噂
| 仕様 | 価格 | 新品 | 中古品 |
|
CD, CD, インポート, 2013/2/5
"もう一度試してください。" | 輸入盤 | ¥1,159 | ¥939 |
|
CD, Hybrid SACD, 2011/9/14
"もう一度試してください。" | Hybrid SACD | ¥2,709 | ¥2,943 |
|
CD, CD, オリジナルレコーディングのリマスター, 2004/3/22
"もう一度試してください。" | CD, オリジナルレコーディングのリマスター |
—
| ¥5,757 | ¥1,650 |
|
CD, 1997/11/22
"もう一度試してください。" | 通常盤 |
—
| ¥10,000 | ¥183 |
|
CD, インポート, 1999/12/31
"もう一度試してください。" | インポート |
—
| — | ¥1,079 |
|
CD, 改良, 限定版, 2008/12/17
"もう一度試してください。" | 改良, SHM-CD |
—
| — | ¥1,900 |
|
CD, 2004/6/23
"もう一度試してください。" | 2枚組 |
—
| — | ¥2,365 |
|
CD, オリジナルレコーディングのリマスター, 2010/5/26
"もう一度試してください。" | オリジナルレコーディングのリマスター |
—
| — | ¥2,588 |
この商品をチェックした人はこんな商品もチェックしています
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曲目リスト
| 1 | セカンド・ハンド・ニュース |
| 2 | ドリームス |
| 3 | もう帰らない |
| 4 | ドント・ストップ |
| 5 | オウン・ウェイ |
| 6 | ソングバード |
| 7 | ザ・チェイン |
| 8 | ユー・メイク・ラヴィング・ファン |
| 9 | アイ・ドント・ウォント・トゥ・ノウ |
| 10 | オー・ダディ |
| 11 | ゴールド・ダスト・ウーマン |
商品の説明
驚異の31週全米NO.1 !アメリカン・ロック/ポップ・シーンにおける金字塔的傑作アルバムの決定版。「オウン・ユア・ウェイ」「ドリームス」「ドント・ストップ」「ユー・メイク・ラヴィング・ファン」などヒット曲が目白押し!
1977年作品
登録情報
- 梱包サイズ : 14.09 x 12.63 x 1.37 cm; 80.32 g
- メーカー : Warner Music Japan =music=
- EAN : 4943674085842
- 時間 : 40 分
- レーベル : Warner Music Japan =music=
- ASIN : B001H68KGM
- ディスク枚数 : 1
- Amazon 売れ筋ランキング: - 301,855位ミュージック (ミュージックの売れ筋ランキングを見る)
- - 61,821位ロック (ミュージック)
- カスタマーレビュー:
-
トップレビュー
上位レビュー、対象国: 日本
レビューのフィルタリング中に問題が発生しました。後でもう一度試してください。
2023年10月13日に日本でレビュー済み
Amazonで購入
1977年、アメリカに留学中だった高校のクラスメートからの手紙に「Fleetwood Mac」というバンドの「Rumours」というアルバムが、ずーっとトップ・セールスを続けていることが書いてあって、FMラジオでサウンド・チェックしたものだ。当時の日本ではそれほど評価されていなかったので、そのギャップの為に返って印象深く、後年もずっとこのバンドのアルバムを聞いてきた。1990年代に勤務した会社の直属上司が元ワーナーパイオニアの営業出身者で、1977年に来日した際のツアーに同行した方(T.F.氏)だった。彼の話によると、とにかくスティーヴィー・ニックスは可愛くって愛嬌があって、すっかり仲良くなって魅了されたと、羨ましいばかりの逸話を語ってくれた。また、クリスティー・マクヴィとリンジー・バッキンガムに比べるとニックスの声量は小さくて、かなり損しているように思われ、その当時からニックスはソロの方が売れると思っていたと言っていたっけ…。そして、セールスから言っても、アメリカで今日も語り草になっているほど売れたのに、日本ではイマイチ売れなかったと言っていた。その後、自分なりに分析した限りでは、「Rumours」のアメリカでのセールスは、このバンドに関する1977年当時の3つのカップル(ミック・フリードウッド夫妻とジョン&クリスティー・マクヴィー夫妻とリンジー・バッキンガム&スティーヴィー・ニックスの関係)の不倫と離別が、アメリカ国内ではゴシップ誌ネタとして全米で流布しており、その状況を本アルバムで、いわば私小説的に歌い上げたことが、多くのリスナーの共感を呼んで、今日まで聞きつがれ語り継がれ、後にビル・クリントンの大統領選のテーマ・ミュージックにまで使用されることになったのだと思う。「Rumours」とは彼ら3つのカップルの離別についての3つの「噂」のことなのだ。もちろん、このバンド各人の力量が優れていたことが大前提ではあるのだが…。そんなこのバンドの不滅の名作が本アルバムである。ポップスに興味のある者は必聴である。
2023年8月25日に日本でレビュー済み
Amazonで購入
大学入ったころから折に触れて聴き続けている。かれこれ45年くらいになる。今でも全く飽きの来ない。LP 初期CDと購入してきたが、前期高齢者になった記念に、スーパーオーディオCDを購入。高音の抜けの良さ、低音の迫力と一皮むけたクリアな音に感動。惚れ直し。名曲シルバースプリングも入っている。LP裏ジャケフォトのあどけないスティービーが今さらながらかわゆい。俺より年上だけど。クリスティンが昨年亡くなったのは残念至極。合掌。
2023年8月6日に日本でレビュー済み
Amazonで購入
若い時は、気にはなったが、聴くまでには至らなかったアルバム。素晴らしいアルバムです。
若い時聴いて自分にこのアルバムの良さがわかったでしょうか?
聴かなかったから縁がなかったんでしょう。
最近、感動する音楽があまりないなか、感動しました。
若い時聴いて自分にこのアルバムの良さがわかったでしょうか?
聴かなかったから縁がなかったんでしょう。
最近、感動する音楽があまりないなか、感動しました。
2023年7月13日に日本でレビュー済み
Amazonで購入
懐かしく思い、ついつい、ポチッとしてしまいました。
最新のオーディオ機材で聴いても古さを一切感じません。
音質が素晴らしい。バランスも素晴らしい。
是非、一聴を!お勧めします。
最新のオーディオ機材で聴いても古さを一切感じません。
音質が素晴らしい。バランスも素晴らしい。
是非、一聴を!お勧めします。
2023年7月18日に日本でレビュー済み
Amazonで購入
何十年も普通のCDで聞いていましたが、飽きて聞かなくなっていました。SACD版があることを知り、大分前の音源なのであまり期待しないで購入、早速聞いてビックリです。音質が期待以上で最初から最後まで聞き入ってしまいました。私の大切な宝物になりました。おすすめです。調子に乗ってドアーズも注文してしまいました。💦
2023年4月12日に日本でレビュー済み
Amazonで購入
その昔、「灰色のたて髪」とか「アルバトロス」といった、どよ~~んとしたブルースしかラジオから聴けなかったバンドが、こんな万人受けするようなポップバンドになるなんてだれが想像したでしょうか?
その間、音楽性が変わるいろいろなことがあったわけですが、最初に「ゴーユアオウンウェイ」を聴いたときは、ひえ~~っ、マックってこんなことになったの?と驚きを隠せませんでした。
このアルバムから逆に遡って聴いていくと、とても面白いことに気づくと思います!
その間、音楽性が変わるいろいろなことがあったわけですが、最初に「ゴーユアオウンウェイ」を聴いたときは、ひえ~~っ、マックってこんなことになったの?と驚きを隠せませんでした。
このアルバムから逆に遡って聴いていくと、とても面白いことに気づくと思います!
2022年9月27日に日本でレビュー済み
Amazonで購入
当時、スーパーセールスを記録したアルバムで、LPを持っていましたが、プレーヤーを処分してから聞かなくなってずいぶん経ちました。久々に聞きたくなりCDを買いました。正解でした。良いアルバムです。
他の国からのトップレビュー
James N. Perlman
5つ星のうち5.0
TRUEST TO ORIGINAL YOU CAN FIND
2011年6月6日にアメリカ合衆国でレビュー済みAmazonで購入
Nothing has ever been simple about Rumours and the same can be said about the vinyl reissues from this year, of which there are three. First, there is the gold-standard, 2LP/45RPM, issue mastered by Steve Hoffman and Kevin Gray. Next is the single LP/33RPM, again mastered by Hoffman and Gray. These two issues were designated for the United States, will always indicate they were mastered at Pallas, which is in Germany and, for those who really want to get down and dirty, will have this etched in the dead wax: "KG + SH @ ATM". To simplify matters, it is pretty much universally agreed the 45RPM version sounds better than the 33RPM version, and based on the nature of the manufacturing of LP's this makes sense even though both products were made from the same master-tape created by Hoffman and Gray. Finally, there is a rather mysterious, 2LP/45RPM issue designated for distribution outside of the US which was not mastered by Steve Hoffman and Kevin Gray and, questions of the nature of the sound aside, DOES NOT represent Rumours as it came out of the box in 1977. What I just wrote is factual, and based on comments from Steve Hoffman on his web site concerning these releases. In the comment section below, I will provide many pertinent hyperlinks. Now let's break down what I have just written a bit more, beginning with matter of trueness to the original and then moving on to the sound (although the two do overlap some).
In the process of preparing this reissue Hoffman and Gray were confronted with a myriad of puzzles. Many centered around the final track to this album, Gold Dust Woman. There exist at least three different endings to this song that can be found, even at the earliest stage of vinyl release. There exist at least two different beginnings to the song as well. Over time, Hoffman and Gray figured out the first vinyls pressed contained a countdown at the beginning of the song, not the fade-in that many are familiar with, and a certain progressing loud dynamic structure at the end. So this is what you will be getting on the Hoffman and Gray masters. As a side note, just to give two examples, the fade-in came into existence because, over time, the intro to this song on the master-tape used for most of the issues deteriorated and the solution chosen was to simply use a fade-in for this song to cover-up the deteriorated intro. As for the ending of this song, the dynamics proved too challenging for mastering techniques at the time so, very shortly after release, the dynamics of the song's end had to be dampened so that mass production of vinyl could occur without Warner Bros. having a bunch of albums returned because record players skipped, distorted, etc., the end of the song. Only the Hoffman and Gray masters contain the correct intro, e.g. the European issue has the fade-in, so the Hoffman and Gray issue is the truest to the original issue (Without much elaboration, there have been different versions of Second Hand News over the years, even beginning in 1977. The Hoffman and Gray issue contains the version found on the earliest vinyl issue.). Now let's move on to the sound.
The objective part is to write that if what you want is the best sound, there is pretty much universal agreement the Hoffman/Gray 2LP/45RPM version trumps the Hoffman/Gray 1LP/33RPM version. There is some debate out there on the relative sound quality between the US and European 2LP/45RPM versions. As I have not heard the European version, I will not comment on this. But remember, the European version does not contain the truest-to-the-original version of Gold Dust Woman. What I feel comfortable in saying is this: If one takes the time to read the relevant threads on Steve Hoffman's web site concerning Rumours it is quite easy to have a fair number of questions about the European issue. So, in the words of former Secretary of Defense, Donald Rumsfeld: with Hoffman and Gray we have a known known, with the European issue we have unknown unknowns.
The subjective part is to comment on the sound of the Hoffman/Gray 2LP/45RMP issue. Personally, I think it is wonderful, but it may not be what you are used to. The reason for this is the sound of Rumours, even when it was selling millions of copies in 1977 and 1978, kept changing with different pressings. Again, this is documented in Ken Perry's notes, Ken did the original mastering, and these notes were used by Hoffman and Gray to prepare their issue. As nearly always, Hoffman did some tweaking, using tubes at times to master, adding a decibel or two of EQ here and there (this is not a lot). But what is most important is the work done by Hoffman and Gray did not damage the dynamic range of the material. There is always a certain amount of art that goes into a reissue, and this (the art) is one factor that can make a reissue more appealing to some and less to others. Another factor that can contribute, and this might play a larger role with this reissue, is the fact the vast majority of people who have heard Rumours have not have heard the content of the songs, in that which was their original state, until this issue. So familiarity, or lack of familiarity, will play a role. Finally, the quality of one's sound system will play a role as well (On that note, my system's front end is a Rega P324 with a Dynavector 20X2H cartridge and the back end is comprised of a pair of Quad 988's with a Rel Britannia B2 Sub-bass.).
In conclusion, no one knows what the future will bring. A very compelling case can be made that if one's goal is to own something that is closest to what Ken Perry heard when he finished the first mastering of Rumours, and one owns a sound system that can do justice to a true audiophile recording, then you should strongly consider purchasing the Hoffman/Gray 2LP/45RPM edition given the combination of the improvements in record mastering techniques since 1977 (being able to get the dynamics of Gold Dust Woman right now when it couldn't be done in 1977 is an example), and the natural deterioration that takes place with magnetic tape. Finally, given what Hoffman and Gray had to go through to put this project together, again best explained by Hoffman himself on his web site, don't expect high-resolution files of Rumours that will rival this release any time soon unless they originate from the work done by Hoffman and Gray. And, come to think of it, even if you presently do not have the ability to make high-quality high-resolution files, or a fine conventional CD burn of an LP, purchasing this album now will at least give you the ability to do so down the line and, therefore, have a definitive high-resolution digital version of this album.
Again, some time after posting this, I will add a comment with hyperlinks that will aid those who wish more information on the mastering process and the foundations for my conclusions.
In the process of preparing this reissue Hoffman and Gray were confronted with a myriad of puzzles. Many centered around the final track to this album, Gold Dust Woman. There exist at least three different endings to this song that can be found, even at the earliest stage of vinyl release. There exist at least two different beginnings to the song as well. Over time, Hoffman and Gray figured out the first vinyls pressed contained a countdown at the beginning of the song, not the fade-in that many are familiar with, and a certain progressing loud dynamic structure at the end. So this is what you will be getting on the Hoffman and Gray masters. As a side note, just to give two examples, the fade-in came into existence because, over time, the intro to this song on the master-tape used for most of the issues deteriorated and the solution chosen was to simply use a fade-in for this song to cover-up the deteriorated intro. As for the ending of this song, the dynamics proved too challenging for mastering techniques at the time so, very shortly after release, the dynamics of the song's end had to be dampened so that mass production of vinyl could occur without Warner Bros. having a bunch of albums returned because record players skipped, distorted, etc., the end of the song. Only the Hoffman and Gray masters contain the correct intro, e.g. the European issue has the fade-in, so the Hoffman and Gray issue is the truest to the original issue (Without much elaboration, there have been different versions of Second Hand News over the years, even beginning in 1977. The Hoffman and Gray issue contains the version found on the earliest vinyl issue.). Now let's move on to the sound.
The objective part is to write that if what you want is the best sound, there is pretty much universal agreement the Hoffman/Gray 2LP/45RPM version trumps the Hoffman/Gray 1LP/33RPM version. There is some debate out there on the relative sound quality between the US and European 2LP/45RPM versions. As I have not heard the European version, I will not comment on this. But remember, the European version does not contain the truest-to-the-original version of Gold Dust Woman. What I feel comfortable in saying is this: If one takes the time to read the relevant threads on Steve Hoffman's web site concerning Rumours it is quite easy to have a fair number of questions about the European issue. So, in the words of former Secretary of Defense, Donald Rumsfeld: with Hoffman and Gray we have a known known, with the European issue we have unknown unknowns.
The subjective part is to comment on the sound of the Hoffman/Gray 2LP/45RMP issue. Personally, I think it is wonderful, but it may not be what you are used to. The reason for this is the sound of Rumours, even when it was selling millions of copies in 1977 and 1978, kept changing with different pressings. Again, this is documented in Ken Perry's notes, Ken did the original mastering, and these notes were used by Hoffman and Gray to prepare their issue. As nearly always, Hoffman did some tweaking, using tubes at times to master, adding a decibel or two of EQ here and there (this is not a lot). But what is most important is the work done by Hoffman and Gray did not damage the dynamic range of the material. There is always a certain amount of art that goes into a reissue, and this (the art) is one factor that can make a reissue more appealing to some and less to others. Another factor that can contribute, and this might play a larger role with this reissue, is the fact the vast majority of people who have heard Rumours have not have heard the content of the songs, in that which was their original state, until this issue. So familiarity, or lack of familiarity, will play a role. Finally, the quality of one's sound system will play a role as well (On that note, my system's front end is a Rega P324 with a Dynavector 20X2H cartridge and the back end is comprised of a pair of Quad 988's with a Rel Britannia B2 Sub-bass.).
In conclusion, no one knows what the future will bring. A very compelling case can be made that if one's goal is to own something that is closest to what Ken Perry heard when he finished the first mastering of Rumours, and one owns a sound system that can do justice to a true audiophile recording, then you should strongly consider purchasing the Hoffman/Gray 2LP/45RPM edition given the combination of the improvements in record mastering techniques since 1977 (being able to get the dynamics of Gold Dust Woman right now when it couldn't be done in 1977 is an example), and the natural deterioration that takes place with magnetic tape. Finally, given what Hoffman and Gray had to go through to put this project together, again best explained by Hoffman himself on his web site, don't expect high-resolution files of Rumours that will rival this release any time soon unless they originate from the work done by Hoffman and Gray. And, come to think of it, even if you presently do not have the ability to make high-quality high-resolution files, or a fine conventional CD burn of an LP, purchasing this album now will at least give you the ability to do so down the line and, therefore, have a definitive high-resolution digital version of this album.
Again, some time after posting this, I will add a comment with hyperlinks that will aid those who wish more information on the mastering process and the foundations for my conclusions.
David E Mason
5つ星のうち5.0
Excellent
2023年10月8日にフランスでレビュー済みAmazonで購入
Je voulais une version CD. Peut-être le meilleur album qu’ils aient jamais réalisé et l’un des grands classiques.
E T
5つ星のうち5.0
Great music 🎶
2023年10月27日にオーストラリアでレビュー済みAmazonで購入
Such a shame music isn’t made like this anymore. Fleetwood Mac’s finest album in my opinion . Must have for all Mac fans . Throughly enjoyable easy listening for young and old.
Random
5つ星のうち5.0
Timely delivery , product as described
2023年10月26日にオーストラリアでレビュー済みAmazonで購入
Timely delivery , product as described
Compra 100%segura y rapida...!
5つ星のうち5.0
Buena compra rápida y segura...!
2023年10月24日にメキシコでレビュー済みAmazonで購入
.e gusto mucho el servicio...!
Un disco más a mi coleccion..!
Un disco más a mi coleccion..!
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