初盤に比べたら音質かなり良くなってます、特にジョンとキースの裏方世界最強コンビの音が飛び抜けてます(('∀`))
Tommy最高
トミー<デラックス・エディション>(紙ジャケット仕様)
仕様 |
価格
|
新品 | 中古品 |
CD, CD, オリジナルレコーディングのリマスター, 2013/11/11
"もう一度試してください。"
|
通常盤 | ¥799 | ¥846 |
CD, 限定版, 2018/6/20
"もう一度試してください。"
|
限定版 | ¥2,970 | ¥2,050 |
CD, CD, オリジナルレコーディングのリマスター, 2000/10/30
"もう一度試してください。"
|
CD, オリジナルレコーディングのリマスター |
—
|
¥1,857 | ¥352 |
CD, 2002/8/21
"もう一度試してください。"
|
1枚組 |
—
|
¥2,000 | ¥500 |
CD, 1996/5/2
"もう一度試してください。"
|
通常盤 | ¥2,670 | ¥145 |
CD, 2000/1/1
"もう一度試してください。"
|
2枚組 |
—
|
¥3,767 | ¥665 |
CD, CD, デラックスエディション, 2013/11/11
"もう一度試してください。"
|
CD, デラックスエディション |
—
|
¥5,934 | ¥5,084 |
CD, 限定版, 2008/11/12
"もう一度試してください。"
|
限定版 |
—
|
— | ¥2,950 |
CD, インポート, from UK, 2012/11/27
"もう一度試してください。"
|
from UK, インポート |
—
|
¥6,853 | — |
CD, インポート, 1993/3/30
"もう一度試してください。"
|
インポート |
—
|
¥7,507 | ¥214 |
CD, ゴールドCD, インポート, 1990/4/20
"もう一度試してください。"
|
ゴールドCD, インポート |
—
|
¥13,944 | ¥6,699 |
CD, Hybrid SACD, SACD, 2004/3/31
"もう一度試してください。"
|
Hybrid SACD, SACD |
—
|
¥18,285 | ¥1,999 |
CD, 限定版, 1999/9/29
"もう一度試してください。"
|
限定版 |
—
|
— | ¥933 |
CD, 2006/10/25
"もう一度試してください。"
|
2枚組 |
—
|
— | ¥980 |
CD, 2000/1/1
"もう一度試してください。"
|
2枚組 |
—
|
— | ¥1,106 |
CD, デラックスエディション, Hybrid SACD, 2003/10/28
"もう一度試してください。"
|
デラックスエディション, Hybrid SACD |
—
|
— | ¥1,680 |
レコード盤, 1986/6/1
"もう一度試してください。"
|
2枚組 |
—
|
— | ¥1,980 |
CD, 限定版, オリジナルレコーディングのリマスター, 2012/4/25
"もう一度試してください。"
|
オリジナルレコーディングのリマスター, 限定版 |
—
|
— | ¥4,845 |
CD, インポート, 1993/3/12
"もう一度試してください。"
|
インポート |
—
|
— | ¥5,099 |
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登録情報
- Is Discontinued By Manufacturer : いいえ
- 梱包サイズ : 14 x 13.8 x 1.6 cm; 199.58 g
- メーカー : USMジャパン
- EAN : 4988005535467
- 時間 : 2 時間 2 分
- レーベル : USMジャパン
- ASIN : B001G6RAKK
- ディスク枚数 : 2
-
Amazon 売れ筋ランキング:
- 543,466位ミュージック (の売れ筋ランキングを見るミュージック)
- - 41,135位ポップス (ミュージック)
- - 120,517位ロック (ミュージック)
- カスタマーレビュー:
商品の説明
Product Description
Japanese-only SHM-CD (Super High Material CD) pressing of this classic rock album. SHM-CDs can be played on any audio player and delivers unbelievably high-quality sound. You won't believe it's the same CD! Universal. 2008.
カスタマーレビュー
5つ星のうち4.7
星5つ中の4.7
1,154 件のグローバル評価
評価はどのように計算されますか?
全体的な星の評価と星ごとの割合の内訳を計算するために、単純な平均は使用されません。その代わり、レビューの日時がどれだけ新しいかや、レビューアーがAmazonで商品を購入したかどうかなどが考慮されます。また、レビューを分析して信頼性が検証されます。
トップレビュー
上位レビュー、対象国: 日本
レビューのフィルタリング中に問題が発生しました。後でもう一度試してください。
ベスト1000レビュアー
Amazonで購入
アリス・クーパーの「デッド・ベイビーズ」に匹敵する児童虐待残酷ストーリー。わたしはこれを、ロック・オペラという華々しさで聴いていらっしゃるかたがいらっしゃるのかと暗澹とする時があります。三重苦の少年の受難、という物語を書かざるをえなかったのは、よほどタウンゼントに暗い幼少期があった証左です。輪をかけて前半部、残忍ないとこにいじめ倒されたり、声を出せないことをいいことにおじさんにいじり倒されたり、背筋が寒くなるほどトミーは辛酸を舐めます。このパートを書いているのがエントウィッスル、というのもよく分かる話で、きっとエントウィッスルはいくらでも残酷なエピソードを思いつくんでしょうね。
トミーのことを人間扱いするのはピンボール名人だけで、この部分がアルバムのピークです。映画ではエルトン・ジョンです。ピンボールと音楽のおかげで奇蹟的治癒を果たすトミーに、何事もなかったかのように寄り添うヘンタイおじさんがまた無気味。半沢直樹が好きな人には、とても容認できる結末ではありません。トミーが最後、本当に救われたのか?とも思ってしまいます。タウンゼントが自身を治療するために全身全霊をつぎ込んだのは明らかです。ユーザーに寄り添ってくれる作品ではありますが、わたしらももっとこの物語に寄り添う必要があるのではと感じています。
トミーのことを人間扱いするのはピンボール名人だけで、この部分がアルバムのピークです。映画ではエルトン・ジョンです。ピンボールと音楽のおかげで奇蹟的治癒を果たすトミーに、何事もなかったかのように寄り添うヘンタイおじさんがまた無気味。半沢直樹が好きな人には、とても容認できる結末ではありません。トミーが最後、本当に救われたのか?とも思ってしまいます。タウンゼントが自身を治療するために全身全霊をつぎ込んだのは明らかです。ユーザーに寄り添ってくれる作品ではありますが、わたしらももっとこの物語に寄り添う必要があるのではと感じています。
2020年5月21日に日本でレビュー済み
Amazonで購入
Fantasy album. It came quickly. Thanks!!!
2004年7月25日に日本でレビュー済み
Amazonで購入
'03年に発売された「トミー - デラックスエディション」のDVD-Audio版。
SACD/CDハイブリッド版同様サラウンド・ミックスが収録されていますが、
こちらは通常のDVD-Videoプレイヤーでも再生可能であること、ピート・タウンゼンドの30分を超えるインタビュー、歌詞画像等が収録されています。
DSDベースでのリミックス作業ではない為SACD版にこだわる事もそれほど無いと思います。
SACD/CDハイブリッド版同様サラウンド・ミックスが収録されていますが、
こちらは通常のDVD-Videoプレイヤーでも再生可能であること、ピート・タウンゼンドの30分を超えるインタビュー、歌詞画像等が収録されています。
DSDベースでのリミックス作業ではない為SACD版にこだわる事もそれほど無いと思います。
2001年10月29日に日本でレビュー済み
Amazonで購入
ロックが試行錯誤する60年代に圧倒的な威厳を持った作品がコレだ。
楽器をぶち壊すライブパフォーマンスとはまったく違う実にインテリジェンスでエレガントなフーがここには存在する。
総ての歌詞がオペラの台詞になっており、テーマは何度も繰り前され、複雑な物語は人間の内面を映し出す。”SEE ME、FEEL ME"は正にとらうまに陥った現代人総ての叫びだ!
ライナーノーツに書いてあるように序曲を聴く度に鳥肌が立つ!!
楽器をぶち壊すライブパフォーマンスとはまったく違う実にインテリジェンスでエレガントなフーがここには存在する。
総ての歌詞がオペラの台詞になっており、テーマは何度も繰り前され、複雑な物語は人間の内面を映し出す。”SEE ME、FEEL ME"は正にとらうまに陥った現代人総ての叫びだ!
ライナーノーツに書いてあるように序曲を聴く度に鳥肌が立つ!!
ベスト1000レビュアーVINEメンバー
Amazonで購入
LP2枚組のロックオペラとして作られた本作は、少年の頃の事件をきっかけに
なにも見えず、聴こえず、話せなくなってしまったトミーという名の若者が
苦難のはてに、やがて心の自由を得るまでを描いたコンセプト作。
基本は牧歌的な温かみのある古き良きメロディックロックの質感でありながら、
曲間をつなげるプログレ的な構成で、壮大なストーリーを感じさせる作りが見事。
デラックスエディションのDisc2にはデモや未発曲などを収録。
なにも見えず、聴こえず、話せなくなってしまったトミーという名の若者が
苦難のはてに、やがて心の自由を得るまでを描いたコンセプト作。
基本は牧歌的な温かみのある古き良きメロディックロックの質感でありながら、
曲間をつなげるプログレ的な構成で、壮大なストーリーを感じさせる作りが見事。
デラックスエディションのDisc2にはデモや未発曲などを収録。
他の国からのトップレビュー

Mark Barry
5つ星のうち5.0
"...Amazing Journey..." - Tommy by THE WHO (The Original Album 2013 Remaster 1CD Reissue)
2020年1月19日に英国でレビュー済みAmazonで購入
Some albums like Pink Floyd's "Dark Side Of The Moon", Elton John's "Goodbye Yellow Brick Road" and Steely Dan's "Aja" have been subject to a mind-blowing amount of CD and Audiophile reissues in the UK, USA and Japan – and it seems like The Who's 1969 double-album Rock Opera "Tommy" has been the same.
But which one do you splash the cash on? Well from my itsy-bitsy seagull perch in sunny but pooped upon Margate, I'd argue that although the 2CD Deluxe Edition has that fab live set on Disc 2 as a genuine bonus (recorded in Canada but thought lost) - if you're on a budget and still want uncompromising quality - then this humble 2013 Single CD Remaster for under six quid is the proverbial dogs dangly bits. Here are the acid queens and pinball wizards...
UK released Friday, 11 November 2013 - "Tommy: The Original Album 2013 Remaster" by THE WHO on Polydor/Universal/Track Records 3747403 (Barcode 602537474035) is the original 1969 double-album reissued and remastered onto 1CD and plays out as follows (74:58 minutes):
1. Overture [Side 1]
2. It's A Boy
3. 1921
4. Amazing Journey
5. Sparks
6. Eyesight For The Blind (The Hawker)
7. Christmas [Side 2]
8. Cousin Kevin
9. The Acid Queen
10. Underture
11. Do You Think It's Alright? [Side 3]
12. Fiddle About
13. Pinball Wizard
14. There's A Doctor
15. Go To The Mirror!
16. Tommy Can You Hear Me?
17. Smash The Mirror
18. Sensation
19. Miracle Cure [Side 4]
20. Sally Simpson
21. I'm Free
22. Welcome
23. Tommy's Holiday Camp
24. We're Not Gonna Take It
Tracks 1 to 24 are the double-album "Tommy" - released 17 May 1969 in the USA on Decca DSXW 7205 and 23 May 1969 in the UK on Track Records 613 013/4. Original copies came with a 'libretto' booklet featuring lyrics and drawings pertinent to the 'Rock Opera' – all of it is reproduced in the 24-page CD booklet with added reissue credits. Pete Townshend wrote all the songs except "Cousin Kevin" and "Fiddle About" by John Entwistle, "Tommy's Holiday Camp” by Keith Moon and "Eyesight To The Blind" aka "The Hawker" which is a cover of a Sonny Boy Williamson song. It peaked at No. 2 and No. 4 respectively on the UK and US albums charts.
THE WHO was:
ROGER DALTREY – Lead Vocals and Harmonica
PETE TOWNSHEND – Guitars, Keyboards, Lead and Backing Vocals
JOHN ENTWISTLE – Bass, French Horn, Trumpet, Flugelhorn, Lead and Backing Vocals
KEITH MOON – Drums, Tympani, Gong, Tambourine, Lead and Backing Vocals
Two things jump to mind – the fabulous new 2013 sound that feels like a real improvement on the overly loud 1996 initial effort and the underwhelming 2003 SACD effort. This latest audio restoration return to the original tapes by JON ASTLEY and MYLES CLARKE now sports a rather beautifully balanced feel between poise and power – much like the music itself. The acoustic guitar strings rattle and the riffs punch like they have been unleashed and on faves like the five-minutes of "Amazing Journey", the gorgeously rich acoustic/drums ten minutes of "Underture" and the gloriously bombastic finisher "We're Not Going to Take It" – you want to press replay to go back to the start - take me away once again baby (surely the best compliment a Remaster can be given).
The other thing that jumps to mind once you've settled in with the reissue is that while the booklet at 24-pages is aesthetically pleasing to look at – it's a damn shame that an essay on the double-album's history and impact wasn't included – especially given Tommy's astonishing 50-year legacy. I can remember as a kid pouring over every nuance of this beasty and every time it felt like you discovered something new. There is no sense of that impact on this singular CD version which is a shame...still to the good bits...
The opening strums of "Overture" leap out of the speakers, as does that familiar acoustic/electric guitar melody - horns too. "It's A Boy Mrs. Walker..." Townshend sings and the clarity is fabulous as is that segue into "1921" which as I recall dipped a little on the SACD version I've had. Entwistle's Bass notes threaten your living room on "Sparks" while their cover of Sonny Boy Williamson's "Eyesight To The Blind" (changed over the years to "The Hawker" from the original label name) hears Daltrey and Moon right up in yer face. Side 2 opens with "Christmas" where children wake up 'excited' but Tommy doesn't know what day it is - silent and unaware of anything. The deeply sinister "Cousin Kevin" is the first of two Entwistle compositions - the other is "Fiddle About" - both featuring abuse of the deaf, dumb and blind kid. I remember I had the picture sleeve single of "Acid Queen" when Merry Clayton covered it for the 1973 double-remake of Tommy - it was issued as a 45 in the UK on Ode Records with "Underture" as its flipside (ODS 66301). Here the Who original remaster feels huge, as does "Underture" in all its instrumental glory. By the time we get to "Pinball Wizard" (the obvious single) - I'm sold on this 2013 version - fantastic song that stills packs a whack (sure plays a mean pinball for sure). And on it goes to forgotten album gems like the ego-trip song "Sensation", the blue Rolls Royce tune "Sally Simpson" and the unexpectedly pretty "Welcome" - finally stomping its legend status with "I'm Free" and that massive finisher "We're Not Going To Take It" where Tommy is aware and advising you to put in your earplugs...
For sure in 2020, "Tommy" is of its '1969 time' and truth be told, I probably return more to their 1973 double "Quadrophenia" because the music in my mind is even better. But what a great urge-splurge this early studio double-album was and still is. Re-visiting "Tommy" has been a joy and revelation.
See me, feel me, touch me - well I think this latest variant allows a punter to do just that and with genuinely improved audio too and for not a lot of wedge either. And The Who truly did have an amazing journey ahead...
But which one do you splash the cash on? Well from my itsy-bitsy seagull perch in sunny but pooped upon Margate, I'd argue that although the 2CD Deluxe Edition has that fab live set on Disc 2 as a genuine bonus (recorded in Canada but thought lost) - if you're on a budget and still want uncompromising quality - then this humble 2013 Single CD Remaster for under six quid is the proverbial dogs dangly bits. Here are the acid queens and pinball wizards...
UK released Friday, 11 November 2013 - "Tommy: The Original Album 2013 Remaster" by THE WHO on Polydor/Universal/Track Records 3747403 (Barcode 602537474035) is the original 1969 double-album reissued and remastered onto 1CD and plays out as follows (74:58 minutes):
1. Overture [Side 1]
2. It's A Boy
3. 1921
4. Amazing Journey
5. Sparks
6. Eyesight For The Blind (The Hawker)
7. Christmas [Side 2]
8. Cousin Kevin
9. The Acid Queen
10. Underture
11. Do You Think It's Alright? [Side 3]
12. Fiddle About
13. Pinball Wizard
14. There's A Doctor
15. Go To The Mirror!
16. Tommy Can You Hear Me?
17. Smash The Mirror
18. Sensation
19. Miracle Cure [Side 4]
20. Sally Simpson
21. I'm Free
22. Welcome
23. Tommy's Holiday Camp
24. We're Not Gonna Take It
Tracks 1 to 24 are the double-album "Tommy" - released 17 May 1969 in the USA on Decca DSXW 7205 and 23 May 1969 in the UK on Track Records 613 013/4. Original copies came with a 'libretto' booklet featuring lyrics and drawings pertinent to the 'Rock Opera' – all of it is reproduced in the 24-page CD booklet with added reissue credits. Pete Townshend wrote all the songs except "Cousin Kevin" and "Fiddle About" by John Entwistle, "Tommy's Holiday Camp” by Keith Moon and "Eyesight To The Blind" aka "The Hawker" which is a cover of a Sonny Boy Williamson song. It peaked at No. 2 and No. 4 respectively on the UK and US albums charts.
THE WHO was:
ROGER DALTREY – Lead Vocals and Harmonica
PETE TOWNSHEND – Guitars, Keyboards, Lead and Backing Vocals
JOHN ENTWISTLE – Bass, French Horn, Trumpet, Flugelhorn, Lead and Backing Vocals
KEITH MOON – Drums, Tympani, Gong, Tambourine, Lead and Backing Vocals
Two things jump to mind – the fabulous new 2013 sound that feels like a real improvement on the overly loud 1996 initial effort and the underwhelming 2003 SACD effort. This latest audio restoration return to the original tapes by JON ASTLEY and MYLES CLARKE now sports a rather beautifully balanced feel between poise and power – much like the music itself. The acoustic guitar strings rattle and the riffs punch like they have been unleashed and on faves like the five-minutes of "Amazing Journey", the gorgeously rich acoustic/drums ten minutes of "Underture" and the gloriously bombastic finisher "We're Not Going to Take It" – you want to press replay to go back to the start - take me away once again baby (surely the best compliment a Remaster can be given).
The other thing that jumps to mind once you've settled in with the reissue is that while the booklet at 24-pages is aesthetically pleasing to look at – it's a damn shame that an essay on the double-album's history and impact wasn't included – especially given Tommy's astonishing 50-year legacy. I can remember as a kid pouring over every nuance of this beasty and every time it felt like you discovered something new. There is no sense of that impact on this singular CD version which is a shame...still to the good bits...
The opening strums of "Overture" leap out of the speakers, as does that familiar acoustic/electric guitar melody - horns too. "It's A Boy Mrs. Walker..." Townshend sings and the clarity is fabulous as is that segue into "1921" which as I recall dipped a little on the SACD version I've had. Entwistle's Bass notes threaten your living room on "Sparks" while their cover of Sonny Boy Williamson's "Eyesight To The Blind" (changed over the years to "The Hawker" from the original label name) hears Daltrey and Moon right up in yer face. Side 2 opens with "Christmas" where children wake up 'excited' but Tommy doesn't know what day it is - silent and unaware of anything. The deeply sinister "Cousin Kevin" is the first of two Entwistle compositions - the other is "Fiddle About" - both featuring abuse of the deaf, dumb and blind kid. I remember I had the picture sleeve single of "Acid Queen" when Merry Clayton covered it for the 1973 double-remake of Tommy - it was issued as a 45 in the UK on Ode Records with "Underture" as its flipside (ODS 66301). Here the Who original remaster feels huge, as does "Underture" in all its instrumental glory. By the time we get to "Pinball Wizard" (the obvious single) - I'm sold on this 2013 version - fantastic song that stills packs a whack (sure plays a mean pinball for sure). And on it goes to forgotten album gems like the ego-trip song "Sensation", the blue Rolls Royce tune "Sally Simpson" and the unexpectedly pretty "Welcome" - finally stomping its legend status with "I'm Free" and that massive finisher "We're Not Going To Take It" where Tommy is aware and advising you to put in your earplugs...
For sure in 2020, "Tommy" is of its '1969 time' and truth be told, I probably return more to their 1973 double "Quadrophenia" because the music in my mind is even better. But what a great urge-splurge this early studio double-album was and still is. Re-visiting "Tommy" has been a joy and revelation.
See me, feel me, touch me - well I think this latest variant allows a punter to do just that and with genuinely improved audio too and for not a lot of wedge either. And The Who truly did have an amazing journey ahead...

5つ星のうち5.0
"...Amazing Journey..." - Tommy by THE WHO (The Original Album 2013 Remaster 1CD Reissue)
2020年1月19日に英国でレビュー済み
Some albums like Pink Floyd's "Dark Side Of The Moon", Elton John's "Goodbye Yellow Brick Road" and Steely Dan's "Aja" have been subject to a mind-blowing amount of CD and Audiophile reissues in the UK, USA and Japan – and it seems like The Who's 1969 double-album Rock Opera "Tommy" has been the same.2020年1月19日に英国でレビュー済み
But which one do you splash the cash on? Well from my itsy-bitsy seagull perch in sunny but pooped upon Margate, I'd argue that although the 2CD Deluxe Edition has that fab live set on Disc 2 as a genuine bonus (recorded in Canada but thought lost) - if you're on a budget and still want uncompromising quality - then this humble 2013 Single CD Remaster for under six quid is the proverbial dogs dangly bits. Here are the acid queens and pinball wizards...
UK released Friday, 11 November 2013 - "Tommy: The Original Album 2013 Remaster" by THE WHO on Polydor/Universal/Track Records 3747403 (Barcode 602537474035) is the original 1969 double-album reissued and remastered onto 1CD and plays out as follows (74:58 minutes):
1. Overture [Side 1]
2. It's A Boy
3. 1921
4. Amazing Journey
5. Sparks
6. Eyesight For The Blind (The Hawker)
7. Christmas [Side 2]
8. Cousin Kevin
9. The Acid Queen
10. Underture
11. Do You Think It's Alright? [Side 3]
12. Fiddle About
13. Pinball Wizard
14. There's A Doctor
15. Go To The Mirror!
16. Tommy Can You Hear Me?
17. Smash The Mirror
18. Sensation
19. Miracle Cure [Side 4]
20. Sally Simpson
21. I'm Free
22. Welcome
23. Tommy's Holiday Camp
24. We're Not Gonna Take It
Tracks 1 to 24 are the double-album "Tommy" - released 17 May 1969 in the USA on Decca DSXW 7205 and 23 May 1969 in the UK on Track Records 613 013/4. Original copies came with a 'libretto' booklet featuring lyrics and drawings pertinent to the 'Rock Opera' – all of it is reproduced in the 24-page CD booklet with added reissue credits. Pete Townshend wrote all the songs except "Cousin Kevin" and "Fiddle About" by John Entwistle, "Tommy's Holiday Camp” by Keith Moon and "Eyesight To The Blind" aka "The Hawker" which is a cover of a Sonny Boy Williamson song. It peaked at No. 2 and No. 4 respectively on the UK and US albums charts.
THE WHO was:
ROGER DALTREY – Lead Vocals and Harmonica
PETE TOWNSHEND – Guitars, Keyboards, Lead and Backing Vocals
JOHN ENTWISTLE – Bass, French Horn, Trumpet, Flugelhorn, Lead and Backing Vocals
KEITH MOON – Drums, Tympani, Gong, Tambourine, Lead and Backing Vocals
Two things jump to mind – the fabulous new 2013 sound that feels like a real improvement on the overly loud 1996 initial effort and the underwhelming 2003 SACD effort. This latest audio restoration return to the original tapes by JON ASTLEY and MYLES CLARKE now sports a rather beautifully balanced feel between poise and power – much like the music itself. The acoustic guitar strings rattle and the riffs punch like they have been unleashed and on faves like the five-minutes of "Amazing Journey", the gorgeously rich acoustic/drums ten minutes of "Underture" and the gloriously bombastic finisher "We're Not Going to Take It" – you want to press replay to go back to the start - take me away once again baby (surely the best compliment a Remaster can be given).
The other thing that jumps to mind once you've settled in with the reissue is that while the booklet at 24-pages is aesthetically pleasing to look at – it's a damn shame that an essay on the double-album's history and impact wasn't included – especially given Tommy's astonishing 50-year legacy. I can remember as a kid pouring over every nuance of this beasty and every time it felt like you discovered something new. There is no sense of that impact on this singular CD version which is a shame...still to the good bits...
The opening strums of "Overture" leap out of the speakers, as does that familiar acoustic/electric guitar melody - horns too. "It's A Boy Mrs. Walker..." Townshend sings and the clarity is fabulous as is that segue into "1921" which as I recall dipped a little on the SACD version I've had. Entwistle's Bass notes threaten your living room on "Sparks" while their cover of Sonny Boy Williamson's "Eyesight To The Blind" (changed over the years to "The Hawker" from the original label name) hears Daltrey and Moon right up in yer face. Side 2 opens with "Christmas" where children wake up 'excited' but Tommy doesn't know what day it is - silent and unaware of anything. The deeply sinister "Cousin Kevin" is the first of two Entwistle compositions - the other is "Fiddle About" - both featuring abuse of the deaf, dumb and blind kid. I remember I had the picture sleeve single of "Acid Queen" when Merry Clayton covered it for the 1973 double-remake of Tommy - it was issued as a 45 in the UK on Ode Records with "Underture" as its flipside (ODS 66301). Here the Who original remaster feels huge, as does "Underture" in all its instrumental glory. By the time we get to "Pinball Wizard" (the obvious single) - I'm sold on this 2013 version - fantastic song that stills packs a whack (sure plays a mean pinball for sure). And on it goes to forgotten album gems like the ego-trip song "Sensation", the blue Rolls Royce tune "Sally Simpson" and the unexpectedly pretty "Welcome" - finally stomping its legend status with "I'm Free" and that massive finisher "We're Not Going To Take It" where Tommy is aware and advising you to put in your earplugs...
For sure in 2020, "Tommy" is of its '1969 time' and truth be told, I probably return more to their 1973 double "Quadrophenia" because the music in my mind is even better. But what a great urge-splurge this early studio double-album was and still is. Re-visiting "Tommy" has been a joy and revelation.
See me, feel me, touch me - well I think this latest variant allows a punter to do just that and with genuinely improved audio too and for not a lot of wedge either. And The Who truly did have an amazing journey ahead...
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igloo
5つ星のうち3.0
OK sound quality, there are better remasters, original vinyl is better
2020年1月28日に英国でレビュー済みAmazonで購入
This is a review of the 2013 remaster. Compared with some classic albums which have been superbly remastered this is not one of them. It feels a little flat and lifeless in places. This is particularly true of the bass sections which feel stifled in places. The vocals are however excellent as are the acoustic guitars.
This recording never seems to soar and does not compare to the original vinyl which feels far more dynamic and alive. These issues are probably a reflection of the technology used on the original recording.
I initially felt that I may have been too harsh on this recording. However listening to some remasters of Eric Clapton from the early 1970’s (Crossroads 2 live in the 70’s 1996 CD remaster) disabused me of that notion. The recording is flat and slightly lifeless. If a live recording remastered in the 1990’s can sparkle and shine why not a carefully produced studio album which has been extensively remastered?
I have not set out to write reviews of the music content as “beauty is in the ears of the listener”. These reviews are about the quality (or not) of the recorded sound. To read about how the reviews are done please see my profile.
• Clarity - OK
• Channel separation - Good
• Channel balance – Good very traditional, left, right, centre
• Sound Stage – reasonable given the age of the recording. It is limited on the pure instrumental sections. Strangely it is much better when vocals are present
• Distortion – Some on cymbals
• Compression – Some as music becomes more energetic
• Atmosphere – Only seems to come alive when vocals are present otherwise feels a little “flat”
• Bass – low frequencies – OK feels flat and compressed especially the drums which are “soft” and lacklustre
• Treble – high frequencies – OK but some distortion on the cymbals. The guitars are good
• Vocals – Very good clear and distinct
As a general rule of thumb recordings from the 1960’s, 70’s and 80’s are nearly always better on the original vinyl. Remasters often fail to please as it’s just not possible to make a silk purse from a sows ear, i.e. the original recording lacks the necessary detail to be processed digitally and show an audible improvement. Indeed such processing can make the sound worse.
Modern recordings which have been processed digitally from start to finish can be as good as vinyl. CD’s are often unfairly criticised for being poor quality. This is not the case, it is the original recording or the process which is to blame. Modern “remasters” can both enhance and degrade a recording. The statement GIGO (Garbage In Garbage Out) is the limiting factor. Ignore this at your cost.
This recording never seems to soar and does not compare to the original vinyl which feels far more dynamic and alive. These issues are probably a reflection of the technology used on the original recording.
I initially felt that I may have been too harsh on this recording. However listening to some remasters of Eric Clapton from the early 1970’s (Crossroads 2 live in the 70’s 1996 CD remaster) disabused me of that notion. The recording is flat and slightly lifeless. If a live recording remastered in the 1990’s can sparkle and shine why not a carefully produced studio album which has been extensively remastered?
I have not set out to write reviews of the music content as “beauty is in the ears of the listener”. These reviews are about the quality (or not) of the recorded sound. To read about how the reviews are done please see my profile.
• Clarity - OK
• Channel separation - Good
• Channel balance – Good very traditional, left, right, centre
• Sound Stage – reasonable given the age of the recording. It is limited on the pure instrumental sections. Strangely it is much better when vocals are present
• Distortion – Some on cymbals
• Compression – Some as music becomes more energetic
• Atmosphere – Only seems to come alive when vocals are present otherwise feels a little “flat”
• Bass – low frequencies – OK feels flat and compressed especially the drums which are “soft” and lacklustre
• Treble – high frequencies – OK but some distortion on the cymbals. The guitars are good
• Vocals – Very good clear and distinct
As a general rule of thumb recordings from the 1960’s, 70’s and 80’s are nearly always better on the original vinyl. Remasters often fail to please as it’s just not possible to make a silk purse from a sows ear, i.e. the original recording lacks the necessary detail to be processed digitally and show an audible improvement. Indeed such processing can make the sound worse.
Modern recordings which have been processed digitally from start to finish can be as good as vinyl. CD’s are often unfairly criticised for being poor quality. This is not the case, it is the original recording or the process which is to blame. Modern “remasters” can both enhance and degrade a recording. The statement GIGO (Garbage In Garbage Out) is the limiting factor. Ignore this at your cost.

mr r s hopkins
5つ星のうち5.0
Timeless Classic
2019年7月17日に英国でレビュー済みAmazonで購入
Townshend's masterwork beautifully packaged and brilliantly remastered. Still don't think it's as good as Quadrophenia, but it's still a timeless classic - and you have to have both in the repackaged and refreshed vynil formats. Five stars if only for its sheer existence.

T. Bucknall
5つ星のうち5.0
Finally! a major record company gets why we buy bootlegs!
2016年10月23日に英国でレビュー済みAmazonで購入
I bought this for disc 2 and that's what I shall be reviewing.
I consider this package represents good value for money even if you only want disc 2
Finally! a major record company gets why we buy bootlegs!
no overdubs, no studio fixes, no remastering, no pointless editing. just 2 sound board shows welded together to make a complete "tommy" performance
I forget which 1969 show makes up the bulk of the disc but the last few tracks are from Swansea '76
the 1969 show is incomplete because it was recorded for a planned live album that wouldn't include songs from Tommy.
the tracks from Swansea are a fine substitute
quality Is like a very good fm sourced bootleg
I consider this package represents good value for money even if you only want disc 2
Finally! a major record company gets why we buy bootlegs!
no overdubs, no studio fixes, no remastering, no pointless editing. just 2 sound board shows welded together to make a complete "tommy" performance
I forget which 1969 show makes up the bulk of the disc but the last few tracks are from Swansea '76
the 1969 show is incomplete because it was recorded for a planned live album that wouldn't include songs from Tommy.
the tracks from Swansea are a fine substitute
quality Is like a very good fm sourced bootleg

Crowshott
5つ星のうち5.0
Tommy can you hear me. YES
2019年10月30日に英国でレビュー済みAmazonで購入
This is still a fabulous Rock Opera released in 1969. Yes 50 years ago. I had the original on vinyl but ruined due to frequent play. To celebrate 50 years purchased the CD and it is still superb. We all know the story of the deaf dumb and blind boy. 3 singles came from the album, Pinball Wizard, I’m Free and See me Feel me from the Overture. This is an important and influential album. Isn’t it about time it was revived for the London Stage. It’s as good as ever especially the remastered copy.
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