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おもひでぽろぽろ [Blu-ray]
| 参考価格: | ¥7,480 |
| 価格: | ¥5,982 |
| OFF: | ¥1,498 (20%) |
| ポイント: | 60pt (1%) 詳細はこちら |
この商品の特別キャンペーン
CD・DVD スタンプカード 対象商品。
1 件
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CD・DVD スタンプカード 対象商品。
Amazon.co.jp CD・DVDストアでは、CD・DVDを1回に3,000円以上ご購入いただくとスタンプが1個もらえるキャンペーンを実施中。スタンプを5個ためると200円分、10個ためると500円分の割引クーポンをプレゼント。12月20日まで。 お客様のスタンプカードを見る。 詳細はこちら (細則もこちらからご覧いただけます)
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登録情報
- アスペクト比 : 1.78:1
- Is Discontinued By Manufacturer : いいえ
- 言語 : 日本語, ドイツ語, 韓国語, 北京語
- 製品サイズ : 25 x 2.2 x 18 cm; 158.76 g
- EAN : 4959241713995
- 監督 : 高畑勲
- メディア形式 : 色, ドルビー, DTS Stereo, 吹き替え, 字幕付き, ワイドスクリーン
- 時間 : 1 時間 59 分
- 発売日 : 2012/12/5
- 字幕: : 日本語, 英語, フランス語, ドイツ語, 韓国語, 北京語
- 言語 : 日本語 (Dolby Digital 2.0 Surround), 北京語 (Dolby Digital 2.0 Surround), ドイツ語 (Dolby Digital 2.0 Surround), 広東語 (Dolby Digital 2.0 Surround)
- 販売元 : ウォルト・ディズニー・スタジオ・ジャパン
- ASIN : B008TNFHJY
- ディスク枚数 : 1
-
Amazon 売れ筋ランキング:
- 1,885位DVD (の売れ筋ランキングを見るDVD)
- - 86位ブルーレイ キッズ・ファミリー
- - 197位キッズアニメ・映画
- - 350位ブルーレイ アニメ
- カスタマーレビュー:
商品の説明
内容紹介
ジブリ映画をDVDよりも美しい映像で見る。
ジブリがいっぱいCOLLECTION
宮崎 駿 プロデュース 高畑 勲 監督作品
『おもひでぽろぽろ』 ブルーレイディスク
ブルーレイディスク化にあたり、高画質・高音質な映画本編はもとより、音声は日本語だけでなくドイツ語や韓国語なども収録。字幕には日本語・英語・フランス語など、多くの国々の言語を収録しています。また、本編とのピクチャー・イン・ピクチャーで楽しむことの出来る「絵コンテ」のほか「アフレコ台本」や、公開当時に制作された1時間番組「Making of おもひでぽろぽろ」を丸ごと収録。番組スタッフが長期間制作現場に密着して撮影した、高畑監督、宮崎&鈴木プロデューサーの当時の貴重な姿やメイキングシーンをふんだんにお届けします。スタジオジブリ作品のブルーレイディスクではおなじみとなった数々の映像特典をお楽しみください。
<ストーリー>
1982年、夏。東京での生活になんとなく物足りなさを感じているタエ子は27歳のOL。彼女は10日間の休暇を取り、姉の結婚で出来た山形の親戚を訪ねて旅立つことにしました。東京生まれ東京育ちのタエ子にとって“田舎"は憧れの場所です。そんな彼女には奇妙な連れがいました。ふとしたきっかけで思い出した小学5年生の頃のワタシがどうしても脳裏から離れないのです。タエ子は思い出と共に山形行きの夜行列車に揺られていきます。
小学5年生。それは女の子が一つの階段を上っていく、さなぎの季節なのかもしれません。そして今、自分にまたさなぎの時期がめぐってきたのだろうかと、タエ子は思いをはせていきます。
【商品仕様詳細】
<仕様>
BD50/1枚/ピクチャーディスク/MPEG-4AVC/複製不能
<画面サイズ>
16:9ワイドスクリーン 1920×1080 FULL HD
<音声>
日本語(2.0chサラウンド/DTS-HDマスターオーディオTM(ロスレス))
ドイツ語、北京語(2.0chサラウンド/ドルビーデジタル)
広東語(2.0chステレオ/ドルビーデジタル)、韓国語(モノラル)
<字幕>
日本語、英語、フランス語、ドイツ語、韓国語、中国語(繁体字・広東語)、中国語(繁体字・北京語)
<映像特典>
●絵コンテ(本編映像とのピクチャー・イン・ピクチャー)
●アフレコ台本
●Making of おもひでぽろぽろ
●予告編集
★特殊パッケージ仕様
<同時発売>
『魔女の宅急便 (ブルーレイ)』
※商品情報は変更になる場合があります。
内容(「キネマ旬報社」データベースより)
岡本螢、刀根夕子による同名コミックを高畑勲監督、宮崎駿プロデュースで映画化。27歳の平凡なOL・タエ子が、小学5年生の頃の自分を振り返りながら当時の“ワタシ”を道連れに田舎へ旅をする心暖まるストーリー。今井美樹、柳葉敏郎が声優を務める。
内容(「Oricon」データベースより)
現代を生きる女性が共感できる映画「おもひでぽろぽろ」がBlu-ray化!都会生活に物足りなさを感じている27歳のヒロインが、憧れの田舎を旅する中、その自然の素晴らしさや人々の心の温かさに触れ、成長していく様を描いた高畑勲監督が贈る感動のアニメ。声の出演は今井美樹、柳葉敏郎ほか。
メーカーより
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| 高畑勲監督作品集 | パンダコパンダ | じゃりン子チエ 劇場版 | セロ弾きのゴーシュ | 火垂るの墓 | |
| 形式 | ブルーレイ | ブルーレイ | ブルーレイ | ブルーレイ | ブルーレイ |
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| 劇場版『赤毛のアン〜グリーンゲーブルズへの道〜』 | おもひでぽろぽろ | 平成狸合戦ぽんぽこ | ホーホケキョとなりの山田くん | かぐや姫の物語 | |
| 形式 | ブルーレイ | ブルーレイ | ブルーレイ | ブルーレイ | ブルーレイ |
「天気の子」DVDスタンダード・エディション醍醐虎汰朗DVD在庫あり。
「君の名は。」DVDスタンダード・エディション神木隆之介DVD在庫あり。
劇場アニメーション『言の葉の庭』 DVD入野自由DVD在庫あり。
【東宝特撮Blu-rayセレクション】 日本沈没小林桂樹Blu-ray在庫あり。
ローズ [Blu-ray]ベット・ミドラーBlu-ray在庫あり。
ハン・ソロ/スター・ウォーズ・ストーリー MovieNEX [ブルーレイ+DVD+デジタルコピー+MovieNEXワールド] [Blu-ray]オールデン・エアエンライクBlu-ray在庫あり。
カスタマーレビュー
5つ星のうち4.5
星5つ中の4.5
450 件のグローバル評価
評価はどのように計算されますか?
全体的な星の評価と星ごとの割合の内訳を計算するために、単純な平均は使用されません。その代わり、レビューの日時がどれだけ新しいかや、レビューアーがAmazonで商品を購入したかどうかなどが考慮されます。また、レビューを分析して信頼性が検証されます。
トップレビュー
上位レビュー、対象国: 日本
レビューのフィルタリング中に問題が発生しました。後でもう一度試してください。
2020年8月1日に日本でレビュー済み
違反を報告
Amazonで購入
小さい頃に見た記憶があり、これから5年生になる娘にも見せたいなと思い購入しました。
学校で起こる色々なこと、家族との関係や素直になれない気持ち、親目線になった今自分が共感できる所など、娘も私も楽しめました。
柳葉敏郎さんのトシオさんはなんだか人生の先生みたいで、ちょっとした田舎に住んでる自分でも勉強になりました。
かぐや姫の物語が好きな娘が、高畑勲さんが亡くなったのを悲しんでいたので、他にも我が家に残しておきたい作品として永久保存しておきます。
学校で起こる色々なこと、家族との関係や素直になれない気持ち、親目線になった今自分が共感できる所など、娘も私も楽しめました。
柳葉敏郎さんのトシオさんはなんだか人生の先生みたいで、ちょっとした田舎に住んでる自分でも勉強になりました。
かぐや姫の物語が好きな娘が、高畑勲さんが亡くなったのを悲しんでいたので、他にも我が家に残しておきたい作品として永久保存しておきます。
3人のお客様がこれが役に立ったと考えています
役に立った
2015年8月22日に日本でレビュー済み
Amazonで購入
自分は実際に山形へは行った事はありませんが、高畑勲監督が下見を行っているドキュメンタリーを観るとまさにジブリと言う程の鮮明で一つ一つ細やかで、実際に蔵王等に行っているような気持になりました。
物語を言うと、タエ子が「もともとの綺麗な景色!(自然が多い!!)」と思う場面がありましたが、親戚のある人が、「実はこの景色も昔から人間が作ってきたものなのですよ!」というセリフには驚くとともに、納得させられました。
昔のタエ子の時代より自分は少しずれますが、他の方のレビューで書かれてあるように自分にもすごく懐かしい気持ちになりました。
自然とスーッと物語の中に入っていったからだと思いました。
観ておられない方は自然の美しさや物語の面白さや終盤の感動等があり、気持ちを落ち着かせてくれるかと思います。
物語を言うと、タエ子が「もともとの綺麗な景色!(自然が多い!!)」と思う場面がありましたが、親戚のある人が、「実はこの景色も昔から人間が作ってきたものなのですよ!」というセリフには驚くとともに、納得させられました。
昔のタエ子の時代より自分は少しずれますが、他の方のレビューで書かれてあるように自分にもすごく懐かしい気持ちになりました。
自然とスーッと物語の中に入っていったからだと思いました。
観ておられない方は自然の美しさや物語の面白さや終盤の感動等があり、気持ちを落ち着かせてくれるかと思います。
他の国からのトップレビュー
Abby Lea
5つ星のうち5.0
Fantastic Story, classic Ghibli [update: blu-ray edition]
2016年4月14日に英国でレビュー済みAmazonで購入
What an amazingly enchanting story. I love how the main character keeps looking back at her childhood, as you get to know her real aspirations, despite what other people's expectations of her are. You follow how she finds herself and develops as an adult, as she is where she really loves, a farm, where she dreamily falls in love with the love of her life, and comes to the realisation that she wants to be a farmer's wife instead of living in the big city, Tokyo.
I can't wait until this finally comes out in the UK, in English as a blu-ray
[update: the new Blu-Ray version is fantastic, the animation is sharpened for meeting the high definition demands! as always, the film is great-although i'm not sure about the English dub voice choices for Naeko and Toshio]
I can't wait until this finally comes out in the UK, in English as a blu-ray
[update: the new Blu-Ray version is fantastic, the animation is sharpened for meeting the high definition demands! as always, the film is great-although i'm not sure about the English dub voice choices for Naeko and Toshio]
Adam H
5つ星のうち5.0
A wonderful tale of self discovery.
2016年8月29日に英国でレビュー済みAmazonで購入
The item arrived quickly and in good condition from Amazon.
Only Yesterday is one of the more unusual Ghibli films in that it is centred around a far more real and less fantastical story but one that is just as engaging and endearing. It follows the story of a woman looking back on her life and all the connections she has made through family and childhood friends all the way to present day where she is trying to find a sense of herself and where she belongs.
It is a time old tale of self discovery and living ones life to the fullest, managing others expectations while living a life that's true to you.
All this done only as Studio Ghibli could
Only Yesterday is one of the more unusual Ghibli films in that it is centred around a far more real and less fantastical story but one that is just as engaging and endearing. It follows the story of a woman looking back on her life and all the connections she has made through family and childhood friends all the way to present day where she is trying to find a sense of herself and where she belongs.
It is a time old tale of self discovery and living ones life to the fullest, managing others expectations while living a life that's true to you.
All this done only as Studio Ghibli could
Ian Thumwood
5つ星のうち5.0
Simply one of the best films of the 1990's....
2012年5月14日に英国でレビュー済みAmazonで購入
Nostalgic reflection is nearly always a sure-fire route to artistic success. Some of my favourite novels such as Alain-Fournier's "Le Grand Meulnes" and L P Hartley's "The go between" demonstrate how successful nostalgia can be as a subject when handled with expert care and attention. For me, "Only Yesterday" manages to achieve the same high standard not only in cinema but also in the animated medium. "Only Yesterday" is proof, if it is needed, that animation can produce cinema as effective as anything with live action. As a recent fan of Studio Ghibli's work, this is the most creative and artistically successful film they have ever made and stands head and shoulders above more celebrated films like "Spirited away."
I think that the film's achievements are attributable to a number of factors. To start with, despite this film is only available in Japanese with English sub-titles, the script is exceptional. It works on three levels:- as conversation in the present, as a reflective and profound monologue upon the past experienced by the prinicple character Taeko and ,utlimately, in the scenes that take place when she was ten years old. The childhood scenes seem to resonate with truth in their depiction of awkwardness and serve to show how society changed in the decades that followed the 1960's. Take for example the scenario with the new experience with the recently introduced pineapple which is dealt with in a bittersweet fashion that obviously attempt to replicate Proust's famous madelaines.
It goes without saying that the quality of illustrations from this studio are of the usual high standard but "Only Yesterday" offers two styles of images. The "recent" scenes are all drawn in the familiar Ghibli style. On the other hand, the scenes with the 10 year old Taeko set in the 1960's feature backgrounds which are a kind of washed out water colour with the characters seem a little more cartoonish although with no less expression. I felt that this was a brave decision by the film makers and totally inspired. It also allows a few liberties to be taken with reality such as the conclusion of the scene where Taeko meets the base-ball playing friend who has a crush on her in a street and both characters are too embarrassed to say anything other than to ask each other what their favourite kind of weather is. I found this scene to be especially effecting and it ends in a totally unexpected fashion. However, the film's trump card is not played until the film appears to have ended when Taeko boards the train home to Tokyo from her holiday in the countryside. As exceptional as the film had been up to that point, I felt this was truly the icing on the cake.
It is not difficult to explain why a film about a 27 year old woman reflecting upon an awkwards childhood should appeal to this 40-something, male reviewer. Despite being set in Japan, it shows that childhood has plenty things about it which are universal and nicely records how seemingly insignificant events can have a bearing on how a child develops. Most people will be able to recognise many of the incidents recounted in this film themselves regardless of their gender. "Only yesterday" is also very much a "feel good" film even though this is a film that has been made by people with intelligence and vision. The only point that I felt to be slightly uncomfortable for me were the scenes concerning "female development" which did shock me a bit but the whole issue was dealt with in a delicate fashion and it served a purpose to illustrate Taeko's embarrassment. Ultmately, it did manage to retain a degree of dignity as well as humour. Not a subject that you would expect to encounter in cinema but I doubt if it could have been dealt with more sensitively as in this film. Much of the film's success is also due to the fact that Taeko is a modest and admirable character. The parts of the film concerning struggling at mathematics also amused me - the first time I've ever seen the questioning of the logic of dividing fractions by another fractions! I'm on Taeko's side with this one! Another scene shows her responding to a younger child in a fashion that contrasts earlier with her own treatment at a similar age by her parents and older sibblings. Miyazaka's film are usually notable for their strong, female characters and it is difficult not to fall a little bit in love with Taeko who is one of Ghibli's finest creations. She is not a 2-dimenstional character and finely etched as a very admirable human being in a superior piece of script writing.
In conclusion, this film is not only the most exceptional film from the Ghibli stable but also one of the finest pieces of film-making from the 1990's. "Only yesterday" offers ample reason to jettison those reservations about both foriegn language films and animation. An essential addition to any film collection.
I think that the film's achievements are attributable to a number of factors. To start with, despite this film is only available in Japanese with English sub-titles, the script is exceptional. It works on three levels:- as conversation in the present, as a reflective and profound monologue upon the past experienced by the prinicple character Taeko and ,utlimately, in the scenes that take place when she was ten years old. The childhood scenes seem to resonate with truth in their depiction of awkwardness and serve to show how society changed in the decades that followed the 1960's. Take for example the scenario with the new experience with the recently introduced pineapple which is dealt with in a bittersweet fashion that obviously attempt to replicate Proust's famous madelaines.
It goes without saying that the quality of illustrations from this studio are of the usual high standard but "Only Yesterday" offers two styles of images. The "recent" scenes are all drawn in the familiar Ghibli style. On the other hand, the scenes with the 10 year old Taeko set in the 1960's feature backgrounds which are a kind of washed out water colour with the characters seem a little more cartoonish although with no less expression. I felt that this was a brave decision by the film makers and totally inspired. It also allows a few liberties to be taken with reality such as the conclusion of the scene where Taeko meets the base-ball playing friend who has a crush on her in a street and both characters are too embarrassed to say anything other than to ask each other what their favourite kind of weather is. I found this scene to be especially effecting and it ends in a totally unexpected fashion. However, the film's trump card is not played until the film appears to have ended when Taeko boards the train home to Tokyo from her holiday in the countryside. As exceptional as the film had been up to that point, I felt this was truly the icing on the cake.
It is not difficult to explain why a film about a 27 year old woman reflecting upon an awkwards childhood should appeal to this 40-something, male reviewer. Despite being set in Japan, it shows that childhood has plenty things about it which are universal and nicely records how seemingly insignificant events can have a bearing on how a child develops. Most people will be able to recognise many of the incidents recounted in this film themselves regardless of their gender. "Only yesterday" is also very much a "feel good" film even though this is a film that has been made by people with intelligence and vision. The only point that I felt to be slightly uncomfortable for me were the scenes concerning "female development" which did shock me a bit but the whole issue was dealt with in a delicate fashion and it served a purpose to illustrate Taeko's embarrassment. Ultmately, it did manage to retain a degree of dignity as well as humour. Not a subject that you would expect to encounter in cinema but I doubt if it could have been dealt with more sensitively as in this film. Much of the film's success is also due to the fact that Taeko is a modest and admirable character. The parts of the film concerning struggling at mathematics also amused me - the first time I've ever seen the questioning of the logic of dividing fractions by another fractions! I'm on Taeko's side with this one! Another scene shows her responding to a younger child in a fashion that contrasts earlier with her own treatment at a similar age by her parents and older sibblings. Miyazaka's film are usually notable for their strong, female characters and it is difficult not to fall a little bit in love with Taeko who is one of Ghibli's finest creations. She is not a 2-dimenstional character and finely etched as a very admirable human being in a superior piece of script writing.
In conclusion, this film is not only the most exceptional film from the Ghibli stable but also one of the finest pieces of film-making from the 1990's. "Only yesterday" offers ample reason to jettison those reservations about both foriegn language films and animation. An essential addition to any film collection.
Scriabinmahler
5つ星のうち5.0
Beautifully crafted & deeply touching animation
2011年1月7日に英国でレビュー済みAmazonで購入
First of all, the pictures and animation in this film is breath-takingly beautiful, vividly capturing the enchanting atmosphere of the Japanese rural scenery and the overcrowded, bustling city life of present day and in the 60s. This is one of few Studio Ghibli films with no English language dubbing, I guess, because some of the lines have no English parallel when they refer to the 60s' Japanese pop culture. But the English subtitle translation is brilliant and you will be surprised to find how westernised Japan was in the 60s.
This is a groundbreaking animation in many ways. Never before in the history of Japanese animation, an unassuming late twenty years old office worker has been chosen as a main character and her psychological metamorphosis has been explored in such depth and with such intimacy. Her childhood memories intertwine with her present life and compel her to make a momentous decision of her life. The beauty of this story is that the mysterious relationship to her inner-self is left unexplained but anyone can identify with the sense of being in harmoney with cycle of life when one is about to make a life changing decision. That makes this story of an orninary life of an ordinary person profoundly moving.
The special feature includes original sketch version of the whole film and a long documentary about the painstaking process of hand-drawn animation production using cellulose acetate and about the inspirational rivalry between Takahata and Miyazaki.
This is a groundbreaking animation in many ways. Never before in the history of Japanese animation, an unassuming late twenty years old office worker has been chosen as a main character and her psychological metamorphosis has been explored in such depth and with such intimacy. Her childhood memories intertwine with her present life and compel her to make a momentous decision of her life. The beauty of this story is that the mysterious relationship to her inner-self is left unexplained but anyone can identify with the sense of being in harmoney with cycle of life when one is about to make a life changing decision. That makes this story of an orninary life of an ordinary person profoundly moving.
The special feature includes original sketch version of the whole film and a long documentary about the painstaking process of hand-drawn animation production using cellulose acetate and about the inspirational rivalry between Takahata and Miyazaki.
R. A. Caton
5つ星のうち5.0
Heartwarming and thiught provoking
2018年2月8日に英国でレビュー済みAmazonで購入
A girl goes into the country for a break and reevaluates her values whilst recalling her schooldays and schoolmates.
Well, not a girl anymore but a woman possibly getting too old for the marriage market, something that hasn't interested her before or caused her concern.
Like so.many Ghibli films a beautiful study of character and interpersonal relationships.
Well, not a girl anymore but a woman possibly getting too old for the marriage market, something that hasn't interested her before or caused her concern.
Like so.many Ghibli films a beautiful study of character and interpersonal relationships.
