画面サイズ(インチ) | 3 |
---|---|
カラー | シルバー |
電池付属 | いいえ |
電池使用 | はい |
ブランド名 | ソニー(SONY) |
メーカー | ソニー(SONY) |
製品型番 | PCMD100 |
対応OS | Not_machine_specific |
製品サイズ | 22.86 x 13.97 x 19.05 cm; 1.45 Kg |
商品重量 | 3.2 ポンド |
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ソニー リニアPCMレコーダー 32GB ハイレゾ対応 PCM-D100
価格: | ¥99,571 |
ポイント: | 2pt 詳細はこちら |
ブランド | ソニー(SONY) |
ハードウェアインターフェイス | USB 2.0 |
フォーマット | 不明な形式 |
電池の個数 | 4 単3形 電池 |
商品寸法 (長さx幅x高さ) | 22.9 x 14 x 19.1 cm |
メモリストレージ容量 | 32 GB |
画面サイズ | 3 |
商品重量 | 3.2 ポンド |
この商品について
- モデル番号を入力してください これが適合するか確認:
- 内蔵メモリー:32GBフラッシュメモリー
- 最大入力音圧(内蔵マイク): 128dBSPL
- 固有雑音(内蔵マイク):19dBSPL(A)以下
- 内蔵マイクロホン:エレクトレットコンデンサーマイクロホン(単一指向性)
- 消費電力(ACアダプタ使用時(電源切)/ACアダプタ使用時):約0.1W/約1.9W
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ソニー SONY リニアPCMレコーダー PCM-A10/ICD-PX470F B ー 対応収納ケース-WERJIA JP
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---|---|---|---|---|---|
カスタマー評価 | 5つ星のうち4.1 (51) | 5つ星のうち4.4 (318) | 5つ星のうち3.8 (26) | 5つ星のうち4.0 (311) | 5つ星のうち4.0 (23) |
価格 | ¥99,571 | ¥18,181 | ¥89,800 | ¥6,582 | ¥1,499 |
販売者 | ONEBEST1+ | Amazon.co.jp | L&S・SHOP | Amazon.co.jp | WERJIA JP |
不明な点がある場合
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商品の情報
詳細情報
登録情報
商品モデル番号 | PCMD100 |
---|---|
ASIN | B00FAY1LQ8 |
発売日 | 2013/11/21 |
Amazon.co.jp での取り扱い開始日 | 2013/9/20 |
おすすめ度 |
5つ星のうち4.1 |
Amazon 売れ筋ランキング |
- 111,828位家電&カメラ (の売れ筋ランキングを見る家電&カメラ)
- 229位ボイスレコーダー |
保証とサポート
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商品の説明
商品紹介
付属:USBケーブル、ACアダプター(6V)、キャリングケース、ウインドスクリーン、ワイヤレスリモコン(送信ユニット、受信ユニット)、単3形アルカリ乾電池4本、サウンド編集ソフト「Sound Forge Audio Studio 10 LE」(DVD-ROM)、取扱説明書、Sound Forge Audio Studio LEを使う、保証書
録音形式(ステレオ録音) DSD 2.8224MHz リニアPCM(WAV) 192/176.4kHz 24bit、96/88.2/48/44.1kHz 24/16bit MP3 320/128kbps
Amazonより
臨場感や空気感までを忠実に記録するポータブル リニアPCMレコーダー
再生対応フォーマット(DSD/WAV/FLAC/MP3/WMA/AAC方式)DSD/WAV/FLAC/MP3/WMA/AAC方式に対応
マイクや回路にまで配慮した緻密な設計で高音質を徹底追求
より原音に近い自然な音場感を再現するDSD録音に対応
臨場感や空気感までを忠実に記録するポータブル リニアPCMレコーダー
新開発 大口径15mmの単一指向性マイクユニットを搭載

新開発のマイクユニットでは約 -31dB/Pa(1kHz)の高感度を実現。さらに、マイク部品の取り付け位置や開口部など細部にわたる設計を施し、
マイク内部の空間をぴったりな状態にする。この結果、周波数特性は40kHz近くまで広がり、伸びのある低域やバイオリンの倍音を含む高域の音源も豊かに録音できる。
可動式高感度ステレオマイクロホン内蔵

音源に合わせて集音範囲を変えられる、可動式高感度ステレオマイクロホンを内蔵。
マイクの左右の角度は可動式なので、音源からの距離や録音する内容に合わせて、集音範囲の異なる2つのポジションから選択が可能。
例えばソロ演奏や2-3人のセッションなど、音源がマイクから近い距離での録音では「X-Yポジション」を選択。自然で奥行きのあるステレオ感を得られる。
また、オーケストラやコーラスなど大人数の演奏を広い場所で録音するときは「ワイドステレオポジション」を選択。臨場感にあふれた、広がり感のある音を集められる。
DSD、リニアPCM方式のそれぞれに適したADコンバーター搭載

DSD、リニアPCMそれぞれ専用のADコンバーターを搭載。
DSDとリニアPCMを兼用せずにそれぞれのモード専用として使用することで、各モードに特化した性能を発揮できる。
32bit対応のDAコンバーターを新規採用し、24bitの音源に対してもより正確な再生を実現。
左右別々に音量調整が可能な「REC LEVEL(録音レベル)ダイヤル」

左右それぞれの録音レベルを調整できるので、微妙な音量の差も調整できる。
周囲の状況に応じて、お好みのレベルで録音できる。
独自開発の「デジタルリミッター(*1)」を搭載

1チャンネルに2つのADコンバーターを使い、通常の音声とともに、12dBの低い信号を常に確保。過大入力が発生した際には、
その時点までもどって録音データを差し替える。アナログでは不可能なマイナスのリミッター時定数を実現し、音の歪みを防止する。
その他の機能
折りたたんで固定ができるハンドルは本体移動時には持ち手となり、収納時や作業場間の移動にも便利である。
刃受け木を保管することができる、受け木ホルダー(本体底面)や作業を行う際の机に傷がつかない保護パット(本体側面、底面)など、純国産による様々な工夫がちりばめられた裁断機となっている。
*1 DSDはフォーマットの性質上、デジタルリミッターに対応していない
*2 LINE入力時のみ100dBを実現
・DSDはフォーマットの性質上、S/N 100dBモードには対応していない
・デジタルリミッターとは同時に使用できない
ご注意(免責)>必ずお読みください
ソニー製品の使いこなしを応援【製品のサポート登録】
ご購入製品をもっと楽しく活用していただくための情報を提供
・つまずきやすい初期設定をわかりやすく説明
・製品のアップデートプログラムのご提供
・大切に使い続けていただくためのお手入れ方法
・製品の活用シーンを広げるアクセサリーの紹介 など
くわしい説明と登録はこちら
https://sony.jp/reg/sa1/(URLをコピー&ペーストして検索ください)
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El servicio del envío a México excelente. Gracias Amazon.!!

First, it is almost impossible to deny that this recorder is capable of making some of the best recordings that can be made with a portable audio recorder. I've owned a fair number of digital recorders from different companies over the years, and the PCM-D100 unquestionably stands apart from these in its ability to make incredibly accurate, noiseless, and distortion-free recordings. In fact, when I made my first tests of this unit well over a year ago, I "jumped" when I heard the quality of these initial recordings. Here's but one example: I had the unit recording in LPCM mode, sitting on my office desk. At about a distance of six feet, the unit accurately picked up THE MOVEMENT OF MY HAND IN MY SHIRT POCKET as I was looking for a pen. Without exaggeration, you could hear the friction between my hand and my shirt jumping out of a nearly silent background (i.e., a basically "noiseless" sound floor). I was simply astonished. I then made some short sample recordings of my wife and me talking to one another with no specific care taken for microphone placement, etc. Again, to my great surprise, the recordings sounded better than most studio recordings I've heard. These may sound like exaggerations, but they are not, and these describe only my first introduction to this incredible recording device before I even knew how to customize the settings for optimized output.
So, what makes this device's recordings sound so good? The (short) answer is the combination of:
1. Microphones with superb sound and sensitivity;
2. Quality pre-amps that fall within Sony's "High Resolution" specification;
3. The digital and analog circuitry, including the D/A converters, employed within the device; and
4. The implementation of LPCM (Linear Pulse Code Modulation) and DSD (Direct Stream Digital) codecs to losslessly save data
Any web search will yield the numerous tests done on this unit and confirm its unique status amongst portable recorders. I examined a number of these online professional reviews before my purchase, and these are still available via a simple Google search, but I still held a somewhat show-me-what-you've-got attitude until I tried the recorder myself, and was still startlingly impressed when I did my own field tests. There was--and is--no question that this is a TRULY impressive recording device.
Build quality is on par with the best of Sony's Japanese-made equipment. There is an imparted feeling like the device was carved out of a single block of aluminum, with no squeaks, or misfitted pieces, and that makes sense because the unit employs an aluminum-based frame. Buttons, knobs, and levers work reassuringly well and in a manner that we wish we saw in all our electronic devices. Moving parts, which include the two microphones, the sound level dials, and the protective metal hinge, etc., feel wonderful to use. And although this is an idiosyncratic observation, the device itself just looks gorgeous. It appears professional without being overwhelming, attractively designed without going overboard with overly-glitzy design elements. And yet, to most anyone, its gorgeous physical design and design elements will be immediately apparent. The front LCD panel is well laid out, with clear depictions of functions and settings (see the user manual for examples of how the screen looks), and can be backlit or not, depending on need.
The majority of features are accessed through a series of buttons on the front panel, although some controls are located on either side of the unit. The microphones are individually mounted on rotational pivot mounts at the top of the device, allowing positioning of the microphones for different types of recording. The microphones are placed under a cage of fixed metal bars which serve to help protect the microphones from being physically hit. Similarly, an aluminum pivoting ring on the right side of the device helps protect the left and right volume controls from being accidentally changed. An inset tripod screw mount is placed on the center-back of the unit, which is very useful because this device is so sensitive that you will likely not be recording much while holding it in your hand.
External microphones can be used with this unit, but they cannot be XLR-style. To use an external microphone, the microphone must have a standard stereo 3.5" plug style. The unit also allows for digital input and digital output via fiber optic cables, which means you can use the unit as a true digital recorder using optical binary transmission of data, really cool for a device like this. Most people who purchase this unit, however, are going to be typically using the device as a sound recorder with the built-in microphones, and these microphones perform so well that the need for any external microphone will be rendered essentially irrelevant. Given that there are no inputs for XLR-style microphones, the PCM-D100 is not a unit made for multi-microphone input and mixing (like the Zoom H6, for example, and which does so in an impressive manner), and you START with that understanding, you're in a good place for properly reviewing the unit for its intended audience.
The unit comes with a wireless remote control, which is not only a nice touch, but, in reality, an essential component, again because of the sensitivity of the microphones. You will not want to start and stop recordings with the onboard controls unless you are planning to later go back and edit out the sound caused by activating the buttons by finger presses: the remote allows you to do basic functions without touching the machine. A furry windscreen, which might look ludicrous if one does not have experience with devices like this, is very helpful for making outside recordings when a breeze or wind is present. Again, remember the incredible sensitivity of the unit can also work AGAINST you, so items like the remote and the furry windscreen are really helpful. If you are outside and even a slight breeze is present, without the furry windscreen, those highly sensitive microphones will generate lots of wind noise in your recording.
The device is powered by four AA (LR6) batteries which are loaded into a tray. The tray is then inserted into the bottom rear of the device after a hinged and lock-enabled door is opened. The battery tray clicks nicely into place before you close the door, so you know the batteries are not placing a strain on the door, nor is noise created by batteries bumping around inside the case. Nickle metal hydride rechargeable batteries are recommended in the manual. I use both Eneloop batteries and regular alkaline batteries without issue. Although the device can also be powered by a 6V 800mA A/C adaptor, that adaptor is not supplied, a *bizarre* move for such an expensive device. Nevertheless, such an adaptor can be purchased very inexpensively, if needed. The consensus is that the batteries will last about twelve hours when used in a continuous recording session.
If it matters, this unit comes presented (and believe me, no other word is more accurate) in an exquisite black cardboard box with a black felt-clad inner box in which the device sits, with accessories beneath it in their own dedicated sections. A colorful cardboard print encloses the entire package. If you purchase this device, you'll want to try to keep this packaging because it is so unusual and also distinguishes the product.
Here are some other cool items about the Sony PCM-D100 that I've selected as possibly pertinent for consideration:
1. This model is the successor to the PCM-D50, which was also highly revered, but was not a High-Resolution recorder as is the PCM-D100
2. 32 Gb of built-in memory is provided; an SDXC card slot provides additional storage to at least 96 Gb, and maybe more
3. The unit is capable of recording in "DSD" format (Google it), and up to 192kHz/24bit LPCM, which is true High Resolution specification
4. The unit records in various MP3 quality levels in addition to DSD and Linear Pulse Code Modulation; it also PLAYS additional formats
5. Super Bit Mapping (Google it) increases sound quality to 20 bits per word when recording at 16-bit levels
6. Using a 64Gb SDXC card and recording at 128 kpbs in MP3, you'll be able to record about 1,500 *HOURS*
7. Using a 64Gb SDXC card and recording at LPCM at 194kHz/24 bits, you'll be able to record over 20 hours (incredible!)
8. Sony's "Sound Forge LE" software is included if you do not have sound editing software (but "Audacity" is free and works impressively well)
9. A digital limiter trims off excessive input and automatically adjusts to within the buffer range of -12dB to prevent distortion
10. You can simultaneously record in both MP3 and LPCM; cool, if you want to send a reduced quality version to someone but don't want to have to first convert the huge LPCM file
11. Cross Memory Recording allows the unit to automatically switch from internal memory when the memory limit is reached to the SDXC card (nice touch!)
12. The inherent noise level from the machine itself is 19dDSPL(A) or below, which is incredible. You just have to hear it to believe it.
Without question, this is a Five-Star device. I've used a ton of Sony equipment over the years of all different types, and this device certainly is among the nicest consumer-grade Sony products I've run across. And, in fact, this device is actually used for professional uses, so labeling it as a "consumer" device is almost a misnomer. Let's just say that the Sony PCM-D100 resides at the very top of the consumer-grade offerings of this type of device across many brands.
There is another stark truth: this is an expensive piece of equipment. Although its price has come down somewhat from its first introduction in 2014, it still carries a price that stings. If you are looking for a single, self-contained recorder without using external mics connected with wires, microphone power supplies, etc., but that records at the pinnacle of the available devices today, this is unquestionably the product to beat. But you have to decide for yourself if getting this supreme performance is worth the price, considering that there are many very good devices available today for 1/3 the price. But as of mid-2018, it is, in my opinion, the best recorder on the market for its type. I believe that it is probably destined to become recognized as a Sony classic model at some point in the future.
Again, I rate this as a Five-Star item, and if you do some web searches to pull up some professional reviews, you'll find a slew of them from a wide variety of sources, and they will all attest to the recording quality of this device and its distinguished role amongst its peers. But you'll have to think long and hard about that price. My hope is that this short review may help you with that decision.


Part of me wants to say it's pricey but it's not. Nothing else in this price range delivers what Sony accomplished here. Try to snag it for $600ish if possible. (I see some people are selling it for close to 1000, don't buy unless desperate)

The recording on this unit is phenomenal too. I bought this to record nature sounds behind my home in the the brushwood and it picks up little details even the rustling of leaves.
Screen display is clear and crisp.
The original box that came with the recorder is huge and wish it was more compact for storage.