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内容紹介
巨匠・小津安二郎監督を代表する傑作の1本。結婚にあまり興味のない娘と、そんな娘に早く結婚してほしいと気を揉む家族を中心にさりげない日常をユーモアを織り交ぜ淡々と細やかに描く感動作。敗戦後わずか6年の作品とは思えないモダンな息づかいには驚かずにはいられない。北鎌倉に住む間宮家では適齢期を過ぎた娘紀子の結婚が何より気がかり。当の紀子は大手の会社で秘書として働き、いまだのんきに独身生活を楽しんでいる風だった。やがて、そんな紀子に縁談話が立て続けに舞い込むのだったが…。
Amazon.com
Like any of Yasujiro Ozu's best-known films, Early Summer is a marvel of cinematic simplicity, revealing layers of depth through multiple viewings. It may seem at first that Ozu's family tale is too simple, but looks are deceiving, and closer study reveals an intensely structured, highly formalized example of Ozu's transcendental realism, focusing on the dilemma of 28-year-old Noriko (played by the immensely popular Setsuko Hara), whose late-breaking decision to marry sends unexpected shock waves through three generations of her close-knit family. While providing a vivid portrait of liberated womanhood in post-war Japan, this lighthearted yet quietly devastating drama also serves as a gentle study of tradition vs. modernity, and a clash between conformity and independence. It's also a triumph of DVD-as-film-school: As he did for Criterion's release of A Story of Floating Weeds, the distinguished scholar Donald Richie provides an eloquent full-length commentary as valuable as the film itself, thoroughly exploring the purpose of Ozu's low-angle style, the influence of Ernst Lubitsch, the importance of Setsuko as a role model for Japanese girls, stylistic comparison to Jane Austen's fiction, and a variety of other relevant topics. "Ozu's Films from Behind the Scenes" gathers three of Ozu's longtime collaborators for affectionate reminiscence, and mini-essays by Ozu expert David Bordwell and long-time Ozu admirer Jim Jarmusch lend further appreciation from critical and personal perspectives. This is Criterion's fifth Ozu release on DVD, and like the others, it's highly recommended. --Jeff Shannon
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