MBVファンには気になる1枚ですよね。
『City Girl』が目当てで購入した方も多いのでは!?
このサントラに収録されていると知っていたのですが
自分はサントラを買わない性分なので、ずっと保留にしていました。
でも、どうしても『City Girl』の音源が入った盤が欲しかったので
今回、サントラ初購入に到ったわけです――感想としては
もう100点満点の内容としか言いようがないですね!
何ですか! この名曲揃いのサントラは!
何と言っても、はっぴいえんどが良い!
最高じゃないですか!
70年代の洒落た名曲フォークロックです!
『City Girl』目当てでしたが
殆どの曲に大満足ですよ!
ケヴィンのアンビエント楽曲にも感嘆いたしました。
ただただ美しいの一言です。
今まで買わずにいたことを後悔しました。
サントラって良い物ですね。
何か自分、間違ってました!
サントラでしか味わえないものもあるんだなって教えてもらいました。
星5つを付けさせていただきます。
ロスト・イン・トランスレーション オリジナル・サウンドトラック
仕様 |
価格
|
新品 | 中古品 |
CD, サウンドトラック, インポート, 2003/10/3
"もう一度試してください。"
|
サウンドトラック, インポート |
—
|
¥6,099 | ¥510 |
CD, CD, リミックス含む, 2003/10/3
"もう一度試してください。"
|
CD, サウンドトラック |
—
|
— | ¥1 |
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登録情報
- Is Discontinued By Manufacturer : いいえ
- 梱包サイズ : 14.09 x 12.63 x 1.37 cm; 80 g
- メーカー : V2レコーズジャパン/コロムビアミュージックエンタテインメン
- EAN : 4520227000486
- 時間 : 57 分
- レーベル : V2レコーズジャパン/コロムビアミュージックエンタテインメン
- ASIN : B0000AFOQT
- ディスク枚数 : 1
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Amazon 売れ筋ランキング:
- 84,096位ミュージック (の売れ筋ランキングを見るミュージック)
- - 501位エレクトロニカ
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- カスタマーレビュー:
商品の説明
内容紹介
ソフィア・コッポラ監督作品『ロスト・イン・トランスレーション』のサウンドトラック。ケヴィン・シールズ(マイ・ブラッディ・ヴァレンタイン)が手がけた楽曲を4曲収録のほか、エールの未発表曲、スクエアプッシャー、はっぴいえんどの楽曲などを収録。
【日本盤仕様】
○日本盤オリジナルジャケット
○ボーナストラック収録
○『ロスト・イン・トランスレーション』プレミアムカード封入
Amazonレビュー
ソフィア・コッポラの監督2作目『ロスト・イン・トランスレーション』のサントラ。前作の『ヴァージン・スーサイズ』でも洗練された音楽センスを見せつけた彼女だが、本作もめちゃめちゃ秀逸。マイ・ブラディ・バレンタインのケヴィン・シールズによる書き下ろし楽曲をはじめ、『ヴァージン~』でサントラを手がけたAIR 、デス・イン・ヴェガス、はっぴいえんど、ジーザス&ザ・メリーチェインなど、特にUK~ヨーロッパ系のロックが好きな人にはたまらないラインナップが実現している。ホントにセンスいいよ、この人。(森 朋之)
メディア掲載レビューほか
ソフィア・コッポラ第2弾監督作品、映画『ロスト・イン・トランスレーション』のサントラ盤。エール、デス・イン・ヴェガス、スクエアプッシャー、はっぴいえんど他の楽曲を収録。
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カスタマーレビュー
5つ星のうち4.5
星5つ中の4.5
112 件のグローバル評価
評価はどのように計算されますか?
全体的な星の評価と星ごとの割合の内訳を計算するために、単純な平均は使用されません。その代わり、レビューの日時がどれだけ新しいかや、レビューアーがAmazonで商品を購入したかどうかなどが考慮されます。また、レビューを分析して信頼性が検証されます。
トップレビュー
上位レビュー、対象国: 日本
レビューのフィルタリング中に問題が発生しました。後でもう一度試してください。
2004年1月4日に日本でレビュー済み
Amazonで購入
ケーブルTVでケヴィンシールズの「City Girl」のPVを見た時から結構気になってて、だけどなかなか買うきっかけも無くて、そんな訳で先日こちらで注文させて頂いてようやくちゃんと音を聴く事が出来ました。
難しい事はともかく、ぼくはサントラってゆうのはなんとなく微妙な感じに思えたりするのですがこれは良かったです。
映画自体観た事が無いけど、曲の流れも良いと思うしアーティストはばらばらだけど一枚のアルバムとして聴ける様な気がします。
それと、個人的な事でいえばデスインヴェガスの曲を気になりつつもまだ聴いた事が無かったのですが、これに入っている「Girls」を聴いてアルバムも聴いてみようかなって思いました。
難しい事はともかく、ぼくはサントラってゆうのはなんとなく微妙な感じに思えたりするのですがこれは良かったです。
映画自体観た事が無いけど、曲の流れも良いと思うしアーティストはばらばらだけど一枚のアルバムとして聴ける様な気がします。
それと、個人的な事でいえばデスインヴェガスの曲を気になりつつもまだ聴いた事が無かったのですが、これに入っている「Girls」を聴いてアルバムも聴いてみようかなって思いました。
2005年8月23日に日本でレビュー済み
ソフィア・コッポラの監督第2作「ロスト・イン・トランスレーション」のサントラ。前作「ヴァージン・スーサイズ」同様、女性の視点で進行する繊細な物語と、どこかはかなげできれいな映像が魅力的な映画だが、サントラも見事な出来ばえで、彼女の映画作りにおける全てに行き届いた思慮深さとセンスの良さにはいつも驚かされる。
東京を舞台に、ひとりの若き女性の孤独とつかの間の恋を描くとあって、テクノ系のインストが大半を占めるが、それらがネオンきらめくコンクリートジャングルの夜の雰囲気によくマッチしている。SQUAREPUSHERやDEATH IN VEGASら大物の楽曲提供が豪華。そして何よりの話題は、MY BLOODY VALENTINEのフロントマン・Kevin Shieldsの新曲が収められていることだろう。新境地を見せるインスト3曲に、優しくゆがんだギタープレイ健在の「歌もの」1曲・"City Girl"というラインナップは、ここ10年来、表舞台から姿を消していたひとりの天才ミュージシャンの堂々のカムバックを高らかに告げるものである。
主人公がタクシーから流れてゆく東京の街の景色を眺める時に流れる、MY BLOODY VALENTINE/"Sometimes"や、ラストの別れのシーンで使われるTHE JESUS & MARY CHAIN/"Just Like Honey"など、一組の男女の短い逢瀬を通して心に響いてくる、出会いと別れの切なさを象徴するかのような名曲の数々は、人間関係における、泣きたくなるほど美しいものを、おぼろげながらも聴くものに垣間見せてくれる。
東京を舞台に、ひとりの若き女性の孤独とつかの間の恋を描くとあって、テクノ系のインストが大半を占めるが、それらがネオンきらめくコンクリートジャングルの夜の雰囲気によくマッチしている。SQUAREPUSHERやDEATH IN VEGASら大物の楽曲提供が豪華。そして何よりの話題は、MY BLOODY VALENTINEのフロントマン・Kevin Shieldsの新曲が収められていることだろう。新境地を見せるインスト3曲に、優しくゆがんだギタープレイ健在の「歌もの」1曲・"City Girl"というラインナップは、ここ10年来、表舞台から姿を消していたひとりの天才ミュージシャンの堂々のカムバックを高らかに告げるものである。
主人公がタクシーから流れてゆく東京の街の景色を眺める時に流れる、MY BLOODY VALENTINE/"Sometimes"や、ラストの別れのシーンで使われるTHE JESUS & MARY CHAIN/"Just Like Honey"など、一組の男女の短い逢瀬を通して心に響いてくる、出会いと別れの切なさを象徴するかのような名曲の数々は、人間関係における、泣きたくなるほど美しいものを、おぼろげながらも聴くものに垣間見せてくれる。
2011年3月2日に日本でレビュー済み
ソフィア・コッポラ監督の作品が大好きで、映画はもちろん良かったのですが、それを引き立ててストーリーを盛り上げる音楽達がもう最高に良かったです。
マイブラとかジザメリ、ワードは知っていても聴いたことがなかったんです。だけど、このサントラのお陰で一気にハマってしまいました。電車通勤のお供に全曲通しで聴いた日には、どうしようもなくセンチメンタルで、心地よい気分に浸ってしまうから、今は聴けない(笑)仕事に行きたくなくなっちゃうから。
大人ガーリーな雰囲気が好きなら、DVDも一緒に購入することをお勧めします。たまに思い出しては聴きたくなるので、私は青春の一枚として売らずに手元に残してます。タイトルに書いてしまいましたが、はっぴいえんどもカラッとしていて良いのです。
マイブラとかジザメリ、ワードは知っていても聴いたことがなかったんです。だけど、このサントラのお陰で一気にハマってしまいました。電車通勤のお供に全曲通しで聴いた日には、どうしようもなくセンチメンタルで、心地よい気分に浸ってしまうから、今は聴けない(笑)仕事に行きたくなくなっちゃうから。
大人ガーリーな雰囲気が好きなら、DVDも一緒に購入することをお勧めします。たまに思い出しては聴きたくなるので、私は青春の一枚として売らずに手元に残してます。タイトルに書いてしまいましたが、はっぴいえんどもカラッとしていて良いのです。
2011年6月5日に日本でレビュー済み
本編が日本において賛否両論を巻き起こした、Lost in Translationのサウンドトラック。しかし、どんぴしゃだなぁ。ソフィア・コッポラの選曲眼は本当に鋭い。
いくつかのトラックをマイブラのケヴィン・シールズが担当している。映画のために作ったとはいえ、多分もうLovelessみたいなのはやらないだろうな、と思わせる出来だ。だけど、それでも彼の音は美しい・・・他にフェニックスの曲とかも、このアルバムで知ったんだけどめちゃくちゃ良かった。
そういう素晴らしい内容なので、映画未鑑賞の方でも、ゆっくりした時間に流せばかなりリラックスできると思います。
ジャケット写真のスカーレット・ヨハンソンも最高だし、個人的には大満足の一枚。
いくつかのトラックをマイブラのケヴィン・シールズが担当している。映画のために作ったとはいえ、多分もうLovelessみたいなのはやらないだろうな、と思わせる出来だ。だけど、それでも彼の音は美しい・・・他にフェニックスの曲とかも、このアルバムで知ったんだけどめちゃくちゃ良かった。
そういう素晴らしい内容なので、映画未鑑賞の方でも、ゆっくりした時間に流せばかなりリラックスできると思います。
ジャケット写真のスカーレット・ヨハンソンも最高だし、個人的には大満足の一枚。
2006年5月18日に日本でレビュー済み
映画を見た人ならわかるかもしれないけど、あんまり激しい展開がこのストーリーにはないと思うんです。あるのは、どうしようもない退屈さ。しっくりこないコミュニケーション。なんだかそんな映画の雰囲気を如実に表したような盤だと思います。よく他のサントラは、大物が楽曲提供!なんて言って実際映画のコンセプトとはだいぶかけ離れたりしていてガッカリ、なんてこともあるんですが・・・(いい曲もあったりするんですがね)ソフィアさんはそんなことないんですね。ケビン・シールズはじめ、いま人気のフェニックスのファーストからの曲だったり、さまざまなアーティストが使われているのに、統一感があるので、とても聞きやすい。また、映画を観た後にすぐ聴いても、その雰囲気を壊さずに聴けます。こういうサントラなら何枚あってもいいな。
他の国からのトップレビュー

Blazkowicz
5つ星のうち5.0
Haunting, Beautiful, Memorable
2012年9月11日に英国でレビュー済みAmazonで購入
This will be a very honest review of each song on the soundtrack, and whether or not you should spend your cash on the whole CD, or just individual MP3 songs - long story short, every song is unique and this deserves to be bought, but you're reading this for a reason. As a whole, I love the soundtrack, I've listened to it 4 times through so far, and I still can't get enough of it. The songs fit so perfectly with the film, I'd like to know who was in charge of selecting them because they have exceptional taste. Onto the review:
1. Intro/Tokyo (Various Artists) - A very short track, 34 seconds long, it opens with an ominous bong sound, I forget what it's called, before you hear what I imagine would be the sounds of everyday Tokyo on the streets, lots of hustle and bustle, people talking, announcements being made, cars, horns etc.
2. City Girl (Kevin Shields) - Kevin Shields made this song for Lost In Translation, while he was still in hiatus from My Bloody Valentine who weren't together at the time. The track drifts along nicely, it's easy listening, with superb guitar work, lots of nice effects in the background I can't quite place, and dreamy vocals. It's like you're in a dream when you're hearing this song, very very good, 5/5.
3. Fantino (Sebastien Tellier) - A hugely talented musician, Tellier brings a sense of emptiness to the soundtrack, when Charlotte is bored and wants to start discovering herself in Tokyo. My only complaint is it isn't longer, I wouldn't say it's essential, in my opinion, it's still very good but feels slightly out of place. 4/5.
4. Tommib (Squarepusher) - An uterly compelling song, I'm mesmorised by it. Again it's too short, far too short in this case, an extended version on Youtube wouldn't go amiss *hint hint*. People have said the song reminds them of lost relatives, it's the song they want played at their parents/friends/etc funeral. I wouldn't go that far, but it is I think the 2nd best song on the soundtrack. 5/5
5. Girls (Death In Vegas) - The most famous song on the soundtrack, hugely known now because it was used when you first see Bill Murray sleeping in the taxi arriving in Tokyo. The dream effect comes back here, to me it portrays something that's too much for you to comprehend, in this case the massive city of Tokyo, and how confusing it can be for a foreigner. A brilliant song. 5/5
6. Goodbye (Kevin Shields) - I can't remember where this fits in with the film, surely it must be obvious seeing as the song's called Goodbye, but then why would it be used not even halfway through the soundtrack? It's another beautiful song, I feel it's a little basic, it repeats a lot, I think he's trying to achieve the Brain Eno effect, but it's not a bad job either. 3.5/5
7. Too Young (Phoenix) - Having never heard of the band before, it initially sounded out of place, but on repeated listens it reveals its genius. I just read it's played when Bill and Scarlett are partying with the Japanese people in a club, and it fits in perfectly well when you know this. Just dance to it and have a great time. 5/5
8. Kaze Wo Atsumete (はっぴいえんど - Happy End) - This is a basic song, and reminds me a little of Hey There Delilah by Plain White T's, but obviously they're not at all similar. I don't really know what to say, it's a breezy song, it floats along nicely, what else can be said? I have no idea what they're saying but it sounds nice. 3.5/5
9. On The Subway (Brian Reitzell & Roger J. Manning Jr) - Amazing song yet again, but still not my favourite on the CD. It plays when Charlotte is 'on the subway' travelling around Tokyo. A techno/electronic/ambient song with hints of punk thrown in, to me anyway, the way the song closes out is technically brilliant, but it's jarring, ends too soon and slightly hampers the song. 3/5
10. Ikebana (Kevin Shields) - This plays when Charlotte stumbles across an Ikebana training session - flower arrangements basically. They rope her into making her own, it's a nice sweet scene, & another good moment in the film. 4/5
11. Sometimes (My Bloody Valentine) - A very interesting song, I've read the lyrics and still don't understand what it's about - lost love? Suicide? It's not a beautiful song to me, it's very good but it's not beautiful, I can't stop listening to it though, which is the sign of a good song. 4/5
12. Alone In Kyoto (Air) - This song is currently being used in a car advert, and so now you have a lot more people who know and like the song. It's beautiful, and memorising, and the best song on the CD by far. It's the best song, but it's not my favourite song, if that makes any sense, the last song is my favourite, because of how it fits in with the ending. 5/5
13. Shibuya (Brian Reitzell & Roger J. Manning Jr) - This plays when Charlotte walks through the Shibuya crossing, on the packed streets of Tokyo, and she sees the big advert on the side of the building. Just a small moment in the film, I can't describe it that much. The whole song doesn't play in the film either, only about a minute is used. 3/5
14. Are You Awake? (Kevin Shields) - This plays near the end of the film when Bob is close to leaving Tokyo for good, and Charlotte slips a note under the door which is the song name. They go downstairs I believe to the bar, and chat the night away, before an emotional goodbye that Bob thinks is the last one..
15. Just Like Honey & Hidden Track (The Jesus & Mary Chain, & Bill Murray) - My favourite song on the soundtrack, because it has a very strong message behind it, and it was a master-stroke getting this in the film. Let's analyse some of the lyrics. 'Moving up and so alive, In her honey dripping beehive.. Beehive.. It's good, so good, it's so good.. So good' -I take that to mean, either moving up and away from her constantly travelling husband, or from Bob Harris, or simply up and away from Tokyo and back home to the USA. You can take that meaning and apply it multiple ways. The other lyric, 'Walking back to you, Is the hardest thing that I can do.. That I can do for you.. For you' - Again, this could mean multiple things, either going back to her husband after her fling with Bob, or moving away from her husband and going with Bob for the rest of their lives. It means it's so hard to go back after the experience she's had with one or the other. So her fling with Bob might turn out to be serious and she leaves her husband, which is therefore the hardest thing to do, or she goes back to her husband, leaving behind the man who made her very happy in a strange foreign place in a short space of time. The other song, after about a soundless 8 minute gap, is the 'More Than This' song by Roxy Music that Murray sings at the karaoke bar with Charlotte and her friends. He actually does a good job! I like his rendition, and it's a great end to a great soundtrack. I have to give it 5/5 overall, the good songs far outweigh the ones not as good, even though they're still excellent to listen to. Buy it. Buy it now.
1. Intro/Tokyo (Various Artists) - A very short track, 34 seconds long, it opens with an ominous bong sound, I forget what it's called, before you hear what I imagine would be the sounds of everyday Tokyo on the streets, lots of hustle and bustle, people talking, announcements being made, cars, horns etc.
2. City Girl (Kevin Shields) - Kevin Shields made this song for Lost In Translation, while he was still in hiatus from My Bloody Valentine who weren't together at the time. The track drifts along nicely, it's easy listening, with superb guitar work, lots of nice effects in the background I can't quite place, and dreamy vocals. It's like you're in a dream when you're hearing this song, very very good, 5/5.
3. Fantino (Sebastien Tellier) - A hugely talented musician, Tellier brings a sense of emptiness to the soundtrack, when Charlotte is bored and wants to start discovering herself in Tokyo. My only complaint is it isn't longer, I wouldn't say it's essential, in my opinion, it's still very good but feels slightly out of place. 4/5.
4. Tommib (Squarepusher) - An uterly compelling song, I'm mesmorised by it. Again it's too short, far too short in this case, an extended version on Youtube wouldn't go amiss *hint hint*. People have said the song reminds them of lost relatives, it's the song they want played at their parents/friends/etc funeral. I wouldn't go that far, but it is I think the 2nd best song on the soundtrack. 5/5
5. Girls (Death In Vegas) - The most famous song on the soundtrack, hugely known now because it was used when you first see Bill Murray sleeping in the taxi arriving in Tokyo. The dream effect comes back here, to me it portrays something that's too much for you to comprehend, in this case the massive city of Tokyo, and how confusing it can be for a foreigner. A brilliant song. 5/5
6. Goodbye (Kevin Shields) - I can't remember where this fits in with the film, surely it must be obvious seeing as the song's called Goodbye, but then why would it be used not even halfway through the soundtrack? It's another beautiful song, I feel it's a little basic, it repeats a lot, I think he's trying to achieve the Brain Eno effect, but it's not a bad job either. 3.5/5
7. Too Young (Phoenix) - Having never heard of the band before, it initially sounded out of place, but on repeated listens it reveals its genius. I just read it's played when Bill and Scarlett are partying with the Japanese people in a club, and it fits in perfectly well when you know this. Just dance to it and have a great time. 5/5
8. Kaze Wo Atsumete (はっぴいえんど - Happy End) - This is a basic song, and reminds me a little of Hey There Delilah by Plain White T's, but obviously they're not at all similar. I don't really know what to say, it's a breezy song, it floats along nicely, what else can be said? I have no idea what they're saying but it sounds nice. 3.5/5
9. On The Subway (Brian Reitzell & Roger J. Manning Jr) - Amazing song yet again, but still not my favourite on the CD. It plays when Charlotte is 'on the subway' travelling around Tokyo. A techno/electronic/ambient song with hints of punk thrown in, to me anyway, the way the song closes out is technically brilliant, but it's jarring, ends too soon and slightly hampers the song. 3/5
10. Ikebana (Kevin Shields) - This plays when Charlotte stumbles across an Ikebana training session - flower arrangements basically. They rope her into making her own, it's a nice sweet scene, & another good moment in the film. 4/5
11. Sometimes (My Bloody Valentine) - A very interesting song, I've read the lyrics and still don't understand what it's about - lost love? Suicide? It's not a beautiful song to me, it's very good but it's not beautiful, I can't stop listening to it though, which is the sign of a good song. 4/5
12. Alone In Kyoto (Air) - This song is currently being used in a car advert, and so now you have a lot more people who know and like the song. It's beautiful, and memorising, and the best song on the CD by far. It's the best song, but it's not my favourite song, if that makes any sense, the last song is my favourite, because of how it fits in with the ending. 5/5
13. Shibuya (Brian Reitzell & Roger J. Manning Jr) - This plays when Charlotte walks through the Shibuya crossing, on the packed streets of Tokyo, and she sees the big advert on the side of the building. Just a small moment in the film, I can't describe it that much. The whole song doesn't play in the film either, only about a minute is used. 3/5
14. Are You Awake? (Kevin Shields) - This plays near the end of the film when Bob is close to leaving Tokyo for good, and Charlotte slips a note under the door which is the song name. They go downstairs I believe to the bar, and chat the night away, before an emotional goodbye that Bob thinks is the last one..
15. Just Like Honey & Hidden Track (The Jesus & Mary Chain, & Bill Murray) - My favourite song on the soundtrack, because it has a very strong message behind it, and it was a master-stroke getting this in the film. Let's analyse some of the lyrics. 'Moving up and so alive, In her honey dripping beehive.. Beehive.. It's good, so good, it's so good.. So good' -I take that to mean, either moving up and away from her constantly travelling husband, or from Bob Harris, or simply up and away from Tokyo and back home to the USA. You can take that meaning and apply it multiple ways. The other lyric, 'Walking back to you, Is the hardest thing that I can do.. That I can do for you.. For you' - Again, this could mean multiple things, either going back to her husband after her fling with Bob, or moving away from her husband and going with Bob for the rest of their lives. It means it's so hard to go back after the experience she's had with one or the other. So her fling with Bob might turn out to be serious and she leaves her husband, which is therefore the hardest thing to do, or she goes back to her husband, leaving behind the man who made her very happy in a strange foreign place in a short space of time. The other song, after about a soundless 8 minute gap, is the 'More Than This' song by Roxy Music that Murray sings at the karaoke bar with Charlotte and her friends. He actually does a good job! I like his rendition, and it's a great end to a great soundtrack. I have to give it 5/5 overall, the good songs far outweigh the ones not as good, even though they're still excellent to listen to. Buy it. Buy it now.

this little pig
5つ星のうち5.0
an aural postcard from Japan ...
2012年8月23日に英国でレビュー済みAmazonで購入
Only viewed the film recently but the soundtrack stood out immediately. This compilation has been well-devised to create a somewhat subjective aural postcard of a short stay in busy Japan by the film's two leading protagonists. Subjective in the sense that the dominant sound is that of Kevin Shields, who has four tracks on the CD, as well as the track 'Sometimes' from his band My Bloody Valentine's album Loveless. These five tracks create the spine of the CD along with tracks by The Jesus and Mary Chain, Air, Death in Vegas and Squarepusher. There is a distinct 'tone/mood' to the collection, defined by the generic aspect of the MBV and JMC soundworld: a dreamlike wash of guitar distortion set against simple melody-conscious vocals, which gives the whole an otherworldy feel in terms of both CD and film. Soundtracks like this don't often work as a whole but Lost in Translation is one of the exceptions as both music and film work in tandem to create a mood of longing set against the backdrop of alienated modern living. Better to have both!

Robert Clough
5つ星のうち5.0
Just like honey
2013年2月14日に英国でレビュー済みAmazonで購入
The music fits daytime/nighttime Tokyo like a glove. Sofia Coppola,Kevin Shields and the whole music team managed to pick and create music that is charming and romantic, but lifts the film from a Romantic Comedy to a Drama. Here is my Track-by-track review:
.Intro/Tokyo-Sound Effects -
A gong sounds.The airport ambiance fills the air.
.City Girl-Kevin Shields -
The first contribution by My Bloody Valentine's mastermind. Sounds eerily like 'only tomorrow', a track in their new album M B V. A great track which follows the previous track seamlessly
'City girl, you're beautiful'
.Fantino-Sebastien Tellier -
She applies lipstick, changes her hair and fits a cherry blossom lampshade (representative of how much she can embrace Japan at that moment). Fitting, monotonous and aching to push Charlotte from the Hyatt into Tokyo.
.Tommib-Squarepusher -
Charlotte looks out of her hotel window at the intimidating foreign city of Tokyo, the 45 second cut that accompanies this song is outstanding in sentiment and feeling. The track feels completely at home in the host of instumentals.
.Girls-Death In Vegas -
The second track of the film and the fifth in the soundtrack sees Bob asleep in a taxi against the barrage lights of colour in the Tokyo nightlife. To me the signature theme of Lost In Translation. Perfect atmosphere and soundscape for Lost in Translation.
.Goodbye-Kevin Shields -
The only track in which Kevin Shields shows his ambient prowess. Calm and powerful. Aches in the same veins as Fantino.
.Too young-Pheonix -
Okay, it was going to be hard for the transition between what I feel is the first and second halves of the Film (That's pre and post karaoke people for who have already watched the film) but Sofia probably had to put her much loved Pheonix into the film of her career. 'Too Young' passes across Charlie Brown's apartment, a perfect casual dance track
'Baby when I saw you turning at the end of the street'
.Kaze Wo Atsumete-Happy End -
In translation; I gathered the wind under my wings. This relaxing gem is belted out by Charlie Brown in the background whilst Bob and Charlotte share a cigarette outside the Karaoke room. An extremely iconic scene and Kaze Wo transports me instantly.
.On the subway-Brian Reitzell & Roger J. Manning Jr. -
A song accompannying Charlotte as she travels on the Japanese underground. The music pulses at the end like a train passing through a tunnel.
.Ikebana-Kevin Shields -
Amusing and otherworldly, Charlotte discovers the strange art of Japanese flower arranging. Minimalist guitar and light synth. Kevin Shields smallest contribution to the album is not his least.
.Sometimes-My Bloody Valentine -
Fantastic choice Ms Coppola. 'Sometimes' accompanies Bob and Charlotte in their taxi ride home across neon Japan. From the essential shoegaze album Loveless. The soothing ballad drenched in distortion against a bed of acoustic guitar captures the sentiment of Lost In Translation effortlessly. Fantastic.
'Close my eyes, feel me now'
.Alone In Kyoto-Air -
Charlotte visits a temple and witnesses a wedding. Frost fills the air and shiver's erupt from the synth chords that frame this track. Wood block and acoustic guitar leave the scene surprisingly spiritual.
.Shibuya-Brian Reitzell & Roger K. Manning Jr. -
Another Sound effect dominated track. Train noises sound the journey.
.Are You awake?-Kevin Shields -
The final contribution from Shields which is bass driven and laden with synths. Delivered by a letter to Bob.
.Just like Honey-The Jesus And Mary Chain -
The last track on this wonderful soundtrack as well as a final track on the film. The trip is over. Bob is leaving. And after delivering a secret message to Charlotte grins with an undying optimism as he returns to the taxi. Final shots of Tokyo fill the frame as he nears the airport. A fantastic track.
'Listen to the Girl, As she takes on half the world'
9.5/10 to Sofia Coppola and Co's satisfying and memorable soundtrack.
.Intro/Tokyo-Sound Effects -
A gong sounds.The airport ambiance fills the air.
.City Girl-Kevin Shields -
The first contribution by My Bloody Valentine's mastermind. Sounds eerily like 'only tomorrow', a track in their new album M B V. A great track which follows the previous track seamlessly
'City girl, you're beautiful'
.Fantino-Sebastien Tellier -
She applies lipstick, changes her hair and fits a cherry blossom lampshade (representative of how much she can embrace Japan at that moment). Fitting, monotonous and aching to push Charlotte from the Hyatt into Tokyo.
.Tommib-Squarepusher -
Charlotte looks out of her hotel window at the intimidating foreign city of Tokyo, the 45 second cut that accompanies this song is outstanding in sentiment and feeling. The track feels completely at home in the host of instumentals.
.Girls-Death In Vegas -
The second track of the film and the fifth in the soundtrack sees Bob asleep in a taxi against the barrage lights of colour in the Tokyo nightlife. To me the signature theme of Lost In Translation. Perfect atmosphere and soundscape for Lost in Translation.
.Goodbye-Kevin Shields -
The only track in which Kevin Shields shows his ambient prowess. Calm and powerful. Aches in the same veins as Fantino.
.Too young-Pheonix -
Okay, it was going to be hard for the transition between what I feel is the first and second halves of the Film (That's pre and post karaoke people for who have already watched the film) but Sofia probably had to put her much loved Pheonix into the film of her career. 'Too Young' passes across Charlie Brown's apartment, a perfect casual dance track
'Baby when I saw you turning at the end of the street'
.Kaze Wo Atsumete-Happy End -
In translation; I gathered the wind under my wings. This relaxing gem is belted out by Charlie Brown in the background whilst Bob and Charlotte share a cigarette outside the Karaoke room. An extremely iconic scene and Kaze Wo transports me instantly.
.On the subway-Brian Reitzell & Roger J. Manning Jr. -
A song accompannying Charlotte as she travels on the Japanese underground. The music pulses at the end like a train passing through a tunnel.
.Ikebana-Kevin Shields -
Amusing and otherworldly, Charlotte discovers the strange art of Japanese flower arranging. Minimalist guitar and light synth. Kevin Shields smallest contribution to the album is not his least.
.Sometimes-My Bloody Valentine -
Fantastic choice Ms Coppola. 'Sometimes' accompanies Bob and Charlotte in their taxi ride home across neon Japan. From the essential shoegaze album Loveless. The soothing ballad drenched in distortion against a bed of acoustic guitar captures the sentiment of Lost In Translation effortlessly. Fantastic.
'Close my eyes, feel me now'
.Alone In Kyoto-Air -
Charlotte visits a temple and witnesses a wedding. Frost fills the air and shiver's erupt from the synth chords that frame this track. Wood block and acoustic guitar leave the scene surprisingly spiritual.
.Shibuya-Brian Reitzell & Roger K. Manning Jr. -
Another Sound effect dominated track. Train noises sound the journey.
.Are You awake?-Kevin Shields -
The final contribution from Shields which is bass driven and laden with synths. Delivered by a letter to Bob.
.Just like Honey-The Jesus And Mary Chain -
The last track on this wonderful soundtrack as well as a final track on the film. The trip is over. Bob is leaving. And after delivering a secret message to Charlotte grins with an undying optimism as he returns to the taxi. Final shots of Tokyo fill the frame as he nears the airport. A fantastic track.
'Listen to the Girl, As she takes on half the world'
9.5/10 to Sofia Coppola and Co's satisfying and memorable soundtrack.

doomhaunted
5つ星のうち5.0
The best.
2016年10月29日に英国でレビュー済みAmazonで購入
This is my favourite film, therefore, this is my favourite film score.

martin
5つ星のうち5.0
Five Stars
2018年4月11日に英国でレビュー済みAmazonで購入
Great, reminds me of the film..
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