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エマ・トンプソン (出演), ヒュー・グラント (出演), アン・リー (監督) 形式: DVD

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登録情報

メーカーにより製造中止になりました ‏ : ‎ いいえ
言語 ‏ : ‎ 英語
製品サイズ ‏ : ‎ 30 x 10 x 20 cm; 58.97 g
EAN ‏ : ‎ 4547462072269
監督 ‏ : ‎ アン・リー
メディア形式 ‏ : ‎ 色, ドルビー, 字幕付き
時間 ‏ : ‎ 2 時間 16 分
発売日 ‏ : ‎ 2010/9/22
出演 ‏ : ‎ エマ・トンプソン, ヒュー・グラント, ケイト・ウィンスレット, アラン・リックマン
販売元 ‏ : ‎ ソニー・ピクチャーズエンタテインメント
ASIN ‏ : ‎ B003XKRTX0
ディスク枚数 ‏ : ‎ 1

Amazon 売れ筋ランキング: - 60,011位DVD (DVDの売れ筋ランキングを見る)
- - 5,398位外国のドラマ映画

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レビューのソート基準

上位レビュー、対象国：日本

すべてのレビューを日本語に翻訳

レビューのフィルタリング中に問題が発生しました。後でもう一度試してください。

rilakkuma

Alan Rickman is too brilliant in supporting parts

2021年5月6日に日本でレビュー済み

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Although I was aiming for Hugh Grant, I was struck by lightening, "Alan Rickman" when I saw this film long time ago. I was fallen love with him immediately. It was a sensation, cemented my affection towards him over the decade. First impression of Alan was rather odd, since He is a bit old playing opposite of Kate Winslet who is beautifully shining full of youthfulness. but it's not critical because of his brilliant acting skills. Alan is just too perfect, He may have been too good in supporting parts, stealing the show. Not to mention his subtle and beautiful acting, His roman emperor kind of visage really fits to 19th classic outfit and period film like this, make him look at home in an earlier century. He is so dignified and elegant. It turns out that this film to me is all about "Film of Alan Rickman" after all. I understand that it also owes a lot of Emma Thompson's good writing, but It is just wonderful when Alan meets great piece of art, he can make it everything possible. I was completely mesmerized by him, He could do so much with so little, even just by his eyebrows raise, or next syllables. I sensed him more than "Colonel Brandon" in his play, intricate mixture of feeling as if him as a person has entered your world of view. I think it's part of his skill as a consummate stage actor, which he can guide you totally open to the story, as well as himself, and make you believe. that's how I define him. It was absolute "Sense" and "Sensibility" of him merged with great story. 5years after his death I finally had a time to sit down, watch the film again to pay tribute to Alan. It is a beautiful camera work of Ang Lee and beautiful music towards the end with Alan in the centre of the last scene.
It made me cry after the end credit started. It's terribly heart breaking, Reminds me what I've lost.
I never shed so many tears over someone I didn't know in person.

I miss him so much, He worked beautifully, Truly madly deeply.
Great actor and wonderful human being.

4人のお客様がこれが役に立ったと考えています

2023年7月28日に日本でレビュー済み

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最近、こんな完全なるハッピーエンディングの作品はご無沙汰だったので、久々に涙腺緩んでしまいました。

これは J.オースティンでしたか。。。
女史の作品はほとんど読んだことがありませんでしたので、こちら原作を一度読んでみたくなりました。

E.トンプソン… J.アイボリー作品での印象が強いですが、本作でも知的で落ち着いた人柄の女性を好演されてました。とてもハマり役でしたね。応援せずにはいられない素敵な女性役でした。

K.ウィンスレットは、僕はいつも誉めているので、今回はもう良いでしょう…
今更申すまでもない安定の表現力... 素晴らしい俳優です。

そして何より、旦那役 A.リックマン…
男前過ぎるでしょう！！！
たそがれ清兵衛やシラノドベルジュラックとも被る？…出しゃばらない男の魅力...
無茶苦茶素敵でした！！！　　

シャーロットの旦那役も、無骨なサムライみたいでかっこよかったですね😊

2023年6月13日に日本でレビュー済み

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内容は現在の人権に照らし合わせるとジェンダー格差において、少し腹立たしい気がしました。しかしながら、結婚願望が薄れた人々の割合が高くなっている社会の実情を考えると、映画の中の恋愛感情のやり取りは、少しうらやましい気がしました。

1人のお客様がこれが役に立ったと考えています

役に立った

TAKANORI

配役ミス

2021年8月22日に日本でレビュー済み

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エマ・ワトソンもヒュー・グラントも大好きな俳優です。でも、無垢で純粋、引っ込み思案な若者を演じるのは無理がある。二人とも大人の空気が出まくっていますから… 実は傷付くのが怖い純粋な遊び人、心を閉ざしてしまって悪女のフリをする女、みたいな設定の方がしっくり来るんじゃないかな？

2022年11月15日に日本でレビュー済み

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恋愛映画です。
アナ雪みたいだと思いました。姉妹の恋物語。涙あり、ときめきあり、どの景色もまるで、絵画の一枚みたいで素敵。
男たちの良し悪しをはっきりキャラクターに反映させていて分かりやすい。
姉妹の性格の違いとか、結婚話に盛り上るおばさまとか。あるあるーって感じですね。
アラン・リックマンのほかにハリーポッターのドローレスアンブリッチ役の人発見！

1人のお客様がこれが役に立ったと考えています

役に立った

通天閣

素晴らしいジェインの作品

2022年7月16日に日本でレビュー済み

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英名はSense and Sensibilityだが、これはジェイン・オースティンの傑作のひとつ。それを美しく、見事に再現している素晴らしい作品。

役に立った

窓辺のガーベラ

ノスタルジックなイギリスの田園風景の映像が美しかった、という印象。

2021年12月3日に日本でレビュー済み

Amazonで購入

上流階級の家庭に生まれれば、生涯上流生活ができるか、、といえば否である、、という証明のようなできごとから、物語は始まり、没落貴族の身に落ちてしまった4人の女性たちが、幸せな生活を手に入れるまでの紆余曲折が描かれている、

脚本は主人公役の長女のエマトンプソンが書いているが、、若い、、皺が見当たらなかった頃（失礼）で知的な美しさを感じさせる、次女役はケイトウインスレット、、あ～バラ色のふわふわしていそうな頬がはじけて、、、この人は年を重ねるごとに、作品ごとに、内面重視の役柄を演じているが、顔もやはり変化してきている、、いやあ~老けたという意味合いではない。

長女の恋する相手にヒューグラント、、そして若い時に若さに任せて婚約した、という女性、その女性が現れて何故か長女にまつわりつく、、この二人の関係性も、この二人の人間の人間性も、良くつかめぬまま、誤解が解けてゴールイン　　ここの所は原作者なのか脚本家なのか、、う～んなんかチョット、、とつっこみたくなる、

さて次女の恋する相手、不実な金のない没落寸前の貴族、、結局は持参金付きの女性の元に落ち着くことになる、、そして次女は恋の痛手から立ち直り、誠実な心優しい男性との結婚成就を遂げる、、

晴れた美しい日、、、に、次女の結婚式が行われたのだ、、。

その光景を丘の上から、今は去っていったあの不実な青年が見つめている、、表情は未練がありそうななさそうな、、、、、で終わり！　

その不実な青年役の俳優さんは、エマトンプソンさんの今の旦那様なのだそうで、、、う～ん感慨深い。

1人のお客様がこれが役に立ったと考えています

役に立った

ももんがぴゅん

ケイト・ウィンスレットだったのか！！！！！

2021年10月25日に日本でレビュー済み

Amazonで購入

ジェーン・オースティン好きで、当時この映画を映画館で見て、とても面白かった記憶があったので、アマプラで久しぶりに視聴しました。俳優も女優も誰が出ていたか全く記憶が無かったのですが、マリアンヌはケイト・ウィンスレットだったんですね！！そりゃ面白いはずです。しかも、エマ・トンプソンとアラン・リックマンも出ていたんですから、ハズレのわけがない。今見ても物凄く面白かったです。英国の至宝ともいうべき、二人の女優の美しさもさることながら、マリアンヌの炎のような激しい愛と、エリノアの凪ぎの穏やかな愛情の対比も美しい。演技派の演者しかいない、素晴らしい映画でした。しかしまあ、優柔不断な男をやらせたら、ヒュー・グラントの右に出る者はいないですね。

5人のお客様がこれが役に立ったと考えています

役に立った

他の国からのトップレビュー

すべてのレビューを日本語に翻訳

Lawrance Bernabo

A superb job of bringing Jane Austen's novel to the screen

2001年11月25日にアメリカ合衆国でレビュー済み

Amazonで購入

I suppose it makes perfect sense that if you want to make a 19th-century English romance novel into a superb film you hire an actress almost twice the age of the main character to not only play the role but also adapt the screenplay into a book and then hire a Taiwanese director to direct the film. You might say, yes, such things happen in Hollywood, but the success of "Sense and Sensibility" is due to what transpired in England, not Southern California. Having read the novel and the original screenplay, the largest share of credit goes to Emma Thompson, who deservedly received the Oscar for Best Screenplay Adaptation. Thompson began by dramatizing every scene in the novel, which resulted in 300 hand written pages to be followed by 14 drafts as the 1811 novel was crafted into the final script. The result was a script that manages to be not only romantic and funny, but also romantic and funny in the best Austen sense of both.

After watching the film again I focus on three particular points, which I think best reveal the strength of Thompson's script. First, the entire introductory sequence, which induces us to like the Dashwood sisters because we are introduced first to their step-brother and his shrewish wife (credit for this particular sequence also goes to Film Editor Tim Squyres, who recut the scene so that we get all of one side and then the other instead of alternating back and forth as in the original script). Our sympathies cannot help but be with the plight of Elinor and Marianne. Second, the use of Shakespeare's Sonnet 116 ("Let me not the marriage of true minds"), which Marianne and Willoughby share to their great mutual delight (except he gets a word wrong, in an elegant little bit of foreshadowing) and which Marianne repeats standing in the rain looking at Willoughby's new estate. Third, Austen has Elinor bolt from the room to cry outside during the happy ending but Thompson creates a wonderful moment by having her stay in the room and having the rest of her family flee. There are not too many scenes where you are crying and laughing at the same time, but Thompson certainly created one (and has the added virtue of relying on herself as an actress to nail the performance as well). All of these are marvelous examples of playing to the strength of the cinema to bring Austen's novel to the screen.

The performances are first-rate, especially Kate Winslet as the passionate Marianne, Gemma Jones as Mrs. Dashwood and Alan Rickman as Colonel Brandon (the look on his face when Marianne thanks him for rescuing her is so wondrously touching). Hugh Grant does find a way of slowing the delivery of his dialogue more than usual, but it does fit the overall pace of the film. The supporting cast is exactly what you come to expect from a British production with Elizabeth Spriggs stealing every scene she is in as Mrs. Jennings, Robert Hardy as Sir John Middleton, Hugh Laurie as Mr. Palmer, Oliver Ford Davies as Doctor Harris, and the enchanting young Emilie Francois as Margaret Dashwood ("They always kneel down"). On the darker side of the ledger we have Greg Wise as the less than honorable John Willoughby, and Imogene Stubbs as Lucy Steele and Harriet Walter as Fanny Dashwood vying for the main villainess role in the proceedings. No wonder Emma Thompson's performance as Elinor is almost lost in the proceedings, but she is the center around which everything resolves who has to keep it together when everybody around her is losing it (even when she first confesses her broken heart, she ends up consoling Marianne instead of the other way around).

Ang Lee had already proven he could handle a tale of sisters in love when he directed "Eat Drink Man Woman." In "Sense and Sensibility" he has the script, the actors and the set design all working in his favor to create a sense of 19th century England. But there are a few moments when he uses the camera to great advantage; in particular the overhead shot of Marianne on her sick bed achieves a painting like quality and the tracking shot of Mrs. Jennings running down the street bearing the latest gossip.

I first saw this film when visiting England and I was so caught up in the story that I had no idea who was going to end up with who. Actually, I was sort of rooting for Elinor to end up with Colonel Brandon since they were obviously the two finest members of their respective sexes in the proceedings. So the ending was as much of a surprise to me as it was to the Dashwoods, which is certainly something to be cherished. Obviously if you love this film it will lead you to other Austen adaptations (the film versions of "Emma" and "Persuasion" along with the BBC mini-series "Pride & Prejudice" immediately leap to mind), but hopefully it will also lead you to the original novels as well. Finally, Thompson published "The Sense and Sensibility: Screenplay & Diaries," which I would highly recommend after you have done both the film and the novel.

24人のお客様がこれが役に立ったと考えています

レビューを日本語に翻訳する

Jana L.Perskie

My Favorite Comfort Film - And A Glorious English Romance!

2003年7月22日にアメリカ合衆国でレビュー済み

Amazonで購入

Some people have comfort food to help them through dull, drizzly evenings. I have comfort films, and Ang Lee's, (and Emma Thompson's), "Sense And Sensibility" is one of my favorites. I have watched this movie several times since I first saw it, and it never fails to lift my spirits.
This glorious romance of mores and manners, set during England's Regency Period, is very faithful to Jane Austen's brilliant novel. The film vividly brings the novel, with all its characters, to life. The plot focuses on two of the three Dashwood sisters, Elinor and Marianne, and their extremely different temperaments. Emma Thompson wrote this wonderful screenplay and earned an Academy Award for her efforts. She added pizzazz to the film, with an extra dash of drama, some humor, splendid panoramic views and a fabulous ball scene.
A lovely, young Kate Winslet plays Marianne Dashwood to perfection. Marianne is a passionate young woman, with a definite inclination toward the humanities: art, music and literature. Her heart rules her head, more often than not, and she has a very spontaneous nature. Emma Thompson gives a strong performance as Elinor Dashwood, the older of the two sisters. She has a more practical, sensible temperament. While Elinor appreciates the music and literature that her sibling so passionately loves, she definitely thinks things through before making decisions, or taking action, and keeps her personal feelings to herself. She feels tremendous responsibility for her family's well-being. Ms. Thompson gives Elinor a wicked, dry sense of humor, and her character adds much wit to the dialogue. Marianne believes that Elinor, whom she dearly loves, is too cold, and restrained - more concerned with propriety than with feelings. Elinor, on the other hand, is concerned about Marianne's open and guileless behavior. She fears her sister will be hurt by indulging in her strong emotions, and that conventional society will condemn her for this attribute.
The movie opens dramatically, with Mr. Dashwood, the girls' father, on his deathbed, begging his son and heir, (by his first marriage), to please take care of his wife and three daughters after he dies. The spineless John Dashwood sincerely promises his father to do so, and then is persuaded not to by his greedy wife, Fanny, in a wonderful satire-filled scene. Before Elinor, Marianne, their adorable younger sister Margaret, and their mother are forced to leave their home, the Norwood estate, they meet Fanny's brother, the shy and kind Edward Ferrars, (Hugh Grant). Over a period of a few weeks, while the women are packing their belongings, Elinor and Edward grow obviously fond of each other. Their attachment is interrupted by Fanny, who senses the bond forming between her sister-in-law and her brother, and urges the four Dashwood women to leave immediately for their new home.
Upon arriving at their new residence, Barton Cottage, near the estate of Mrs. Dashwood's cousin John, the women meet their relatives and some new neighbors. Colonel Brandon, played by the charismatic Alan Rickman, is included in the welcome party. Brandon is drawn at once to the beautiful, musical Marianne, who does not reciprocate his affection. Instead she falls madly in love with the dashing Willoughby, and Greg Wise is extremely dashing in his persuasive performance as the reckless, feckless young suitor.
The family settles in and explores their surroundings. Elinor waits in vain for Edward to visit her at Barton Cottage. Willoughby's expected marriage proposal to Marianne is unexpectedly interrupted. Two unhappy sisters travel to London for the season, hoping to settle their romantic affairs, and instead, find their dreams thwarted.
I won't give the story away, but it is a tale told wonderfully well, dramatized to perfection by extraordinary actors, and directed by the incomparable Ang Lee. Too many superlatives? You won't think so after you have seen "Sense And Sensibility."

13人のお客様がこれが役に立ったと考えています

レビューを日本語に翻訳する

Jane Austen, what more can I say

2023年7月27日に英国でレビュー済み

Amazonで購入

I like this version(it was written by Emma Thompson, hence a decent script). I only have one complaint hugh grant(so disappointing, he always plays the same part). A decent cast, bar 1, the wonderful Alan Rickman, Emma Thompson, Kate Winslet too many to name, but I definitely recommend

レビューを日本語に翻訳する

Ray H

Terrific movie, great Blu-ray release!

2013年5月5日に英国でレビュー済み

Amazonで購入

This is a charming and delightful film with rich characters and story. The cast including Emma Thompson, Kate Winslet, Alan Rickman, and Hugh Grant is great. Thompson's Oscar-winning screenplay is a masterful adaptation of Jane Austen's novel, and Ang Lee's understated direction is superb.

The picture quality of this disc is solid. The transfer looks like an older scan to my eyes and displays good sharpness and strong colors. Some mild filtering and ringing is present, but nowhere near excessive. Grain and finer detail aren't reproduced as well as they would be on a newer remaster, but this a very satisfying presentation and a notable improvement over the ancient DVD nevertheless. Audio is presented in DTS-HD MA 5.0 and sounds good to my ears (though I'm not much of an audiophile).

Moving on to the extras, this Blu-ray includes the following (I'm listing them since they're not listed on the back cover):

"Adapting Austen" (11 min)
"A Sense of Character" (8 min)
"A Very Quiet Man" (12 min)
"Locating the World of Sense & Sensibility" (5 min)
"Elegance & Simplicity: The Wardrobe of Sense & Sensibility" (4 min)
2 Deleted Scenes

The 5 featurettes were produced in 2009 for Sony and to my knowledge have not appeared on any DVD release. These featurettes do not include new interviews with the film's talent. Instead, comments are culled from old on set interviews with the cast & crew. These have been upconverted & cropped to 16x9 and intercut with behind the scenes footage, stills, and film clips. The subject of each is mostly self explanatory, although "A Very Quiet Man" focuses on Ang Lee. Overall, these are well-produced featurettes that offer a good overview of the production, but I would've liked to hear new comments from Thompson, Winslet, Lee, and others. 2 deleted scenes from the DVD releases round out the extras and are presented in letterboxed widescreen and run for a total of 2 minutes and 44 seconds.

Fans of the film will want to hold onto their DVD copies which include several significant extras not ported over for this Blu-ray edition. These include 2 commentaries (the first by writer/star Emma Thompson and producer Lindsay Doran, and the second by director Ang Lee and co-producer James Schamus), Emma Thompson's Golden Globe acceptance speech, and the film's theatrical trailer.

Overall, I definitely recommend this release. As an American who was tired of waiting for Sony to release this in the States, this disc is completely region free and well worth importing!

8人のお客様がこれが役に立ったと考えています

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Antonio Robert

Perfect, although not completely faithful adaptation

2014年6月18日に英国でレビュー済み

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How can a romantic comedy about seeking marriage mates win the Berlinale, one of the most prestigious film festivals? Well, this splendid adaptation of a classic Jane Austen novel did just that in 1996, combining fabulous writing (and acting) of Emma Thompson and great directing of Ang Lee ("The Wedding Banquet", "Crouching Tiger, Hidden Dragon").

Other performances are also first-class. Kate Winslet, Alan Rickman and Hugh Grant shine (personally, I've never seen a role to be so fitting for Grant, although "Four Weddings and a Funeral" and "About a Boy" came close). The whole cast is flawless.
When the film came out, even the self-proclaimed film saviour Quentin Tarantino could not help himself but quip: "Who the F... is Jane Austen?" Yes, this English author who lived 200 years ago wrote only romantic novels about girls (and men) who are in want of a spouse. But she achieved perfection in this very limited space (the novel "Pride and Prejudice" is probably the best). In this movie, the very human side -- the desire not to be alone, to spend a lifetime with the One -- is described with power. Finding the true love was the prime thing for the two Dashwood sisters. But, is it still not true for most of us, even in this cold, material world?

Emma Thompson, already an Oscar winner for her leading role in "Howards End" (1992), won the Oscar for this film's adapted screenplay, becoming the first artist ever to achieve such a feat -- winning the Academy Awards for both acting and writing.
Apart from saving all important aspects of the story, Thompson included very poignant and sharp moments in the script. When her character Elinor and Edward Ferrars (played by Grant) are on a cruise ride, she says, 'you inherit your money. We cannot even earn ours,' hinting at the situation of middle class women two centuries ago, when their fortunes depended heavily either on inheritance from father or property of husband -- and it was not imaginable they should go to work. A great social commentary.
Beautifully shot, with delicate music score by Patrick Doyle, "Sense and Sensibility" is predominantly an entertaining film. But its social and human undertones are undeniable. It did win Berlin festival and the Golden Globe, but lost the Oscar race to "Braveheart". Maybe for the lack of great human topic that would rank it along "Schindler's List" or "The English Patient". Yet I feel that there was not the film in 1995 to deserve the big Oscar more than this one.

If you have sense and sensibility, you will laugh and you will cry. This is a film to love.

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