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Frequently Bought Together
Customers Who Bought This Item Also Bought
~ レイジ・アゲインスト・ザ・マシーン
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~ アレック・エンパイア
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~ Atari Teenage Riot
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~ カンニバル・コープス
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~ Beneath the Massacre
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Product Details
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Track Listings
| 1. Speed |
| 2. Destroy 2000 Years of Culture |
| 3. Revolution Action |
| 4. Deutschland Has Got to Die |
| 5. Rage |
| 6. Into the Death |
| 7. Riot 1995 |
| 8. Midijunkies |
| 9. Start the Riot |
| 10. Too Dead for Me |
| 11. Atari Teenage Riot |
| 12. Get Up While You Can |
| 13. You Can't Hold Us Back |
| 14. Delete Yourself |
| 15. Sick to Death |
| 16. Western Decay |
| 17. Kids Are United |
| 18. Hetzjagd Auf Nazis! |
Product Description
Album Details
2006 collection. Combining driving techno beats with the musical fury and political sloganeering of hardcore punk, Berlin-based Atari Teenage Riot, led by DJ and techno artist Alec Empire, were at the fore of the Digital Hardcore movement based around Empire's label of the same name. Atari Teenage Riot viewed themselves as a vital alternative to both a politically reactionary dance music scene and a tepid punk scene in Germany in the 1990s. ATR/DHR albums were released on the Beastie Boys' Grand Royal Records in the United States.
Album Description
"This compilation is less a nostalgia trip and more a testament to forward-thinking sonic genius--one as unmatched today as it was at the time. ****" -- KEERRANG!
In the late nineties Atari Teenage Riot (ATR) was seen as part of the electronica genre, but in reality the band had nothing in common with it. It was too avant-garde, too radical in its views, simply too loud and noisy to fit in. Between their inception and their eventual dissolution after the death of the band's MC Carl Crack, ATR existed as the true alternative for Generation X, kicking down the doors of mainstream music and sexual/racial stereotyping. Even now, the political and social messages that focused the band's near-apocalyptic sound resonate even stronger than before, as a new generation of punk-influenced youth find Atari Teenage Riot via the internet and good old-fashioned word of mouth. This release stands as a testament to the years 1992-2000, when anything seemed possible.
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