- 予約商品を通常商品と同時にご注文の場合、通常商品も予約商品の発売日にまとめて発送される場合がございます。通常商品の配送をお急ぎの方は別々にご注文されることをおすすめします。予約注文・限定版/初回版・特典に関する注意は こちらをご覧ください。
- 注記:Amazon.co.jpが販売・発送する一部の商品は、お一人様あたりのご注文数量を限定させていただいております。お一人様あたりのご注文上限数量を超えるご注文(同一のお名前及びご住所で複数のアカウントを作成・使用されてご注文された場合を含みます。)その他Amazon.co.jpにおいて不正なご注文とみなす場合には、予告なくご注文をキャンセルさせていただくことがあります。
- 【AmazonDVDコレクション】 人気のタイトルが、いつでもお得なAmazon価格でご購入いただけるシリーズです。DVDは1枚1,000円、ブルーレイは1枚1,500円。 対象商品はこちら。
よく一緒に購入されている商品
この商品をチェックした人はこんな商品もチェックしています
ページ: 1 / 1 最初に戻るページ: 1 / 1
この商品を買った人はこんな商品も買っています
ページ: 1 / 1 最初に戻るページ: 1 / 1
登録情報
- アスペクト比 : 1.78:1
- Is Discontinued By Manufacturer : いいえ
- 言語: : 日本語
- 梱包サイズ : 18.03 x 13.76 x 1.48 cm; 81.65 g
- EAN : 4959241980243
- 監督 : 高畑勲
- メディア形式 : 色, ドルビー, ワイドスクリーン
- 時間 : 1 時間 59 分
- 発売日 : 2003/3/7
- 出演 : 今井美樹, 柳葉敏郎
- 字幕: : 日本語, 英語
- 言語 : 日本語 (Dolby Digital 2.0 Stereo)
- 販売元 : ブエナ・ビスタ・ホーム・エンターテイメント
- ASIN : B00005R5J5
- ディスク枚数 : 2
-
Amazon 売れ筋ランキング:
- 48,266位DVD (の売れ筋ランキングを見るDVD)
- - 2,080位キッズアニメ・映画
- カスタマーレビュー:
商品の説明
内容紹介
ジブリがいっぱいCOLLECTION
『おもひでぽろぽろ』
<ストーリー>
現在の自分に漠然とした物足りなさを感じている27歳のOL岡島タエ子は、休暇を取って姉の夫の実家がある山形へ出掛ける。東京育ちのタエ子は、小さな頃から田舎のある生活に憧れていたのだ。旅の途中で、彼女はふと小学5年生の自分を思い出してしまう。一度蘇った思い出はタエ子から離れていかなかった。小学5年生、それは女の子が一つ階段を昇って成長するためのさなぎの季節なのかもしれない。いくつも思い出が浮かんでくるのは、自分に再びさなぎの季節が巡ってきたのだろうか。もう一度、自分を見つめ直す時なのかもしれないと、タエ子は思いをはせていく。山形駅に着いたタエ子を待っていたのは、新しい農業に意欲を燃やしている青年、トシオとの出会いだった。紅花摘みに田んぼの草取り、リンゴの袋がけ。トシオの案内でタエ子は田舎の気分を満喫する。自然と調和しながら生きている農家の人々の姿に、地に足の着いた生活の魅力を発見するのだった。そして、東京へ帰る日の前夜、おばあちゃんから、思いもかけない話題が出る。
<映像特典>
●絵コンテ
●予告編集
●「Making of おもひでぽろぽろ」
内容(「キネマ旬報社」データベースより)
岡本螢、刀根夕子による同名コミックを高畑勲監督、宮崎駿プロデュースで映画化。27歳の平凡なOL・タエ子が、小学5年生の頃の自分を振り返りながら当時の“ワタシ”を道連れに田舎へ旅をする心暖まるストーリー。今井美樹、柳葉敏郎が声優を務める。
内容(「Oricon」データベースより)
都会生活に物足りなさを感じている27歳のヒロインが、憧れの田舎を旅する中、その自然の素晴らしさや人々の心の温かさに触れ、成長していく様を描いた高畑勲監督が贈る感動のアニメ。声の出演は今井美樹、柳葉敏郎ほか。
レビュー
プロデューサー: 宮崎駿 監督: 高畑勲 原作: 岡本螢 声の出演: 今井美樹/柳葉敏郎
-- 内容(「CDジャーナル」データベースより)
この商品を見た後に買っているのは?
ページ: 1 / 1 最初に戻るページ: 1 / 1
カスタマーレビュー
5つ星のうち4.4
星5つ中の4.4
410 件のグローバル評価
評価はどのように計算されますか?
全体的な星の評価と星ごとの割合の内訳を計算するために、単純な平均は使用されません。その代わり、レビューの日時がどれだけ新しいかや、レビューアーがAmazonで商品を購入したかどうかなどが考慮されます。また、レビューを分析して信頼性が検証されます。
トップレビュー
上位レビュー、対象国: 日本
レビューのフィルタリング中に問題が発生しました。後でもう一度試してください。
2020年3月17日に日本でレビュー済み
違反を報告
Amazonで購入
アニメーション映画は言葉に頼らず表現できる芸術と言われている。「台詞無し」で言語を超えて多民族間で伝え合う事すら可能である。
所が本編は肝心な内容の殆どを台詞でペラペラ喋らせてしまい、大切な内容は映像表現していない。
以前から、各所で「この程度の内容なら実写で十分表現出来るのではないか」と指摘されていた様だが、これは実写映画でも徹底的に批判ないし軽蔑されるやり方である。
こういうのをアニメーションというより映画の自殺行為というのだ。
折角、ある意味普遍的とも言える事柄を内包しているにも関わらずこうした表現でそれらが「台無し」なのである。
更に言うと小津安二郎の映画からの影響とかパロディでは無く、単純なパクリと思える表現があり、それは失笑というより哀れですらある。
アニメーション映画の大家とされる監督が安易にこういう事をしてしまうのは余りに情けない。*
*筆者注釈:「火垂るの墓」でも「禁じられた遊び」の露骨過ぎるパクリをやっているのでこの監督は常習犯なのか?鑑賞者もシナリオが遅筆と言われる割にこんな安易な事をする監督の作品からは早く卒業した方が良いと思う。
かつてLDを所有し、DVDも買ったが、こんな映画は見る時間が惜しい、読書なり、他の優れたアニメーションや実写映画の鑑賞にそれを回したいと思い、このDVDは破棄する程では無いが、批判対象の資料としてお蔵入り決定である。
所が本編は肝心な内容の殆どを台詞でペラペラ喋らせてしまい、大切な内容は映像表現していない。
以前から、各所で「この程度の内容なら実写で十分表現出来るのではないか」と指摘されていた様だが、これは実写映画でも徹底的に批判ないし軽蔑されるやり方である。
こういうのをアニメーションというより映画の自殺行為というのだ。
折角、ある意味普遍的とも言える事柄を内包しているにも関わらずこうした表現でそれらが「台無し」なのである。
更に言うと小津安二郎の映画からの影響とかパロディでは無く、単純なパクリと思える表現があり、それは失笑というより哀れですらある。
アニメーション映画の大家とされる監督が安易にこういう事をしてしまうのは余りに情けない。*
*筆者注釈:「火垂るの墓」でも「禁じられた遊び」の露骨過ぎるパクリをやっているのでこの監督は常習犯なのか?鑑賞者もシナリオが遅筆と言われる割にこんな安易な事をする監督の作品からは早く卒業した方が良いと思う。
かつてLDを所有し、DVDも買ったが、こんな映画は見る時間が惜しい、読書なり、他の優れたアニメーションや実写映画の鑑賞にそれを回したいと思い、このDVDは破棄する程では無いが、批判対象の資料としてお蔵入り決定である。
7人のお客様がこれが役に立ったと考えています
役に立った
2020年8月1日に日本でレビュー済み
Amazonで購入
小さい頃に見た記憶があり、これから5年生になる娘にも見せたいなと思い購入しました。
学校で起こる色々なこと、家族との関係や素直になれない気持ち、親目線になった今自分が共感できる所など、娘も私も楽しめました。
柳葉敏郎さんのトシオさんはなんだか人生の先生みたいで、ちょっとした田舎に住んでる自分でも勉強になりました。
かぐや姫の物語が好きな娘が、高畑勲さんが亡くなったのを悲しんでいたので、他にも我が家に残しておきたい作品として永久保存しておきます。
学校で起こる色々なこと、家族との関係や素直になれない気持ち、親目線になった今自分が共感できる所など、娘も私も楽しめました。
柳葉敏郎さんのトシオさんはなんだか人生の先生みたいで、ちょっとした田舎に住んでる自分でも勉強になりました。
かぐや姫の物語が好きな娘が、高畑勲さんが亡くなったのを悲しんでいたので、他にも我が家に残しておきたい作品として永久保存しておきます。
2015年8月22日に日本でレビュー済み
Amazonで購入
自分は実際に山形へは行った事はありませんが、高畑勲監督が下見を行っているドキュメンタリーを観るとまさにジブリと言う程の鮮明で一つ一つ細やかで、実際に蔵王等に行っているような気持になりました。
物語を言うと、タエ子が「もともとの綺麗な景色!(自然が多い!!)」と思う場面がありましたが、親戚のある人が、「実はこの景色も昔から人間が作ってきたものなのですよ!」というセリフには驚くとともに、納得させられました。
昔のタエ子の時代より自分は少しずれますが、他の方のレビューで書かれてあるように自分にもすごく懐かしい気持ちになりました。
自然とスーッと物語の中に入っていったからだと思いました。
観ておられない方は自然の美しさや物語の面白さや終盤の感動等があり、気持ちを落ち着かせてくれるかと思います。
物語を言うと、タエ子が「もともとの綺麗な景色!(自然が多い!!)」と思う場面がありましたが、親戚のある人が、「実はこの景色も昔から人間が作ってきたものなのですよ!」というセリフには驚くとともに、納得させられました。
昔のタエ子の時代より自分は少しずれますが、他の方のレビューで書かれてあるように自分にもすごく懐かしい気持ちになりました。
自然とスーッと物語の中に入っていったからだと思いました。
観ておられない方は自然の美しさや物語の面白さや終盤の感動等があり、気持ちを落ち着かせてくれるかと思います。
他の国からのトップレビュー

Abby Lea
5つ星のうち5.0
Fantastic Story, classic Ghibli [update: blu-ray edition]
2016年4月14日に英国でレビュー済みAmazonで購入
What an amazingly enchanting story. I love how the main character keeps looking back at her childhood, as you get to know her real aspirations, despite what other people's expectations of her are. You follow how she finds herself and develops as an adult, as she is where she really loves, a farm, where she dreamily falls in love with the love of her life, and comes to the realisation that she wants to be a farmer's wife instead of living in the big city, Tokyo.
I can't wait until this finally comes out in the UK, in English as a blu-ray
[update: the new Blu-Ray version is fantastic, the animation is sharpened for meeting the high definition demands! as always, the film is great-although i'm not sure about the English dub voice choices for Naeko and Toshio]
I can't wait until this finally comes out in the UK, in English as a blu-ray
[update: the new Blu-Ray version is fantastic, the animation is sharpened for meeting the high definition demands! as always, the film is great-although i'm not sure about the English dub voice choices for Naeko and Toshio]

Adam H
5つ星のうち5.0
A wonderful tale of self discovery.
2016年8月29日に英国でレビュー済みAmazonで購入
The item arrived quickly and in good condition from Amazon.
Only Yesterday is one of the more unusual Ghibli films in that it is centred around a far more real and less fantastical story but one that is just as engaging and endearing. It follows the story of a woman looking back on her life and all the connections she has made through family and childhood friends all the way to present day where she is trying to find a sense of herself and where she belongs.
It is a time old tale of self discovery and living ones life to the fullest, managing others expectations while living a life that's true to you.
All this done only as Studio Ghibli could
Only Yesterday is one of the more unusual Ghibli films in that it is centred around a far more real and less fantastical story but one that is just as engaging and endearing. It follows the story of a woman looking back on her life and all the connections she has made through family and childhood friends all the way to present day where she is trying to find a sense of herself and where she belongs.
It is a time old tale of self discovery and living ones life to the fullest, managing others expectations while living a life that's true to you.
All this done only as Studio Ghibli could

Ian Thumwood
5つ星のうち5.0
Simply one of the best films of the 1990's....
2012年5月14日に英国でレビュー済みAmazonで購入
Nostalgic reflection is nearly always a sure-fire route to artistic success. Some of my favourite novels such as Alain-Fournier's "Le Grand Meulnes" and L P Hartley's "The go between" demonstrate how successful nostalgia can be as a subject when handled with expert care and attention. For me, "Only Yesterday" manages to achieve the same high standard not only in cinema but also in the animated medium. "Only Yesterday" is proof, if it is needed, that animation can produce cinema as effective as anything with live action. As a recent fan of Studio Ghibli's work, this is the most creative and artistically successful film they have ever made and stands head and shoulders above more celebrated films like "Spirited away."
I think that the film's achievements are attributable to a number of factors. To start with, despite this film is only available in Japanese with English sub-titles, the script is exceptional. It works on three levels:- as conversation in the present, as a reflective and profound monologue upon the past experienced by the prinicple character Taeko and ,utlimately, in the scenes that take place when she was ten years old. The childhood scenes seem to resonate with truth in their depiction of awkwardness and serve to show how society changed in the decades that followed the 1960's. Take for example the scenario with the new experience with the recently introduced pineapple which is dealt with in a bittersweet fashion that obviously attempt to replicate Proust's famous madelaines.
It goes without saying that the quality of illustrations from this studio are of the usual high standard but "Only Yesterday" offers two styles of images. The "recent" scenes are all drawn in the familiar Ghibli style. On the other hand, the scenes with the 10 year old Taeko set in the 1960's feature backgrounds which are a kind of washed out water colour with the characters seem a little more cartoonish although with no less expression. I felt that this was a brave decision by the film makers and totally inspired. It also allows a few liberties to be taken with reality such as the conclusion of the scene where Taeko meets the base-ball playing friend who has a crush on her in a street and both characters are too embarrassed to say anything other than to ask each other what their favourite kind of weather is. I found this scene to be especially effecting and it ends in a totally unexpected fashion. However, the film's trump card is not played until the film appears to have ended when Taeko boards the train home to Tokyo from her holiday in the countryside. As exceptional as the film had been up to that point, I felt this was truly the icing on the cake.
It is not difficult to explain why a film about a 27 year old woman reflecting upon an awkwards childhood should appeal to this 40-something, male reviewer. Despite being set in Japan, it shows that childhood has plenty things about it which are universal and nicely records how seemingly insignificant events can have a bearing on how a child develops. Most people will be able to recognise many of the incidents recounted in this film themselves regardless of their gender. "Only yesterday" is also very much a "feel good" film even though this is a film that has been made by people with intelligence and vision. The only point that I felt to be slightly uncomfortable for me were the scenes concerning "female development" which did shock me a bit but the whole issue was dealt with in a delicate fashion and it served a purpose to illustrate Taeko's embarrassment. Ultmately, it did manage to retain a degree of dignity as well as humour. Not a subject that you would expect to encounter in cinema but I doubt if it could have been dealt with more sensitively as in this film. Much of the film's success is also due to the fact that Taeko is a modest and admirable character. The parts of the film concerning struggling at mathematics also amused me - the first time I've ever seen the questioning of the logic of dividing fractions by another fractions! I'm on Taeko's side with this one! Another scene shows her responding to a younger child in a fashion that contrasts earlier with her own treatment at a similar age by her parents and older sibblings. Miyazaka's film are usually notable for their strong, female characters and it is difficult not to fall a little bit in love with Taeko who is one of Ghibli's finest creations. She is not a 2-dimenstional character and finely etched as a very admirable human being in a superior piece of script writing.
In conclusion, this film is not only the most exceptional film from the Ghibli stable but also one of the finest pieces of film-making from the 1990's. "Only yesterday" offers ample reason to jettison those reservations about both foriegn language films and animation. An essential addition to any film collection.
I think that the film's achievements are attributable to a number of factors. To start with, despite this film is only available in Japanese with English sub-titles, the script is exceptional. It works on three levels:- as conversation in the present, as a reflective and profound monologue upon the past experienced by the prinicple character Taeko and ,utlimately, in the scenes that take place when she was ten years old. The childhood scenes seem to resonate with truth in their depiction of awkwardness and serve to show how society changed in the decades that followed the 1960's. Take for example the scenario with the new experience with the recently introduced pineapple which is dealt with in a bittersweet fashion that obviously attempt to replicate Proust's famous madelaines.
It goes without saying that the quality of illustrations from this studio are of the usual high standard but "Only Yesterday" offers two styles of images. The "recent" scenes are all drawn in the familiar Ghibli style. On the other hand, the scenes with the 10 year old Taeko set in the 1960's feature backgrounds which are a kind of washed out water colour with the characters seem a little more cartoonish although with no less expression. I felt that this was a brave decision by the film makers and totally inspired. It also allows a few liberties to be taken with reality such as the conclusion of the scene where Taeko meets the base-ball playing friend who has a crush on her in a street and both characters are too embarrassed to say anything other than to ask each other what their favourite kind of weather is. I found this scene to be especially effecting and it ends in a totally unexpected fashion. However, the film's trump card is not played until the film appears to have ended when Taeko boards the train home to Tokyo from her holiday in the countryside. As exceptional as the film had been up to that point, I felt this was truly the icing on the cake.
It is not difficult to explain why a film about a 27 year old woman reflecting upon an awkwards childhood should appeal to this 40-something, male reviewer. Despite being set in Japan, it shows that childhood has plenty things about it which are universal and nicely records how seemingly insignificant events can have a bearing on how a child develops. Most people will be able to recognise many of the incidents recounted in this film themselves regardless of their gender. "Only yesterday" is also very much a "feel good" film even though this is a film that has been made by people with intelligence and vision. The only point that I felt to be slightly uncomfortable for me were the scenes concerning "female development" which did shock me a bit but the whole issue was dealt with in a delicate fashion and it served a purpose to illustrate Taeko's embarrassment. Ultmately, it did manage to retain a degree of dignity as well as humour. Not a subject that you would expect to encounter in cinema but I doubt if it could have been dealt with more sensitively as in this film. Much of the film's success is also due to the fact that Taeko is a modest and admirable character. The parts of the film concerning struggling at mathematics also amused me - the first time I've ever seen the questioning of the logic of dividing fractions by another fractions! I'm on Taeko's side with this one! Another scene shows her responding to a younger child in a fashion that contrasts earlier with her own treatment at a similar age by her parents and older sibblings. Miyazaka's film are usually notable for their strong, female characters and it is difficult not to fall a little bit in love with Taeko who is one of Ghibli's finest creations. She is not a 2-dimenstional character and finely etched as a very admirable human being in a superior piece of script writing.
In conclusion, this film is not only the most exceptional film from the Ghibli stable but also one of the finest pieces of film-making from the 1990's. "Only yesterday" offers ample reason to jettison those reservations about both foriegn language films and animation. An essential addition to any film collection.

Scriabinmahler
5つ星のうち5.0
Beautifully crafted & deeply touching animation
2011年1月7日に英国でレビュー済みAmazonで購入
First of all, the pictures and animation in this film is breath-takingly beautiful, vividly capturing the enchanting atmosphere of the Japanese rural scenery and the overcrowded, bustling city life of present day and in the 60s. This is one of few Studio Ghibli films with no English language dubbing, I guess, because some of the lines have no English parallel when they refer to the 60s' Japanese pop culture. But the English subtitle translation is brilliant and you will be surprised to find how westernised Japan was in the 60s.
This is a groundbreaking animation in many ways. Never before in the history of Japanese animation, an unassuming late twenty years old office worker has been chosen as a main character and her psychological metamorphosis has been explored in such depth and with such intimacy. Her childhood memories intertwine with her present life and compel her to make a momentous decision of her life. The beauty of this story is that the mysterious relationship to her inner-self is left unexplained but anyone can identify with the sense of being in harmoney with cycle of life when one is about to make a life changing decision. That makes this story of an orninary life of an ordinary person profoundly moving.
The special feature includes original sketch version of the whole film and a long documentary about the painstaking process of hand-drawn animation production using cellulose acetate and about the inspirational rivalry between Takahata and Miyazaki.
This is a groundbreaking animation in many ways. Never before in the history of Japanese animation, an unassuming late twenty years old office worker has been chosen as a main character and her psychological metamorphosis has been explored in such depth and with such intimacy. Her childhood memories intertwine with her present life and compel her to make a momentous decision of her life. The beauty of this story is that the mysterious relationship to her inner-self is left unexplained but anyone can identify with the sense of being in harmoney with cycle of life when one is about to make a life changing decision. That makes this story of an orninary life of an ordinary person profoundly moving.
The special feature includes original sketch version of the whole film and a long documentary about the painstaking process of hand-drawn animation production using cellulose acetate and about the inspirational rivalry between Takahata and Miyazaki.

R. A. Caton
5つ星のうち5.0
Heartwarming and thiught provoking
2018年2月8日に英国でレビュー済みAmazonで購入
A girl goes into the country for a break and reevaluates her values whilst recalling her schooldays and schoolmates.
Well, not a girl anymore but a woman possibly getting too old for the marriage market, something that hasn't interested her before or caused her concern.
Like so.many Ghibli films a beautiful study of character and interpersonal relationships.
Well, not a girl anymore but a woman possibly getting too old for the marriage market, something that hasn't interested her before or caused her concern.
Like so.many Ghibli films a beautiful study of character and interpersonal relationships.
現時点ではこのメニューの読み込みに問題があります。