as the twentieth century dawns and the end of guys like Butch and Sundance. It's beautifully acted, full of spirit and worth seeing.
Enoc Diaz
5つ星のうち5.0
One of the greatest films of all time on DVD
2023年9月10日にアメリカ合衆国でレビュー済みAmazonで購入
Brilliantly acted and surprisingly emotional. I loved it.

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