ストリート・オブ・ファイヤー [DVD]
| フォーマット | 色, ドルビー, レターボックス化 |
| コントリビュータ | マイケル・パレ, ダイアン・レイン, ウォルター・ヒル |
| 言語 | 英語 |
| 稼働時間 | 1 時間 34 分 |
この商品をチェックした人はこんな商品もチェックしています
ページ: 1 / 1 最初に戻るページ: 1 / 1
商品の説明
Amazonより
かつての恋人でもあった人気ロック・シンガー(ダイアン・レイン)が暴走族(ウィレム・デフォー)一味に誘拐されたことを聞きつけ、彼女を救出するため街へ舞い戻ってきた流れ者トム(マイケル・パレ)の活躍を描いた青春アクション映画。「ロックンロールの寓話」という文字だけ記すと身もふたもないが、実際にヴァイオレンス・アクション映画の鬼才ウォルター・ヒル監督ならではの、スピーディかつエネルギッシュな映像感覚がフルに発揮された、1980年代を代表する快作に仕上がっている。
勧善懲悪的キャストの熱演も、逆にシンプルで心地よい。特に、主人公に協力する元女兵士(エイミー・マディガン)がダントツのかっこよさ。劇中熱唱される数々のいきのいいヴォーカル曲も、それぞれドラマの勢いにさらなる拍車をかけてくれているすばらしさ。(的田也寸志)
レビュー
製作: ローレンス・ゴードン/ジョエル・シルヴァー 監督: ウォルター・ヒル 脚本: ラリー・グロス 撮影: アンドリュー・ラズロ 出演: マイケル・パレ/ダイアン・レイン/リック・モラニス/エイミー・マディカン/ウィレム・デフォー
-- 内容(「CDジャーナル」データベースより)
登録情報
- アスペクト比 : 1.33:1
- 言語 : 英語
- EAN : 4580120516255
- 監督 : ウォルター・ヒル
- メディア形式 : 色, ドルビー, レターボックス化
- 時間 : 1 時間 34 分
- 発売日 : 2005/12/23
- 出演 : マイケル・パレ, ダイアン・レイン
- 字幕: : 日本語, 英語
- 言語 : 英語 (Dolby Digital 5.1)
- 販売元 : ユニバーサル・ピクチャーズ・ジャパン
- ASIN : B000BIX8BE
- ディスク枚数 : 1
- Amazon 売れ筋ランキング: - 138,374位DVD (DVDの売れ筋ランキングを見る)
- - 838位外国の青春映画
- - 10,691位外国のアクション映画
- カスタマーレビュー:
イメージ付きのレビュー
レポートを送信する
お客様がレビューを報告する一般的な理由は以下のとおりです:
- 嫌がらせ、冒涜
- スパム、広告、プロモーション
- 現金、割引と引き換えに贈られます
報告を受け取り次第、レビューがコミュニティガイドラインを満たしているかどうかを確認します。そうでない場合は削除されます。
報告
キャンセル
申し訳ありませんが、レビューを読み込めませんでした
フィードバックをお寄せいただきありがとうございます
申し訳ありませんが、エラーが発生しました
しばらくしてから、もう一度お試しください。閉じる
-
トップレビュー
上位レビュー、対象国: 日本
レビューのフィルタリング中に問題が発生しました。後でもう一度試してください。
2023年10月8日に日本でレビュー済み
Amazonで購入
自宅にて嫁さんと映画の話しをしていて以前見たストリート オブ ファイアーの話しをして見たいと言うのでTSUTAYAに行ったのですが見つからずAmazonで確認したらあったので早速ポッチとして楽しく鑑賞しました。Amazon最高です。
2023年4月18日に日本でレビュー済み
Amazonで購入
すごくシンプルで分かりやすく、お菓子とか食べながら楽しめます!こういう物語好きなんですよね。素直になれない男と女。絵に描いたような悪役。音楽も最高です。
2022年5月17日に日本でレビュー済み
Amazonで購入
ストリートギャングにさらわれた元恋人を救い出す為女用心棒とタッグを組んで敵地に乗り込む主人公が最高にカッコイイ!全編にロックがあふれているような映画。ロックファンにはたまらない映画。ファンじゃなくても十分に楽しめるウォルター,ヒル初期の傑作!!
2022年9月24日に日本でレビュー済み
Amazonで購入
当時、マイケル.パレに憧れたなぁ〜
去り際がヤバい♪
去り際がヤバい♪
他の国からのトップレビュー
Griffin
5つ星のうち4.0
Good, but...
2023年10月23日にアメリカ合衆国でレビュー済みAmazonで購入
First off. This movie has one of the greatest openings i've ever seen in any film. It opens up on this epic 80s style concert set in what looks like 50s New York with our lead character Ellen Aim(played by Diane Lane) rocking out to this epic and catchy song "Nowhere fast" all the while a group of villainous biker gang members calling themselves "the Bombers" slowly sneak in front of the stage and get ready to kidnap her. The music is awesome and the way the cinematography keeps cutting from the concert happening onstage to the villains creeping in closer, is perfectly edited together and sets up the story in a really nice way. The way I'm describing it doesn't really do it justice. You just have to see it for yourself, it's awesome! Sadly the rest of the film never really lives up to how great that opening is. It has a good set up. A popular rock singer gets kidnapped by a gang of bikers and it's up to a soldier of fortune, Tom Cody(Played by Michael Pare) to venture into crime ridden streets with the help of his side kick and Ellen's manager(who is played by Rick Moranis in a surprisingly serious role for him) in order to save her. Your typical "Masculine hero saving damsel in distress" kind of story, but with some truly great music and visuals. Unfortunately, the story is just too generic and never really does anything interesting. There's no twists or turns to spice things up. It all plays out in the most basic way you could imagine. Like, most of the movie is just our group of characters walking to and from each destination talking about stuff. This does lend itself well to some nice character development but narrative wise, it just doesn't go anywhere. Not to spoil anything, but the hero very easily saves the girl from the biker gang without much thought or effort and it all culminates in a very forgettable fist fight showdown with our lead hero and villain. This would have been fine if the action was really good, but it's mostly just Ok. The back of the blu ray box says that our heros encounter several "deadly assassins" which might make you think that this film will be like "the Warriors" where the characters have to escape from an certain area all the while fighting against various armed assailants but that's kind of blatant lie. There's really only 2 real action scenes in the movie, one being when our hero rescues the girl from the gang headquarters which is fine but it goes by too fast, and the other being a fist fight at the end which like I said is pretty forgettable. Most of the movie is just characters walking around and there really isn't much action. It's such a shame because the movie is nice looking and clearly very well made. It's a period piece taking place in the 50s and the film really nails the look and feel of 1950s downtown New York, plus the soundtrack is Fantastic. On top of that, the lead actors all do a really good job in their roles. In particular, I loved how we get to see a young Willem Dafoe ham it up as the leader of this evil biker gang who has a great villainous look to him. He could have been a great and memorable villain but Sadly, he really isn't given much to do and comes off extremely one-dimensional. And that's kind of how the whole story is. It starts off great and has amazing music and visuals, but ultimately just ends up telling a very basic and uninteresting story. Like honestly the whole film can be summed up in just a few sentences: Bad guy kidnaps damsel in distress. Good guy gets her back. Bad guy follows good guy back to concert building. Good guy and bad guy have fist fight and everyone celebrates afterwards. It's as basic as it gets and it's just frustrating to me since this film had so many other good qualities but yet fails to deliver on the most important part, that being the story. Ultimately, it's a generic story with some great music and cinematography. It could have been so much more but it is worth watching for the great soundtrack and heavy atmosphere. Plus, like I said, the cinematography is fantastic and especially looks great on the high definition blu ray released by Shout Factory. I'd recommend renting this first if you want to watch it before deciding to buy the blu ray or not.
Daniel Vázquez Zamarripa
5つ星のうち5.0
Opera prima del rock
2023年9月25日にメキシコでレビュー済みAmazonで購入
Si bien es una historia con muchos clichés, tiene sus apartados que la hacen distintiva, como la fotografía, es una historia romántica clásica, el soundtrack es fantástico y la actuación de un William Dafoe muy joven, cuántas películas tendrá en su filmografía? Está versión viene subtitulada al español
Lawrance Bernabo
5つ星のうち5.0
They're going nowhere but they 're going nowhere fast
2005年4月2日にアメリカ合衆国でレビュー済みAmazonで購入
You and me, we're goin' nowhere slowly
And we gotta get away from the past
There's nothin' wrong with goin' nowhere, baby
But we should be goin' nowhere fast
It's so much better goin' nowhere fast
Jim Steinman bookends "Streets of Fire" with a couple of his operatic rock epics that make it clear he does not need Meatloaf or even Bonnie Tyler to make his songs sound great (Laurie Sargent and Holly Sherwood get the honors respectively) and director William Hill tries to get us from the big opening to the grand finale by telling a story about a guy trying to get his girl back with a little help from his friends. Ry Cooder provides the rock pulse in the middle aided and abetted by the Beaters and their raucous "One Bad Stud." There is no doubt that the soundtrack fuels this 1984 rock & roll fable that has achieved cult status with its fans, of whom I would clearly be one.
This is a biker movie where Fifties sensibilities are dressed up with a touch of haute couture, Studebakers are the king of the road, the elevated train tracks dominate the city streets, and do-wop groups do the Moonwalk. Ellen Aim (Diane Lane) and the Attackers are doing a big concert back home when the Bombers show up and kidnap the singer at the order of their leader, Raven Shaddock (Willem Dafoe). So Reva (Deborah Van Valkenburgh) who runs the local diner wires her kid brother, Tom Cody (Michael Paré), an ex-solider and Ellen's ex-flame to come home and put things to rights. He walks into the diner and the arrival of a gang of young punks gives him an immediate opportunity to demonstrate that even though he has skinny arms Tom can take care of business (plus he is way cool, as demonstrated by his giving the first punk a second opportunity to try and get his switchblade act together). He also gets a nice fire engine red convertible in return.
Of course, not even Tom Cody can take the Bombers on all by himself, so along for the fun is McCoy (Amy Madigan), another ex-soldier who gets to do the driving and Billy Fish (Rick Moranis), who is not only Ellen's manager but her (for lack of a better word) current boyfriend. Billy has a mouth on him and while Tom never slaps him down McCoy has some fun egging him on about Tom being Ellen's old flame. But getting Ellen out of the Battery is only part of the job, because Tom has to get her back home and you know there is going to be a show down between Raven and Tom (but you probably be surprised by Raven's choice of weapons).
The movie is something of a let down after the credits end, especially since the film editors do some nice wipes and freeze frames that make for a memorable title credits. That comes back for the bit set to Steve Nick's "Sorcerer" (also sung by Sargent), but the opening number "Goin' Nowhere Fast" gets you hooked and it is not until "Tonight Is What It Means to Be Young" at the end that there is that much energy on the screen. I suppose it would have been exhausting to have twice as many Steinman numbers in this film, but this is a musical where the performer needs to be on stage to sing, which is underscored by the music video on the television sets in the bar that allows Ellen to sing a third song.
There is also a problem because the chemistry between Tom and Ellen is pretty sedate. I know what I see in Ellen Aim because I had a crush on Diane Lane when she was in "A Little Romance" and in this film she is grown up enough from being on the cover of "Time" that such thoughts are no longer bad things (By the time she was nominated for an Oscar for "Unfaithful" she could not be more grown up as far as I am concerned, although her Stella in the Baldwin-Lange version of "Streetcar" was pretty good too). But whatever Tom say in Ellen is pretty much buried in the past. Her emotional high point is when she runs to him in the pouring rain, while his is the long last look he gives her at the end. As Ellen sings in "Sorcerer," they are just a "man and woman on a star street in the middle of a snow dream" (go ahead, try and prove something that metaphorical does not hold true).
Still it proves impossible for me not to just go along for the ride. After all, a boy can be the next best thing to an angel and Ellen might not be an angle but at least she's a girl and I've got a dream that when the darkness is over they'll be lyin' in the rings of the sun, but these lovers are star crossed not star kissed. But, hey, it's all we've really got tonight and when I start treating Steinman's overblown lyrics like a Shakespearean sonnet you know I have no choice in the end but to round up on this one even though the DVD does not include the memorable music videos that were released separately on video way back when.
Let the revels begins
Let the fire be started
We're dancing for the desparate and the brokenhearted
Tonight is what it means to be young
Before you know it, it's gone
Say a prayer in the darkness for the magic of love
No matter what it seems
Tonight is what it means to be young
And we gotta get away from the past
There's nothin' wrong with goin' nowhere, baby
But we should be goin' nowhere fast
It's so much better goin' nowhere fast
Jim Steinman bookends "Streets of Fire" with a couple of his operatic rock epics that make it clear he does not need Meatloaf or even Bonnie Tyler to make his songs sound great (Laurie Sargent and Holly Sherwood get the honors respectively) and director William Hill tries to get us from the big opening to the grand finale by telling a story about a guy trying to get his girl back with a little help from his friends. Ry Cooder provides the rock pulse in the middle aided and abetted by the Beaters and their raucous "One Bad Stud." There is no doubt that the soundtrack fuels this 1984 rock & roll fable that has achieved cult status with its fans, of whom I would clearly be one.
This is a biker movie where Fifties sensibilities are dressed up with a touch of haute couture, Studebakers are the king of the road, the elevated train tracks dominate the city streets, and do-wop groups do the Moonwalk. Ellen Aim (Diane Lane) and the Attackers are doing a big concert back home when the Bombers show up and kidnap the singer at the order of their leader, Raven Shaddock (Willem Dafoe). So Reva (Deborah Van Valkenburgh) who runs the local diner wires her kid brother, Tom Cody (Michael Paré), an ex-solider and Ellen's ex-flame to come home and put things to rights. He walks into the diner and the arrival of a gang of young punks gives him an immediate opportunity to demonstrate that even though he has skinny arms Tom can take care of business (plus he is way cool, as demonstrated by his giving the first punk a second opportunity to try and get his switchblade act together). He also gets a nice fire engine red convertible in return.
Of course, not even Tom Cody can take the Bombers on all by himself, so along for the fun is McCoy (Amy Madigan), another ex-soldier who gets to do the driving and Billy Fish (Rick Moranis), who is not only Ellen's manager but her (for lack of a better word) current boyfriend. Billy has a mouth on him and while Tom never slaps him down McCoy has some fun egging him on about Tom being Ellen's old flame. But getting Ellen out of the Battery is only part of the job, because Tom has to get her back home and you know there is going to be a show down between Raven and Tom (but you probably be surprised by Raven's choice of weapons).
The movie is something of a let down after the credits end, especially since the film editors do some nice wipes and freeze frames that make for a memorable title credits. That comes back for the bit set to Steve Nick's "Sorcerer" (also sung by Sargent), but the opening number "Goin' Nowhere Fast" gets you hooked and it is not until "Tonight Is What It Means to Be Young" at the end that there is that much energy on the screen. I suppose it would have been exhausting to have twice as many Steinman numbers in this film, but this is a musical where the performer needs to be on stage to sing, which is underscored by the music video on the television sets in the bar that allows Ellen to sing a third song.
There is also a problem because the chemistry between Tom and Ellen is pretty sedate. I know what I see in Ellen Aim because I had a crush on Diane Lane when she was in "A Little Romance" and in this film she is grown up enough from being on the cover of "Time" that such thoughts are no longer bad things (By the time she was nominated for an Oscar for "Unfaithful" she could not be more grown up as far as I am concerned, although her Stella in the Baldwin-Lange version of "Streetcar" was pretty good too). But whatever Tom say in Ellen is pretty much buried in the past. Her emotional high point is when she runs to him in the pouring rain, while his is the long last look he gives her at the end. As Ellen sings in "Sorcerer," they are just a "man and woman on a star street in the middle of a snow dream" (go ahead, try and prove something that metaphorical does not hold true).
Still it proves impossible for me not to just go along for the ride. After all, a boy can be the next best thing to an angel and Ellen might not be an angle but at least she's a girl and I've got a dream that when the darkness is over they'll be lyin' in the rings of the sun, but these lovers are star crossed not star kissed. But, hey, it's all we've really got tonight and when I start treating Steinman's overblown lyrics like a Shakespearean sonnet you know I have no choice in the end but to round up on this one even though the DVD does not include the memorable music videos that were released separately on video way back when.
Let the revels begins
Let the fire be started
We're dancing for the desparate and the brokenhearted
Tonight is what it means to be young
Before you know it, it's gone
Say a prayer in the darkness for the magic of love
No matter what it seems
Tonight is what it means to be young
Marilyn J. Commins
5つ星のうち4.0
Good Way to Amuse Yourself
2023年10月2日にアメリカ合衆国でレビュー済みAmazonで購入
I rent this movie every now and then because it is fun and I like the music. Visually still up to date as well. I have been renting thru Netflix but since they are shutting down their rentals I decided to purchase it.
Roberta
5つ星のうち5.0
Rock n Roll Fable
2023年10月4日にアメリカ合衆国でレビュー済みAmazonで購入
Have loved this film since its release. Was glad to get this version of it. Very cool.

![ストリート・オブ・ファイヤー [Blu-ray]](https://images-fe.ssl-images-amazon.com/images/I/81P+5HzYT1L._AC_UL160_SR160,160_.jpg)

![フットルース [DVD]](https://images-fe.ssl-images-amazon.com/images/I/714e5dLF1aL._AC_UL160_SR160,160_.jpg)
![ウォリアーズ [DVD]](https://images-fe.ssl-images-amazon.com/images/I/710JespDioL._AC_UL160_SR160,160_.jpg)
![フラッシュダンス [DVD]](https://images-fe.ssl-images-amazon.com/images/I/71+buPFhgxL._AC_UL160_SR160,160_.jpg)
![ランブルフィッシュ [DVD]](https://images-fe.ssl-images-amazon.com/images/I/81JD++EJGSL._AC_UL160_SR160,160_.jpg)











