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ロード・オブ・ザ・リング 王の帰還 コレクターズ・エディション [DVD]
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| フォーマット | 色, ドルビー, ワイドスクリーン |
| コントリビュータ | リヴ・タイラー, ヴィゴ・モーテンセン, フラン・ウォルシュ, J.R.Rトールキン, イライジャ・ウッド, ショーン・アスティン, イアン・マッケラン, フィリッパ・ボウエン, ピーター・ジャクソン |
| 言語 | 英語, 日本語 |
| 稼働時間 | 3 時間 21 分 |
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「 ロード・オブ・ザ・リング 王の帰還 コレクターズ・エディション [DVD] 」 監督・脚本・制作 ピーター・ジャクソン 制作 バリー・M・オズボーン 脚本 フィリッパ・ボウエン 撮影監督 アントセリュー・レイリュウ 美術 グラント・メイジ゛ァー 映像時間 201分 日本語字幕・英語字幕・吹替え用字幕 定価 4,700分 「」字幕スーパー時間 監督 製作 脚本 撮影
Amazonより
シリーズ3部作の完結編は、見どころに次ぐ見どころ。3時間23分という長さは、まったく苦にならず、結末では「旅の仲間」とともに、観客もシリーズとの別れを惜しむことになるだろう。邪悪な指輪を捨てに行くフロドとサムの過酷な旅がついにクライマックスを迎える一方、人間の国ゴンドールの都ミナス・ティリスを陥落させるべく、指輪の創造主、冥王サウロンの強大な軍が攻め込んでくる。
第2部でも話題となったゴラム(本作は彼の過去から始まる!)はもちろん、クリーチャーの動き、20万ものサウロンの軍などCGの迫力と繊細さは前2作以上。本作のすばらしさは、アクションに悲しみと壮絶さがたっぷり込められ、戦争の愚かさを伝えていることだろう。そして一段と磨きがかかった荘厳な映像美。空からとらえたミナス・ティリスの美しさったら!
命がけでフロドを救うサムをはじめ、各キャラのきずなや愛、死と別れのドラマを配分よく散りばめた巧みな構成によって、随所で心が震えるはず。映画が「芸術」であり「娯楽」であるのなら、本作はその両方を完璧に満たしていると思う。(斉藤博昭)
レビュー
製作・監督・脚本: ピーター・ジャクソン 製作・脚本: フラン・ウォルシュ 製作: バリー・M.オズボーン 原作: J.R.R.トールキン 脚本: フィリッパ・ボウエン 撮影: アンドリュー・レスニー 美術: グラント・メイジャー 衣装: ナイラ・ディクソン/リチャード・テイラー 音楽: ハワード・ショア 出演: イライジャ・ウッド/イアン・マッケラン/リヴ・タイラー/ヴィゴ・モーテンセン/ショーン・アスティン/ケイト・ブランシェット/ジョン・リス=デイヴィス/バーナード・ヒル/ビリー・ヴォイド/ドミニク・モナハン/オーランド・ブルーム/ヒューゴ・ウィービング/ミランダ・オットー
-- 内容(「CDジャーナル」データベースより)
登録情報
- アスペクト比 : 2.35:1
- メーカーにより製造中止になりました : いいえ
- 言語 : 英語, 日本語
- 梱包サイズ : 18.03 x 13.76 x 1.48 cm; 75 g
- EAN : 4988132686384
- メディア形式 : 色, ドルビー, ワイドスクリーン
- 時間 : 3 時間 21 分
- 発売日 : 2004/8/4
- 出演 : イライジャ・ウッド, J.R.Rトールキン, ピーター・ジャクソン, イアン・マッケラン, リヴ・タイラー
- 字幕: : 日本語, 英語
- 言語 : 日本語 (Dolby Digital 5.1), 英語 (Dolby Digital 5.1)
- 販売元 : ポニーキャニオン
- ASIN : B00009XLKX
- ディスク枚数 : 2
- Amazon 売れ筋ランキング: - 74,960位DVD (DVDの売れ筋ランキングを見る)
- - 723位外国のファンタジー映画
- - 816位外国のアドベンチャー映画
- - 7,124位外国のドラマ映画
- カスタマーレビュー:
-
トップレビュー
上位レビュー、対象国: 日本
レビューのフィルタリング中に問題が発生しました。後でもう一度試してください。
これ以外見つからない。CG、俳優、ストーリー構成
全てが完璧すぎて、何度も見てるのにこんなに飽きない
映画って素晴らしい。
最高でした。
ネタバレも何もないと思いますが、知りたくない人は読まないで下さい。
指輪を葬る任務を遂行できたのは、やはりフロドとサムが二人でいたからなのでしょう。
最後のビルボのセリフに「誰のせいだと思ってるんだ、こいつ」と殺意が湧いたり、作中幾度となくゴラムに殺意が湧いたりした私では、きっといともたやすく指輪に屈するんでしょう。
ゴラムが指輪に魅せられている様が本当に恐ろしかったです。
何かに執着することはこんなにも醜く、恐ろしく、身を滅ぼすのかと感じました。
指輪のせいで疑心暗鬼になっていく様が、子供の頃も怖かったけど、今でもかなりキツかったです。
でも本当に最後まで見てよかったです。
ファラミアには、お父さんとボロミアの分も長生きしてほしいです。
そして子供の頃はレゴラスにばかり目がいっていたけど、アラゴルンすごい格好よかったです。
レゴラスとアラゴルンの戦い方の違いもすごく面白かったです。
レゴラスは綺麗な戦い方に感じるけど、アラゴルンは本当に人間らしいというか泥臭さのようなものを感じました。
アラゴルンも、もう自分の血とよく戦ったと思うからどうかアルウェンとお幸せに。
フロドは、子供の頃は「なんでフロドが海を渡らなきゃいけないの?」と悲しくなったけど、今はなんとなく共感できました。
あんな体験して、たくさん傷ついて、見なかったことになんてできないのに、何も知らないあの村にはいられないよ、、、。
作中何度も辛くて泣いたので、すごく疲れてしまいました。
わりとどうでもいいことですが、フロドって結構名家の人なんでしょうか。
庭師がいるくらいだし、小さな村とはいえビルボのパーティーをあんなに大掛かりにやることから、それなりの地位があるんだろうなと今回気がつきましたが、、、。
ビルボやフロドが住んでいた家って、サムが家族で住んでいる家の何倍かの大きさがありますよね?
大人になるとめざとくなるな、と思いつつもこれもまた新たな発見でした。
また、3作目で吹き替えに変更しましたが、やはり"陛下"の訳の方がしっくりきました。
あと、作品の規模から考えて当たり前ですが、声優陣が非常に豪華です。
子供の頃、まだ大塚さんのお名前を存じ上げておらず、テレビで聞くたびに「アラゴルンだ」と思ったのが懐かしいです。
吹き替えか字幕かで悩んでいる方は、ぜひ吹き替えで!
他の国からのトップレビュー
Mehr zum Film spare ich mir an dieser Stelle und gehe, wie in meinen beiden Reviews zu den Vorgängerfilmen, deutlicher auf die Unterschiede zwischen der regulären Kinofassung und der Special Extended Edition ein, deren Lauflänge bei diesem Teil sage und schreibe 4 Stunden beträgt. Denn laut zahlreichen Fans ist die SEE die einzig wahre Fassung des Films und die Kinofassung hat eigentlich nur noch dekorativen Wert... oder? Wer meine Besprechungen zu den Gefährten und den zwei Türmen gelesen hat, weiß, dass ich - als einer von gefühlt wenigen - für die kürzere Kinofassung durchaus eine Lanze zu brechen bereit bin. Denn wenn die Filme in den SEEs auch viel an Inhalt und wirklich schönen Szenen dazugewinnen, so verlieren sie auch ein gewisses Maß von ihrem filmischen Fluss, da die Handlung des öfteren durch Füllszenen unterbrochen wird und so der - in der Kinofassung straff durchgezogene - Spannungsbogen immer wieder ausgebremst wird (in diesem Teil jedoch weniger als bspw. in Die zwei Türme). Das ist vor allem im Mittelteil bemerkbar, wo in der SEE viel zu oft zu den Reitern von Rohan sowie zu Aragorn und der Geisterarmee zurückgeschnitten wird, anstatt sich auf die düsteren Szenen der Belagerung von Minas Tirith und der Spinnenhöhle zu fokussieren . Die Überraschung, wie das Ruder am Ende der Schlacht von Minas Tirith herumgerissen wird, fällt hier völlig flach... zugunsten einer ziemlich trashigen (wenn auch witzigen) Szene mit einem als Pirat verkleideten Peter Jackson. Auch in der ersten Hälfte kommt der Film nun nur langsam in die Gänge, da vergleichsweise überflüssige Szenen über Eowyns Albträume oder Legolas und Gimli beim Wett-Saufen (eine für sich betrachtet natürlich sehr lustige Szene) enthalten sind. Die Konfrontation zwischen Gandalf und dem Hexenkönig ist ganz cool, vor allem da sie lange aufgebaut wurde (und in der Kinofassung dann gar nicht stattfand), dafür auch ziemlich unglücklich gelöst: Warum verdrückt sich der Hexenkönig plötzlich, nur weil er die Hörner von Rohan hört, anstatt dem besiegt am Boden liegenden Gandalf schnell den Rest zu geben? Wie auch bei den beiden übrigen Filmen kann ich Erstsehern des Films nur raten, zuerst die Kinofassung zu sichten, denn einmal gespoilert, sind die Überraschungen leider für immer verpufft!
Kennt man den Film dann schon, bietet die SEE für die Zweitsichtung in diesem Teil allerdings ein paar sehr starke (und auch wichtige) Erweiterungen. Der Elefant im Raum ist natürlich die Saruman-Szene gleich zu Anfang, die auch erst kurz vor dem Final Cut aus der Kinofassung herausfiel. Wenn eine der zusätzlichen Szenen von Anfang an im Film hätte bleiben müssen, dann diese, kein Zweifel. Und auf dem zweiten Platz findet sich gegen Ende dann die Szene mit Saurons Mund, dessen Design und Auftreten wirklich herrlich abstoßend gelungen ist. Nicht, dass diese Szene elementar wichtig wäre - doch in der Kinofassung wirkt es schon etwas seltsam, wie Aragorn und seine Freunde zum Schwarzen Tor reiten, dieses sich öffnet um die Armee rauszulassen, und sich die Helden zugleich wieder verkrümmeln. Aber auch einige der kleineren neuen Szenen sind sehr nett, wie etwa das kurze Gespräch zwischen Pippin und Faramir über dessen Kindheit: hier wird der Grundstein der Freundschaft gelegt, die Pippin dazu veranlasst, später zu Faramirs Rettung zu eilen. Und die Szene in den Häusern der Heilung macht zwar inhaltich nicht allzu viel her, bietet dafür jedoch einen schönen Song, gesungen von Liv Tyler (Arwen).
Auch wenn es um zwei oder drei unverzichtbare Szenen schade ist - ich bleibe dabei: abseits von ihnen enthält die SEE auch einen Berg an Füller-Szenen, die zwar für Fans des Films nett anzusehen sind und sich vor allem an die Buchkundigen unter uns richten; als eigenständiger FILM funktionieren die drei Herr-der-Ringe-Teile in der kürzeren Kinofassung (wobei "kurz" bei knapp 200 Minuten schon das falsche Wort ist) einfach besser. Denn sie sind dramaturgisch mitreißender, kompakter, nehmen keine Überraschungen für spätere epische Momente vorweg und sollten daher für die Erstsichtung des Films nachwievor erste Wahl bleiben.
Völlig unabhängig von irgendwelchen Schnittfassungen, noch ein paar kleine Abschlussworte zum Film. Wie gesagt, viele Worte zu verlieren, hieße bei dieser Trilogie, Säulen nach Athen zu tragen. Von daher sage ich nur: In den Jahren 2001-2003 hat die Kinogeschichte ihren bisherigen Zenit erreicht. Nach wie vor unübertroffen. Meine Freunde, ihr verneigt euch vor niemandem!
What we got instead was nothing short of a masterpiece. Hype? Sure, there's been some hype. But The Lord Of The Rings has rendered the word hype obsolete. It takes that hype and smashes it against a wall of pure brilliance. The final installment is a glorious ending to a trilogy that decades down the road, I have no doubt, will be hailed as one of the greatest achievements in modern cinema. Had I written the review right after seeing it, it would've probably consisted of one word. WHOA. But I'm OK now. I'm fine. I've taken my Advil, drank my three cups of coffee, got good five hours of sleep. I'm OK now. I can finally sit down and write a coherent review.
On the other hand, do I dare? What can you say about a movie which is, for the lack of a better word, perfect? I know, I know. Of course, no movie is perfect. But this one is as damn well close to perfect as it gets. I've been literally put under a spell, very similar to the one that had seized my mind 18 years ago when I first read the books. Flaws and lowdowns? Sure, there are some, but only if you choose to be a grumpy purist who refuses to get it through his head that literature and cinema are two very different media and therefore cannot be the same, will never be the same. This is as great an adaptation as there will ever be. Call me when you make a movie one-tenth this good.
In my eyes, the films are in some ways better than the books. I find it extremely annoying that Tolkien's work is being idealized by his fans. He was but a man and he, too, made mistakes. His books, as detailed and amazing as they are, still aren't perfect. There are characters who do nothing but sit around, scenes the very presence of which is meaningless or at the very least questionable. Think Arwen, think Tom Bombadil... who, while making a part of the story cool and magical, bears next to no impact on the story as a whole (of course, "true Tolkien fans" will probably have my head if they read this, but oh well). But above all, it makes my blood boil when I hear things like "a true visualization of Tolkien's Middle-earth it is not" (sic. Rogert Ebert). With all due respect, who in the world do you think you are to decide what a "true visualization of Tolkien's world" is? No one but Tolkien himself can give us the true visualization of his world, and he's been dead for decades.
Peter Jackson & Co had a task in front of them akin to dragging a cross to the top of Golgotha, in metaphorical terms. And, by all that's sacred, I cannot see how a filmmaker could succeed more in such a task. It is no small feat to accomplish what they have accomplished. Not only have they succeeded, they have exceeded all my expectations. You can see and feel with every shot that this is a labor of love. That goes for everything and everyone in the movie. Cinematographically, it's amazing. The FX were just enough and never cheesy or unnecessary. The score moves you deeply - even the normally annoying Enya did not bother me this time. The acting was splendid, and the cast was simply perfect. I grew up with the characters in my heart, and now they finally have faces. I mean, how many times do you actually read a book, imagine the characters, and then see the movie and realize that the characters look eerily close to what you've imagined them to look like?
I could go further into details about this particular installment, but I don't think Amazon supports reviews that long. I will simply say that I have never been one of those never-happy purists who nitpick even on the quantity of leaves on trees in Rivendell. I believe these movies should be seen for what they are, not for what they are not. Don't sit there and compare it to the book, or complain how something was added or taken away. Know this: if you want to see Tolkien's Middle Earth, you never will. Only Tolkien himself could give you his Middle Earth, and he's long gone. Look at these films from an overall point of view and try to see that it is simply impossible to film such a leviathan in a way that will make everyone happy. And for what it is, this trilogy is a rare gem. It combines end-of-your-seat action with heartbreaking drama, and brings intensity on both visual and emotional levels, which few films have accomplished so far. For me personally, it was also a memorable experience because I got to share it with a hundreds of moviegoers who sat in the theater with me for three years in a row. We watched in silence, lest we miss anything. We wowed at the sight of the dark, vast Moria, the surreal beauty of Rivendell, the fiery grandeur of Mt. Doom. We laughed at the hobbits' painfully sweet naiveté. We clapped at the grand finale. We couldn't hold back tears in the last few minutes before the credits rolled. We were there, with them, sharing this timeless tale of friendship, destiny, love, the loss of innocence and the reign of good vs. evil. Sounds trite, I know. But this is probably one story where it's not.
Your mileage may vary.
For the buyer, however, a note of caution: an expanded special edition DVD set will hit shelves later this year. As with the releases of the previous installments in the trilogy, this second set will contain a longer version of the film (four hours in length) with two discs loaded with extras that total in excess of seven hours, plus four feature-length commentaries!
By comparison, the DVD offered here is far slimmer: only two discs long, with `basic' extras and the theatrical version of the film (a bit over three hours). The documentaries are promotional pieces from TV, and don't have a lot of info in them because they were released before the film and kept many parts of it secret. (The National Geographic Special has already been available separately on DVD). The short featurettes are adequate and only whet your appetite for the expanded DVD release; there's not much hard data here. The inevitable ad for the videogame hardly counts as an `extra'. The six-minute "Super Trailer" for all three films is a pretty nice feature, however.
For a casual viewer, this DVD should satisfy them. People who really loved the film might want to wait a few months and get the expanded edition instead. Tolkien lunatics like myself should get both. (I want to be able to watch the two different cuts separately, and if I don't have time to sit with friends and watch the four-hour version, we can watch the slimmer theatrical cut.) Whether you buy this DVD or the later one depends on how important "The Return of the King" is to you personally.
The final third of the "Lord of the Rings" trilogy of movies exceeded all expectations. Jackson took the most epic portion of the novel, with the final showdown between Sauron's forces of Mordor and the Men of Gondor, and Frodo and Sam closing in on the completion of their quest, and fashioned a film both magnificent in scope -- surpassing not only the previous two films but every film ever made -- and with deep emotions and wonderful characters. It's an astonishing feat that the biggest of the three films is the most touching and "human." Frodo's struggle against the Ring as he closes in on Mt. Doom unbearable torment, and his companion Sam (Sean Astin, in a role that should have received a Supporting Actor nomination) shows the greatest bravery and dedication of any character in the story. Every character gets his or her chance to shine, whether in a dramatic scene or a battle sequence.
And the battles...nothing like them has ever been shown before. The initial strike on Minas Tirith, with catapult rocks decimating entire columns of orcs and flying Nazgul making vertigo-inducing dives onto the city, steals away one's breath. The climatic clash before Minas Tirith, with the Rohirrim battling a brigade of mumakil (titanic elephants), is the most sweeping battle scene ever put on screen. The technical effects are the best in cinema history, and they are all put in service of the story instead of existing to wow audiences, as happens in most popcorn summer flicks. The meld of drama, character, and technical achievement in "The Return of the King" is seamless; I doubt we will see the like of it again -- at least during the next decade.
The most common complaint about the film is that it has "too many endings." I don't understand this criticism at all. After three full movies with these characters, it would be a cheat to abandon them without giving each one a special farewell. It would also let down the epic story, for this is a great tale that requires a large deal of wrapping up for it to work. For Tolkien fans, indeed, the ending feels too quick! (A major portion of the end of the novel, "The Scouring of the Shire" was not filmed because it would have dragged the ending on too long.) It's rare for a film today to let its characters stretch and resolve their stories correctly, and I commend Jackson for not cutting "The Lord of the Rings" short at the end in a hurry to `get it over with.' Savor this film to the end...it's a remarkable achievement.
It's with some sadness that I face this DVD release, for it means that "The Lord of the Rings" movie trilogy is over, and there will be no highly anticipated, thrilling release coming this December. But I have the movie in my hands now, mine forever to cherish and re-watch whenever I want to relive the stunning experience. No DVD owner should be without this cornerstone of epic cinema -- in one edition or another.
The Special Extended Editions are BY FAR the superior choices for anyone wishing to watch these great films and they're well-worth the money, but a LOT of folks don't know about them. With the additional footage, the movies make infinitely more sense, especially to anyone who has never previously read the Trilogy. All three LOTRs films are available in this format, plus, each film is on two discs, due to the added footage. In addition to that, each one is presented in a nice cardboard case, has an informational booklet included, and offers two ADDITIONAL discs which are "special features" sort of information. This is essentially a "collectors' edition" but, as I have mentioned, the movie itself (for more casual viewers as well as for fans) greatly benefits from the additional film footage.
So, since once you've reviewed ANY version of LOTRs, one cannot review any other version (Amazon software sees this as a second review of the same product by the same person!), I am placing this information here to the prospective benefit of other Amazon customers (and victims!) *.*
Now, on to the story:
This is the third entry in the film-trilogy of The Lord of Rings. I'm rating each one separately to yield a more honest opinion of the entire series. I'm rating 'The Fellowship of the Ring' 4-stars, 'The Two Towers' 5-stars, and, this one 4-stars.
The film trilogy is a fantasy, fairy-tale sort of movie series, to inform the uninitiated. The first of the three films tells of Frodo Baggins, a Hobbit of the Shire, and his quest, (along with a 'fellowship' of comrades), to save Middle Earth by destroying the ancient Ring of Power, which is in his possession. He can only do this by traveling to the Land of Mordor (a VERY nasty place) and tossing the ring into the fires of Mount Doom, whence the ring was originally forged by an evil wizard, Sauron, (who is still evil and still around, and who is seeking to locate his lost magical Ring of Power, big-time).
In 'The Two Towers', (the second entry of films), we find that Sauron (of Mordor) and another now-evil wizard, Saruman, (of Isengard) have teamed up to fight the remaining non-evil entities in an all-out power-grab for Middle Earth. Mordor and Isengard each boast a huge heavy-metal-type 'tower', hence the movie title.
The fellowship, having gotten split at the end of 'The Fellowship of the Ring,' in 'The Two Towers', runs into all manner of obstacles. Agendas also become mixed and there is much in-fighting amongst the various regional rulers which complicates defeating their common enemies, Sauron and Saruman. As a consequence of all this action, there is a LOT of jumping around in the film from place to place -- BUT, the director pulled off a coup: The story remains coherent, and pretty much stands on its own as a film. I would have thought this impossible and I wondered how they would ever do it successfully. But they did and I'm quite happy about it.
In this final, and third entry, all the marbles are up for grabs. Saruman was defanged in 'The Two Towers', so it's everybody against Sauron and his vast army of super-orcs and similarly nasty creatures. The 'quest' of Frodo Baggins becomes even more difficult as he is constantly plagued with the sabotage of Gollum, a slimy, devious little creature whom has served as his guide to Mordor but who also lusts for the Ring of Power. The movie culminates in a huge battle for Middle Earth at the gates of Mordor.
Now, the CINEMATOGRAPHY in all three of these films will knock you out -- superbly contrived, second to none. The COLOR SATURATION will bowl you over as well. The script and STORYLINE are not at all hokey and come off as quite coherent, which would have been a very difficult task as readers of the book(s) are well-aware.
I much appreciated the fact that the story remains close to the book(s), with few cuts and/or ommissions. Of course, this has made for a lengthy film, but one which will not bore you at all.
One critique of the film is that the same primary theme composition is used for all three films -- man, I got REALLY tired of that filmscore, even though other facets of it are brilliant. It's the up-front french horn one that I'm speaking of.
My final critique is that the director seems to have tired a bit in the final 45 minutes of this final entry and appears to have encountered difficulty in wrapping up all the loose ends -- the '...and they lived happily ever after' caveat of the ending was a bit TOO happy and cloying to suit me. Whatever.
In the end, this is a very fine film, not necessarily for smaller kids, but A-O-K for teens. A last comment, don't waste time or money watching the FULL-SCREEN edition -- I've watched it that way (all three films) and you lose 2-stars when you do! This one MUST be viewed in widescreen only!

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