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曲目リスト

1	ザ・ランアラウンド
2	ドリーム・マイセルフ・アウェイク
3	ヘヴン・ノウズ
4	ゴナ・ムーヴ
5	ホェアエヴァー・アイ・レイ・マイ・ハット
6	ギヴ・ミー・トゥナイト
7	ジャスト・トゥ・フィール・ザット・ウェイ
8	ザ・メイズ
9	プレイシズ・アイヴ・ビーン
10	ソウル・シング
11	ザ・ディール
12	ザ・ライト・プレイス

商品の説明

Amazonレビュー

The least you can say about Taylor Hicks is that he's not like prior American Idol champs: he already had almost a decade of gigging in bars when he won the fifth season in 2006, complete with songwriting experience, an ability to play harmonica and guitar, and a pair of self-released albums. On his major-label debut, the Silver Fox settles in a plush, comfortable sound framed by vintage-sounding soul and R&B, as well as classic rock--it's comfort food for the ears. The one thing that's not here is Hicks's first single, "Do I Make You Proud." Other than that, the songs are a well-balanced mix of oldies (Marvin Gaye's "Wherever I Lay My Hat"), newbies that sound like oldies (Rob Thomas's "Dream Myself Awake," Bryan Adams's "The Right Place"), the obligatory Diane Warren ballad ("Places I've Been"), and some party-fun anthems ("The Runaround," "Heaven Knows"). This last track actually is one of two paying tribute to Hicks's patron saint, Ray Charles--it references the piano riff from "What'd I Say," while "The Right Place" was originally written for Charles. Clearly, there are worse people to look up to. --Elisabeth Vincentelli

メディア掲載レビューほか

全米の、究極の高視聴率オーディションTV番組『アメリカン・アイドル』のシーズン5優勝者である、29歳とは思えぬ風格ある容貌の、ソウル・パトロール、テイラー・ヒックスのアルバム。2006年、全米のお茶の間を最も沸かせた男を要チェック。 (C)RS

登録情報

梱包サイズ ‏ : ‎ 14.09 x 12.63 x 1.37 cm; 80.32 g
メーカー ‏ : ‎ BMG JAPAN
EAN ‏ : ‎ 4988017645000
時間 ‏ : ‎ 41 分
レーベル ‏ : ‎ BMG JAPAN
ASIN ‏ : ‎ B000K2QL7E
ディスク枚数 ‏ : ‎ 1

Amazon 売れ筋ランキング: - 1,053,789位ミュージック (ミュージックの売れ筋ランキングを見る)
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レビューのソート基準

上位レビュー、対象国：日本

レビューのフィルタリング中に問題が発生しました。後でもう一度試してください。

たかっち

Taylor　Hicks最高です！！

2006年12月14日に日本でレビュー済み

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AmericanIdolのseason５優勝者であるテイラーのNewAlbumがとうとう発売されました！

テイラーは本当に歌が好きで、デビューするのが夢でした。長い下積み時代、いろんな

ところで歌っていたテイラー。それがAmericanIdolという番組がきっかけで夢がかなったのです。

彼の歌っている姿を見ていると、誰もが楽しい気持ちになれる・幸せな気持ちになれる

そんな歌を聴かせてくれます(#^.^#)

少しでも気になった方は、是非買ってみて下さい☆

9人のお客様がこれが役に立ったと考えています

役に立った

柊

ラッキーな出会い

2008年1月3日に日本でレビュー済み

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このミュージシャンに出会えてラッキーだと思いました。音楽好きなら誰もが満足できるアルバム。

解説に、全米で大人気オーディション番組『アメリカン・アイドル』シーズン5の優勝者と書いてありましたが、アメリカでのアイドルの定義のレベルの高さに驚きました!こんなに歌声にソウルを感じたのはスティービーやレイ・チャールズに出会って以来です。

2人のお客様がこれが役に立ったと考えています

役に立った

GFE

満足できます！

2006年12月17日に日本でレビュー済み

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テイラーを知らない人にも、テイラーのノリのよさが伝わってくるような作品にしあがってます。アメリカンアイドルファンならば、聞きながら、テイラーのパフォーマンスが目に浮かんでくるような、テイラーらしさがあふれたアルバムです。

8人のお客様がこれが役に立ったと考えています

役に立った

Mina

さすが★!

2008年1月30日に日本でレビュー済み

曲の完成度
かなり高いです!
歌唱力も最高(^-^)
アメリカンアイドルの
優勝者なだけあります★
とりあえず
買って聞いて見て
くださいっっ
損はありません(^-^)

2人のお客様がこれが役に立ったと考えています

役に立った

源九郎

やはり最高にうまい！

2008年7月9日に日本でレビュー済み

オーディション番組「アメリカン・アイドル」シーズン5の優勝者、Taylor Hicksのデビューアルバムです。あまり売れなくて、レコード会社から契約を切られてしまったと聞きましたが、こんないいアルバムが売れないなんてとても信じられません。
番組内のTaylorは時に奇矯でさえあって、私はあまり好きではありませんでした。しかし、あの個性的なダンスや嬌声のない、「歌だけ」のＣＤを聴いてみると、その歌唱力の高さは圧倒的。やはりさすが優勝者！なのです。アルバムもまったく奇をてらわないソウル一本槍の内容。地味といえば地味ですが、楽曲のよさ、歌のうまさを堪能できます。自作曲『Soul Thing』は傑作です。

2人のお客様がこれが役に立ったと考えています

役に立った

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Xxx

Good value

2023年6月20日にカナダでレビュー済み

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Gift

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JJ

Taylor Delivers!

2007年1月22日にアメリカ合衆国でレビュー済み

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This CD offers something for everyone. There are power ballads, jump up and dance songs and songs that will bring you to tears. Taylors vocals are stellar. He truly shows why he won American Idol and that he will be around for years to come. The songs are as follows:

The Runaround-This is a get up and dance song. It is peppy and fun. The lyrics are a tad cheesy, but that dosen't matter, this song isn't about the lyrics, its about having a good time. Rating: 4 out of 5

Dream Myself Awake - This song was written by Rob Thomas, and it sounds like it. The biggest problem I have with Rob Thomas songs is that they always sound disjointed. The chorus does not seem to flow with the rest of the song. It is apparent with this song as well, however Taylors vocals could make row, row, row your boat sound good. Somehow, this song still works. Rating 3.5 out of 5

Heaven Knows - This would have been my choice for his 1st single. It is upbeat. It takes some riffs from What I'd Say, but Taylor makes it modern and great. Rating 5 out of 5

Gonna Move - A nice rendition of an old classic. Its not up to the Susan Tedeschi clasic cover of this Paul Pena song, but still worthwhile. RAting 4 out of 5

Wherever I Lay My Hat - Taylors cover of this Marvin Gaye song can be described with one word - goosebumps. Rating 5 out of 5

Give Me Tonight - An interesting song that is a throwback to the disco days Rating 3.5 out of 5

Just To Feel That Way - This is Taylors 1st single. It was my choice for his second. It is a Billy Joelesque power ballad. It may be the song that showcases Taylors vocals the best. Rating 5 out of 5

The Maze - This song is kind of poppish. There is not much to say. It's not bad, but dosen't really stand out in any way.

Places I've Been - This song was written by Diane Warren. Which initially scared me that Taylor would do a song by the mistrss of sap. However, it works. I'm not sure if its the song, or Taylors beautiful vocals that make it work. Rating 4.5 out of 5

Soul Thing - The 1st of Taylors originals that are on the CD. It was never one of my favorite Taylor originals, I would have preferred Heart and Soul, but the re-mix works. I can see it doing well as a single. Rating 4.5 out of 5

The Deal - Another Taylor original. I liked it originally and I like it hear. Rating 4 out of 5

The Right Place - This song was written by Bryan Adams for Ray Charles, but Ray died before he could record it. It is pure and simple, the gem of the CD. This is Taylor. It is beautiful and soothing. It is worth the price of the CD for this song alone. Rating 10 out of 5

Hell of A Day - Some CD's have this as a bonus track. I would highly recommend searching for the one with this bonus track. It is Taylor original, that is much better re-mixed. Rating 4.5 out of 5.

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Blackmale

it's THAT bloke,. You know... the one from... American Idol

2010年8月24日に英国でレビュー済み

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And try as Taylor deserves to, he won't easily shake off the tag.
The emergence, announced by the most startling Ray Charles emulation from a boy with blue eyes, was far from the stuff of 2nd class Vegas caberet, and well worth a recording by itself. Harry Connick and Buble' made careers out of aping Sinatra, there was easily room for a left-field take on the ivory tickling enigma exiled from his native Georgia.
But the demograph of THE SHOW that brought Hicks to worldwide attention demands a different direction sufficient to carry 7 digit downloads, so we get a Route-66 car-wreck between Rascal Flatts and Bruce Hornsby.

It works but demands several listens to earn respect that it threatens to lose all too easily.
The collection is well-penned and as SONGs go most are pop-delights. But it all lacks sincerity or a faithful direction, striding too easily between AOR and bubble gum. The Runaround as an opener is a pastiche.
Hicks voice doesn't cut mustard and is at times way beyond the neck twisting performances he served up with TV dinners just a few years before.
The croak has mostly gone and taken the edge with it. Mr. Hicks sounds a little under-rehearsed and is frequently found wandering looking for an interesting path through the material before him.
The band is well selected, but never sounds like HIS band, more the seasoned house players for tonights "...special guest at the Golden Lion...."
Hicks can deliver and this is far from poor. As a first offering it is worthy of your hard-earned and will get played regularly, but we were promised Leona and got SuBo. There is a story, there is a nice listening experience, but here was a promise to shatter the formulaic mould of the reality, gameshow, talentless competition with someone who dared to untick the boxes.

I want to love the eponymously titled TH and one day....I probably will, but the irritations of some of the earlier numbers are not quite ironed by the luscious treatment given to some such as Paul Youngs take on Marvin Gaye's WHEREVER I LAY MY HAT.
Available so cheap now that you simply cannot justify avoiding it. Road-trippin' that should have been jazz flippin'

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Andre S. Grindle

Ladies And Gentleman:Taylor Hicks

2006年12月13日にアメリカ合衆国でレビュー済み

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'Taylor Hicks' is the one of only two American Idol winner CD's I own (the other beign Fantasia's debut) and by far this is my favorite.The wonderful points on this album would have to start with "Runaround", which along with "Heaven Knows" offer a 1960's nightclub soul groove with a lot of big drums and a really catchy tune,just what the doctor ordered for Taylor's husky pipes."Gonna Move" adds a little organ and a heavy southern soul flavor,along with some great horns too.Ditto for "Soul Thing".The best song is "Give Me Tonight" which actually has a 1980's feeling to it and a wonderful sense of rhythm and is without a doubt the best production on the album.It would be good to report there is high quality music from here but it simply isn't the case.Too many of these songs showcase the same problems faced by Taylor's influences (Michael McDonald,Steve Winwood and Rod Stewart come to mind) in that his voice is all too many times used in routine adult contempory performances that don't present him in the proper light.Also of note are the presense of "Just To Feel That Way" and "The Maze",two flat out bad alt-rock tunes that Taylor should probably never have recorded in the first place.But the main reason I deducted a star for 'Taylor Hicks' is his singing.Where on American Idol Taylor strutted and belted out the songs he sung in his full range,showcasing his grunts,moans,howls and the like his singing on this album is heavily toned down.Sometimes it works and his ability to emotionally convey a melody is wonderful but Taylor Hicks comes off all too often as a tremendously gifted singer using the bare minimum of his range and skills.And he is a gifted singer for sure.And even on the most obvious radio rare Taylor Hicks commitment to soul/R&B styles and relience on actual instrumentation and songwriting (all of these songs are very well composed) is admirable.Just keep in mind that 'Taylor Hicks' is a major label debut (Taylor's 2005 CD 'Under The Radar' was independantly released last year before he became an Idol contestant) but for this funny,lighthearted and grey haired fellow who happily admits to having once been an easter bunny at a local mall these are heady days.

22人のお客様がこれが役に立ったと考えています

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TheBandit

Great vocals - Taylor is the real deal

2006年12月13日にアメリカ合衆国でレビュー済み

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Having been obsesssed with voting for Taylor during American Idol, I have highly anticipated his album. The biggest downside of this fairly good debut album is the attempt, in places, to mold Hicks into a "contemporary" style. There are a couple atrocious examples of that, such as "Give Me Tonight" (Taylor is one of six credited writers, maybe a case of too many cooks in the kitchen) and "Heaven Knows" (a sacriledge that incorporates a sample of Ray Charles's "What'd I Say" - could Taylor have actually sanctioned that??).

A far more frequent flaw is the utter blandness of much of the material. That's not to say the singing isn't excellent - Taylor is in great voice and delivers what his fans hoped for. But some of the songs, like Rob Thomas's "Dream Myself Awake," are just characterless pop tunes. Anyone expecting something approaching a soul album is bound to be somewhat disappointed.

All that said: the Hicks originals are the standout tracks. Two songs, "Soul Thing" and "The Deal," have been carried over from his independent EP "Under the Radar." The production has been bulked up, but not to the point where it overwhelms these very strong songs. It is on these originals that we hear what Taylor has in mind when he talks about being a soul artist. A third Taylor original, "Hell of a Day," is available only on the version carried by a certain major retailer - it is beyond my comprehension why this was left off the standard release. It is possibly the best of them all - in fact, I think it would've made a great single. I urge Taylor fans to pick up the version with that superb bonus track.

The album is bookended with great tracks. The first single, "The Runaround," is a very good up-tempo song that allows Taylor to really work up a head of steam. The album closes with a Bryan Adams song originally written for Ray Charles (who died before he could record it). Taylor really digs into this ballad - the sparest arrangement on the album. It's so good that it, along with the original tunes and "The Runaround," really make the lesser tunes seem that much more uninspired (the songs/production/musicianship - NOT the vocals, which Taylor really sells even on the poorest material).

I think three stars is fair for this album. In no way does it reflect my opinion of Taylor's talents. It was made quickly - and I can only surmise it's content was heavily controlled by the AI machine. How else can you explain the nearly total lack of Taylor's signature harmonica (he plays it only on two songs)? Depsite being pictured with a guitar several times in the booklet, he apparently wasn't allowed to play on the recordings. If Taylor can keep writing strong material for himself, and if the quality control improves on anything not written by him, there will no doubt be much better and more consistent albums to come.

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