内容説明
Although almost everyone recognizes Edvard Munch’s famous painting The Scream, hardly anyone knows much about the man. What kind of person could have created this universal image, one that so vividly expressed all the uncertainties of the twentieth century? What kind of experiences did he have? In this book, the first comprehensive biography of Edvard Munch in English, Sue Prideaux brings the artist fully to life. Combining a scholar’s precision with a novelist’s insight, she explores the events of his turbulent life and unerringly places his experiences in their intellectual, emotional, and spiritual contexts.
With unlimited access to tens of thousands of Munch’s papers, including his letters and diaries, Prideaux offers a portrait of the artist that is both intimate and moving. Munch sought to paint what he experienced rather than what he saw, and as his life often veered out of control, his experiences were painful. Yet he painted throughout his long life, creating strange and dramatic works in which hysteria and violence lie barely concealed beneath the surface. An extraordinary genius, Munch connects with an audience that reaches around the world and across more than a century.
From Publishers Weekly
Most famous for his painting
The Scream, an iconic expression of anxiety and a reflection of his inner torment, Edvard Munch strove to paint his "soul's diary," a quest Prideaux chronicles incisively in this fascinating study. The first comprehensive English-language biography of Munch (1863–1944) presents an in-depth artistic, intellectual and psychological portrait of the Norwegian artist. A novelist and art historian, Prideaux (
Magnetic North) enlivens her narrative with excerpts from Munch's diaries, effectively tracing the roots of his mental suffering: his father's religious fanaticism, the death of his mother and favorite sister, the insanity of another sister and the fear that he would go mad himself. Prideaux also charts Munch's intellectual influences, his immersion in Nietzsche and Dostoyevski and his involvement with a group of radical Norwegian intellectuals, including Hans Jaeger (a founding father of existentialism), and his later notable association with playwright and painter August Strindberg. Munch's angst-ridden paintings, imbued with fears of sex, illness and death, shocked the conservative Norwegian public, but found a receptive audience in Germany and elsewhere in Europe, where the study of mental disorders was coming into vogue. This penetrating account of his life sheds light on the inner demons that drove him to create these disturbing images.
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