最低価格この商品セット内

クリスチャン・ベール
8,960
Blu-ray
￥1,400
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81,092
- カテゴリギフトカード
￥5,000
最高の評価この商品セット内

トム・クルーズ
6,138
Blu-ray
￥2,400
対象商品:
クリスチャン・ベール
11,655
UMD Universal Media Disc
10個の商品：￥1から
クリスチャン・ベイル
4,388
Blu-ray
￥1,697
クリスチャン・ベイル
7,070
Blu-ray
￥9,900
ホアキン・フェニックス
886
Blu-ray
￥1,400
レオナルド・ディカプリオ
8,469
Blu-ray
￥2,991
マシュー・マコノヒー
50,221
Blu-ray
￥2,991
ロバート・パティンソン
1,881
Blu-ray
￥1,400
ジョン・トラボルタ
910
Blu-ray
￥2,991

商品の説明

全世界が絶賛! 全米歴代興行収入新記録11冠達成!!
アカデミー賞最有力!ヒース・レジャー、史上最凶のジョーカーを怪演!

ゴッサム・シティーに、究極の悪が舞い降りた。ジョーカー(ヒース・レジャー)と名乗り、犯罪こそが最高のジョークだと不敵に笑うその男は、今日も銀行強盗の一味に紛れ込み、彼らを皆殺しにして、大金を奪った。
この街を守るのは、バットマン(クリスチャン・ベール)。彼はジム・ゴードン警部補(ゲイリー・オールドマン)と協力して、マフィアのマネー・ロンダリング銀行の摘発に成功する。
それでも、日に日に悪にまみれていく街に、一人の救世主が現れる。新任の地方検事ハービー・デント(アーロン・エッカート)だ。正義感に溢れるデントはバットマンを支持し、徹底的な犯罪撲滅を誓う。
資金を絶たれて悩むマフィアのボスたちの会合の席に、ジョーカーが現れる。「オレが、バットマンを殺す」。条件は、マフィアの全資産の半分。しかし、ジョーカーの真の目的は、金ではなかった。ムカつく正義とやらを叩き潰し、高潔な人間を堕落させ、世界が破滅していく様を特等席で楽しみたいのだ。
遂に始まった、ジョーカーが仕掛ける生き残りゲーム。開幕の合図は、警視総監の暗殺だ。正体を明かさなければ市民を殺すとバットマンを脅迫し、デントと検事補レイチェル(マギー・ギレンホール)を次のターゲットに選ぶジョーカー。しかし、それは彼が用意した悪のフルコースの、ほんの始まりに過ぎなかった……

登録情報

アスペクト比 ‏ : ‎ 2.35:1
メーカーにより製造中止になりました ‏ : ‎ いいえ
言語 ‏ : ‎ 英語, 日本語
梱包サイズ ‏ : ‎ 17.8 x 10.6 x 1.6 cm; 81.65 g
EAN ‏ : ‎ 4988135711632
監督 ‏ : ‎ クリストファー・ノーラン
メディア形式 ‏ : ‎ 色, ワイドスクリーン, 吹き替え, 字幕付き
時間 ‏ : ‎ 2 時間 32 分
発売日 ‏ : ‎ 2008/12/10
出演 ‏ : ‎ クリスチャン・ベール, マイケル・ケイン, ヒース・レジャー, ゲーリー・オールドマン, アーロン・エッカート
字幕: ‏ : ‎ 日本語, 英語
販売元 ‏ : ‎ ワーナー・ホーム・ビデオ
ASIN ‏ : ‎ B001GZPWZG
ディスク枚数 ‏ : ‎ 1

Amazon 売れ筋ランキング: - 187,775位DVD (DVDの売れ筋ランキングを見る)
- - 19,124位外国のドラマ映画

カスタマーレビュー:
4.5 11,655個の評価

カスタマーレビュー

4.5/5

11,655 件のグローバル評価

星5つ
星4つ
星3つ
星2つ
星1つ

評価はどのように計算されますか?

この商品をレビュー

カスタマーレビューを書く

画像付きのレビュー

カスタマーの画像をすべて表示

レビューのソート基準

上位レビュー、対象国：日本

レビューのフィルタリング中に問題が発生しました。後でもう一度試してください。

Amazonレビューアカウント

ダークヒーロー

2023年8月6日に日本でレビュー済み

Amazonで購入

映画バットマン新3部作の2作目
ジョーカー役のヒース・レジャーの演技も相まって狂気性が増しよりダークファンタジーに仕上がっています
己の善と悪が入り交じる世界観がゴッサムを通じて感じられる
結末は評価が分かれるかもしれませんが、「ダークヒーロー」としてみれば納得のいく最後です
アクションもド派手で見応えありますし緊迫感も非常に高く最初から最後まで楽しめました

作品名に「バットマン」が表記されなくなったのは何か意味があるのかな？
1作目を見忘れてしまいましたが、新3部作は以下のとおり。
①2005－バットマンビギンズ
②2008－ダークナイト
③2112－ダークナイトライジング

2023年8月3日に日本でレビュー済み

Amazonで購入

前作に引き続き、クリスチャン・ペールのシャープなバットマンがとてもハマっていました。
またやはり月並みですがヒース・レジャーが素晴らしい。
初代ジョーカーのようななぜあの顔になったのかが一切描かれておらず、本人の弁もその都度変わるという、まさに狂言道化っぷりが強調されていてとてもよかったです。
またこれもすでに知れ渡っていますが病院の爆破のシーンはアクシデントをよくもまあうまく演技に変えたものです。

2023年6月8日に日本でレビュー済み

Amazonで購入

パッケージも特典も最高なのだが、映像特典に日本語訳がなかった。星4.8
個人的にはジョーカーのカードがお気に入り。

2023年5月31日に日本でレビュー済み

Amazonで購入

ビギニング、ライジングの4K　UHDが安くかえた。
やはりこの作品を抜かす訳にはいかない。
４K UHDでノーラン版のバットマンの最終盤のため購入
このシリーズのバットマンがいい。三部作すべて映画館でみて
何回かDVD ,Blu-rayで見ている。
最後に救いがある。ゴッサムはすこし前進できたと思いたい。
ちなみここでは禁句かもしれないが　ティム版のバットマンも好き。
とくにリターンズは狂った化け物の饗宴　あとノーラン版よりも共演の女優
がいい　ベイシンガー、ミッシェルと好きな女優が出演　
ザバットマンもいいがこちらもいいと思います。

2人のお客様がこれが役に立ったと考えています

役に立った

展覧会の絵

誰一人幸福になれなかった

2023年6月3日に日本でレビュー済み

Amazonで購入

バットマンはもとよりジョーカーも思惑はすべて外れ、誰一人成功しなかった。でも少年の信頼を得た。どんでん返しすぎた。映像美も素晴らしい

2人のお客様がこれが役に立ったと考えています

役に立った

Amazon カスタマー

正義とはなにか。

2023年4月17日に日本でレビュー済み

Amazonで購入

考えさせられる。
そして、このジョーカー好き。

2023年5月7日に日本でレビュー済み

Amazonで購入

漫画原作の傑作映画は数多く存在する。
スパイダーマンやアイアンマン、スーパーマンなど。

そんな原作ものの中で、初めてと言っていいくらい、タイトルに作品名が表記されていない作品。
バットマンビギンズからの続編ということで、ノーランバットマンの2作目となる本作は
バットマンという表記がタイトルに無いことからも、主役はバットマンではなく彼が存在する
その世界であり人々であり、善悪の考え方であり、そこから絞り出されるように産み出された
ダークナイトという存在を描いている。

最も重要なキャラクターとして、ジョーカーの復活。
ヒース・レジャー扮するジョーカーの存在が、この作品をバットマン映画ではなく
コミック原作映画でもなく、アイデンティティとは何か？善悪とは何か？という
深いテーマと混乱を全編に散りばめる。
当然、彼以降、彼以上の悪役はいない。

強いわけでもなく、残虐かと言われるともっとエグイ悪役は存在する。
ただただ、その存在感。
素晴らしい。

4人のお客様がこれが役に立ったと考えています

役に立った

uemuracchi

低価格で二枚組ですね。こちらが2作目ですね。

2023年5月9日に日本でレビュー済み

Amazonで購入

低価格で二枚組ですね。
こちらが2作目ですね。
「ジョーカー」のお話で、「バットマンビギンズ」からの続編ですね。
「クリスチャン・ベール」さんがイケメンですね。
モーガン・フリーマンさんは渋いエンジニアの「ルーシャス」ですね。
マイケル・ケインさんは「アルフレッド」ですね。
「ジョーカー」を、捕まえたところからが大変ですね。
最後にグッとなりますね。

1人のお客様がこれが役に立ったと考えています

役に立った

他の国からのトップレビュー

すべてのレビューを日本語に翻訳

ENMANUEL KALIL

The Joker (Heath Ledger) pushes himself ever farther from the distant bounds of morality.

2008年12月9日にアメリカ合衆国でレビュー済み

Amazonで購入

Even before The Dark Knight opened in theaters, it had taken on a macabre mystique. Heath Ledger's untimely death and glimpses of his makeup and performance created part of a box office draw rarely equaled in motion picture history. But not even the trailers and TV ads could prepare audiences for Ledger's inspired and disturbing performance. The previous incarnation of the Joker, played by Jack Nicholson, was nothing but a violent, hyperactive clown. Nicholson overplayed the role and made the character conform to his larger-than-life persona. But Ledger nailed the real essence of the Joker and bore no resemblance to Nicholson's caricature. The Joker of The Dark Knight is not a simple murderer and bank robber. His goal is to inspire evil in others so that even the most law abiding citizen will be driven to commit acts of crime or murder.

At any opportunity, the Joker tries to drive crime fighters toward crime by sowing the seeds of terror and chaos. He allows himself to fall into a police trap so that he can spring a more diabolical plot. He arranges to have two ferries full of passengers forced into committing mass murder against one another. He dresses restrained civilians as criminals so police will be responsible for murdering innocents. To portray such a character, Ledger adopted mannerisms that at times seemed insect-like, similar to Jeff Goldblum's performance in The Fly. At other times, Ledger's performance invoked Malcolm McDowell in A Clockwork Orange. But the combination of nihilism and violent eruption that defined the Joker was achieved purely by Ledger's own artistry and for that he should be considered for a posthumous Academy Award. Despite Christian Bale getting top billing, Ledger played a more important, challenging role in the film. Wayne is well defined from Batman Begins and the Joker is firmly established in the prologue, a bank heist in which all the accomplices are shot and the Joker issues his tenet, which is a twist on Nietzsche: "What doesn't kill you makes you stranger."

But the central character in The Dark Knight is neither the Joker nor Batman. It's Harvey Dent. The film follows the major changes that transform him from the public attorney into DC comic book villain Two-Face. The bulk of the character development focuses on Dent's complicated descent from a dedicated, fearless political figure, passionate about defeating criminals using the rule of law. This white knight of Gotham lives by his tenet, "you either die a hero or you live long enough to see yourself become the villain." Dent is able to achieve popularity and make good on his promise to put violent mafia figures behind bars mainly because Batman is willing to do the dirty work and get no credit for it. As Batman's success in the streets and Dent's success in the courtroom push the mob organizations into an increasingly small corner, the Joker appeals to the mob bosses and rallies them against Batman. In the ensuing chaos, it becomes clear that Dent lacks ethical principles. When he loses his girlfriend, Rachel Dawes (Maggie Gyllenhaal), and damages half his face in one of the Joker's vicious schemes, Dent turns his back on the law altogether. With some words of inspiration from the Joker, Dent transforms himself into Two-Face. Dent had gone after criminals. But Two-Face preys upon cops, including Lt. Jim Gordon (Gary Oldman), using a two-headed coin similar to the one Nolan and Bale used in The Prestige. Instead of magic tricks, however, Two-Face uses the coin to determine the fate of his victims.

The significance of the coin and of Dent's prophetic quote about becoming a villain is to show how easy it is to succumb to chance and chaos in the absence of real principles. One of the themes of The Dark Knight is to evaluate how different characters respond to the pressures of leadership and of fighting evil. Nolan hits upon a truth seemingly missed by the entire press corps: leaders must be willing to sacrifice their popularity to do what's right. This core message of The Dark Knight is demonstrated in a subplot about telecommunications surveillance taken right from the front pages of newspapers during the US debate about the Homeland Security Act of 2007. Bruce Wayne uses government contractors to build an advanced telecom technology that taps into ordinary cellphones to triangulate and illuminate the location of anyone in Gotham. The technology is the only way to locate and catch the Joker. But when Wayne Enterprises' most trusted official, Lucius Fox (Morgan Freeman), finds out what Wayne is up to, he says that no man should have that much power and tenders his resignation.

Faced with an adversary who is threatening countless lives and the future of Gotham, Wayne understands the consequences if he doesn't do what's necessary to end the Joker's campaign of terror. Dent proves to be an unprincipled politician with a rotten core and no one but Wayne/Batman is willing to sacrifice popularity to win the fight against evil. Ultimately, Batman decides he must take the blame for the actions of Two-Face in order to defeat the Joker and restore faith to the people of Gotham. The decision has major consequences. Gordon ultimately describes Batman as, "not a hero. He's a silent guardian, a watchful protector...a dark knight." Public perception is always secondary to Batman. His principles guide him to defeat evil and save lives, but the result is his loss of popularity and respect. Some things are more important than public perception.Approximating the viewing experience in IMAX theaters, the Blu-ray version of The Dark Knight shifts between 1.78:1 and 2.4:1 sequences, which is a tremendous asset in preserving the vision of the filmmaker and in attempting to get an IMAX-like experience in viewers' home theaters. The prologue, as well as other 1.78:1 sequences, appear with lifelike detail and good depth. Some have complained about the subtle use of edge enhancement as detracting from the overall picture quality, but I believe what they are seeing is an ever-so-slight glow effect that makes the bright areas of some scenes appear heightened. Deducting points for this type of brightness would be silly. Meanwhile, the black level is remarkable as it conveys all gradations of grey and retains very good definition. Since so much of the film has dark, dimly lit scenes, the inky blacks contribute greatly to the depth and weight of the picture.

So how does the resolution of the 2.4:1 content compare to the 1.78:1 picture quality? Believe it or not, the detail remains nearly consistent in both aspect ratios--there's just more presence in the scenes shot using the IMAX cameras. Non-IMAX sequences give up surprisingly little in definition. Perhaps the most extraordinary scene to view the differences is when Batman raids the high rise building in Hong Kong to extract Lau (Chin Han). In the full IMAX resolution, with much of the screen enveloped in deep black, Batman is shown perched above the city. He then descends through the air, breaking through the window nearby the desk where Lau is working and quickly dispatches Lau's body guards. Finally, as he holds Lau near the broken windows, both men are whisked out of the building by a floating device and a passing aircraft. The complicated, busy action coupled with poor lighting would be problematic if not for the detail delivered both by the 1.78:1 and 2.4:1 shots that make up the scene. While the IMAX picture is preferable because of a greater sense of depth and resolution, the 2.4:1 content shares its small, gentle grain and otherwise clean, highly detailed presentation. Some element of the grain has a digital sheen to it, but I cannot justify deducting a point or half-point for that. In keeping with the dark visuals, the sound throughout The Dark Knight is weighted toward the lower registers with heavy LFE content. While the audio across the dynamic range is delivered in good detail, with plenty of resolution, the Dolby TrueHD content is clearly bass-heavy. It doesn't have quite the 3D impact one might expect in an action movie, with very little content assigned assigned to the rear channels. But it is preferable to err on the conservative side than to have an overly aggressive surround soundstage where it is really not warranted. On the other hand, some multichannel audiophiles may nitpick that the surrounds are underutilized. The anchoring across the center channel delivers all the dialog, while the front left and right speakers provide the bulk of the score. The music by Hans Zimmer and James Newton Howard is less thematic and more of a mood amplifier to make the story more hard-hitting. Aside from the sound effects and subwoofer content, the soundtrack mostly disappears in the action and visuals. Looking back on it, that is a unique accomplishment for an action film, to be such a visual work of art that one hardly notices the score as sound. While all detail of the dialog and music is clearly articulated across the front channels, it often sounds diminutive in comparison to deeper content.

Listen to the scene where Batman, Lt. Gordon and Dent have a rooftop meeting together. Gordon's and Dent's voices are perfectly reproduced, crisp and detailed, yet they sound slightly anemic compared to Batman's deeper, more open voice. While the audio engineering is actually very good, the bass emphasis can overshadow the more relaxed dialog, especially Gordon's voice. This is a minor complaint, as all dialog is plainly audible and every word and breath expertly recorded. And of course, the advantage of having a pronounced LFE channel is on display throughout The Dark Knight. Listen to the scene where the 18 wheeler flips over its horizontal axis--an impressive bit of stuntwork--creating a cacaphony of deep bass rumble, crashing steel and other sound effects. Explosions, breaking glass, gunshots and other effects are impressively engineered. The amazing feature of the Dolby TrueHD track is that nothing gets lost in the mix, regardless of the minimal use of surrounds.Warner's BD is a must-have for your collection. The film is truly unique and riveting, and Warner did a great job integrating the IMAX footage for 1080p. Highest recommendations.

8人のお客様がこれが役に立ったと考えています

レビューを日本語に翻訳する

Jus B. Cuz

The Dark Knight-The Ultimate Outsider...

2014年2月22日にアメリカ合衆国でレビュー済み

Amazonで購入

Chris Nolan delivers a perfect follow-up to "Batman Begins." We last saw Batman handed a Joker card from then, Lt. Gordon in the closing scene in the first of the trilogy, Batman Saga. To open "The Dark Knight" with the Joker's roots as a common criminal, with psychotic intentions, was intense. No less important than Bruce Wayne's decent into the role of the Batman, out of the pain and rage of witnessing his parents murders as a youth in the prior film.

Ledger's performance as the Joker was brilliant! He is sullen, mad and drunk by the potential to bring total chaos to Gotham City. Truly sad that we lost him to substance abuse and future roles on the big screen. As the Joker unwinds his seemingly random acts of disruption to the city, the usual suspects of criminal warlord corruption are in scatter due to Batman's grip. Visions of opportunity, the Joker squeezes out the confused standards. His psychosis deepens, yet he has goals and monumental methods. Ledger offers us insight into the dark corners of the mentally disturbed mind. While he shows some underlying humor, he is spot-on as to a personality unchecked, sick and in need of those padded rooms.
To try to deal with this mental monster, Bruce realizes what he must allow Batman to become. Drive himself deeper into his own darkest places he resides. The very places that he fears most that conjured the Batman initially. Fully crossing the line himself, Batman, trained by the "The League of Shadows", is now the anti-hero. Sought by the law too, Batman reaches down to the Jokers' level and plays by his rules, one who has no rules.

In the middle of the struggle, is both Rachel Dawes, Bruces' lifelong friend and love, and Harvey Dent. Gotham's "White Knight." Dent, who had rounded up most of the scum Gotham spit out, did so without a cape or cowl. Batman considers folding the cape for good as he believes in Dent's honor. But this is a very dark and gritty film from the Frank Miller storyline. Nothing good lasts forever or for long.

Once the Joker plays his cards on Dent, the bet is "Two-Face." Telling lies about his facial scars, the Joker is believable about every lie. Seemingly innocent as he claims, "just a dog chasing cars", he quickly turns Dent/Two-Face against all he once stood for. Loosing Rachael, both Dent and Bruce have lost love, forever. The Joker's not so planed, plans, work to his advantage. In the ultimate and proverbial battle of good over evil, the Joker and Batman duel using Gotham and it's citizens as weapons.

Now Commissioner Gordon, Gary Oldman continues to maintain his belief that Batman is attempting to bring justice to Gotham. Even if the means are cruel and punishing. Oldman is a fantastic actor with a career of award winning performances! He keeps Commissioner Gordon humble, just, honorable and quirky. Most of all, faithful to the character in true form. An old fashioned cop with values and principals, he is a family man first and foremost. Uniquely acted out in the final scenes as the three, Gordon, Dent and Batman face off with a loaded gun pointed at his family.
In this showdown, the revelation of what is about to transpire is like the "gunfight at the O.K. Coral." Of course Batman cannot be hurt via bullet, he takes the shot from Dent. Then the gun turns to Gordon's son. Batman leaps into action one last time and both he and Dent fall to Dents' death. With Gordon's son watching, Batman makes his final moral choice. So as to not allow the scum back onto Gotham's streets, letting Dent's "Two-Face" half come to light, both Bruce and Batman decide to become the hunted. He can be the "bad guy" for now. Because he and Gordon know Batman stand for something greater. Morality, ethical values and a stance for justice. For the time being, Gotham will see Batman as the "Ultimate Outsider."

I understand that many didn't appreciate the direction that Chris Nolan took the Batman and Joker characters. Saying they were too dark and disconnected. I disagree. I rather like the Frank Miller stories. A darker Batman, a Dark Knight is exactly what we were ready for. The time for the campy versions had been done time and again. This is a grown-up Batman. A man with serious, unresolved issues, who seeks shelter and comfort under a cowl. He has the wealth to hide himself away and use it to do what the present law force cannot or will not. The Joker symbolized, with stylized elegance, how little attention is paid to mentally disturbed. Given the slimmest opportunity, a patient slips out of Ayrkham and creates a monster of devastating proportions. An equally devastating monster under the guise of a Bat is born to reel him in. Maybe some felt uncomfortable with this film because it wasn't "comic-booky" enough.

Sure, there were many plot loop-holes and storyline drop offs. Much was left to the imagination and strictly movie magic. An adaptation based on some hard-core Dark Knight graphic novels that were best sellers! By far, these first two films (and The Dark Knight Rises) are the best trilogy of any Superhero or anti-hero, hands down! Be it from DC or Marvel. I think those who give this film 5 Stars DID get it!

6人のお客様がこれが役に立ったと考えています

レビューを日本語に翻訳する

paul turner

Awesome movie

2023年8月9日にアメリカ合衆国でレビュー済み

Amazonで購入

One of the best batman movies ever. Great actors all around.

レビューを日本語に翻訳する

Michael Andrews

The Greatest Superhero Film Of Our Time.

2009年11月25日にアメリカ合衆国でレビュー済み

Amazonで購入

When is a movie more than a movie? When it can transcend the very genre it's in and becomes an event, something that can cause people to think, to talk, to debate, to embrace it so much you feel you need to see it again and again because you feel you missed something the other ten times you saw it.

"Gone with the Wind", "The Wizard of Oz", "Star Wars", "The Lord of the Rings" films....all great event films. Add Christopher Nolan's "The Dark Knight" to this list.

As a lifelong fan of comic book superheroes, there are quite a few that i've taken to my heart: Superman, Spiderman, The Fantastic Four, X-Men,the Hulk, etc, etc. I've always loved Batman. Even through the numerous comics, which i still read to this day, the cartoons, even the campy 60s tv series, as well Tim Burton's great, dark reimagining of the mythos in the late 80s, Batman remains one of my all-time favorites.

What Nolan has created with "The Dark Knight" cant truly be put into a few, simple sentences. Impossible. This film is one of the few true definitions of a masterpiece. It's intelligent, cold, unrelenting, extremely dark and at times disturbing and it's these adjectives that, for me, make it perfect.

In the brilliant "Batman Begins", Nolan dissected and broke down the origin of The DC Comics vigilante, giving us a glimpse of the very twisted, emotional elements that drove one man to assume the identity of a creature of the night. He presented this as a character study of a man, seemingly normal on the outside, with wealth, power, and influence, yet tortured, driven, disturbed, trying to find a way to unleash his demons upon those who live to choose to break the law and destroy the moral fabric of "society".

In "The Dark Knight", we go a few levels further....into the very bowels of HELL. This time, Batman struggles not just with the questionable choices he has made to protect Gotham City, with many people divided over how they feel about his presence, he also must face a new criminal who spreads anarchy and uncontrolled chaos all over town, the Joker.

Now, we all know much has been written and said about the late Heath Ledger's portrayal of the Joker....BUT HE'S SOOOO GODDAMN BRILLIANT!!!! This is the Joker the way he should be portrayed. As much as i loved Jack Nicholson's Joker from Burton's '89 film, hes a punk compared to what Ledger created. Ledger's Joker is cold, calculating evil in its purest form....a man so unfeeling, so depraved, so demonic...he doesnt commit crimes for reward, notoriety, or what we'd consider intimate pleasure; he does because he simply wants to, plain and simple. He sees the world as a place to be broken and manipulated, consequences be damned. Scary, aint it? Think of the killers of Columbine, or V-Tech, even the Unabomber. Even Satan. No conscience. Evil for evil. Ledger won a very deserved posthumous Oscar for his work.

The great Christian Bale is the ultimate Batman for our time. Driven, dark, cold-blooded but not without a sense of honor. He digs deeper into the psychology of Bruce Wayne, creating a portrait of someone fighting a war he might never win, a war that creates more demons and more pain than he can stop, yet doesnt give in to the monsters he opposes. Bale and Ledger are magnificent together.

As great as they are, its the supporting performances that help them shine. Overall, theres not a bad performance from anyone, AT ALL. Only the best caliber of actors dominate this film. Gary Oldman's Detective James Gordon is a picture of powerful moral conviction and simple passion as he stands by Batman in the fight against crime; Michael Caine's Alfred is the deep, fatherly, yet caring voice of no-nonsense reason to Wayne/Batman; Maggie Gyllenhall makes a more intense Rachel Dawes than Katie Holmes; Morgan Freeman is dignity personified as Lucius Fox. Special mention should be made, though, for Aaron Eckhart, who plays D.A. Harvey Dent/Two Face. Like Batman and Gordon, he wants to wipe out crime in Gotham City, yet he suffers from a fatal flaw: he's idealistic. Its this flaw that the Joker will exploit and twist and ultimately damage, and it leads to Dent becoming Two Face, a scarred, deranged, hopeless man broken and twisted almost as much the Joker himself.

There are no easy answers in this film, with its nihilistic view of good and evil and how sometimes, even good men can be pushed to their moral limits. Thats what i loved about this film. Nothing is simple, nothing is easy, and isnt that the way life is? Films about superheroes are a mixed breed: some are great, some not. I love the original Superman w/Christopher Reeve, and Spiderman, and Bryan Singer's X-Men, yet "Dark Knight" is, to me, the epic for our troubled times. Intelligent, huge, well written and acted. It's a film that in my opinion as a movie-goer, has a 70s style aesthetic that will remind you of the great crime epics of that period like Serpico, Godfather 1 and 2, and even modern ones like Goodfellas and The Departed. Director Christopher Nolan takes his place among the newest generation of filmmakers who dont treat their audiences like simple-minded children. A powerful film from a powerful visionary.

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Great Movie

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